do we think chocolate guy is gay?
-Grandpa Joe muttering to Charlie in that factory
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@its-theeaqueen17-stuff
do we think chocolate guy is gay?
-Grandpa Joe muttering to Charlie in that factory

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extremely funny to me that Kermit the Frog is the only main overlap character between Sesame Street and The Muppets. imagine your day job is hanging out in a community of lovely people that genuinely just want to help kids learn and care about everyone so so much and then your night job is the reason that you have to stay up to date on your rabies AND tetanus vaccine
at noon the giant you're hanging out with is Big Bird! a wonderful fellow who likes reading stories and singing and telling fun facts! at midnight there's a giant named Sweetums who makes you feel like you're being hunted for sport
Ernie, trying to maybe come out to Kermit: well you know Kermit, me and Bert-
Bert: Bert and I
Ernie: Bert and I, we've been best friends forever, but we're also something else too!
Kermit, who every goddamn night has to tell Beaker and Bunsen to keep it professional, deal with Statler and Waldorf's bullshit, AND update his organizational chart on Dr. Teeth and the Electric Polycule: that's really great to hear fellas, happy for you two! :)
Grover, alarmed at having spilled some finger paint on Kermit's flipper: I am so sorry, Kermit. Please forgive me.
Kermit, who deals with a multitude of bodily fluids on his person and all over the theatre every evening, who is unintentionally trampled by large monsters as they exit the stage, and quite intentionally has his little froggy bones launched into a wall most nights by Miss Piggy: It's ok, Grover. I'm a frog. I love baths.
On Sesame Street: Oh, no, Telly is watching too much television!
The Muppet Show Theater, that night: Gonzo attempts to explain his latest fetish at length.

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i misspell genus pernis a lot
When youâre birdwatching and you suddenly spot a honey buzzard
@aplpaca
They actually eat the larvae(of hornets mainly), not the honey! They even have specially shaped tongues for getting grubs out of their cells and special head feathers to protect from stings
May we all know decadence such as this
This is how shit feels lately

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Rock OC slider
i was watching a video about how regional cheeses are made around the world, and was shown a type of mozzarella called zizzona (the z/zz pronounced like the 'zz' in 'pizza', with a 'tz' sound), which, yes, means "mother's breast".
so rest easy tonight knowing they have titty cheese in italy.
they also make special GIANT 66lb zizzona
so rest easy tonight knowing they have hummina hummina aWOOGAH iyiyiyiyi GAZONGA cheese in italy
thank god iâm lactose intolerant
Found my 53yo very-much-not-online father in the kitchen today meticulously arranging cutlery on the countertop and i was like 'what are you doing' and he looked up at me with the world's most shit-eating grin and said "Your mother told me this is how you rick-roll the Youth" and i looked over and it was fucking. Loss.jpg.
i must stress that he's never seen the original comic. My mother simply showed him the shorthand symbol and he memorized it. As far as he is aware this is just a fucking hieroglyph that deals instant psychic damage to everyone under the age of 30
Folk, Iâm gonna vaguepost for a sec here, but itâs an important one.
If you are in the United States and not employed by a zoo or sanctuary or a veterinarian working with a facility, if anyone for any reason offers to allow you to touch a big cat, please do not do it.
No matter how much you want to, no matter how much it is a dream, understand that it is a violation of federal law that could get the facility the cat lives at in very serious trouble. It does not matter if it is through the fence, or in the context of a trained behavior, or if the cat is on a leash. Even if it feels âsafeâ or they swear the facility condones it.
Itâs starting to appear that lots of zookeepers have not been informed appropriately about the scope of the law - or in cases where they do know itâs inappropriate, they are sometimes being overridden by their management and forced to allow encounters. (Even at accredited facilities!)
We do not know exactly what the penalties could be for that happening within an accredited zoo (yay badly implemented laws) but it typically comes down to being risk to a) the catâs welfare b) the facilityâs ability to have any big cats at all and c) someone, either the facility owner or the person offering, could go to jail or pay serious fines. There are two instances of this happening at AZA zoos that were leaked recently and we may now find out how bad itâs going to get for them.
Lots of facilities will have big cat pelts as educational biofacts that they will allow you to touch. You do not ever need to take the risk associated with touching a live big cat - generally anywhere, and especially in the US.
And for some reason, if you ever are in that situation and unethical enough to actually touch the cat? Donât post it on social media and definitely donât make that post public. đ
I literally got to touch three different big cat pelts today in one zoo visit (didnât take a photo of the lion one). You! Donât! Need! To! Touch! Live! Cats!
The volunteer did not know where these pieces of pelt came from - they often donât. Generally in the US they are either sourced from US Fish and Wildlife confiscations (as part of a collab for educational programs) or theyâre actually from previous collection animals. The latter is much rarer because itâs pretty emotionally hard for staff, but it means you can touch them without worrying itâs an animal you might have loved.
Iâve seen a couple comments in the tags suggesting zoos should trade biofacts from their deceased animals for educational purposes - itâs a good idea, but a little more complicated than that!
Most of the animals people want to touch something from (elephants, rhinos, cats) are protected under at least one and sometimes multiple federal laws. Those laws extend to cover their bodies after they pass. States may also have additional laws regarding what can be done with the remains of endangered species or marine mammals. IIRC Iâve been told by keepers that some zoos canât even keep chunks of elephant tusks broken off of live animals (this happens, sometimes) because of ivory laws. Even if theyâre just burying them on site, they have to keep detailed records to prove theyâre not illegally selling the remains of protected species. So itâs a lot more complicated than just being able to keep and do whatever with the remains, even for businesses with all the right paperwork and compliance to own the live animals.
Next, youâve got to process the remains to turn them into a biofact that can be used. I donât know of any zoo that does this themselves. That means theyâve got to find a credible business that can clean skeletons or process pelts, make sure they can receive the remains (laws often prohibit movement of protected species across state lines, even if not alive), and then pay for the process.
Sometimes other institutions have a claim on the remains that could preclude other options, too. I know of a number of facilities with agreements with major museums or academic research groups who will take remains to study them or prepare them for display. I donât know if the zoo can overrule them and say theyâd like to keep a specific animalâs remains for other uses - probably very contract specific.
Then, right, you run into the same issues if you want to move finished biofacts between zoos. Thereâs a lot of laws that govern what can move where and if money can be involved, and it can require a lot of paperwork.
You also have to think about the fact that there are extreme cultural differences across the US regarding if itâs âokayâ for zoos to use their animals that way. I grew up in the Pacific Northwest where the mentality is more⌠anti-exploitation focused? Even about good zoos. Let animals be animals, donât commercialize them, etc. When I walked into a big Midwestern zoo a bunch of years ago and found a docent on the front plaza with an entire tiger pelt for people to pet - from a recently deceased animal that guests remembered - I was honestly kind of horrified? But after talking to a lot of people over the years Iâve really come to understand itâs a regional difference that seems to parallel how prevalent agriculture and hands-on experience with farming or game animals is culturally. There are still some things that blow my mind, though, like the time I found an elephant education cart with an entire taxidermied ear being used for outreach, or the lemur leg a docent had that was preserved bone and fur and all to show off the grooming claw.
All of the complications - logistical, legal, cultural, emotional - mean itâs much easier to get confiscated items loaned from US Fish and Wildlife to use for education. And this actually serves a second purpose! There is a massive warehouse in Colorado that holds a fraction of the illegal animal parts that USFWS has confiscated over the years. Iâve been and itâs⌠incredible and horrifying and really, really full. They donât want to destroy the items if they donât have to, but space is finite. So loaning out items as biofacts is a really good solution. It makes space and it provides a clearly legal avenue for educational facilities to access preserved pieces of protected animals. I also feel like using confiscated biofacts honors the animals, in a way, giving a second meaningful purpose to an item produced through senseless commercialized death.
We know that people appreciate and care about animals more when they can see them and have meaningful âinteractionsâ with them - and using biofacts people can really touch and experience is a wonderful, safe way to do that. I find most docents and volunteers donât know where the biofacts theyâre using have been sources from, so itâs hard to know if a pelt is a previous collection animal or a confiscation in the moment. Regardless, itâs an incredible opportunity to understand an animal a little better (and much, much safer than doing so with a live one).

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if I wrote a dystopian novel where the corrupt evil megacorporation that controls society has a fucking smirk for a logo, my editor would tell me to use a less heavy-handed metaphor
and yet
I love this because if I were to write a literary novel in the Western cannon that described the image of an apple with a chunk bitten off, any high school English student would tell you it is a Bible reference meant to represent the source of all evil and downfall of humanity and YETÂ
Today I discovered that melting ice makes a soundâ it cracks, pops, fizzes and hisses like demonic Rice Krispies. Apparently it has to do with pressurized air bubbles and fractures from expansion, but this leads to a question which National Geographic already answered for me:
Which is similarly heavy handed but also extremely freaking metal
god the more you think about toy story the more those toys really do kinda suck. he was literally just making art. sure he was a little twisted with it but idk i think the demonization of a creative endeavor due to context unknown to the beholder of the creative vision is some catholic-ass bullshit. honestly its even worse than that though because of when the bible said to forgive for they know not that their toys are fuckinggg alive as hell & hate them so much & plotting a big dramatic fucking scene over it instead of just talking it out. open communication right?? i mean i hate to victim blame but come on folks. when you look at how many toys he got through before they put a stop to it. well it gets a little ridiculous is all im saying. i mean i get if they didnt feel like they had a choice to resist but i still think it was a little misguided of woody to make them do all that once he did show up and was able to rally them against, in their eyes, their oppressor. and he was!! he was totally oppressing them as a class okay. sid i mean. but hell you know what maybe woody was too?? i mean not that he Was per se but he definitely had megalomaniacal attitudes which were on full display in his totalitarian grip over andys room, going so far as to kill buzz lightyear for destabilizing his whole little manufactured consent. sid's hapless spirit creates of his house a Hell for toys but woody is basically a fully aware neolib, which in its own way is ultimately worse
I really donât buy the whole âSid is a misunderstood artistâ rewriting of history narrative because while yes, he does mix and match toys in different ways which would suggest a creative mind, he also outright destroys things too for laughs?
The Combat Carl action figure getting rocks thrown at it by Sid and blown up with dynamite? Standing on top of the arcade machine at Pizza Planet? The alien toy getting mauled and later buried by Scud at Sidâs own discretion? His sister Hannahâs doll getting stolen by him right in front of her face before its head is torn off and replaced with a pterodactyl head to mock her openly? Burning a hole in Woodyâs head with a magnifying glass and oh yeah, the entire climax where Buzz Lightyear is strapped to a firework before Woody is casually tossed onto a barbecue grill with a matchstick implying that heâs going to burn him to a crisp after? Not to mention all the paraphernalia in Sidâs bedroom like the plastic head floating in the lava lamp. That thing is gonna melt completely some day and the only reason Sidâs toys survived for as long as they did is because they fix and mend each-other while in hiding (an act mistaken initially by Woody for âcannibalismâ).
Why else would they be hiding under Sidâs bed every time he appears (a clear callback to the original Tin Toy short film that was arguably the genesis point of Toy Story) if not for the fear that Sid will continue tearing them apart and quickly disposing of them for his own bitter amusement? Itâs also what makes their uprising against him so much more satisfying; Sidâs own victims emerging from the darkness to take their revenge all at once.
Itâs also made clear that Sid does NOT come from a broken or abusive family; not if Hannahâs general demeanour is any clear indication. A kid like Sid also doesnât necessarily need to come from a broken family in order to become the kind of person he is. He could be processing some things mentally yes, but the same is true of ANY growing child and clearly the way Sid does it is more-so fuelled not by a desire to create, but simply just because he can.
I understand why fans would create alternate universe fiction to explore ideas like these, but I donât understand the need to reframe Sidâs actions within the film itself as it exists, when it doesnât add anything to the narrative and does a very poor job of reframing it in a meaningful enough way. Maybe there WAS untapped artistry within Sidâs mind, but it was all wasted when he used it to be a bully to others and ultimately destroy everything he touched.
Sid is allowed to be a villain. We donât have to act like heâs a victim of some nebulously tragic circumstance that (let me remind you) is never once shown or hinted at in the film at all.
This doesnât feel to me like a âmedia literacy is deadâ moment so much as it feels like a âpeople are looking for hidden meaning where there is none to be foundâ moment.