If you follow me and have radfem on your bio I'm blocking you instantly this is a:
almost home
Keni
Game of Thrones Daily
NASA

if i look back, i am lost
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Doug Jones

Product Placement
TMBGareOK. The Official They Might Be Giants tumblr
untitled

Kiana Khansmith
Aqua Utopia|海の底で記憶を紡ぐ

blake kathryn

❣ Chile in a Photography ❣

Origami Around

Discoholic 🪩
Cosimo Galluzzi

#extradirty

Jar Jar Binks Fan Club
Fai_Ryy
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@itrulyhavenothingtodo
If you follow me and have radfem on your bio I'm blocking you instantly this is a:

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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by Leon Berkowitz (1976)
Kill all yanks
This was parked in front of the club
Happy new year! Here's the end of the 1953 EC Comics adaptation of Ray Bradbury's "There Will Come Soft Rains," first published in Weird Fantasy #17.
Via @cirnineball
Today is August 5, 2026!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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vintage 1970s silver “bloody tower” charm opens to executioner
...hohooo
comicfury continues to reign supreme as the only webcomic platform that understands it's a webcomic platform
making an extra post because the tags aren't good enough
here is all the reasons why you should use comicfury (if you aren't already) :
pretty much full control over your custom site design. if you're an HTML/CSS nerd you can go as crazy as you want with it. but for those who aren't so code-savvy, there are also simplified built-in design tools so you can create a unique site for yourself and your work. reject homogeneous minimalism design of bigger platforms, embrace tradition of mid-2000's kitchen sink site design (if that's what you want, that is).
the site demonstrates its own philosophies through its extremely charming vintage 2000's-era site design. it ain't broke so it doesn't need fixing. if it's too 'ugly' for you and wards you off from using the site, then it's succeeding at what it was designed to do.
forums! remember those??? CF sure does!
full view of your comic statistics over the past month, shown as delicious daily line graphs, separated by unique visitors, web page view, and scroll view.
hosting is free. don't want that pesky 'thecomicseries' or 'comicfury' add-on? all you gotta do is purchase your own domain name. contact kyo and they'll take care of the rest.
you can categorize your pages per chapter, making for an easier reading experience
you can include page transcripts for screen-readers as well as mouseover text
you can enable comments per upload and even manage them so that all comments have to be approved by you before they're shared publicly
archive tagging!!! i.e. you can tag uploads with relevant characters / locations / etc. so people can find specific pages easier on your site.
you can run a goddang BLOG on your comic site so that people can read what you've been up to! or don't, it's your choice!
clear filters for NSFW content. the filters do what they must to inform your audience as intended, outside of that, your comic will not be taken down, flagged, or suppressed in search results just because it contains violence or boobies.
they are strictly anti-AI
they do not make licensing deals with third-party companies, so the only 'competition' you have are other indie creators like you, no Marvel or DC nonsense
you're free to embed ads and/or donation buttons on your site and CF will not take off a single cent of it for themselves.
the front page goes to Recently Updated by default, all the other tabs are simply Popular Now and Popular Overall. there's also a Random button if you want to be surprised with something new. while this might seem like a bad thing for people who prefer custom filtering, this unbiased layout prevents the common visibility issues / favoritism / etc. that happen on other platforms.
but if you DO want to find something new that fits your specific tastes? just use their search bar, unlike on Webtoons it actually does what search bars are supposed to do! within the search page you can pick and choose whatever genre tags you want, and you can filter out major NSFW flags you're not comfortable with seeing.
saving the best for last: none of those features outlined above require paying a premium subscription tier. you have access to ALL the same tools and permissions that everyone else does. you have just as much potential to gain an audience there as everyone else and you are all granted the same freedoms.
COMICFURY HAS A SCROLL VIEW SETTING THAT YOU CAN ADJUST IN YOUR SETTINGS. THE PLATFORM IS ALREADY DESIGNED TO BE CONSUMABLE ON YOUR PHONE. IT DOESN'T NEED AN APP.
ugh man i'm so sorry for popping off on this very innocent and well-meaning bystander but what did i JUST say
when i say it's a webcomic platform that knows it's a webcomic platform
that's it. no asterisk. that's the POINT OF THE MEME.
it is a website for reading and hosting webcomics. there is no app. and that is why it works.
i realize this might just be a consequence of me being Old™️ compared to the average webcomic consumer / artist, but do y'all know how destructive phone apps have been and still are to webcomic culture? because not only is developing a phone app EXPENSIVE AND TIME-CONSUMING, but it's pretty much impossible to have phone apps now that aren't managed and funnelled through Google and Apple.
that means CENSORSHIP. and CORPORATE INTERFERENCE. and FINANCIAL INVOLVEMENT. which is entirely opposing to WHAT WEBCOMICS ARE.
as soon as indie sites based around free content develop apps, there's a very clear shift in how that site continues to operate, prioritizing corporate standards and profit over usability and community. because otherwise, they can't justify the creation of the app in the first place, and they can't very well maintain that app on account of how expensive it is to do so.
in fact, i can even attest to this from experience! y'know Tapas? the friendly competitor to Webtoons?
this platform used to FUCKING SLAP and then guess what? they released their phone app. and in doing so, they immediately lost the entire fucking plot. their ad revenue program turned to shit, they started prioritizing their advertising and growth towards paywalled comics over the free to read ones, they started restricting the content that was allowed on the platform for the sake of 'brand friendliness' and most of all, they started caring more about what INVESTORS saw rather than what the average user experienced.
and i'm sure that's a heavily biased opinion in which i'm choosing to cast blame on one specific thing instead of all the various things that led to the downfall of this fuckass platform (and i could talk about all those things at length too) but guess what? i don't give a fuck if it IS biased, because i've been there and back and lived to tell the tale and the common denominator in the enshittification of all these major platforms i'm goddamn MEME'ING ON was the phone apps. and most of all, the normalization of corporate involvement which happens the MOMENT you build an app for the Google and/or Apple store.
modern phone apps are NOT about accessibility, they're about money and metrics. that's it.
again, big apologies to the person who left these tags in the reblogs because i know they didn't mean any ill will of it.
but EVERY FUCKING DAY i see y'all complaining that webtoons and tapas are garbage, that they don't let you consume NSFW content without censoring the fuck out of it or removing titles entirely from their platforms, how they progressively tighten paywalls and increase ads to force every last cent out of you, but never ONCE do y'all realize THE CALLS ARE COMING FROM INSIDE THE HOUSE.
comicfury doesn't have or need a phone app for the same reason that AO3 doesn't have or need a phone app. to put it simply - because it's pointless, a waste of money and effort, and it would just destroy everything that's great about the thing that i'm trying to promote to you in the first place.
this is what usage freedom and decentralizing actually looks like. this is what has kept comicfury populated and alive. nothing more, nothing less.
EVERYONE get in the tags rn and tell me your favorite cheese
The way you treat animals matters to me.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
TOKYO BOIS! by Miwa Tosaki, 2011
esto lo estoy escribiendo desde el corazón, y desde la computadora del laburo ignorando que terminó la feria y tengo que trabajar. yo soy argentina, y morocha. así que me tocó que me tiren insultos e injurias racistas prácticamente desde que tengo uso de razón. ni siquiera tan morocha como para considerarme directamente negra, pero lo que sí me toca ver es que te insulten al toque que ven que no sos un blanco teta insulso y con la cara roja e irreconocible por la rosácea
argentina es un país racista porque asocia ese color de piel a una clase social, sumado al odio irracional e infundado que causa la existencia del racismo + combinado con xenofobia, alimentado por décadas y décadas de televisión basura y "chistes". y lo demuestra con agresiones, desde las más "chistosas" e "insignificantes" de la vida diaria, hasta las más violentas, que AFORTUNADAMENTE no son muchas. pero poca inseguridad ya es demasiada inseguridad, aplica tanto al crimen como para la discriminación
y precisamente por eso no da chapear de esa estadística. "a diferencia de tu país en el mío no matan negros" excelente, fantástico, tu país es mejor que el otro porque respeta el primer y más básico derecho humano. y ahora?
"no tenemos negros porque no teníamos esclavos" excelente fantástico exepcional, tu país respetó otro derecho humano básico que es la libertad. entonces?
la cuestión es: nada de eso es un cumplido ni mucho menos algo por lo cual sentir orgullo. es más, es borrar una parte de tu historia y de tu propia realidad. qué vas a hacer cuando inevitablemente veas a un argentino negro, indígena, sufrir una discriminación?
porque veo que muchos defienden al país chapeando de estos datos, y haciendo de menos al problema. que maten o insulten a una sola persona por algo arbitrario e irracional ya es un problema del cual hay que ocuparse, porque no podés perder la empatía por otro ser humano porque la violencia que sufre no es visible, cuantiosa o importante a tus ojos
"tuvimos un jugador negro campeón del mundo" "una libertadora de hace doscientos años era negra mirá sí tenemos negros" por qué eso demostraría algo?
y el punto al que quiero llegar es el siguiente: tu defensa del país y de tu gente no debería ser "no somos racistas", sino que tenés que ser activa y ruidosamente anti racista y anti otras formas de discriminación. y eso empieza por uno mismo, y por tu círculo cercano
la próxima vez que veas a alguien decir "negro cabeza" no deberías reírte ni agachar la cabeza, sino enfrentarte a esa persona para que aprenda que no debería expresar ese odio por otro ser humano que no le hizo absolutamente nada. eso es solo un ejemplo
y comprendo la frustración porque nos ponen a todos en la misma bolsa, pero es más importante demostrar que no sos un peligro para otras personas al oponerte y luchar contra esos discursos, que decir que algo no existe o es menos grave porque pasa "poco"
These pieces are moments in time but they are also made up of many things. Field Path, the middle illustration here, is a patchwork of memories from different places, brought together by the hills I always look for as a landmark. In a photograph they look distant and tiny, but that's never how they feel to me.
Even the wild rose, which is quite similar to the reference photograph, is still a representation of my memory more than a direct copy. Some things I re-drew several times or felt indecisive about, others I drew once and that was it, the first time.
The end result in each case is very much like what I see and feel when I remember these places, and I'm happy about that. I'm always seeking to convey feelings more than a literal representation of something. These two things do often go hand in hand, but perception and memory shape and change things. I think this is true even when I'm drawing from fantasy, because it has to draw from both real and imagined reference points and be processed mentally... The lines are often blurry between drawing from life and imagination.
caught a gnome trying to steal a single grape so i blew him apart with my mind
I've never loved anyone as much as I love Ursula Le Guin

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Let's kill this guy with mama.
stay vigilant. there are still people out there who will try to convince you that eating fruit is somehow bad for your body