DON'T LET ME DRAW

Woman in Interior, Kmetty Janos

Vague#Océan#Gironde#France#Photo Numérique#Retouche Numérique#Valérie O-Dussurgey https://www.instagram.com/p/Bmy543ehL7z/?utm_source=ig_tumblr_share&igshid=m7d1nledk6w4

Alice Bailly, Rainbow, 1917

romance

Seated Nude. 1913, oil on canvas, 103 x 72.5 cm. National Museum of Art, Architecture and Design, Oslo

Detail & edit: Narcissus, 1881, by Gyula Benczúr (Hungarian).

https://www.wikiart.org/en/winslow-homer/surf-prout-s-neck

Ian Crawley - Here We Go, 1997

Donato Giancola

Jean-Baptiste Mondino, 2001

Camille Pissarro was a versatile and experimental Impressionist artist who, in the mid- 1880s, adopted a new style popularized by Georges Seurat and others of using small dabs of color to create pictures of breathtaking effect. The Pointillist technique enabled Pissarro to render this foggy view of factories and barges on a river in Rouen, France, with subtle beauty in a delicate range of colors. The artist’s shift in style was accompanied by a change in working methods; Pissarro painted this labor-intensive picture in his studio from drawings and etchings rather than en plein air. “L’île Lacroix, Rouen (The Effect of Fog),” 1888, by Camille Pissarro 

Euan Uglow (British, 1932-2000), Pepe’s painting, 1984-85. Oil on canvas

Eddie Jones

Lucien Levy-Dhurmer