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@theartofmadeline
Mike Driver

JBB: An Artblog!
Claire Keane
ojovivo
PUT YOUR BEARD IN MY MOUTH

pixel skylines
will byers stan first human second

blake kathryn
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć

Kiana Khansmith

#extradirty
Cosmic Funnies
d e v o n
I'd rather be in outer space šø
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macklin celebrini has autism
AnasAbdin
Not today Justin

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@is-this-art
when customers try to come in after closing

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Inktober day 4 underwater
October is LGBTQ History Month.
Because of generations of activists who came before us, we have made incredible strides toward justice.
Because of unconscionable hate in the White House and beyond, we have so much farther to go.
Because of brilliant, dedicated people fighting all over the world for whatās right, we will get there.
These are the two scenes I got to animate for the Cartoon Network 25th Anniversary bumper. Iām so grateful I got to be a part of the this with the Oddfellows teams. Incredibly talented people.
The Milt Kahl Head Swaggle (Source: Cartoon Brew)
I love it when you can pick up an animatorās quirks.Ā
Ā Ā Ā Ā Iāve read in old interviews with Milt Khalās fellow animators that he did the swaggle to purposefully show off. Moving the head in 3-d space is an exceptionally hard thing to do but Khal upped the level of difficulty to a place many animators wouldnāt go. Ā Ā Ā Ā Not only are they all doing the swaggle youāll notice they are all TALKING while they are doing it. This is back in the days where you had to use a timing sheet to pace your animation and a head swaggle doesnāt work if its too slow or too fast so he had to figure out the right speed so it looked natural while the character finishes what they have to say while not interfering with the distinct mouth shapes. Ā Ā Ā Ā Ā Not only did Khal do it without any shifting weight problems or timing issues he would often do it while moving the rest of the body. This isnāt his signature move just because he was good at it.This is his signature move because he was one of the only people skilled enough to DO IT AT ALL.
Milt Khal was a MASTER.

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Me: hey howās it going
My Australian friend: ???????
Me: oh sorry
Me: noŹ ĒÉ¹É ŹoÉ„ ŹĒÉ„
Them: ohhhhhhh LOL the spiders are coming and I only have minutes left
Sometimes the help you need isnāt the help you want. Call 1-800-273-8255 if youāre thinking of suicide.
This comic meant a whole lot to me. It was sincere in its depiction and treated the issue through the eyes of a grounded person. Not some godly hero saying everything is better than it seems, but a person trying his best before bringing her somewhere who can actually help.
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a couple of cute witches
I drew this Enid as i tested an new art style

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I see this kinda advice passed around all the time here is the thing: shading with black will indeed look bad if you donāt know what you are doing. However, telling people not to do things without explaining why is terrible advice.
Shadows are the opposite of light, this includes in colour.
This means that if you have light in one colour, the shadow will be of the opposing hue, saturation, and value.
Unless the object is white, it has its own local colour -Ā the objectās true colour, how it would appear if the light were pure white.
The colour of the light influences the local colour of the object. so if you had yourself a brown cube and a blue light, the colours would get bluer and pinker.
now the reason shadows do not tend to be black is because pure white light is hard to find in nature.
the closest you will get to pure white light is during a really overcast day and the sun is filtering through the clouds, but even then itāll lean towards yellow so the shadows will be slightly blue.
During a clear day, the shadows will pick up a lot of bounce light from the blue sky and have a blue tinge. You can learn more about this in this tutorial: [http://artbyriana.deviantart.com/art/Why-shadows-aren-t-gray-321656856]
But! None of this means you are never allowed to use black.
realistically shadows will have a hint of a colour to them, but stylistically you might be going for, say, a film noir look and deep black shadows are needed for impact for example.
The more you know about how light works, the more informed decisions you can make about shading and the more options you have.
If someone tells you that you canāt do something, theyāre wrong! you can do what you like!
yes, black is hard to use and if you just mix a colour with black itāll get muddy, but thats easily resolved by choosing your colours manually - which ideally you want to do regardless bc the computer doesnt have your eyes & cant choose the colours you like
basically if someone gives you some art advice and says you canāt do something, theyāre wrong! you can, you just might need to study a little to figure out how to make things work.
I mean for example, people will say you must make your composition follow the rule of thirds and never align centrally, but while the rule of thirds makes it easy to create visual interest, Mad Max Fury Road is a testament to the fact that central composition can and will work if you experiment.
there are no rules in art! there are theories based on reality, this has been a post on colour theory & light theory, but they exist to inform you, not to restrict you.
Do what you like! Trust your eyes, if you think something looks good, then great! If you donāt, then research & experiment until you do.
Also if you wanna learn more abt colour theory, I go into it in a lot more depth over yonder: http://helpfulharrie.tumblr.com/post/131822744966/ http://helpfulharrie.tumblr.com/post/131958395841/
puttin this on my art blog so i can keep finding it
heather mcnamara, her dad is LOADED. He sells engagement rings!!
Baby Moana on canvas
Iām testing out acrylic paint and canvas

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A princess Tiana
The second best pun Iāve ever encountered in the wild was when I was walking down the street in a āhipā part of SeattleĀ and saw a couple of Budweiser cans thrown into a bush. And I said to a random stranger walking nearbyĀ ādamn, the local beer harvest is really poor this yearā. And the random stranger respondedĀ āgive it time, theyāre only budsā.
why is this the second what the fuck could top that