Ana ran an amazing giveaway a while back to help raise funds for the family of Ed Valdez (Oscar Isaac’s cousin) after Ed was tragically killed in a car accident, and I was one of the winners! This cute art was part of my prize 😍 and I love how it captures the spirit of the ship; Poe annoying Hux into a relationship 😂. Thank you sooooo much! 💕
The go fund me for Ed’s family is still running and can be found here: https://www.gofundme.com/f/in-love-and-memory-of-ed-valdez
It is with deep sadness that we share the loss of Ed Valdez. The founder of Hidden Tem… Michael Hernandez needs your support for In Loving M
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Hi!! Since it isn’t explicitly stated in canon that hux is insecure about being thin, is there any evidence that supports hux is insecure about his body image?
Hello, hello! This genre of ask is my bread and butter. I’d like to approach your question from two angles—visual and textual.
VISUAL
If there’s one thing nobody can say about the Star Wars sequel trilogy, it’s that the costumes didn’t rock. Michael Kaplan, designer for all three films, has given several interviews about his process, and they’re very much worth reading. I’ve personally dabbled in costume design for theatre, and I find this kind of behind-the-scenes insight invaluable; in my experience, costume design is character design.
In both of the interviews linked above, every mention of Hux is accompanied by a mention of “extreme” or “severe” silhouettes. This is noteworthy because Domhnall Gleeson—and therefore General Hux—has a very narrow build. He’s not particularly physically imposing, despite his height, which means Kaplan made the choice to simulate mass on Hux where there is none, seen most obviously in the breadth of his shoulders. The tailoring details of his uniform (e.g. princess seams, padded shoulders, and belted natural waist) are designed to exaggerate Hux’s shoulder-to-waist ratio by creating an inverted-triangle shape, and his greatcoat adds to the illusion because the tapering of its frankly massive lapels follows the same lines.
[LEFT: Domhnall Gleeson on the red carpet. MIDDLE: General Hux and Kylo Ren on the bridge, TFA. RIGHT: General Hux on the bridge, TLJ.]
This information may originate from our side of the fourth wall, but that doesn’t preclude it having an in-universe explanation. Kaplan states in one of the interviews linked above that Hux’s costume “is unique to him,” which, given its similarity in broad strokes to the costumes of other First Order officers, implies a uniqueness in its tailoring rather than its concept. We can therefore infer that said tailoring—and the illusion it creates—is a choice made by the character. Hux may not be able to do much about his natural slenderness, but he can manipulate others’ perception of it; this is very much in keeping with the canonical material we do have about Hux’s approach to his appearance.
From The Force Awakens Visual Dictionary:
Hux has always believed that appearances are vital for maintaining discipline, and wears a parade uniform designed to broadcast his authority as general.
Precision tailored military uniform evokes Imperial imagery
From The Rise of Skywalker Visual Dictionary:
Hux hates the Knights of Ren; he despises their unkempt appearance and how they tread dirt into the polished halls of First Order capital ships.
Hair coiffed to Hux’s exacting standards
The Star Wars visual dictionaries paint Hux as a character deeply concerned with his image, because he associates appearances with authority and discipline. We see this philosophy in action in The Last Jedi, when Hux is Force-slammed into his own bridge by Snoke via holocall; beyond an initial surprised yelp, he barely reacts to the violence, and the next time we see him in Snoke’s throne room, he’s washed the blood from his face and slicked his hair back within an inch of its life. Hux reacts to a reminder of his own vulnerability by controlling what he can control—and in this case, that means the way he looks.
TEXTUAL
I assume we’re all familiar with the “thin as a slip of paper and just as useless” quote from Brendol in Aftermath: Life Debt. This line is only the tip of the iceberg, as the insults Brendol is willing to voice in front of his superior officers are almost certainly tamer than those he’s willing to hurl in private. Though Grand Admiral Rae Sloane orders the Commandant to stop hurting his son in the following novel, Aftermath: Empire’s End, she has no way to enforce this ban on verbal abuse. (Or physical abuse, if we’re being realistic.) Said abuse is a near-constant reminder of Armitage’s physical “deficiencies”—likely due, at least in part, to chronic malnutrition during the early years of the First Order. Armitage’s resulting insecurities are reinforced through adulthood by the stark physical contrast between himself and Captain Cardinal, the human tank of a stormtrooper whom his father makes no secret of preferring.
We can also pretty reliably identify a character’s insecurities by observing what they envy in other people, and in the case of Armitage Hux, he (begrudgingly) envies both of his rivals—Cardinal and Kylo Ren—their physical prowess.
From The Rise of Skywalker novelization (emphasis mine):
"He's almost beautiful to watch," mused Allegiant General Pryde, standing tall beside him. The older man had arrogant blue eyes and a high hairline that seemed immune to perspiration, even in a hell-climate like this. "Don't you think?"
Hux refused to gratify that with a response, because true beauty came from discipline, from order. So it was almost against his will that he found himself mesmerized as Ren met a barbarian's charge head-on, cloak flowing, mist swirling around him. The glow of his lightsaber occasionally snagged on his cheek scar, making it appear as though a crack of glowing lava slashed his face. It was like something out of a dream, or maybe a nightmare, as the Supreme Leader plunged his fiery crossguard into his attacker's abdomen, lifted him from the ground, and sent him toppling onto his back.
Hux has very little good to say about Ren in any Star Wars text, but here he’s “mesmerized” “almost against his will” by the sight of Ren using his considerable strength to hurl Sith cultists around like sacks of flour. This is not a scene wherein Ren uses the Force to do battle, so the focus is on his physicality alone. Given that Hux is the creator of the First Order’s various combat training simulations, one has to wonder how many times a younger Armitage might have watched Cardinal use his strength with the same reluctant fascination.
There’s nuance here, of course. Hux’s hyperawareness of his appearance and the physical “weakness” it might betray doesn’t necessarily translate to self-loathing. I think Hux is perceptive enough to understand that his body—tall and slender with unique coloring—is advantageous in other ways; while it may not be the ideal build for a warrior, it has its own elegance and aesthetic appeal.
From The Last Jedi novelization (emphasis mine):
The Finalizer's gleaming black bridge was a model of efficiency, with controllers and monitors briskly exchanging information from the Star Destrover's targeting computers and sensor suites. Hux smiled at the thought of himself as the center of all that activity—a slim, dignified figure in black, uniform perfect, standing at parade rest.
It’s entirely possible that Hux would have an entirely neutral-to-positive opinion of his body if not for his history of abuse by larger, physically stronger men.
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Guillermo del Toro’s spellbinding take on one of the most enduring of all modern myths, Mary Shelley’s Frankenstein, imbues the classic tale with new depths of humanity while pushing it toward dazzling heights of gothic grandeur. Shifting between the perspectives of the brilliant but callous Victor Frankenstein (Oscar Isaac) and the creature (Jacob Elordi) he fashions from flesh and then cruelly mistreats, del Toro movingly reframes the legend as a story of fathers and sons struggling to break free from cycles of trauma. A decades-in-the-making triumph of darkly ravishing visual invention and operatic storytelling, Frankenstein is a deeply personal statement from a director who has long been drawn to the realm where men and monsters merge.
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Interview with composer Alexandre Desplat conducted by film-music scholar Jon Burlingame
PLUS: An essay by scholar and author Christopher Frayling
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I’ve had a go at drawing something quite complex!!! I’m so proud of myself!!!
General Hux now has the shiniest balloon in the entire galaxy. On Force Day, I spotted Hottoys’ Cosbi balloon figure blind boxes and realised that the only one related to Star Wars Episodes VII–IX was the Prog Bird. How could that be? So I drew my own. Having learnt that balloons represent a character’s destiny and memories, I drew General Hux holding a Phasma balloon. He’d be happily wandering about with it until Phasma spotted him . :)
I’d originally intended to post this on Children’s Day, but I didn’t finish it in time. Still, I wish him a Happy Children’s Day, and hope that his life with Phasma can help heal the regrets of his childhood.
When will Cosbi release blind boxes featuring Hux and Phasma? I’m still waiting.