Page from Comme Des Garcons 1975-82.

WORN-OUT TURTLENECK FROM MAISON MARTIN MARGIELA A/W 2000

Martin Margiela “A studio condo 15 minutes’ walk from work, 88,000 yen a month, with separate bath and toilet. The place is so immaculate, it’s hard to believe he’s been living here for six years. An instructor at Bunka Fashion College, they call him “maestro Margiela.” He’s been into the Martin Margiela scene from seven years back. Originally his soul belonged to Comme des Garcons, then one day a department store manager got to talking with him and he changed over just like that. “The Margiela philosophy and concept of clothes was just so perfect.” Now just look at him: the only clothes he keeps here are Margiela, “because it’d be improper to put anything else together in the same closet. I’d even wear Margiela underwear, if there were any!” Each season he siphons his entire salary, some 2 million yen into his high-end habit. No normal obsession, he stretches forward when eating so as not to dirty his precious clothes, and scrubs the cuffs and collar with soap when he gets home. He never washes patterns and whites together in the same laundry load – his white shirts are absolutely spotless – so say he’s got a weekend engagement, he’ll spend an hour working out the order of washes counting backwards from what he’s got coordinated for tomorrow. No drying outside either, because smog will stick to the clothes; he uses a hanger rack to dry everything indoors, each item in a specific order. And when spring comes, he stores away his knitwear in special airtight vacuum bags. A perfectionist in all things, does his Margiela-style fussiness extend to his living quarters? Well, he’d rather eat out than infuse his clothes with daily life smells, and only keeps eyedrops in the refrigerator. He’s never once lit the stove or run the water in the kitchen, keeping only a precision stack of room-tempered process soy milk packs. No wastebasket even. When he gets thirsty, he rushes to the nearby shop and drinks on the spot, taking the trash out at the same time to discard at the store. No men allowed to piss in the john standing up, lest they cause a mess. This is a man after Margiela’s heart (not to mention his landlord’s).“

Xinyi Cheng (Chinese, b. 1989), The Haircut, 2013. Etching and aquatint on paper, 12 x 18 in.

Kunsthalle Wien: Louise Bourgeois. Jenny Holzer. Helmut Lang, 1998

Dazed & Confused, Apr. 1999 Matheo Renoir wearing jacket and pyjama trousers Kostas Murkudis SS99 Ph. Nick Haymes

Ajak Deng For Wonderland Magazine

HENRI MATISSE, Memory of Oceania, Nice-Cimiez, Hôtel Régina, summer 1952-early 1953. Gouache on paper, cut and pasted, and charcoal on paper mounted on canvas. / MoMA

Zucca Spring/Summer 1999

Jean Colin, poster illustration for flower exhibitions, Rose and Dahlia, 1969. Paris. Via Chisholm Gallery

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Figure, no.2

yproject fw 16

Test shoot with Wilson by Noma Osula

Harpers Bazaar US Oct 2002 ‘Cover Options’ - Karolina Kurkova by Inez & Vinoodh

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