He doesn’t know what time it is.
Half an hour of walking - ten minutes, maybe? five seconds? - and he can’t even bother to dig into his memories deep enough to remember what day it is. Heavy feet are dragging him along paths he’s never ventured to before, but does he care? No. Does Res care about anything right now? It’d be hard, it’d be very hard to figure that out, and the man himself can’t even tell whether he cares anymore or not.
All he cares about, in the daze of a mind that can’t handle being alive for too long, is that his feet want to go somewhere, and if that’s what they want to do, then why not? Who is he to stop them from carrying him further into a dark city, or even better, off the nearest cliff?
He’s absolutely nothing, not anymore. A mere shell of what used to be, a resigned vessel of a soul that had quit being one, in favour of ridding itself of the pain of being whole once more.
Maybe trauma does that to you. Puts your soul in front of a choice: return to what you were or drop it all, become what you will inevitably become, which is nothing at all. And the soul would, of course, then go ahead and pick the second option because after it’s been ripped to shreds, had to support a mind heavier than one’s guilt-filled boots, fight against a heart that won’t bother to fix it, why would it even think about putting in the effort to have the spirit remain whole?
So his feet do what they want, his gaze lifts to stare at the green light as passively as he possibly can, and he’s crossing the street, a street he’s never crossed before, god knows if he’ll ever cross it again. His ears don’t even recognise the sound of a nearing car at first, it seems that only the blinding light of the nearing vehicle can really grab his attention. And it’s that second, that second of suddenly waking up from that state of nothingness, that delivers only one thought, and one thought only. He doesn’t know if he’ll remember it.
But if he will, he might wonder, why think ‘not again’?
The impact never happens and his life doesn’t flash before his eyes - he’ll most likely later wonder whether that can even happen twice, or whether he had used it up the one time he had already had to sink helplessly and watch it happen - the only thing he recognises is the force with which he’s suddenly pulled away, sounds filling the air that reminds all too eerily of that event.
Next thing he knows is the feeling of cold concrete below fingers that are finally starting to regain some feeling, even as the harsh beating of his heart against his ribcage threatens to send his mind reeling again, into an all too familiar state of panic he’ll hardly climb back out from.
He’s stunned. His mouth is hanging agape, he doesn’t know if he’s hurting, if he’s even alive, and all he can actually focus on is the odd dark figure moving not too far away from him. Even the car that had almost done him the favour was lost to him as he tries to swallow with a throat that feels all too dry to really be of any use.
“H…hey,” and the croaky, unused sound of his own voice surprises him, makes him flinch back into himself. Is he sitting? Yes, he seems to be. What… what… is…
There’s not a shadow darker than the shadow of blood, and Res’ heart stills when he recognises it.
“Hey, are… are you okay?”
even in the clarity of the moment where the spiking senses are at its peak, his mind is still muddied by the lathering, triggering traumas that collide against the forefront of his mind, creating a series of cacophonies: i. ) the collateral height of a death that doesn’t have any pain registered in his nervous system, ii. ) the bouquet river of the blood that flows from a mother’s head like a carefully painted halo, and iii. ) the versatile edges of the pain that has become all too familiar for him as a functional human being. he has been created into a monster. moments like this remind him back to the figure three, which he doesn’t know is better than figure one or not. figure two being the worst, its voice filling his ears with abstract noises. sometimes white. he doesn’t know which death is more worthy: the slow, eventual — or the quick, judgmental. in the freeform of this one, it reminds him of the former, but beguiles him of the latter.
not like he’s dying, but his mind is screaming the false alerts even as his body starts repairing itself. skin starts suturing on its own, red none than inklings left of an accident that almost occurred. the car has long swerved them, running away. in the depth of the swallowing darkness is just himself, and the man he’s just saved. it’s as if the culture of the night is laughing at the both of them, riveting the missed demise onto the street. they’re roadkills, inside. breathing is just customary movements at this point. he can tell that the man is stunned by the trauma, and so is he. it’s not brand new; for fuck’s sake, at this point, he should’ve got used to it. the pain is another common syllable in his dictionary. there’s no shock there.
however, it’s not like he can pretend the traumas don’t haunt him before proceeding to eat him alive. back to the partiture of the asterisks, terms and conditions of normality apply. he’s never actually living in it: it’s just a grandiose illusion that he’d like to think as growth, coping mechanisms that have been nothing but a disguise. drags himself into a sitting position as he feels that the gashes are closing with rapid successions, arms trembling from the impact — more mental than physical — as he picks himself up. hoists himself, feeling the cold of the wind sweeping them. it leaves nothing but the soaked feelings against the side of his body where the blood, his blood, has drenched. there’s no more pain, now. it’s been less than five minutes, and the speed in which he recovers sometimes scares him to a point of no return.
looks at the stranger, realizing that the silhouette of the man seems to be inundated in the distress, but he is okay. relief pours in. “yeah,” kai speaks in return upon digesting the question asked, voice altered by the changer to a mechanical sound but it doesn’t quite hide the mild surprise that slowly fades. “are you?” but he doesn’t hover close to the stranger, doesn’t offer a hand to help the stranger stand up. “be careful next time.” and he lets his fatigued senses rest for a while, releasing his target. the man’s saved, mission accomplished. at least there’s that.