The older man speaks of truth and integrity, and the contrast between that and the depiction of him portrayed by the media becomes clearer than ever. The cold, villainous manipulator he’s read about could never be aligned with such concepts, and yet Fisk offers them up so firmly, almost reverently that it gives Bayor a moment’s pause. He’s long since learned that the world is far too stubborn to be neatly tucked into categories of black and white. That shit is in technicolor, and there’s a near endless cornucopia of shades to be reflected in every individual that’s shuffling along the easel’s surface.
Bayor’s always been good at reading people, at finding what mess of hues cling to them, but even so, Fisk seems to be a tough nut to crack. He’s pretty certain that that’s very much on purpose; a man like Wilson Fisk probably can’t afford to be wearing his heart on his sleeve at all times. Politics and high end business are no places for a bleeding heart, nor is the criminal underworld if those things are to be believed, and yet there’s still this air of sincerity that Bayor can’t help but to focus on. Hell, the guy was honest enough to say he’s never even read the blog beyond the fact that it is a blog. Beyond the sincerity, there’s a hint of…desperation to the delivery of the request despite the dignified and controlled air that the older man maintains in the ask. It ingratiates Bayor and makes him thinks that this is something that he genuinely wants to be a part of.
It’s true; he’s really no kind of journalist to any real degree, he just takes pretty pictures and says things are cool. Even so he’s willing to give it a shot, and the terms are more than fair: He can write what he sees as he sees it as long as he doesn’t post any of it prematurely. Even when you’re willing to put the truth out there, it makes sense that one might want to see what someone’s about to say or write about them before it becomes available for public consumption and scrutiny. After a brief pause, he gives a nod and holds out his hand for a shake to seal the deal.
“You got it, dude. Nothing goes out there without you takin’ a look at it first. I think this is gonna be fun, or as fun as something like this could be anyway. But I want you to be open with me. If we’re gonna do this, then I need to, like, do it right. I want people to know you, that behind all the rumors, and the lies, and the accusations, and even the very real and terrible things you’ve done, there’s gotta be a guy there. A guy that wants to do better and be seen as better, but I can’t show that to anyone if you’re not upfront with me, right? So I agree to this, and to your terms, but if you shake my hand right now you’re signing up for real and open honesty. Can you do that?”
❝ of course. ❞ fisk answers with haste , as hesitancy does not favor his circumstance , and what would strike as an error of his long established , pensive behavior is smothered by his distinguishable sureness . however , neither men are yet indebted to one another's principles , for fisk does not shake ocampo's hand as soon as it's offered to him , his own having been placed on the table but his palms remaining flat upon the surface with his thumbs hovering as far back as they could without fully encompassing a state that is unnatural . or at least , unnatural to fisk himself , as any outside consciousness of his own peculiarity rarely touches him , even though he is not entirely blind to it .
he's not yet looked at ocampo again , attention still trained on the city beyond the glass , the silhouette of neglected architecture . the mirage that no longer chains him with intangible conflict , ambition having filled the shoes of his dread and intending to travel upon a much greater path , as is his prerogative . ocampo is a small but hopefully serviceable facet of fisk's intent and wilson fisk has suffered the ramifications of his own negligence enough to refuse any further nearsightedness that may obstruct the transcendence of his former self . so when the other man's silence and later proposal becomes an after the fact subject of fisk's own reflection , his vacant eyes fall , the light that deflects itself from the city's skyline oscillating with his thoughts over his outermost display of wistfulness .
there's a story deep inside the ink of the bible , and time seems to shift in the favor of fisk's musings . he wonders what ocampo would do with the undiluted truth if he were to give it to him . if the other man's conscience has evolved enough to embrace it . if he would be blinded by the shape that fisk's own convictions had taken , but in the same breath consoled inside the shadow it cast , be it made of doubt , or the freedom of living in darkness . unseen but unchained from the quixotic cast of probity . fisk has by no means ever considered himself christ like in that regard , but all the same , the thought draws a twitch to the side of his mouth that ocampo cannot see . he looks to ocampo now , focused more in the vague direction of his face rather than looking him directly in the eye while he waves a hand as if to usher the younger man's patience , or maybe turn a page .
❝ i'm soon to be exonerated , by the federal government . ❞ his thumbs fall upon the table with a sound of finality . ❝ the fbi has ... finally , been drawn to the conclusion of my innocence , and while i'm not at liberty to discuss the matter with the press at this stage , i promise you the earliest exclusive , for your .... your blog . but what i want from you , mister ocampo , is actually ... much more complex , than that . i worry that my false conviction might translate to the public as a ... an institutional failure , on the side of the federal government . and that the ... injustice , will incite outrage . ❞ his eyes flicker back down to the table between them .
❝ i myself have always had faith in the capability of the justice department to ... see that justice ... is done . it has been . my incarceration , and my freedom ... is a sign that the greater good will always prevail against forces beyond the scope of our individual realities . as will the plans that i had for this city . plans that i still have today . recompense , and ... resentment , are not things that i have time to harbor in myself , not while there's still change to be made in hell's kitchen . nor is that what i wish to see in the spirit of the community . i want to adapt the public's anger into a much more important purpose . keep the people's sights set upon the future , as opposed to the past . i want you to help me redirect the narrative of my release . ❞