The Wicker Man (1973) | dir. Robin Hardy
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@inafter
The Wicker Man (1973) | dir. Robin Hardy

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perceives.
’ huh. what for? ’ he doesn’t seem like company anyone would especially want.
‘ i owe her a favour. i owe her a few, actually. and i’m pretty sure she’s writing them down, somewhere, because she always knows exactly how much i owe her. ’
halfraw.
dreaded words – she hates being recognized, though at this point, it can’t be helped. but alice smiles and nods politely anyways, as one does at parties. “maybe you do.” surely he does, it’s not hard to figure out. “it’s my mother’s party, actually.” evident from the overly elaborate decor, very nouveau riche, not something she would have planned herself. “sorry, do i know you? i’m not good with faces.”
‘ i don’t – know. i figure we can settle on maybe for now and circle back if we feel like it. ’ he sticks out so sorely that he could be crashing, but there is a very real chance someone dragged him along as a plus one and promptly forgot they did. ‘ – is it your birthday? her birthday? ’
@childactress
‘ do you ever feel like, ’ he waves his cigarette around, almost knocking a snowballing clump of ash off the end, ‘ maybe they had a point back in the – eighteen – seventeen hundreds, or whatever, and an image really does capture a little piece of your soul forever? a tiny, tiny piece in each and every frame? ’
exspiritment.
“Okay, okay.” She likes that she doesn’t hear a no. “What kind of movie is my kind of movie?”
‘ you tell me, ’ he deflects easily. ‘ romance or horror? perhaps something more avant-garde. ’

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@wthwolves
‘ that’s actually – ’ he pokes his head up from behind a camera. they’ve just discarded the very well (and naturally!) lit piece of trash he’d been filming rising and falling with the wind. ‘ – very stupid, i know. but – maybe it’s for the best. maybe you’ve just saved me from myself. ’
@halfraw
‘ don’t i know you from somewhere – ’ he squints, trying to reconcile two warring, blurring images. don’t feel terribly special, he could have used that line with just about anyone in here. c’est california. ‘ this isn’t your party, is it? ’
lil one liner call
exspiritment.
@inafter
“Do you think I could make it in the movies? I like making faces. Maybe that’s all it takes.”
a slow, tall shrug. ‘ i think it’d depend on the movie. ’
perceives.
‘ no shit. ’ laura stares. ‘ so, what, you stalking her? ’ she doesn’t believe this — she’s heard his name before, and nora didn’t seem impressed — but, still, there’s an edge to her voice.
' i don’t know if that’s possible. ’ like, have you met her? ‘ she did invite me. just not to stay. ’

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perceives.
uh. ‘ i think i’d know if she invited someone to stay. ’
‘ i’d think you would, too. ’ he lets that float in the air for a second or two, before letting it evaporate: ‘ i’m not staying here. ’
perceives.
‘ not in my house. in illinois. ’ which, as she already mentioned, was where they ran out of gas.
‘ same answer. ’
perceives.
it’s the midwest. every american who thinks they don’t have an accent is already here, though she doubts it’s worth mentioning: clearly his view of himself is beyond her influence. laura looks down at the hole in the floor — the house truly is a death trap — and then scans the room for a spare tarp, or wood planks or something.
‘ why are you here, then? if it sucks so bad? ’
he thought that was obvious: ‘ for nora, of course. why are you here, if it sucks so bad? ’
perceives.
‘ yep. ’ it’s not boring to her; it’s also not home, which most would undoubtedly consider much worse. ‘ just where we ran out of gas. you from here? ’
‘ me? no. no, no. ’ he laughs, terribly good natured and friendly. it is absurdly clear from the very first moment of conversation that he does the heavy lifting in whatever relationship he and nora have. ‘ do i sound like i’m from here? they have some kind of accent, surely. the locals. just to paint all the outsiders with a great big red ‘x’. ’
perceives.
‘ uh, i guess so. ’ she’s unsure why she feels so defensive: the bigger question is why it isn’t about this guy being in her house, but that’s laura. ‘ i’m laura. she came here with me. ’
‘ to illinois? ’ you must really be something, huh. ‘ it seems much too quiet a place for her. i guess this is the sort of place people mean when they call a town sleepy. i don’t know how she can stand it at all. ’

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perceives.
who is he? what’s wrong with him? so many questions, and the guy’s name is her only vague answer — classic nora.
“there was a tarp, but she needed it for something else.”
‘ i see. ’ he says in a way that could only be described as ‘knowingly’, though whether or not he knows anything or just pretends to is up in the air. ‘ i didn’t know she was living with someone. though, it does sound like her to keep that quiet, doesn’t it? ’
deleting all other characters and just making this a dan blog ? yes/yes ?