love me some extraterrestrial-prehistoric-walking-fossil-saurian-sexy-looking-motherfucker reblog if you fancy space lizard on two legs with osteoderms and dragon claws 🐊

if i look back, i am lost
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@imout0
love me some extraterrestrial-prehistoric-walking-fossil-saurian-sexy-looking-motherfucker reblog if you fancy space lizard on two legs with osteoderms and dragon claws 🐊

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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When I was younger and more abled, I was so fucking on board with the fantasy genre’s subversion of traditional femininity. We weren’t just fainting maidens locked up in towers; we could do anything men could do, be as strong or as physical or as violent. I got into western martial arts and learned to fight with a rapier, fell in love with the longsword.
But since I’ve gotten too disabled to fight anymore, I… find myself coming back to that maiden in a tower. It’s that funny thing, where subverting femininity is powerful for the people who have always been forced into it… but for the people who have always been excluded, the powerful thing can be embracing it.
As I’m disabled, as I say to groups of friends, “I can’t walk that far,” as I’m in too much pain to keep partying, I find myself worrying: I’m boring, too quiet, too stationary, irrelevant. The message sent to the disabled is: You’re out of the narrative, you’re secondary, you’re a burden.
The remarkable thing about the maiden in her tower is not her immobility; it’s common for disabled people to be abandoned, set adrift, waiting at bus stops or watching out the windows, forgotten in institutions or stranded in our houses. The remarkable thing is that she’s like a beacon, turning her tower into a lighthouse; people want to come to her, she’s important, she inspires through her appearance and words and craftwork. In medieval romances she gives gifts, write letters, sends messengers, and summons lovers; she plays chess, commissions ballads, composes music, commands knights. She is her household’s moral centre in a castle under siege. She is a castle unto herself, and the integrity of her body matters.
That can be so revolutionary to those of us stuck in our towers who fall prey to thinking: Nobody would want to visit; nobody would want to listen; nobody would want to stay.
#it’s so so important to remember that representation is not one-size-fits-all#what is empowering to one person might be exhausting and oppressive to someone else#some people need stories about having the strength to save themselves#some people need stories about being considered worthy of being saved#some people need inspiration for their independence while others need validation that they don’t have to be able to do everything themselves#before you lash out against something PLEASE stop to consider:#is this inadequate and/or damaging representation?#or is it just something I don’t personally relate to? [X]
It’s been half a decade and I still haven’t found an articulation of the complexity of “representation” as concisely and precisely mindblowing as @hungrylikethewolfie’s here.
thinking about monstrosities and tenderness
on my hands and knees begging some kind artist to do a quick color coded muscle study of this because trying to draw this body type is kicking my ASS
BEGGING
on my hands and knees begging some kind artist to do a quick color coded muscle study of this because trying to draw this body type is kicking my ASS

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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六本木ヒルズ「ムーミン展 THE ART AND THE STORY」のコラボメニュー
mini mb for @milkychuu 🌼
I love this!!!!!
this whole purity culture juice leaking from anti posts makes me so sad?
(aside from also being super wild to me as someone who didn’t grow up in an environment where religious shaming over thinking the wrong thoughts is a thing)
like, as a kid of 8 or 9 I used to sneak to my mom’s bookshelf and secretly read excerpts from whatever I found there, thrillers, drama, you name it. If I found something I didn’t like or was squicked by, I pulled a face and but the book back and moved on with my life. If I found something I did like I came back and reread the pages in question.
When I was 9 or so and had to stay home bc I was sick, my mom put Wir Kinder vom Bahnhof Zoo (Zoo Station: The Story of Christiane F.) on my bedside table bc she knew I’ve been coming back to that one a lot despite my attempts at stealth, and she was like, “I know you want to read this, so you might as well just do. We can talk about it afterwards.”
And I read it.
There were drugs and not everything about them was always 100% bad and an obvious cautionary tale bc it’s a biography and Real Life isn’t black-and-white at all times. There was also sex work because that’s how the protagonist had to finance her addiction at some point. It’s a heavy book, it doesn’t sugarcoat things, but the aesthetics of some things intrigued me nonetheless, from the safe distance of almost two decades and a couple hundred kilometers away.
And when I was done reading, my mom and I talked about it.
Like we chatted about Der Vorleser (The Reader) and Das Parfum (Perfume: The Story of a Murderer) when I had to read those in school years later.
And about Anne Rice’s Vampire Chronicles when both of us got into those and the thrillers I got her for Christmas but usually read before she did as well as Goethe’s Faust when that became a topic at school.
And yet I never aspired to groom an actual teenage boy to be my lover when I’m older, never considered killing an actual human being, never felt like it was okay to rape someone IRL as long as you’re “whoops, sry” about it afterwards, just because I read about it - more than once even from the murderer’s/rapist’s p.o.v.
What I’m trying to say is, the understanding that consuming (and creating) fiction in which Bad Things happen (or are even done by the characters you’re supposed to care about) has NEITHER impact NOR makes a statement about your morals or actions IRL, was such a BASIC part of my growing up that I’m literally unable to wrap my head around purity culture/anti thinking.
And while I’m appalled and angry at the harassment stemming from it and annoyed at it poisoning previously enjoyable fandom spaces,
most of all I’m just so terribly terribly sorry for these young people.
I can’t imagine what it must be growing up being afraid of your own thoughts, of fictional kinks, of not experiencing the Proper Amount Of Disgust in the face of problematic fictional content. And how it must feel to be so obsessed with niché fiction that hurts you when you read it, that you can’t stop seeking it out anyway, despite it being easier than ever nowadays to avoid.
I hope you all grow (or work yourself) out of this vicious cycle at some point.
Ariana Grande in Final Fantasy Brave Exvius

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Official Art of Madoka Kaname and Homura Akemi from Puella Magi Madoka Magica
Official MadoHomu Card Artwork from Puella Magi Madoka Magica Part III
Part I, and II
Official MadoHomu Card Artwork from Puella Magi Madoka Magica Part I
Part II, and III
Official Character Design of Madoka Kaname, Homura Akemi, Tomoe Mami, and Bebe, and Weapon Design of Homura Akemi, and Tomoe Mami

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Official MadoHomu Card Artwork from Puella Magi Madoka Magica
you fucks better start using colored text everywhere like you’re a school girl who just got a pack of glitter pens for her 12th birthday
Or a pen with multiple colors
*click* *click* *click* *click* *click* *click* *click* *cliiiiiiiick*