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@imhereforbvcky
“Stop shrinking to fit places you’ve outgrown.”
— Unknown

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10 THINGS I HATE ABOUT YOU (1999) dir. Gil Junger
You know that whatever character did those problematic things isn't like. Real, right?
You are aware that a fictional character is just a rhetorical construct designed to fulfill a narrative/thematic purpose right? That their actions are written by an author who wants to use them to explore complex ideas and moral gray areas within the safe confines of fiction right? That they aren't a real person who has killed real people right?
Come here.
MÄ€RAMA (2025) dir. Taratoa Stappard
FLORENCE PUGH as Yelena Belova — Black Widow (2021)

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[Video description: Gritty is turning the crank on a flagpole to raise the Progress Pride Flag. He gesticulates angrily that the flag is not blowing in the wind, then gestures offscreen. The flag begins blowing. As Gritty begins raising the flag more, the camera pans out to show a man in a suit and sunglasses, looking like a stern Secret Service agent, is holding a leafblower that points at the flag. End description.]
Zendaya | "Spider-Man: Brand New Day" Photocall in London, England | June 25, 2026
These remind me of this drawing by Franz Kafka from the 1900s. We've been feeling this way for a long time.
prev, i'm sure you mean my guy Leonid Pasternak
9th century illustration of a miserable saint (probably Matthew) trying to write
Pottery art from 450 BCE Rhodes, Greece, showing a very stressed out woman (probably Sappho) trying to write
Fragments from ancient New Kingdom Egyptian tomb circa 1350-1333 BCE showing several scribes in the depths of writing hell
The Scots emptied THREE DIFFERENT BOSTON BARS OF BEER.
Including the Sam Adam's Taproom. Whose only job is to HAVE BEER.
Amazing. Stunning. 10/10
Also, thank you @crubblessnowglobe for making sure I saw this:
Australians getting fucked up on the good shit in Seattle. Top tier work.
caramel frappe give me the strength to clean my room
caramel frappe PLEASE
#this art is so evocative. it feels like a goya paintingÂ
thank you so much this is the highest compliment
OP did a lovely job with this piece. The pose they picked is a difficult one to do correctly and dynamically- the doubling over is hard to illustrate without making it look weird or poorly drawn, the low seat of the “pelvis” making the figure dip down lower (to emphasize the clutching motion of the hands) is a hard perspective to imagine without a reference. I liked the way OP chose to draw the shoulders, evoking both the hunching of shoulders that would be present in a fleshier painting and drawing out the strong, dynamic curve of the body.
The blood, the desperate clutch, the crying and the pose all suggest something religious, making the post all the more impactful with its drawing- The caramel frappe does not answer the subject, just as God does not answer the subjects of paintings who depicted the same theme.
It’s also intriguing where OP chose to put details. In amostly minimalist creation, the (relatively) detailed frappe, hands, and face guides your eyes in a a dynamic way- from the frappe to the face, then follows the line of the body out to the end of the legs- making the art more interesting to the eye.
I have a theory about the colors that I’m not sure is true, but I think the subject being black and white separates it from the frappe, which is fully colored. The blood, neither frappe nor person colored, acts as a connector between the two– the only ways the two subjects can connect are through touch and sight, both of which causes the human subject pain. Then again, I may be reading into things too much idk
okay this is my favorite comment on this entire post

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Can I get some specific instructions on how to diminish and go into the west?

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