I'm Imaginary

If the supposed solution to all of her problems was at the tip of her fingers, why shouldn’t she rely on it? Anyone would do the same, or at least that’s what she always told herself. Allison doesn’t like not being in control. She doesn’t like knowing what it feels like to lose, so she just chose to take everything into her own hands. And she controlled the entire narrative until it all came crashing down in the worst way possible, so she tries to rebuild. She tries to become a better person for the sake of her daughter even when she could solve it all with the slip of a tongue.

And she DOES become a better person. She actively makes the choice to atone for her mistakes and to make some amends in her family and she tries and tries and tries so hard. But then, thanks to her brother, she was thrown into the 60’s as a Black woman without her voice, her most powerful tool for the majority of her life until that point. So what does she do? Rebuild again! This time, she manages to make a life for herself without relying on her powers whatsoever, and she finds her voice in the Civil Rights Movement. She manages to find a new place to call home and manages to find love and hope in a time that’s so horrible and unfair, because if nothing else, if her daughter and her siblings are nowhere to be found, then at least she has that to cling to.

But then she decides to leave it all behind in the hopes of getting back to her daughter. She knows the risk, but she makes the decision to leave anyway. And I think that’s why her downward spiral in S3 makes so much sense and is so heartbreaking to watch. Because there’s this woman who’s lost it all more times than she can count, someone who used to be in control of every aspect of her life once upon a time, who never knew failure was an option, who tried so hard to right each and every one of her wrongs even when she didn’t HAVE to, who made the decision to build a new life for herself and to be kind and patient and selfless and YET…none of that was enough. She couldn’t save the one person she was fighting so hard for so of COURSE she’s mad. She’s rightfully angry and she’s grieving and she’s even downright cruel at points, but why wouldn’t she be?

illustrated version of this tweet:

This is a compiled list of some of my favorite pieces of short horror fiction, ranging from classics to modern-day horror, and includes links to where the full story can be read for free. Please be aware that any of these stories may contain subject matter you find disturbing, offensive, or otherwise distressing. Exercise caution when reading. Image art is from Scarecrow: Year One.

PSYCHOLOGICAL: tense, dread-inducing horror that preys upon the human psyche and aims to frighten on a mental or emotional level. 

“The Frolic” by Thomas Ligotti, 1989

“Button, Button” by Richard Matheson, 1970

“89.1 FM” by Jimmy Juliano, 2015

“The Yellow Wallpaper” by Charlotte Perkins Gilman, 1892

“Death at 421 Stockholm Street“ by C.K. Walker, 2016

“The Ones Who Walk Away from Omelas” by Ursula K. Le Guin, 1973

“An Empty Prison” by Matt Dymerski, 2018

“A Suspicious Gift” by Algernon Blackwood, 1906

CURSED: stories concerning characters afflicted with a curse, either by procuring a plagued object or as punishment for their own nefarious actions.

“How Spoilers Bleed” by Clive Barker, 1991

“A Warning to the Curious” by M.R. James, 1925

“each thing i show you is a piece of my death” by Stephen J. Barringer and Gemma Files, 2010

“The Road Virus Heads North” by Stephen King, 1999

“Ring Once for Death” by Robert Arthur, 1954

“The Mary Hillenbrand Cassette“ by Jimmy Juliano, 2016

“The Monkey’s Paw” by W.W. Jacobs, 1902

MONSTERS: tales of ghouls, creeps, and everything in between.

“The Curse of Yig” by H.P. Lovecraft and Zealia Bishop, 1929 

“The Oddkids” by S.M. Piper, 2015

“Nightmare at 20,000 Feet” by Richard Matheson

“The Graveyard Rats” by Henry Kuttner, 1936

“Tall Man” by C.K. Walker, 2016 

“The Quest for Blank Claveringi“ by Patricia Highsmith, 1967

“The Showers” by Dylan Sindelar, 2012

CLASSICS: terrifying fiction written by innovators of literary horror. 

“The Tell-Tale Heart” by Edgar Allan Poe, 1843

“The Interlopers” by Saki, 1919 

“The Statement of Randolph Carter“ by H.P. Lovecraft, 1920

“The Damned Thing” by Ambrose Pierce, 1893

“The Legend of Sleepy Hollow” by Washington Irving, 1820 

“August Heat” by W.F. Harvey, 1910

“The Black Cat” by Edgar Allan Poe, 1843

SUPERNATURAL: stories varying from spooky to sober, featuring lurking specters, wandering souls, and those haunted by ghosts and grief. 

“Nora’s Visitor” by Russell R. James, 2011

“The Pale Man” by Julius Long, 1934

“A Collapse of Horses” by Brian Evenson, 2013

“The Jigsaw Puzzle” by J.B. Stamper, 1977 

“The Mayor Will Make A Brief Statement and then Take Questions” by David Nickle, 2013

“The Night Wire” by H.F. Arnold, 1926 

“Postcards from Natalie” by Carrie Laben, 2016

UNSETTLING: fiction that explores particularly disturbing topics, such as mutilation, violence, and body horror. Not recommended for readers who may be offended or upset by graphic content.  

“Survivor Type” by Stephen King, 1982

“I’m On My Deathbed So I’m Coming Clean…” by M.J. Pack, 2018

“In the Hills, the Cities” by Clive Barker, 1984

“The New Fish” by T.W. Grim, 2013

“The Screwfly Solution” by Racoona Sheldon, 1977

“In the Darkness of the Fields” by Ho_Jun, 2015 

“The October Game” by Ray Bradbury, 1948

“I Have No Mouth, and I Must Scream” by Harlan Ellison, 1967 

PSYCHOLOGICAL: 

“Paradise Pine” by C.K. Walker, 2016

“Suffer the Little Children” by Stephen King, 1972 

“Rocking Horse Creek” by C.K. Walker, 2016

“The Ledge” by Stephen King, 1978

“Ted the Caver” by Ted, 2001

“The Fly-paper” by Elizabeth Taylor, 1969

CURSED:

“The Reaper’s Image” by Stephen King, 1969

“Correspondence” by Bloodstains, 2011

“Casting the Runes” by M.R. James, 1911 

“The Dionaea House” by Eric Heisserer, 2004

“1408″ by Stephen King, 1999

“Stinson Beach” by Walter Smith, 2011

MONSTERS:

“The Crawlers” by Jimmy Juliano, 2014 

“Pickman’s Model” by H.P. Lovecraft, 1927

“Dollhouse” by C.K. Walker, 2016

“I Love My Grandparents’ Fireplace” by Rona Vaselaar, 2016

“Click-clack the Rattlebag“ by Neil Gaiman, 2015

CLASSICS:

“Oh, Whistle, and I’ll Come to You, My Lad” by M.R. James, 1904 

“The Voice in the Night” by William Hope Hodgson, 1907 

“The Cask of Amontillado“ by Edgar Allan Poe, 1847

“A Sound of Thunder” by Ray Bradbury, 1952

“Cool Air” by H.P. Lovecraft, 1928

SUPERNATURAL:

“It Was a Different Time” by Cymoril Melnibone, 2018

“The Testament of Magdalen Blair” by Aleister Crowley, 1929 

“Instructions for the Babysitter” by CR Jones, 2018

“The Hand” by Guy de Maupassant, 1880 

“63 Years Ago” by Jake Healey, 2016

UNSETTLING:

“Window” by Bob Leman, 1980 

“No Matter Which Way We Turned” by Brian Evenson, 2016

“The M Show Fan Club” by lenalona, 2013

“The Dune” by Stephen King, 2011

“Jacqueline Ess: Her Will And Testament“ by Clive Barker, 1984

“The Judge” by Rona Vaselaar, 2015

PSYCHOLOGICAL:

“Nightcrawlers” by Robert R.  Mccammon, 1984

“Burn” by C.K. Walker, 2016

“Examination Day” by Henry Slesar, 1958

“Miriam” by Truman Capote, 1945

“To See the Invisible Man” by Robert Silverberg, 1979 

“A Conversation with a Stranger on the Bus” by C.M., 2019

“The Man Who Loved Flowers” by Stephen King, 1977

“Paleontologists Were We” by C.K. Walker, 2016

CURSED:

“The Hourglass Tattoo” by The Dead Canary, 2019

“I Uncovered the Disturbing Truth Behind a Haunted Film…” by Joel Farrelly, 2015

“Moomaw’s Curses” by Pippinacious, 2017

“A Curse is Killing My Friends and I’m Next” by Zamil Akhtar, 2017

“The Cat From Hell” by Stephen King, 1977

“I’ve Been Getting Strange Letters from the St. Louis Prison” by Andrew Harmon, 2015

“The Ash-tree” by M.R. James, 1904

MONSTERS:

“The Midnight Meat Train” by Clive Barker, 1984

“Recluse” by Jimmy Juliano, 2016

“The Raft” by Stephen King, 1982

“Mr. Widemouth” by perfectcircle35, 2010

“The Beast of Averoigne” by Clark Ashton Smith, 1932

“Graveyard Shift” by Stephen King, 1970

“The Puppet in the Tree” by Dopabeane, 2018

“The Autopsy” by Michael Shea, 1980

CLASSICS: 

“The Triumph of Night” by Edith Wharton, 1914

“Specialty of the House” by Stanley Ellin, 1956

“The Oval Portrait” by Edgar Allan Poe, 1842

“The Mezzotint” by M.R. James, 1904

“The Occupant of the Room” by Algernon Blackwood, 1917

“Where Are You Going, Where Have You Been?” by Joyce Carol Oates, 1966

“The Waxwork” by A.M. Burrage, 1931

“The Terrible Old Man” by H.P. Lovecraft, 1920

SUPERNATURAL:

“The Stillwood King” by Kris Straub, 2008

“She’s Gotten One Step Closer Every Night…” by Nick Botic, 2018

“Beauty” by Robert R. Mccammon, 1990

“My Girlfriend Talks in Her Sleep…” by Ryan Matthews, 2018

“The Everlasting Club” by Arthur Gray, 1910

“Char” by C.K. Walker, 2016

“The River Styx Runs Upstream” by Dan Simmons, 1981 

“Lemon Blossom Girl” by Kris Straub, 2008

“How to Summon the Butter Street Hitchhiker” by Chris Hicks, 2018

UNSETTLING:

“Soft” by F. Paul Wilson, 1984

“The Taxidermied Child” by Tobias Wade, 2019

“It’s a Good Life” by Jerome Bixby, 1953

“Magnum Opus” by C.K. Walker, 2016

“Something Passed By” by Robert R. McCammon, 1990

“The Stretching Party” by Nick Botic, 2018

“Incident On and Off a Mountain Road” by Joe R. Lansdale, 1991

“Other People” by Neil Gaiman, 2001

THEY’RE FINALLY HERE! 

If you follow my Twitter or my Instagram stories you’ve seen I’ve been chipping away at these for a while, and I’m happy to have the complete set at long last. It a fun exercise to imagine what each of TM9 were like as kids, especially the ones who’s childhoods we know less about, like Molly. Do you have any headcanons about TM9 as babies? Other than they must have been adorable, of course!