$LAYYYTER
cherry valley forever
Xuebing Du
d e v o n

𓃗

oozey mess
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JVL

shark vs the universe
hello vonnie
will byers stan first human second

tannertan36

@theartofmadeline
2025 on Tumblr: Trends That Defined the Year

Origami Around

Misplaced Lens Cap

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@ihavenohear7

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Achei que somente era necessário te dar água, mas faltava te dar amor, e assim você faleceu, me desculpe, sou falha.
Estava sem rumo, apenas á caminhar, com trapos largos pelo corpo, sem desejo. Olhando para cada canto da rua, ouvi suas bufadas, você me chamava. Imediatamente meu olhar foi pra sua direção, caminhei mais alguns passos, cheguei perto, logo chorei, percebi que você me entendia, era apenas um cavalo que me olhava profundamente, conversou comigo, todavia a hora me chamava e eu precisava partir.
No outro dia, fui procurar-te, refiz o caminho mas não te senti, não te ouvi, não te cheirei, não te vi, logo, senti sua falta, senti que te perdi.
A internet é tóxica
Eu preciso me recompor

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Paul Delaroche - The Young Martyr (1855)
Little watercolour terrariums! I want all of these and more in my house <3<3
Presa em casa
Em um isolamento solitário
Vejo da minha janela, pessoas mortas andando.
Eu não consigo respirar
Kanno Sugako (1881–1911), was a Japanese radical anarcho-feminist.
She was the first woman to be executed in modern Japan for political reasons, at the age of 29, for having led a plot to overthrow the government - which was building a new economy on the backs of girls sold in slavery to textile factories during the Meiji period.
Later, when the judge asked Kanno if she wished to make a final statement, she stated her only regret was that the plot failed.
I learned about her from a book called “Flowers in Salt” by Sharon Sievers about the modern beginnings of feminism in Japan.
It’s a heartbreaking book.
Japan wanted to modernize after seeing the threat of US technology in the late 1800s. The government was able to create a trade economy due to the literal enslavement of women and girls in textile factories.
Companies visited rural towns promising a better life for young women. Farming parents believed their daughters would have more opportunities if they could support themselves, and the government created propaganda to this aim.
Girls as young as 6 walked through the mountains to the factories with no shoes, so it was eventually called a trail of blood.
Later, towns caught on, and when a company came to collect girls, they protested, and were met with violence.
(Resistance to company collection of girls actually sparked one of the first modern labor protests in Japan.)
Female workers were locked in, and the dorms were a prison. The invention of lamps meant that working hours extended to as much as 36 hours at a time. Their handwoven textiles were exported for company profit, and male overseers raped them.
There are anecdotes of men finding women’s bodies near the factories, where they had escaped just long enough to kill themselves.
Kanno lived at a time when this was happening, and had been raped herself when she was fifteen. She wanted to stop the government expansion which was coming at the expense of human rights.
The modern economy of Japan was created through enslaving and selling women and girls.
And as radical feminists know, that hasn’t ended. All economies are built on women’s slavery in one way or another.

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my fav part
CHŁOPI (eng. THE PEASANTS) 2022, dir. Dorota Kobiela — concept trailer
Based on the Nobel Prize-winning novel by Władyslaw Reymont, the story follows a young woman in the late 19th century who is forced to marry a wealthy farmer, despite her love for his son. The townspeople come to despise her, but she fights on. Set in the Polish countryside on the cusp of the 19th and 20th Centuries, the story’s dramatic turns tie into the changing seasons, hard labor in the fields, and the traditional local holidays. The look is inspired “by popular realist and pre-impressionist paintings from the 19th Century, with an emphasis on the Young Poland Movement and the works of such artists as Józef Chełmoński, Ferdynand Ruszczyc, and Leon Wyczółkowski.” It won’t be done until 2022, considering every frame (over ~65,000) has to be painted by hand.
Please, I want so badly for the good things to happen.
— Sylvia Plath
Art Prints by Oh Jess Marie
x / x / x / x / x x / x / x / x / x

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