what the fuck are my mutuals doing
Stranger Things
Not today Justin

tannertan36
2025 on Tumblr: Trends That Defined the Year
ojovivo

if i look back, i am lost
One Nice Bug Per Day
Misplaced Lens Cap
todays bird
Jules of Nature

ellievsbear
KIROKAZE
let's talk about Bridgerton tea, my ask is open
Noah Kahan

blake kathryn
we're not kids anymore.

#extradirty
Keni
The Bowery Presents
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@idonutcareforyou
what the fuck are my mutuals doing

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Humiliation victim gotta be one of the least funny gimmicks ever
It never ends
Dont unfollow me I can post about something you care even less about wait
I don't do "art studies," i draw "wrong" until I get an epiphany from god
More game devs need to understand the following concepts:
There is a finite amount of memory on any given device.
No matter how good your game is, players will want memory for other things on their devices.
Not everyone has a stable internet connection so making single player games needing an internet connection is not good.
4. The price of memory has more than quadrupled in the past six months

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I love this picture so much! Post it whenever I come across it.
Inner Mongolian Child
The little girl’s name is Butedmaa and she was just 5 when this picture was taken in 2003 by Han Chengli.
(I used to have a printout of this at my desk at work because I just loved looking at it so much.)
"get him pregnant" well thats not my thing but to each their own
"get her pregnant" *takes up my sword and shield* i wont let you do that to her. ......................
i have been noticing recently that people younger than me are too sensitive, while people older than me are not sensitive enough. which, if i'm correct, should be taken as a sign that the total reality penetration vortex is operating as intended -- within as few as five or six generations we may very well be producing babies who can directly perceive the wound at the heart of the world

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i’m not going to call myself “the friend who’s too woke” or hedge around my opinion because this is my deeply considered belief: horror literature is the theater of disgust, and the disgust that drives the vast, vast majority of classic horror media from the 1890s-1940s—dracula, jekyll and hyde, king kong, nosferatu, the mummy, universal frankenstein, the wolf man, cthulhu, and more—is the exact disgust that drove the worldwide tide of violence in the 1930s and 40s, a tide that has never fully receded, and you have NO business adapting a piece of classic horror media if you aren’t willing to put in the work to identify what is portrayed as disgusting in that property and enter into some form of dialogue with it. if you don’t want your movie to be “about” race or class or gender or sexuality or ability, you’re free to choose a source material that isn’t already about that, but unluckily for you giant hypersexual apes do not exist in a vacuum
they keep telling us not to look at the eclipse cause they dont want us to see the strings pulling the moon cause its FAKE
amazing wayback machine find
“The daily routine of most adults is so heavy and artificial that we are closed off to much of the world. We have to do this in order to get our work done. I think one purpose of art is to get us out of those routines. When we hear music or poetry or stories, the world opens up again. We’re drawn in — or out — and the windows of our perception are cleansed, as William Blake said. The same thing can happen when we’re around young children or adults who have unlearned those habits of shutting the world out.”
— Ursula K. Le Guin

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one direction was gonna eat that girl. they bought her for food
$6 coffee oh ill see myself out