Owl House

Belos trying the same tactic with both of the poor kids. But what a contrast between the towering monstrous form versus the puddle he was reduced to in the end.

He hurt Luz and Hunter enough. More than enough. He snatched literal life away from them. I'm relieved that both of them had proximity away from him at the time of his death:

with Hunter being safely far away, and Luz making a conscious decision to walk away from him, so that they didn't have to witness his demise. On top of what they both already had to heal from, witnessing him dying would've been...visceral on another level for their senses, and for the memories they'd be carrying for years afterward.

I wouldn't ever want these to be the last sights (and sounds!) of Belos that Luz and Hunter are exposed to:

Especially because they had a history of trusting in him first, before experiencing betrayal from him. This scene was freaky enough for an adult audience member like me to watch...I can't imagine being a child, who previously trusted in Belos, placed in this situation.

It was different for Eda, King and even Raine (who has been staging and leading the CATTs rebellion over a long period), who were the ones to finish him off, because they didn't have prior experiences of deeply trusting in Belos first.

Coming in from a clinical perspective as well, if you work as a therapist you have to note down and weigh two areas for every client case: risk factors vs. protective factors that can either worsen or improve whatever mental health conditions they're experiencing. Doing this gives a clearer picture and creates higher awareness of a client's situation and struggles.

I'm zooming in on just risk factors for PTSD symptoms (list is from the National Institute of Mental Health's page about PTSD):

I underlined the blue to show which risk factors that Luz and Hunter would already be up against without witnessing Belos's death: that's already 7 out of 8!! (keep in mind they saw stuff like the grimwalker graveyard in Belos's mindscape) And these poor babies already met enough criteria for diagnoses of depression and C-PTSD respectively. If they witnessed him dying, it would've been a "big T" trauma event that could do more great damage and complicate the recovery process.

The red underlines are if they witnessed Belos's death, adding more layers of wounding when it comes to the relevant risk factors. And what would intensify things is like I mentioned, their history with Belos in particular is downright messy since they experienced betrayal from him in such awful ways. You can't be betrayed by someone if you didn't first place trust in them. In Hunter's case, he had (and realistically, would still have) love and attachment to Belos.

It's heavy enough that both of them were mourning father figures that left them behind at the start of those 3.5-4 difficult years, and would experience depressive symptoms related to those losses:

Hunter mourning Belos himself and his life in the Emperor's Coven which brought meaning to his life, while Luz mourned Manny and her use of the glyphs that helped her find her place when there was nothing else that worked.

They would need Camila, Darius and Eda as their solid rock to fall back on for unwavering support, along with the love from everybody else.

If I rewind things a little, I'm also relieved that Hunter wasn't ambushed by Belos in For the Future, and that Luz didn't give into temptation to "blast him away" in Watching and Dreaming:

Their anger and frustration was most definitely valid, but I'm pretty sure that any decisions to follow through with their desire to strike back at Belos...would've added salt to their moral injuries and bred more painful confusion in the years that they'd have to spend recovering from all that they went through.

The contrast is so poignant when it comes to Belos isolating Hunter for years and instilling the fear of wild magic, versus Hunter's future in carving palismen to connect with nature and with others.

We have his signature gloves as part of all his outfits before he went to the human realm, representative of that isolation and fear: Belos wanting to keep 'Caleb' to himself, wanting to prevent Hunter from forging connections and thus finding freedom. The gloves come off once Hunter has room to create and experiment and explore.

During the many many months in between him beginning to learn the palismen-carving craft and us seeing him mastering it in the epilogue, there would've been many setbacks. Many cuts and splinters via mistakes (thus, more wounds and scars...small, but numerous) and bandages on his hands, like what happened with the sewing needle. Thus, many times when he was reminded of what happened with his best friend. I can imagine that on the more difficult days of learning under Dell, remorse and horrible memories eating into him, he'd be more at risk of leaving more cuts because it would be harder to focus. There would've been days where he got close to giving up.

In his arc, this changed everything:

He was found by a free-spirited, strong-willed palisman.

This was when things began to be truly dangerous:

but by then he gathered enough courage to finally question Belos directly.

What a high price to pay. Recovery from trauma is certainly that way in real life too. But it led him on that path towards transformation, towards what he truly wanted.

In his old life, he'd point a staff at others to intimidate, to instill fear, and be Belos's instrument in furthering a cause that Hunter didn't truly support.

In the future, he generously gives palismen to others from the heart, via new creations made with his own hands, to bring more love, connection and wonder into the world. Letting others live out their truth via the bonds forged with their new palismen, the same kind of truth he himself had to fight so hard for.

If we rewind back to what the Bat Queen said in Hunting Palismen:

contrast that with this point in Hunter's arc:

Still blocked and numbed out from fully experiencing the worst thing he had ever been through: being possessed and in that process, slaying Flapjack.

Willow and Gus had just began to reach that vulnerability within him, moving him with their love and support (which is why the anger he had for around 2/3 of For the Future began to subside).

But it wasn't enough.

In the finale, he gets some temporary respite and relief:

But I believe the real gruelling work was to begin beyond this exact point:

More vulnerability ahead, to pave the way for healing.

Putting the scene of him looking at the old Flyer Derby photo (in For the Future) next to the scene where the Bat Queen sums up what palismen are all about...it indicates to me how steep the climb would be to connect with the full range of his emotions and memories, which parallels his development under Dell's mentorship. To bring some beauty out of that horror he has endured. To bring about the conviction that yes, he deserved Flapjack's gift, from Flapjack's sacrifice.

It would've been years before he would confidently and effortlessly rest in the truth of who he really is, and who he would like to be (remember his "Even if I'm not who I'm supposed to be, I like who I am right now" in front of the mirror, right before getting possessed?).

Liberating himself from enmeshment with his violent abuser and that old life, a process he'd have to repeat again and again even beyond Belos's death. Changing that narrative of "supposed to":

into freely choosing the person he would like to become after Flapjack granted him love and literal life. We receive the one clue that he wanted to freely choose, as early as this scene:

When it comes to palismen, we have "emotion" and "conviction" and also the deepest wishes that witches have in their hearts.

For emotion to flow freely, there must be vulnerability, generosity and love: Hunter integrating even the most difficult emotions into his story.

Belos trying the same tactic with both of the poor kids. But what a contrast between the towering monstrous form versus the puddle he was reduced to in the end.

He hurt Luz and Hunter enough. More than enough. He snatched literal life away from them. I'm relieved that both of them had proximity away from him at the time of his death:

with Hunter being safely far away, and Luz making a conscious decision to walk away from him, so that they didn't have to witness his demise. On top of what they both already had to heal from, witnessing him dying would've been...visceral on another level for their senses, and for the memories they'd be carrying for years afterward.

I wouldn't ever want these to be the last sights (and sounds!) of Belos that Luz and Hunter are exposed to:

Especially because they had a history of trusting in him first, before experiencing betrayal from him. This scene was freaky enough for an adult audience member like me to watch...I can't imagine being a child, who previously trusted in Belos, placed in this situation.

It was different for Eda, King and even Raine (who has been staging and leading the CATTs rebellion over a long period), who were the ones to finish him off, because they didn't have prior experiences of deeply trusting in Belos first.

Coming in from a clinical perspective as well, if you work as a therapist you have to note down and weigh two areas for every client case: risk factors vs. protective factors that can either worsen or improve whatever mental health conditions they're experiencing. Doing this gives a clearer picture and creates higher awareness of a client's situation and struggles.

I'm zooming in on just risk factors for PTSD symptoms (list is from the National Institute of Mental Health's page about PTSD):

I underlined the blue to show which risk factors that Luz and Hunter would already be up against without witnessing Belos's death: that's already 7 out of 8!! (keep in mind they saw stuff like the grimwalker graveyard in Belos's mindscape) And these poor babies already met enough criteria for diagnoses of depression and C-PTSD respectively. If they witnessed him dying, it would've been a "big T" trauma event that could do more great damage and complicate the recovery process.

The red underlines are if they witnessed Belos's death, adding more layers of wounding when it comes to the relevant risk factors. And what would intensify things is like I mentioned, their history with Belos in particular is downright messy since they experienced betrayal from him in such awful ways. You can't be betrayed by someone if you didn't first place trust in them. In Hunter's case, he had (and realistically, would still have) love and attachment to Belos.

It's heavy enough that both of them were mourning father figures that left them behind at the start of those 3.5-4 difficult years, and would experience depressive symptoms related to those losses:

Hunter mourning Belos himself and his life in the Emperor's Coven which brought meaning to his life, while Luz mourned Manny and her use of the glyphs that helped her find her place when there was nothing else that worked.

They would need Camila, Darius and Eda as their solid rock to fall back on for unwavering support, along with the love from everybody else.

If I rewind things a little, I'm also relieved that Hunter wasn't ambushed by Belos in For the Future, and that Luz didn't give into temptation to "blast him away" in Watching and Dreaming:

Their anger and frustration was most definitely valid, but I'm pretty sure that any decisions to follow through with their desire to strike back at Belos...would've added salt to their moral injuries and bred more painful confusion in the years that they'd have to spend recovering from all that they went through.

I've been thinking nonstop about him finding the terrible grimwalker graveyard, imagining what would be going through my mind if I were him. Sifting through whatever moments, dialogue and frames that I can find from the existing material, along with references outside of the show, to formulate what an offscreen scene would've been like.. (And seeing if I can find editable and salvageable enough backgrounds so I could perhaps even depict this scene one day)

A soul like him who not only wants to help others, but also acquire knowledge:

heading back here to see the graveyard:

You can't tell me that this wouldn't still be on his mind, and he's even anxious while saying this below, scratching his face a little:

Whether he follows up on this or not, also depends on how he looks back on being shown this:

And is he just going to go cold turkey and totally drop these leads he was pursuing in the episodes before the finale? :

Three things prompted me to finally write this post:

@polyhexian's and @ashanimus's analyses of Hunter's fight scenes in Hunting Palismen and Eclipse Lake (links here and here, they're really cool to read!!), based on their years of experience with martial arts. Reading those was a revelation to me because learning about how high Hunter's skill level is, how in touch with his body he is by default, portrayed so well thanks to the crew...that allows me to make far more educated guesses about his mental health in the early stages of the pre-epilogue gap of about 4 years. Because he is so used to high activity and being on high alert, no thanks to having C-PTSD.

Observing how light and free Hunter's expressions are, and how transformed his demeanor became, in the epilogue sequence. That transformation is an indication to me of the magnitude of grief which had to be transformed within him. To be put back together, in order to be so radiant, generous and self-actualized in the epilogue...imagine how much had to be deconstructed and further broken beforehand. He wouldn't have room to fill his life up with all that amazing newness if the old isn't emptied out first.

This psychoeducational video by my fave author, also a practicing therapist, who specializes in traumatic grief: link. Hearing her address the topic of entering the second year after a bereavement vs. the first year, was interesting. Definitely confirms to me that Hunter wouldn't have carved Waffles until past the 2nd year of navigating his bereavement.

Even a scene as early as this can tie in with a future filled with palismen (or maybe it's just me). He's a curious soul with a soft heart. That curiosity is what points towards creativity, and his kindness points towards connection with others.

And this shot - in the penultimate episode, after all the horrors - is about palismen. Hunter may be standing the furthest away, but he is smack in the middle of the frame. Right after that, it's a close-up shot of him starting to connect with more emotion again ("Palismen bond through emotion", in the words of the Bat Queen):

In other words...

Then 3, then 2

Then 1

Remember, titan magic cancels out collector magic so, just keep that in mind as each collector disappears.

Also branching off of the murals and all, it’s worth mentioning that the star collector is reaching out to, you know, the star child.

I personally think that he’s a child made by the star and the moon; a comet as portrayed by his mural. Said mural is on the right side of the hall (from our pov) with other murals that seem to represent each collector i.e. planet, star, sun, moon, and the little comet (in order from front to back).

And, just to add onto that, not only is his entire shtick stars and moons (like cmon, just look at his palace..) - but his literal abilities come down to both stars and moons which is very telling.

He moved the entire moon with one finger, shoots tiny crescent moons that puppetize, and his idea for the teams that lose capture the flag is to send them to the moon.

The star drones that roam around and puppetize for him, the stars he shoots outta his hands to turn the isles into a fairytale, the star platform he surfs around on. His general magic containing stars. Shooting stars especially, might I add.