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@theartofmadeline
Aqua Utopia|海の底で記憶を紡ぐ
will byers stan first human second
Stranger Things
Alisa U Zemlji Chuda

if i look back, i am lost
Jules of Nature

Discoholic 🪩
Today's Document

tannertan36
Sade Olutola
YOU ARE THE REASON
Not today Justin
dirt enthusiast
Monterey Bay Aquarium
Peter Solarz

JVL

Andulka
seen from Saudi Arabia
seen from South Korea
seen from Saudi Arabia
seen from Türkiye
seen from Türkiye
seen from Australia

seen from Ecuador

seen from Serbia
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seen from Germany
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seen from United States
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seen from France
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@iamsancho
smoke commission for @skepticalparadigmtribe

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illustration based on recent dnd session that I dm’ed for my friends 🥀🧝♀️
characters belong to @nemnesnilos @radiohyo @neanmoins-que
euphoria 💫🪩💜
Illustration for an art book dedicated to emotions and feelings
Itô Hikozô (1903–2004), “The Older Wife’s Revenge”
Kakejiku (hanging scroll), Showa era, mid-20th century
source

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John Collier (1850-1934) "The Laboratory" (1895) Pre-Raphaelite
The painting is based off the Robert Browning's 1844 poem, "The Laboratory."
The poem is set in seventeenth-century France, and is the monologue of a woman speaking to an apothecary as he prepares a poison, which she intends to use to kill her rivals in love. It was inspired by the life of Marie Madeleine Marguerite d'Aubray, marquise de Brinvilliers (1630–1676), who poisoned her father and two brothers and planned to poison her husband, matching the narrator's actions in "The Laboratory."
pajicalek
REVENGE (2017) dir. Coralie Fargeat THE SUBSTANCE (2024) dir. Coralie Fargeat.
Adrian Aubry (1834–?), “Revenge”
oil on panel, 1875
source
''and I died that day too

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haven't drawn my beautiful wife in a little
THE SUBSTANCE (2024) dir. Coralie Fargeat
tired in a way that sleep can't fix

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Kiryu Park