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let's talk about Bridgerton tea, my ask is open
he wasn't even looking at me and he found me
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YOU ARE THE REASON
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@iaboat
I wouldn't even be a religious person were it not for poetry, which has not only repeatedly brought me into contact with an other, but has seemed to demand something of me in its wake—very like Teresa's visions. But poetry remains perpetually open. God moves through art but doesn't get stuck there. I sometimes think he gets stuck in theology—fixed, frozen, and therefore inevitably falsified.
Miroslav Volf and Christian Wiman, Glimmerings: Letters on Faith Between a Poet and a Theologian
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The Long and Short of It, Richard Siken
Anne Carson, Glass, Irony and God; from 'The Fall of Rome: A Traveller's Guide'
An Anthology of Twentieth-Century Brazilian Poetry, Edited with an Introduction by Elizabeth Bishop and Emanuel Brasil, Wesleyan University Press, Middletown, CT, 1972 [Between the Covers, Gloucester City, NJ]
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God be in my head, and in my understanding; God be in mine eyes, and in my looking; God be in my mouth, and in my speaking; God be in my heart, and in my thinking; God be at mine end, and at my departing.
Sarum Primer
You think you know yourself inside out when you live alone, but you don't, you believe you are a calm untroubled or at worst melancholic person, you do not realise how irritable you are, how any little thing, the wrong kind of touch or tone, a lack of speed in answering a question, a particular cast of expression will send you into apoplexy because you are unchill, because you have not learnt how to soften your borders, how to make room. You're selfish and rigid and absorbed, you're like an infant.
—Olivia Laing, Crudo
Umm...What's the PG 13 Title for This Piece of Ancient Mural Art? Oh, I've got it! Man Providing a Woman with Lingual Entertainment, Pompeii c. 1st Century BCE
Julio Cortázar, Save Twilight, trans. Stephen Kessler
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A baroque sculpture of Mary as the Immaculate Conception in Granada, Spain.
hi hi, here are some free horror readings/resources in pdf form and adjacent horror viewings as seen in the curriculum for the miskatonic institute of horror studies’ course on theorising horror.
- the american nightmare: horror in the 70s, robin wood ; deathdream, dir. bob clark, 1974 - horror and the monstrous-feminine: an imaginary abjection, barbara creed ; possession, dir. andrzej zulawski, 1981 - when the woman looks, linda williams ; ju-on, dir. takashi shimizu, 2002 - her body, himself: gender in the slasher film, carol j. clover ; hell night, dir. tom desimone, 1981 - bodies of fear: the films of david cronenberg, steven shaviro ; rabid, dir. david cronenberg, 1977 - why horror?, noël carroll ; horror and art-dread, cynthia freeland ; cropsey, dir. barbara brancaccio, 2009
POST UPDATE
the links on this post appear to have fried; i originally copied them directly from the miskatonic institute course page here (x) but i’ve haphazardly compiled them:
- the american nightmare: horror in the 70s, robin wood - horror and the monstrous-feminine: an imaginary abjection, barbara creed - when the woman looks, linda williams - her body, himself: gender in the slasher film, carol j. clover - bodies of fear: the films of david cronenberg, steven shaviro (the link is to shaviro’s full text the cinematic body, this essay in particular is pg. 127) - noël carroll’s philosophy of horror right here on libgen - cynthia freeland’s horror and art-dread was published within a collection of essays; the entire text can also be found and downloaded easily on libgen with freeland’s essay on pg. 189
POST UPDATED AGAIN :)
some links have broken; the others in the previous update still work:
- when the woman looks, linda williams (link is to barry keith grant’s the dread of difference: gender and the horror film, this essay is pg. 17) - her body, himself: gender in the slasher film, carol j. clover - philosophy of horror, noël carroll (this is a pdf download link and will download directly upon clicking) - cynthia freeland’s horror and art-dread as aforementioned was published within stephen prince’s the horror film; you can get a pdf of the collection through anna’s archive
'The Red Door'. Isabel Quintanilla. 1978.
Mary Oliver, from a poem titled "The Good Life," featured in No Voyage and Other Poems
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Ernest Hemingway, from a letter to F. Scott Fitzgerald featured in The Selected Letters of Ernest Hemingway
