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Aimé Césaire, from “Lagoonal Calender”; tr. by Clayton Eshleman and Annette J. Smith

Text ID: I inhabit a sacred wound

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Clarice Lispector, from The Passion According to G.H.

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House By The Sea by May Sarton

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May Stevens, Ordinary. Extraordinary, (A Collage of Words and Images of Rosa Luxemburg and Alice Stevens), 1970s [MassArt Library, Massachusetts College of Art and Design, Boston, MA]

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Michael Harvey, As is, 1970s [MassArt Library, Massachusetts College of Art and Design, Boston, MA]

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nobrashfestivity

Endre Tót

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Anne Greenspan

Ethel Cain | Waco, Texas | Willoughby Tucker, I'll Always Love You I can wait if I want

#pulse

booksfromthefuture

BLA BLA Fine Arts – Vitya Glushchenko / Alina Lupu

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Walt Hunter

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Erris Huigens: Utracone przyszłości / Lost Futures, (exhibition view), Ośrodek Sztuki Lescer, Zalesie Górne, May 16 – June 20, 2026 [Art: © Erris Huigens]

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From: «Tout», No. 7, Edited and Published by Ben Vautier, Centre de Art Total, Nice, n.d. [1965], Edition of 250 [Unoriginal Sins, Eals Farm, Eals, Brampton. © Ben Vautier]

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I’m 400 years old and still on tumblr

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Vladimir Ja. Propp, (1928), Morfologia della fiaba, «Con un intervento di Claude Lévi-Strauss e una replica dell'autore», Edited by Gian Luigi Bravo, «Nuova Biblioteca Scientifica Einaudi» 13, Einaudi, Torino, 1976

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From: Vladimir Ja. Propp, (1928), Morfologia della fiaba, «Con un intervento di Claude Lévi-Strauss e una replica dell'autore», (Appendix III), Edited by Gian Luigi Bravo, «Nuova Biblioteca Scientifica Einaudi» 13, Einaudi, Torino, 1976

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Gertrude Stein on parts of speech

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