ragn is a genuinely annoying and irredeemable protagonist so far and i feel my opinion will not change on this for misandrist reasons; however, snell

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ragn is a genuinely annoying and irredeemable protagonist so far and i feel my opinion will not change on this for misandrist reasons; however, snell

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rlly fascinating phenomenon to me is when a character is extremely popular, and that popularity seems understandable enough because they've got something interesting going on, and then you look at the fandom and realize 99% of their fans don't actually care about engaging with any of the things that make them interesting and instead seem to be fans of an imaginary milquetoast version that exists solely for ship and/or angst content and is so far removed from the canon character they might as well be an unrelated OC at this point
Let the healing begin.
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she is thirty eight years old. she studied accounting. she wrote short stories. her husband is a decade older. her first born has cerebral palsy. her only known immediate family member is her sister who suffers from kleptomania. she got pregnant again before finding out that her husband has cancer. she was gaslighted and lied and ignored all through the late stage of her pregnancy. her husband wasnt there when she gave birth. she realized her husband was making meth and tried to divorce him. she cheated for two episodes in hopes of him leaving her and the kids alone. she went back to work soon after giving birth. she came up with the money laundering through the car wash. she came up with the poker story obsession to explain the big amount of money. she was assaulted by her husband. she almost drown in the pool. she fought her husband with a knife. she almost lost her baby daughter because her husband kidnapped their baby. she was monitored by the police for a year. she and her baby daughter were threatend by nazis one night while her husband was on the run. she lost her brother in law. she lost her husband. she is mother mary. she is the most hated character in the whole show. she is the main woman of the show. her maiden name is lambert.

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Rhea Seehorn as Carol Sturka PLURIBUS | 1.03 • Grenade
1.08: Charm Offensive.
"This morning when I woke up and the sky was all dark and cloudy, I knew right then and there that this was going to be a lovely day."
Carolyn Jones as Morticia Addams in The Addams Family (1964-1966)
i do enjoy how, among many other things, the pluribus incident reflects how grief for a spontaneous, unforeseen death feels irl. like you’re the only person who has experienced the sudden overturn of the entire planet, everyone else is going about their days and you just want to grab the world by the shoulders and yell at them for it. and then everyone else starts acting weird around you because your life has irreparably changed

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men who immediately discard lae’zel are legitimately so weak. “she’s racist” she is offering you the solution to your tadpole problem despite you not being a gith. “she’s mean” she is literally offering you the solution to your tadpole problem despite you not being a gith. men are legitimately unable to objectively and rationally look at a situation when a woman is involved, and project intention onto them based on how attractive they are and how nice they are. it’s never about how good women are; it’s never about what behaviour they display or what actions they take, it’s literally just about how niceys the words they say to men are. pathetic!
CAROL STURKA | pluribus 1.06
HORIZON ZERO DAWN REMASTERED October 31, 2024
we need more pathetic female characters written by authors who don't hate women
to be clear since this is making the rounds: she has to be an absolute loser in no way that can be pinned on her gender. no "i'm just a girl tee-hee" stuff. straight up just a loser (nondenominational)
addendum: she must be the most important person in the whole narrative
I decided to sit down and concentrate and properly write the list of rules that qualify a character for this role.
FIRST LAW: This character must be a woman.
SECOND LAW: This character must be a loser, but not in a way that can be pinned on her gender. Misogynistic response from the audience does not disqualify the character.
THIRD LAW: If the audience does not enjoy this character, then it becomes impossible to enjoy the show/film/book/game altogether. It is not possible to ignore this character, for better or for worse.
FOURTH LAW: The character must make bad decisions, and not just be a victim of poor circumstances outside of her control. The character can also be a victim of poor circumstances outside of her control, but it has to be primarily her personal choices that deem her a loser.
Carol & Helen from Pluribus s01e01

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"What good is treasure if I'm alone?"