Mel Brooks on taking studio notes:

Kaledo Art

tannertan36

blake kathryn

Discoholic 🪩

titsay

if i look back, i am lost

#extradirty
occasionally subtle
taylor price
KIROKAZE
Misplaced Lens Cap
Xuebing Du
Three Goblin Art
Not today Justin

祝日 / Permanent Vacation

@theartofmadeline
dirt enthusiast
ojovivo


seen from Poland
seen from United Kingdom
seen from Honduras
seen from Argentina

seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States

seen from United States
seen from United States

seen from Singapore

seen from United States

seen from United States

seen from Türkiye
seen from United Kingdom

seen from United States
@holdinginourscreams
Mel Brooks on taking studio notes:

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
watching sinners with an inflation calculator open in a second tab so i can understand just what kinda money the smokestack twins are throwing around. nerdiest possible movie experience i think.
Okay coming out of lurking for this because among the many great features of Sinners is you don't actually have to go outside of the movie to understand what kind of money they're throwing around. The movie tells you itself.
In the scene where Smoke teaches the young girl how to negotiate, they're standing in front of of a cafe. The shot of them negotiating is framed so that you see a sign in the cafe window advertising a Ham and Eggs breakfast - in other words, a full meal - for 25 cents. The editing makes sure to put that sign back into frame whenever the question of the value of money arises in their discussion.
Smoke offers her 10 cents a minute and asks if that works for her. She says yes. He says no, it does not and tells her to negotiate higher. The 25 cent sign is framed in the shot when he tells her no, reminding us *why* it's not a good value.
She comes back with 50 cents - which the sign has informed us is the cost of *two* meals. Smoke tells her that's too much and counters with 20, which is just under a full meal but we now know that's a fairly respectable price because we just got the high/low contrast of 10 being too little and 50 being too much.
The negotiation ends with her getting 20 cents per minute and we now know 1) 25 cents is the cost of a filling meal in this environment 2) This girl only needs to do five minutes of work to be able to feed herself for a over day (20 cents per minute times five is a dollar, which is four meals) 3) Smoke has the kind of money to throw around that over a day's worth of food for someone can be to him - as it is to our modern eyes - mere pocket change and 4) Smoke's the kind of person who can both be a violent gangster but also care about teaching this girl how to look out for herself so that one day maybe she too can throw over a day's worth of food around like pocket change.
Combined with 5) you can now use that 25 cents = a meal to do the math every other time money gets mentioned in the movie to understand just how much cash the Smoke Stack boys are dealing with.
And that's just ONE detail which, thanks to props (Hannah Beachler), editing (Michael P Shawver), and cinematography (Autumn Durald Arkapaw), told you almost everything you needed to know about how finances work in this environment. This movie is unfair to all other films in how fucking good it is.
Mel Brooks on taking studio notes:
the idea that the british empire accepted their decline with grace and peacefully and willingly withdrew from all their colonial territories and took their loss quietly is commonly expressed as fact but it's very much untrue, it's a successful propaganda campaign for them to claim that this is what happened but they were busy committing war crimes throughout their colonial territories long after supposed "independence" & they continued/continue to maintain economic control over these regions and actively killed local movements that wanted economic sovereignty, land reform, nationalization of natural resources much like the united states did/does within their sphere of influence. i say this not to minimize the atrocities the us has committed but to make a point that the uk is also guilty of these crimes up to the present as much as they'd like to pretend this was an era that ended a century ago. british colonial violence isn't something that ended after ww2 it continued throughout the 20th century and still to this day if you look at the actions undertaken by the british military and their mercenaries throughout the former empire
for the past handful of years ive seen people say stuff like "well the british empire accepted their decline with grace and pulled out when they saw the ship sinking so why can't the us do that" and it's important that you understand that the british empire didn't actually do that and neither will their son lol
i know this is shocking to many of you but this is the mainstream belief in the uk + the narrative that is pushed at a state level, in school, by the bbc, etc. and i've heard it expressed by many canadians/americans/australians as well. "they quietly withdrew" is not just a media propaganda thing but a programme the british colonial office undertook to cover up their crimes, see operation legacy
This is by a patient of mine with early late stage dementia, who was a poet for most of her life. Her new poems are dictated to me during writing workshops I run at my hospice job. She hadn't written since her diagnosis. This is one of seventeen poems I've written with her so far.
posted with permission from herself and her family.
She died early this morning.
I’ve been doing poetry since I could write but I do think she was my only teacher.
Working with her was one of the most rewarding experiences of my life. I mean it when I say you all are so lucky to get even this glimpse at the majesty of her work.
In her words from another poem (not posted):
I am not the only creature watching
All of this,
Drinking it in.
I have a companion,
The cat who sleeps in the backyard
Is watching, too,
And there is so much to be.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
This is actually so real
A very common misconception within the south asian community. So glad she addressed that. (x)
Her name is Gazal Dhaliwal and she’s a screenwriter. She talk about her life here and here.
She’s the writer for Ek Ladki Ko Dekha Toh Aisa Laga, an upcoming Indian coming-of-age romantic comedy-drama with a lesbian couple. She was also the dialogue writer for Lipstick Under My Burkha, which depicts the secret world, including the sex lives, of four small-town Indian women. She contributed to the screenplay for Wazir and Qarib Qarib Single.
a lot of people seem able to understand and accept that bots are producing content/comments to manipulate algorithms etc but have a harder time intuiting that the likes and engagement they see on real content is also plausibly bot driven to manipulate algorithms or simply as a side effect of attempting to mimic "real" behaviour. a lot of stuff inexplicably popular in the algorithm may simply be popular because bots prefer it rather than people!
I learned a very long time ago that I could post in English on the Anglo internet about my experience as a sexual minority in the #middleeastandnorthafrica region. I could vent about every slight or slur, every indiscretion, all the doors that might not have closed in my face had I not been who I am. But that all it would do is earn me a seat at a table half the world away, a seat that I would lose the second I said “but my people are still human. But we are Arab women before we are queer women. But we are muslim before we are trans women. But we are imperialised subjects of the periphery before we are bisexuals. But we are ‘combat-aged males’ before we are gay men and boys.” A seat that I could only keep if I show a willingness to betray my people. And I will not. I do not want it. The price is too steep and the value too low.
I have come to know now that this western voraciousness for our stories was never an impulse born out of empathy; it has always been little more than a gathering of intel, of reasons to hate us and to justify the destruction of our bodies and the pillaging of our lands and the looting of our resources. So I no longer see the utility in being one more primary source for the proverbial NYT opinion editorial manufacturing consent for the latest campaign of imperial slaughter in my backyard on account of our inherent backwardness.
i feel so defensive and protective of people with ARFID like if i had a disorder that made my brain register 90% of food as poison for no reason and i had a bazillion people on the internet constantly calling me a manchild who needs to just grow up and stop being a picky eater i would start killing people
people with ARFID and people with very few autism safe foods and people with contamination OCD and people in ED recovery and everyone else with a complicated relationship with food that no one takes seriously GET BEHIND ME!!!!!!!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
on midsummer. ☼
— Ursula K. Le Guin, from “A Rant About ‘Technology’”
Ursula K. Le Guin on the presence of technology in her work
The whole piece is short and worth a read.
Any time I make a post like "you have to do some quantity of thinking while you write or your writing will turn out (eg) racist, due to Society" someone in the notes will be like "this makes me not want to write anymore :(" and idk what they want me to say. Like. Good? In fact, Please. DO stop. We got enough racist writing to last us
I promise you things will get so much better when you start processing people’s behavior as information rather than a verdict on your self-worth. If someone doesn’t text back, suddenly pulls away, whatever it may be, the solution isn’t to put on a tap dance for them and try to regain their approval. It’s not to crash out on them and try to force them to react a certain way. It’s just to take a step back, take a deep breath, and assess what this tells you. What’s this saying about them? What’s this saying about you??
Next level to this is moving away from analyses like "they don't value me as a friend" and considering interpretations like "they may have difficult and/or important things going on in their life that I don't know about" and in most cases settling on "i don't know them well enough to really know what's going on with them" and then to accept that that's okay.
Life works so much better when you only engage with others based on their words or actions and refrain from any additional analysis.
Someone didn't text back? Okay so you're not making plans with them. Someone consistently ignores your attempts to contact them? Okay, so you're not gonna be interacting with them now. You can move on with no additional drama. It doesn't need to be a big judgment on them or a big judgment on yourself.
Focus on the relationships where people are engaging with you and live your life.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book write your book
companies make billions from you thinking you're ugly btw. only ugly thing is their bottom line. log out of tiktok right now.
learning to ask 'is this an ad' will save your life