GHANA. Cape Coast. Elmina. 2016. © Nikos Economopoulos/Magnum Photos
Keni
Game of Thrones Daily
"I'm Dorothy Gale from Kansas"

Game Changer & Make Some Noise
occasionally subtle
d e v o n
I'd rather be in outer space 🛸
Phantogram Three
One Nice Bug Per Day
taylor price
Fai_Ryy

Kiana Khansmith

tannertan36
Cosimo Galluzzi
Color Me Curious
The Bowery Presents


Discoholic 🪩

if i look back, i am lost
Noah Kahan

seen from United States
seen from United States
seen from United States
seen from United States

seen from France

seen from Malaysia
seen from Ecuador
seen from United States
seen from Brazil

seen from Malaysia
seen from South Africa
seen from United States
seen from T1
seen from Malaysia
seen from United States

seen from United Kingdom
seen from United States
seen from Brazil
seen from United Kingdom
seen from Brazil
@histry
GHANA. Cape Coast. Elmina. 2016. © Nikos Economopoulos/Magnum Photos

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Lygia Clark (1920-1988), Breaking the Frame. Composition no. 5, 1954. oil and oleoresin on canvas and wood, 106.5 x 91 x 2 cm
“My paintings are not about what is seen. They are about what is known forever in the mind.” —Agnes Martin (1912–2004), who was born on this day in 1912.
“Untitled #6,” 1985, by Agnes Martin © Artists Rights Society (ARS), New York
has anyone else’s life been really off lately or is it just me
Sarah van der Pols

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Otto Piene, “How Many”. 2006. (Detail).
Les Très Riches Heures du Duc de Berry
January
We see here the day chosen for exchanging gifts.
Jean de Berry enjoyed giving and receiving; Paul de Limbourg and his brothers used to participate in the festivities, presenting the prince with an object worthy of their artistry. The Duke sits at his table, surrounded by friends.
Behind him the blaze of a large fire in the monumental fireplace is guarded by a wickerwork screen. Above the fireplace rises a red silk canopy bearing the Duke’s heraldic motifs: golden fleurs-de-lys, strewn on a blue ground. Wounded swans and bears symbolize the Duke’s love for a lady called Ursine.
More about all the details presented.
Miquel Barceló, Transfer 06, 2011
things i love:
-space
-the ocean
things i am terrified of:
-space
-the ocean

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
‘Mandarin Ducks and Snow’ (1935).
Woodblock print by Ohara Shōson (Japan, 1877-1945)
Image and text courtesy LACMA
If you don't think racism is institutionalised in Australia
you might want to read s 51(xxvi) of the Australia constitution which states:
that Parliament has the right to make laws with respect to: “The people of any race for whom it is deemed necessary to make special laws”.
On this, our first prime minister, Edmund Barton said:
that s 51(xxvi) was necessary to enable the Commonwealth to “regulate the affairs of the people of coloured or inferior races who are in the Commonwealth” (X)
The Annotated Constitution of the Australian Commonwealth (1901) goes on to say:
The section was intended to enable the Commonwealth to pass laws restricting such migrant labourers such as the Chinese and Kanakas. It enables the Parliament to deal with the people of any alien race after they have entered the Commonwealth; to localise them within defined areas, to restrict their migration, to confine them to certain occupations, or to give them special protection and secure their return after a certain period to the country whence they came.(X)
In essence it allowed White Australia to control and exploit non whites like the Kanaka who were used as slave labourers. It is an embedded part of our constitution that allows the government to this day implement racist policies like the NT Intervention which infantilises Indigenous people and prevents them from being self sufficient. A racist policy that led to a 500% increase in suicide, a drop in school attendance and 40% increase in incarceration. This obviously successful policy which failed to consult with Indigenous communities has been extended to 2022. (X)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
‘Give Peace A Chance’
30 x 30 cm (12″ x 12″), oil on canvas panel
Buy this painting (free shipping all summer!)