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John Waters, Fellini's 8 1/2, 2014 (White pine, pressed letters, wood stain and paint, 26,4 × 259,1 × 26,4 cm/10 3/8 × 102 × 10 3/8 inches). From the Beverly Hills John — John Waters’ first ever exhibition in London (Sprüth Magers, July 1–August 15, 2015), a ‟fresh set of affectionate barbs about the movie biz.” © John Waters/Sprüth Magers

Vladimir Yankilevsky

Anwar Jalal Shemza, Love Letter Two, 1969 [Hales Gallery, London]

Miguel Ángel Vidal (Argentinian, 1928-2009), Desarrollo espacial [Spatial development], 1974. Acrylic on canvas, 60 x 60 cm.

Claudia Wieser (German, b. 1973, Freilassing, Germany)Female Artists - Untitled, 2011  Drawings: Gold Leaf, Colored Crayons on Paper

Dan Walsh, Zone, 2013

A change of speed, a change of style. A change of scene, with no regrets, A chance to watch, admire the distance, Still occupied, though you forget. Different colours, different shades, Over each mistakes were made. I took the blame. Directionless so plain to see, A loaded gun won’t set you free. So you say.

Artist: Emma McNally

Driving at night, speeding down darkened hills, perfect soundtrack.

Liberty Ross | ‘Girls on Film’ Dazed & Confused (1999/2000) ph. Corinne Day

Apostolos Palavrakis, Untitled, (oil and oil pastel on canvas), 2001 [Beck & Eggeling International Fine Art, Düsseldorf. © Apostolos Palavrakis]

Monument Records (US) London Records (International)

Vol. 3