Text in Latin
The Lindisfarne Gospels (Cotton MS Nero D IV) c.715-720, Northumberland.
The Bowery Presents
PUT YOUR BEARD IN MY MOUTH
Hole
let's talk about Bridgerton tea, my ask is open
Show & Tell
ojovivo
★
d e v o n

roma★

bliss lane
𓃗
taylor price
NASA
KIROKAZE
One Nice Bug Per Day

Kiana Khansmith

gracie abrams
Noah Kahan
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@hildegards-abbey
Text in Latin
The Lindisfarne Gospels (Cotton MS Nero D IV) c.715-720, Northumberland.

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woke up this morning, rolled over, and very confidently tried to blow out my alarm clock like a candle. absolutely no precedent for that.
In the year 1450 a priest rolls over and slams his hand into his candle, burning him and sending wax flying all over the place
“Subverting” Catholic art? Oh, okay. I see, you think this has nothing to do with you. You log onto the internet and you post about how “Wound of Christ” from Psalter and Prayer Book of Bonne de Luxembourg, attributed to Jean le Noir, c.1349, for instance, looks like a vulva because you're trying to tell the world that you enjoy Catholic art and imagery in an alternative, queer, risqué way that challenges Christian beliefs. But what you don't know is that that stigma isn’t just a vulva. It's not just a mandorla. It's not just yonic. It's actually intentionally erotic. And you're also blithely unaware of the fact that around 1297, Saint Angela of Foligno experienced a vision of Christ himself, who called her to put her mouth to the wound in his side and lick the freshly flowing blood. And then I think it was Saint Catherine of Siena who drank blood and a clear liquid from the wound before receiving a ring made from Christ’s foreskin? And then graphically erotic encounters with the side wound of Christ quickly showed up in the writings of eight different mystics. And then the yonic interpretation of the stigmata filtered down through the illuminated manuscripts and then trickled on down into some pseudo-intellectual corner of the internet…where you, no doubt, fished it out of some Pinterest board. However, that interpretation represents hundreds of years and countless visions of religious ecstasy. And it's sort of comical how you think that you've come up with an idea that exempts you from Christian theology when, in fact…you're posting an image that was sexualized for you by the very Medieval saints you think you’re so different than…from “subverted” Catholic art.
Fish with arms i guess
Certified Good Boys spotted in this Bestiary from ~1175. According to the Latin, "Nothing is smarter than dogs, for they have more senses than other animals, for they alone recognize their own names; they love their masters."

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Medieval bats! I love these guys. They're in the bird section, but clearly even the medieval monks are a little confused about this, writing the bat "uses its teeth, which you may not be accustomed to finding in other birds." Translation comes from Willene B Clark, and you can find the bestiary these are featured in here.
Emilia in the rosegarden (Teseida) by Giovanni Boccaccio
Astronomisch-astrologische Handschrift für König Wenzel IV. von Böhmen - BSB Clm 826, c. 1400
Here is a bit of a video facsimile - a cover-to-cover page-turning video without commentary - of our 15th century Book of Hours, Use of Rouen. We'll see a bit of the calendar, the openings of the Gospel readings, Obsecro te, and O Intemerata, and the miniatures of the Annunciation, and the Nativity. (UPenn Ms. Codex 1056)
Record:
Access '[Book of hours] : [use of Rouen].' through the Penn Libraries catalog.
Complete Video Facsimile:
This is a cover-to-cover page-turning video of UPenn Ms. Codex 1056, Book of Hours, Use of Rouen. It was written and illuminated in Rouen, c

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apparently the elves have a word for "the sadness of watching mortals grow old." they also have a word for "chair" that takes eleven syllables and i have realized im never passing the elven language proficiency test
such insolence... guards? seize her! ...no. stop. not like that. you are doing it gay. why are you seizing her gay style
herald, tell the good people of the kingdom that I am straight fujoing out at once
Minerva Britanna, or, A garden of heroical devices, 1612
🐉 Ulyssis Aldrovandi …. Bononiæ, apud C. Ferronium, 1640.. Original source Image description: Illustration of a dragon from a 1640 publication by Ulyssis Aldrovandi. The dragon is depicted with a long, sinuous body covered in detailed scales, a prominent wing with webbed, fin-like segments, and clawed limbs. Its head features a fierce expression, open mouth revealing sharp teeth, and a crest or frill extending from the top. The dragon’s tail curls into a loop at the bottom of the image. The style is a black ink engraving on aged paper, with text visible in the background, emphasizing a historical scientific or natural history context. The page number 423 is shown in the top right corner.

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Royal funeral rites from medieval manuscripts
my knight insists he can sense evil but so far this ability mostly applies to beautiful women who are courting the prince and nicer than average innkeepers