Roy Lichtenstein - Cup of Coffee (1961)
i don't do bad sauce passes
One Nice Bug Per Day
Monterey Bay Aquarium
hello vonnie
🪼

⁂
sheepfilms

祝日 / Permanent Vacation

blake kathryn

if i look back, i am lost
Today's Document
2025 on Tumblr: Trends That Defined the Year
Game of Thrones Daily
d e v o n

Peter Solarz
Xuebing Du

izzy's playlists!
occasionally subtle

★

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@hharri1
Roy Lichtenstein - Cup of Coffee (1961)

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Bernard Plossu
via Lens Culture
Zanzibar
Birthday for Loleatta Holloway at Zanzibar
Jean Hugo (1894-1984) Two Footballers, 1921
Sotheby’s
The Thinker, 1936, Yiannis Tsaroychis

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The New York Times, especially at that time, was gigantic. I remember it because they gave me the topic: What was the effect of AIDS on the culture? Which, in my opinion, was: What is culture without gay people? This is America, what is the culture? Not just New York. AIDS completely changed American culture. People always say “pop culture.” As if we have some high culture to distinguish it from. The effect of AIDS was like a war in a minute country. Like, in World War I, a whole generation of Englishmen died all at once. And with AIDS, a whole generation of gay men died practically all at once, within a couple of years. And especially the ones that I knew. The first people who died of AIDS were artists. They were also the most interesting people. I know I’ve said this before, but the audience for the arts—whether it was for writing or films …
CLEMENTE: Or ballet.
LEBOWITZ: Or ballet. The knowing audience also died and no longer exists in a real way. So all the judgment left at the same time that all this creativity left. And it allowed people who would be fifth-rate artists to come to the front of the line. It decimated not just artists but knowledge. Knowledge of a culture. There’s a huge gap in what people know, and there’s no context for it anymore.
Dressed to Kill (Brian De Palma, 1980).
Keizo Tsukamoto, from JCA Annual 6 (1985)
Sony Betamax SL HF-66 (1984)
Charlie Engman

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Nan Goldin, Kathleen in the woods, East Hampton, NY (1997), cibachrome, 27 x 40 in.
Sheila B. Devotion
Alice in the Cities (1974) dir. Wim Wenders
The King of Comedy | Martin Scorsese | 1982
Sandra Bernhard
Dir. Martin Scorsese
Dir. of Photography: Fred Schuler

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David Hartt at Beth Sholom Synagogue