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valie export, {1977} unsichtbare gegner

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Kedi. Dir. Ceyda Torun. 2016.

taste-in-music

Absurdity is my favorite brand of humor because deep down inside, in our subconscious, it’s all surrealism. It’s all abstract. The world is the surrealism, the absurdity, the humor—it all just overlaps.

Weyes Blood for Pitchfork

thatsbelievable

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Noita palaa elämään (a.k.a. The Witch) (Roland af Hällström, 1952)

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Adolph Gottlieb (1903–1974) Mist 1961

Oil on canvas 182.9 x 121.9 cm

Guggenheim Museum, New York

crumbargento

A Worthy Quarry. Written and performed by Lydia Lunch. Music by Mia Zabelka and Zahra Mani. Video by Jasmine Hirst

neoyorzapoteca

Alice Notley, The Descent of Alette

filmaticbby

“When I was eighteen I had so many ideas I hardly slept at all.”

Shirkers (2018) dir. Sandi Tan

#this made me feel so much #i loved it i loved it i loved it

fuckyeahwomenfilmdirectors

Dirty, grumpy girl goes for a long, furious walk and dies in a ditch.

Agnès Varda on her film Vagabond (1985)

#this is my favourite film of all time #i'm devastated #i don't want to live in a varda-less world

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communicants

Je, tu, il, elle (Chantal Akerman, 1974)

yesterdaysprint

The Boston Globe, Massachusetts, February 6, 1959

danceabletragedy

Visit Original Link

Leonard Cohen - One of Us Cannot Be Wrong

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You Were Never Really Here (Lynne Ramsay, 2017)

#justice4lynneramsay #fuck the oscars

performativerelics

Gina Pane, Death Control (1974)

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filmerditelle

Peggy’s Blue Skylight, Joyce Wieland, 1964.

today i found out i got into the film program at my university (which has like a 2% acceptance rate), so now i can officially say i am no longer an architecture student. it's been fun, but i don't want to hear about cement or pillars ever again in my life.

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