trying on a metaphor
we're not kids anymore.
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DEAR READER
Alisa U Zemlji Chuda
RMH
Jules of Nature
d e v o n
Three Goblin Art
â
hello vonnie
çĽćĽ / Permanent Vacation
if i look back, i am lost
YOU ARE THE REASON
Game of Thrones Daily
art blog(derogatory)
Monterey Bay Aquarium
cherry valley forever
TVSTRANGERTHINGS
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@hellsbellsellesbelles
sydneyharcourt: Donât say I never gave you anythingâŚ
Dear Lord, please listen to this. This is clearly during the Tonys rehearsal. Even just sitting in the theatreâs seats, not on stage, no acting⌠Just the HARMONIESâŚ. Itâs SO gorgeous.
Just bringing this back
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Congrats to Promising Young Woman on itâs Oscar noms!
So what will do? How are you going to spend your life? Iâm not sure. But I do knowâŚIâm going to live every minute of it.
SOUL (2020) dir. Pete Docter
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Christopher loves Annalise
I didnât want to be the Vogue woman. I didnât want to be the woman who came in with the sexualized. Every time you see that sexual, mysterious, kind of cold woman, she always looks like she jumps out of bed with that blow-dried hair and that dewy skin and, you know, those Double-Zero clothes. I did not want to be that woman because I donât know that woman. And Iâve been watching that woman in movies for several years. And I felt like this was my chance to woman up. I want to present women as they really are. Itâs not always about being pretty. But it is about uncovering and feeling comfortable with the way we are and the way we look when weâre in private. You know, as soon as you walk through the door, what do you do? You take off your bra, you let your titties sag, you let your hair come off. I donât have any eyebrows. I let my eyebrows be exactly what they are. And itâs me. And I wanted that scene to be somewhere in the narrative of Annalise. That who she is in her public life and who she was in her private life were absolutely, completely diametrically opposed to one another. Because thatâs who we are as people. We wear the mask that grins and lies.
 â Viola Davis for The Wrap on the iconic Wig Scene.
Laws that made it illegal for blacks and whites to be buried in the same cemetery, that categorized people into quadroons and octoroons, that punished a black person for seeking medical attention in a white hospital. Some may claim that slavery has ended. But tell that to the inmates who are kept in cages and told that they donât have any rights at all.
How To Get Away With Murder 6x09
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JUST A BIT EMOTIONAL
âWhat I am is a survivor. I survived getting taunted by the N-word when I was in grade school. I survived the sexual abuse by my uncle when I was eleven. I survived losing my first love Eve, because I was scared to be gay. Then the death of my son in a car accident, the murder of my husband, then alcoholism, depression, grief, and every death leading up to this trial. But today, you decide. Am I a bad person? Well the mask is off, so Iâm gonna say yes. But am I the criminal mastermind who pulled off a series of violent murders? Hell no. Who I am is a 53 year old woman from Memphis, Tennessee, named Anna Mae Harkness.â
Prayers are for the weak. Iâll stick to beating your ass in court.
Viola Davis as Annalise Keating in How to Get Away with Murder (2014-2020)
this meme I hate it
Iâm mostly mad that I had to sing EVERY SINGLE ONE OF THESE in my head
So if anyone wants to know how my mental health is these days, I wanted eggs for breakfast but boiling an egg seems like such a mammoth task that I just couldn't muster the energy to do... So instead I made spaghetti carbonara instead... A whole bowl. For breakfast. Made from scratch. What is my life.
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Our familyâs little now, and we donât have many toys⌠But if you want, you could be a part of it. You could be our baby, and weâd raise you to be good.
LILO & STITCH (2002) dir. Chris Sanders and Dean DeBlois
crimibird:
Just because this is epic. I DIDNâT MAKE IT. But whoever did is a genius.
