@swallowpitted / deborah.
mimi fischer has two powers in this world: getting away with just about anything extramarital as long as jacob never finds out, and stumping up the goods to make the newest iteration of late night something pretty spectacular. with a cigarette hanging out of the corner of her mouth and a satin shirt that's maybe a little too low-cut (while the fucking eagles blares out of the cutlass's surround sound - something she arguably paid way too much for, but looks cool as shit with the windows down in) ava calls checkmate and decides that yeah. mimi can do both of those things. hollywood isn't as big as it should be - nasty business with showcase has made it pretty fucking impossible to find work, but the network's first woman on late night combined with the youngest head writer in history seems like it's worth the gamble.
it's a dangerous play, and something she can feel deep in her stomach when she shows up to that first day at work - god, she feels fucking sick, but the engine cuts out, ava takes one last deep drag of her cigarette and stubs it out beneath her shoe. confidence. she has to exude confidence. because there are people the other side of that door that want nothing to do with her, and she has to just... act like that's fine. because it is, right? fuck that brain-eating demon in the back of her head that keeps feeding her stupid bullshit.
the offices are - exactly what she'd imagine. plywood desks, a cold pot of coffee dripping in the corner - but deborah vance? looks a lot less who's making dinner and a lot more strictly down to business.
"hi - i'm ava. i guess i'm your head writer, so - i'm really looking forward to working with you." (exactly how she practiced it in the mirror, after changing her shirt three times and adding a signet ring, then taking off a necklace, then putting it back on, and snuffs out the last of a roach in a well-packed ashtray).











