KAT HUNT

hope to see you there!

Kat Hunt: #MeToo, revenge, and trusting ourselves to tell the truth (via whatsrevenge)

With a rare stylishness and killer selection of tunes, this short feature cuts deep into the wounds of modern relationships, transcending its own plot to deal in complex human reactions.  - NoBudge

James Benning

Mon oncle d’amerique (Alain Resnais, 1980)

16th century BCE.

“Clark’s program was lively and varied as always; he had Sophia Takal’s Always Shine in the house (if not the director herself), and a world premiere screening of Kat Hunt’s delightfully strange, doc/fiction hybrid, What’s Revenge, an hour-long plunge into the alluring director/star’s psyche. It’s the type of movie, made with an economy of means, in which you sense the filmmaker willing to mix wildly discordant aesthetic strategies (long, winding, seemingly improvised scenes blending with remarkably stylish, almost overdesigned passages) to make a work that is personal in the most original of ways. It’s no Buffalo ’66, but it has a similar renegade spirit formally, and marks Hunt as an interesting cinematic memoirist, or a fraudulent one, which in this context is a compliment.”