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the ispahan is an iconic french pastry created by legendary pastry chef pierre hermé. it features a signature flavor combination: rose, raspberry, and lychee. the classic version is a giant macaron filled with rose-petal cream, lychee compote, and fresh raspberries, topped with a rose petal. the nickname kiki is said to mean double happiness. my kiki is a virgo and cool in tone; she's almost all air.
head: as a perfume, you'd open startlingly luminous. the lotus head brings a watery, dewy floral quality, though not aquatic in a marine sense, but more reminiscent of a spill of petals floating serenely atop still water. it would be soft, faintly creamy, and meditative. the aldehydes alongside it immediately lift everything. depending on the style while formulating, aldehydes can smell close to the glitter of champagne bubbles, crisp linen drying in sunlight, or icy air. here, paired with lotus, i'd like to imagine very fine, silvery aldehydes rather than the waxy retro kind - assiting in providing the lotus with an illuminating spirit instead of a drowsy one.
heart: as you settle, hyacinth arrives. hyacinth is one of the greenest floral notes; it has a fresh-cut stem sense with a damp earthiness underneath. it smells akin to walking through a flower shop while the buckets are still full of water. it keeps the fragrance from becoming overly "pretty." then an underscore of iris—NOT sugary violet makeup-powder iris—cool, rooty iris. the scent of iris comes from the root of the plant itself, not the flower. felt-like texture and a whisper of gentleness that leans expensive rather than synthetic.
body: an incredible sheer finish. neroli, bright white blossoms with a slight citrus kiss and just enough of a bitter snap to keep it all clean. the ozonic notes sprinkled in would again not smell like the ocean so much as open sky after a tempest: cool, crisp air, clean fabric fluttering on the sill, mist suspended above a lake.
pearl white, pale celadon, dove gray, frosted blue, soft silver. giselle ballet but the akram khan version, botanical conservatories, water gardens, handwritten notes on cotton parchment, the pictures your sister specifically took two years out from being pregnant, swiss-italian border, frosted glass in the foyer of homes, white orchids growing through stone, metalwork, marble under your bare feet, cage crinoline, echo of a voice within a cathedral, eros & psyche.
anna and i have known each other for so long. she's a slow melt, a warm laugh dripping all over you. i adore her, and her work and her friendship have carried me through so much. the name anna means grace or favor. as a perfume, she'd be as rich and sensual as she is in life.
head: you're a simple open, a mimicry of dark chocolate, but it isn't sugary here. imagine a zest closer to 70–80% cacao: bittersweet, earthy, almost dusty, with a faint roasted quality. you create instant depth without turning the fragrance into a dessert. you never show your full hand all at once.
heart: into the thick of it, we find hibiscus beginning to bloom. hibiscus isn't commonly extracted naturally for perfumery, so we tend to evoke the idea of the flower instead - playing slightly tart, crimson, fruity-floral. juicy red quality, amber wrapping around both notes, smoothing their edges. a modern amber that's resinous and glowing rather than smoky; golden light on dark wood.
body: you come alive here. fig nectar adds soul. i don't want to work with the green, leafy side of fig, but the fruit split open at peak ripeness: milky, honeyed, pulpy & creamy - bridging the chocolate top beautifully because both share a subterranean richness. a touch of cinnamon to introduce warmth without making you a holiday; dry, woody spice, not a cinnamon roll. night-blooming jasmine unfurls to close it all out: indolic, humid, sweltering, giving the fragrance its almost mesmeric quality.
velvet pulled over a lamp, rimmel's lasting finish matte lipstick by kate moss, oxblood, aubergine, espresso, plum, forest green, garnet, antique gold, the renaissance era, ceramic cookware, eating out late in the evening, foxtrot, the exact transition period between autumn and winter, tchaikovsky, gunslinger, westerns, watercolor-inspired video game concepts, a lighter you don't use for anything other than to stimulate the hands, returning to your homeland, the way a sunset can lend a halo to the back of one's head, a secret whispered into a sweat-wet neck, sleeping in fetal position.
my playful peach. peach is a movement, a way of life; full body-laugh, a fun flirt, catching your lip between your teeth. bright bright bright georgia peach. best girl in the world.
head: oh, you're a star. bright open with pink pepper, which, despite its name, isn't particularly spicy. it sparkles in a sense, has a rosy, near citrusy effervescence that feels like opening a bottle of prosecco. it gives you energy rather than heat. then your heart appears.
heart: wild orchid, baby - more fantasy than reality in perfumery. unlike the rose or jasmines of the world, orchids don't naturally have one universally recognizable scent, so we use "orchid" to evoke an impression like we do hibiscus: silky-tropical sweetness, creamy creamy creamy - oh, dash of whipped cream to shake the mood. this isn't bakery whipped; imagine something airy: vanilla cream folded until it's almost weightless. sister to mousse than frosting; softens the orchid without burying it.
body: you finish in a wave of raspberry bloom. bloom, not fruit. we're borrowing from both the raspberry and the blossom. juicy pink berries rolling alongside delicate white blossoms. you're sweeter than hibiscus but fresher than jam. we keep you close, fending off any chance of detonating a sugar bomb.
youngest of the family, impulse buys, no calls but no texts - voice memos, frosè, laughing so hard you snort, strawberries at a farmers' market, satin ballet flats tossed on the floor, the first warm saturday ever in april, spring-into-summer, the rosary tree at the loretto chapel in santa fe new mexico, twenty tabs open, living at full speed, lemon meringue pie, sleeping on a hotel balcony, sharp sharp ash-blonde bob, feminine but not juvenile not precious, open palm slap, raspberry pink, warm yellow-ivory, soft coral, black streak.
so helpful all the time, but also such a soft, centered energy. perfect balance with a wide fun streak. a secret of a woman you have to get past to find the treasure. perfect & so integral; i miss you the minute you're gone.
head: tuberose is a note with the reputation of being loud and almost narcotic, but in the right composition it's unbelievably slick. it's just gorgeous, and it smells like a garden sitting warm in the incessant beat of the august afternoon sun. you're succulent, buttery, and just a little dangerous. we don't push.
heart: unexpected. lily-of-the-valley cutting through all that richness. it's one of the freshest white florals in perfumery: green, crystalline, almost bell-like. i'm biased because it's one of my favorites. we introduce cool air into you, breaking through what could have become an overwhelmingly opulent scent. then coconut milk seeds through. we don't want toasted coconut, or that sunscreen scream. we want milk; such an important distinction. you smell smooth, almost steamed, with a subtle lactonic simmer that clings to the tuberose like a lover gone fearful. velvet push, careful of going sharp.
body: you give us snow. obviously snow doesn't have a smell, but it's often interpreted as chilled musk, transparent aldehydes, airy blonde wood, mineral notes; the sensation of cold rather than a literal scent. the snow keeps all other notes suspended in thin air. finally, turkish red rose blooms - deep, jammy, crimson rose with a kick of spice and honey crush. a single red flower growing out of an otherwise white landscape; you've learned to endure, return.
tibetan mountains, ghost stories, the blinding effect of moonlight against a blizzard or turning on your highbeams during snowfall, warm milk before bed, sleeping through a storm, contradictory, hard line, deeply romantic, greenhouse in winter, cashmere sweater, antique fireplace, lace curtains, the brand doen, victorian flatware, four-poster bed of dark wood, winter wedding, mother of pearl, old botanical illustrations, art deco, the year before the 1920s exploded into depression, stark white, circus life, dogwood pink, sage, midnight blue, baby blue, violet, lilac, scarlet, dipsomaniac, blue hour.
i once told niyah she is a forest fire in the best way: destructive only to what can't last, clearing space for something truer, more aligned to her. a phoenix, too, rising again and again. so clever it catches me off guard. she takes life by the throat and insists on living it, even when it resists, even when it pushes back. still true. i love you, glad i get to.
head: an oud welcome (another hard favorite), but don't think aggressively medicinal or barnyard. a smooth sweep, wood polished over time, slightly smoky, with hints of leather and resin. you're immediately grounding.
heart: a surprise, but never a second thought. tiaré: solar, buttery, usually conjures beaches and monoi oil. but she's sitting next to oud and they hold hands and she's losing her vacation feel. instead, she becomes exotic in the oldest sense of the word: lush, plush, soporific. tonka bean, vanilla's middle sibling. almond, hay, tobacco, caramel, and warm spice woven together. comfort without ever becoming commodified. softens all else, gives a skin-like warmth.
body: a conceptual black rose; dark dried petals, faintly fruity, faintly spicy, essence of wine. cashmere isn't really a smell, but a texture. here we often mean it as tepid musk, summer woods, and an enveloping suede finish.
billie holiday, nina simone, dark cherry wood cabinets, the artist-muse relationship of liv ullmann and ingmar bergman, persona (1966), authentic persian rugs, brass lamps, thick knitwear, cotton sheets, boutique hotels, paris in early-middle october/late november, fingerprints smeared over aureate heirlooms, california traffic, "i'll call you back", nothing feels too precious to use, iberian lynx, wolves' eyes like silver dollars in the dark, border between nightmare and dream, the crackle of a record player, tattoo on the inner wrists, "it didn't really hurt all that much" (liar), espresso brown, deep deep mahogany, amethyst, slate blue, yale blue, raven black.
my ella, sweet ella. "other" (germanic), "goddess" (hebrew), and "torch" (english/greek). you're so enigmatic; always in and out in the best way. no pressure, but self-assured. something ephemeral, but the touch lasts, the memory of you never fades. brilliant.
head: raspberry, but darker. crushed raspberries staining fingertips, rather than fresh berries in a market basket. tart at first taste, then rich, intoxicating. beside it is licorice, a change in personality. licorice in fragrance has anise facets: cool, herbal, sweet, faintly medicinal, and a little mysterious. it makes people tilt their heads because they can't quite place you. together, they're addictive. dulcet, obscure. you're addictive, a lempicka painting.
heart: vanilla pulls you out, takes your hand. you're no cupcake vanilla, but clotted, glossy vanilla. we want to indulge, want to eat you right up. sanding the licorice bite without erasing it. labdanum follows; masterstroke. labdanum cousin to amber, sun-baked, leather lip under the jaw, dried fruit, and honey. a "shadow", incredible depth.
body: you're a violet close. shy of powdery/waxy lipstick, shy of candied; after rain. a little green, a little melancholic. tender exhale into something mellow, quiet. blackberry burst before the fade.
the dark of the theater as the curtain has yet to rise - light behind it, fresh ink, stained glass, the inside of a jewelry box, twilight, vanilla and apple tea in a mug with a chip on the handle, purple bruise blooming on the skin (love bite), smoke of a candle after the blowout, dry humor, books stacked on the floor, marginalia, ribbon bookmark, silver rings, black cherry (color), smoke plum, lavender, ash grey, azure, aqua, indigo, kiss on the forehead, never let you go.
this was very, very fun. i put part one because i just i have too many ideas (i already have a second post with @graybuckets & @pearlydollsworld at the helm), but if you'd like to request one, slide into my inbox or messages. love you. x
just wanted to say thank you to everyone who was so sweet on my last post about the outfits i've been loving lately.
i ended up deleting it, but i didn't want anyone to think i hadn't seen all of your kind comments. i replied to as many as i could before i took it down, but in case anyone didn't get to see those, please know i read every single one and they genuinely meant so much to me.
i'm always a little overwhelmed (in the best way) by how thoughtful and considerate you all are. thank you for making this such a lovely corner of the internet. i'm so grateful to be here with you. x 🤍
do you have specific stores you like for your jewelry? my jewelry always ends up tarnishing, unfortunately
hello, hello, honey. i completely understand the stress of tarnishing; i used to deal with it all the time. my favorite places to shop right now are:
neveah ➵ i built myself a jewelry box with them for my birthday last year, and i've been buying from them for nearly five years now. nothing i've purchased has tarnished. i wear their pieces every day, and they've held up beautifully.
my everyday necklace is a black van cleef, but that was a gift from my older sister. it's never tarnished either. my other everyday necklace is a diamond heart that my dad bought for my mom in turkey and gave to her in haiti when they were young. she eventually passed it down to me. i never take either off and have done long periods of swimming and such with them.
i love the palestinian brands nurnei and nominal; they're absolutely stunning as well. the quality is beautiful, and they have such unique designs.
a small tip that's worked for me: a thin layer of clear nail polish on costume jewelry can help slow down tarnishing. i've also found some incredible-quality pieces on etsy, especially because i love heavily detailed, geometric jewelry.
my utterly exorbitant dream brands are:
natasha schweitzer
jade trau (i want both my engagement and wedding pieces to be there)
i know it's been a little while since i've posted, but i wanted to give you a small update. this month has been such a flurry of activity and commitments, and i genuinely feel so deeply drained from the number of events i've had to attend. hopefully, july will be a little slower. i'm planning to find my way back to properly balancing posting here alongside my personal wips again.
thank you for being so patient with me, always. i hope everyone's having a beautiful start to summer.
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hello hello, angel. yes i do. i have one on my hip that says "love is life and life is giving." i plan to get a second on my ankle as a master's grad present.
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my mother told me today, "i notice you compliment someone every time we go out. what's that about? do you actually mean it, or are you just saying it?" and i'm just... oh my god. yes, i mean it.
if i think someone looks beautiful, i'll tell them. if i like their shoes, i'll tell them. if their makeup is gorgeous, i'll tell them. i genuinely don't understand why that's something to interrogate. i actually really like that about myself.
i think what bothered me most wasn't even the question, it was the assumption behind it, that there had to be an ulterior motive, that i was disingenious or the idea that kindness or admiration can't simply exist on their own.
it honestly reinforces my refusal to grow older that way. there is nothing about bitterness that i aspire to. i saw this tiktok once where a girl said, "i take nothing personally and expect no exchange, and that's why i'm free," and that has become a mantra for me. life gets so much lighter when you stop assigning hidden meanings to every action and simply do things because you want to do them or because they align with you.
if she'd asked, "i've noticed you always compliment people. is that something you've always done?" i probably would've loved that conversation. but jumping straight to, "do you even mean it?" felt so strange to me. i've literally been this way since high school. i notice people. i always have.
there's so much beauty in the world that i genuinely don't understand rationing your appreciation for it. every single time i leave the house i see something beautiful or romantic or inspiring; someone's perfect outfit, a gorgeous coil of hair, a dog hanging out of a car window. why wouldn't i tell someone they look lovely if the thought crosses my mind?
i don't take it personally if they don't compliment me back. i'm not expecting anything in return. i just think if something kind crosses your mind, you should say it. compliments aren't a finite resource, and neither is the extension of kindness; it will always return. if i think it, i mean it, and so i say. every time.
Rainer Maria Rilke, from Rilke and Andreas-Salomé: A Love Story in Letters
Text ID: I’ve never seen you without wanting to pray to you. I’ve never heard you without wanting to place my faith in you. I’ve never longed for you without wanting to suffer for your sake. I’ve never desired you without wanting to be able to kneel before you.
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