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noise dept.
⣠Chile in a Photography âŁ
Phantogram Three
I'd rather be in outer space đ¸
YOU ARE THE REASON
tumblr dot com
Sweet Seals For You, Always
cherry valley forever
almost home
hello vonnie
ojovivo
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$LAYYYTER
if i look back, i am lost
RMH
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Monterey Bay Aquarium
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@hatchets
âMrs. Moonâ by Enkel Dika (@buko2) â⢠#âenkeldika #buko2 #digitalpainting #portrait #surrealism #moonart #surrealartwork #digitalartist #surrealismo #popsurreal #newcontemporary #popsurrealism â view on Instagram https://ift.tt/2Arp3rx
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rise: blood hunter (2007), alucarda (1977), la morte vivante (1982), city of the living dead (1980), lady snowblood (1973), vampyros lesbos (1971), satanico pandemonium (1975), queen of the damned (2002, a virgin among the living dead (1973)
Aleksandra Waliszewska
ART PIECES RECREATED IN HORROR FILMS
The Exorcist (1973) / The Empire of Light (1953-1954) RenĂŠ Magritte
Ju-On: The Grudge (2002) / The Nightmare (1781) Henry Fuseli
Carrie (1976) / Study for Lady Macbeth (1851) Gustave Moreau
Scream (1996) / The Scream (1893) Edvard Munch
Panâs Labyrinth (2006) / Saturno devorando a un hijo (1819 - 1823) Francisco de Goya
Walter Crane (1845-1915) - The swan maidens
Oil on canvas. Painted in 1894.
60 x 46 inches, 152.5 x 117 cm. Estimate: ÂŁ150,000-250,000.
To be sold Christieâs, London, 10 Dec 2020.
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@vidoxiâ @gorelesbianâ @sawmuttâ @sluttymorticianâ @corcubiculumâ @unrealnoisesâ @dollfacedeceptionâ @dead-girl-in-a-ditchâ @holyfirewaterâ @queercodeadvillainâ @cordeliatarasâ @derangedrhythmsâ @geee-spotâ @llawlietteâ @soulsweeperâ @beingshakespeareâ @artofwoundingâ @wolfhoofâ @s-p-o-r-e--p-r-i-n-c-eâ @aloneinmoscowâ @sacersanguisâ @opoldâ @inkwellspellsâ @blessmefatherforihavesneezedâ @the-crystal-coffinâ @0535pmâ @bluebloatâ @eliamatrellâ @sylviapiamariaâ @porcelainmantraâ @6mxmiâ @phthonosâ @blairwitchvevoâ @charrockerrevengeâ @lovecanbeâ @g-a-d-f-l-yâ @dearorpheusâ @artemiburakhâ @jayuniqueâ @primonizutoâ @brujahâ @kalichanuniverseâ @cheryltuntsâ @luvhamtaroâ @thesibylâ @dixiedeadshakeâ @sunsetsapphxsâ @malocologyâ @android-girlzâ @milkthroatâ @thatgirlnamedeleanorâ @vampiriserâ @ectoplasm-jamesâ @redhotpussylickerâ @falkwreathsâ @jerkuelynâ @resevil8â @petrichorpetâ @onlineâ @oblivioncoilâ @davidkesslerâ @rarbugâ @nekarchivecrazy2â @crunchythursdaychildâ @buffysangelsâ @2hvvrtâ @vomitluvrâ @meaatrot-blogâ @hai1strik3â @theolepsyâ @lambhoofâ @ocdsâ @myprisonyardâ @nondivineusâ @grimghoulâ @iwasherloveâ @grlsirenâ @cyrsedâ @mossgutzâ @7hylacineâ @traumatwinkâ @cottoncandycasualtiesâ @awitchnamedbonedaddyâ @angelidiotâ @alienannihilatorâ @hauntedhouseâ @nightmarebabyyâ @protectressesâ @halloesâ @afventurelleâ @ghostiegravesâ @deleted-accounâ @punkdollâ @tomiesmorgueâ @stydiadollâ @leighwhannellâ @saintanimalâ @reginainferorumâ @laevisiklownzâ @lesvampyresâ @sitardâ @belobalaâ @furatusâ
so sorry to anyone who was tagged in that nightmarish rayban sale post lmao
Vibe for October⌠Letâs plunge into devotion and despair ladies đˇđĽ
she's not crazy, don't say she's crazy
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Lupita Nyong'o attends UK exclusive screening of âUsâ at Picturehouse Central on March 14, 2019 in London, England.
Claire Morgan, Hangover (2014), Fox (taxidermy), bluebottles, nylon, lead; 233x60x50 cm
La autopsia / AnatomĂa del corazĂłn / ÂĄY tenĂa corazĂłn! (Autopsy / Anatomy of the heart / And she had a heart!), 1890. By Enrique Simonet
âfirst day of summer and my cat has fleasâ, summer 2017, acrylic on paper
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Vivienne Westwood Fall/Winter 1990
âOnly the richest, best taken care of women, could afford to be sick. Wanting to be as ethereally âsublimeâ as Ophelia, women of all walks of life began getting sick (or making themselves look sick to achieve the desired social position), fashioning themselves as tuberculosis sufferers, powdering their faces pale and starving themselves to near death to achieve the suffering, emaciated look. In the 1860s, a âsublime tubercular emaciationâ became a desired model of âtrue femininityâ, generating the very first epidemic of anorexic starvation.â
â Magda Romanska, âNecr-Ophelia: Death, Femininity, and the Making of Modern Aestheticsâ
