harajukudays

Ada Limón, from “Banished Wonders”, The Hurting Kind

August 2022

Shane Seely, from “Second Attempt at Elegy for Anthony Piccione,” Image: Art, Faith, Mystery (no. 62, Summer 2009)

A breakdown in the relationship was inevitable once the virus had seeped into the memory of one machine and then into the other through a singular network cable affecting the poetic text files. Communication between the two deteriorated, leading to irrational & at times odd behaviour. Each machine reacted with equal confusion and conflict. The interface text became an illegible poetic mutation of itself.

On the way back from Hiroshima

August 2022

Yoshitomo Nara: Red Kitty (1999)

OMEGA CT485B // Temperature / Relative Humidity Circular Chart Recorder, 2006

"Dream" by Artist Frances Goodman

Fernando Pessoa // Michel Foucault

Friends

love & pop (1998) dir. hideaki anno

Sundays, Lennard Kok

Alex Dimitrov, from Love and Other Poems; "Summer Solstice"

— Meg Day, from “Another Night at Seas Level,” Last Psalm at Sea Level (Barrow Street, Inc., 2018)

portrait de la jeune fille en feu (2019) dir. céline sciamma

— Halldór Laxness, “Independent People” (Vintage International, February 19, 2009)