Athens December 2019

Janaina Medeiros
Sade Olutola
we're not kids anymore.
sheepfilms
dirt enthusiast
tumblr dot com
AnasAbdin

Andulka
d e v o n
Lint Roller? I Barely Know Her

Product Placement
YOU ARE THE REASON

occasionally subtle
Peter Solarz

PR's Tumblrdome
trying on a metaphor
Three Goblin Art
KIROKAZE
seen from Austria

seen from Türkiye
seen from Russia

seen from Türkiye
seen from United States
seen from United States

seen from Italy
seen from Mexico

seen from Malaysia
seen from Türkiye

seen from Malaysia

seen from United Kingdom
seen from Netherlands

seen from Canada
seen from United Kingdom

seen from United States

seen from Türkiye

seen from United States
seen from Malaysia
seen from Russia
@hangoverdiaries
Athens December 2019

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Athens August 2018
Athens August 2018
athens sept 2017
The brand new Special Edition Reigning x Vasilis Markosian collab t-shirt is out there! Get Busy!!! http://reigningtshirts.com/reigning-x-vasilis-markosian
Photos by photoharrie
athens sept 2017

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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athens sept 2017
Face Me at Souzy Tros, Athens August 09 08 17
Face Me is bringing the beauty and texture of the face back to the fore through the enjoyment of sculpting in clay. ACTIVE BANK is an artist group working in Athens. The work with refugees came out of conversations ACTIVE BANK had with artists in Zarakes and people in Athens. The work is about continually exploring what subjectivity is and what kind of subjectivities exist for people in, say, a camp. It’s personally and politically motivated, in that it’s as much about personal development as social human beings, communicating with each other, as it is about the way people exist in the world as it is currently. In the eyes of post-colonial critic Gayatri Spivak, enforcing comprehension of a Western kind of subject is colonial. But, when people are coming to seek help in a foreign country, the non-comprehension of the language – the language that allows you to be a subject in that state with access to the knowledge that others have - is dehumanizing. We’ve been translating signs, relating the Greek Government and the European Union, into different languages so that people are aware of where they are positioned in relation to those structures. The projects are led in conjunction with the people we meet. It’s participatory in a fundamental sense, in that we start conversing with people and we proceed in a conversational way. And as far as we see it, dialogue, having human interactions, making friends, bridging between ourselves and others – that’s decolonizing. The people we built relationships with there are our friends - it is particular, there are a lot of people we didn’t communicate with. We think it’s important to be honest about the fact that no relationship is indiscriminate. Although we do work in Eleonas and meet people there, we make our main base outside the camp and are not affiliated with any institution or organization.
Face Me at Souzy Tros, Athens July 09 08 17
Face Me is bringing the beauty and texture of the face back to the fore through the enjoyment of sculpting in clay. ACTIVE BANK is an artist group working in Athens. The work with refugees came out of conversations ACTIVE BANK had with artists in Zarakes and people in Athens. The work is about continually exploring what subjectivity is and what kind of subjectivities exist for people in, say, a camp. It’s personally and politically motivated, in that it’s as much about personal development as social human beings, communicating with each other, as it is about the way people exist in the world as it is currently. In the eyes of post-colonial critic Gayatri Spivak, enforcing comprehension of a Western kind of subject is colonial. But, when people are coming to seek help in a foreign country, the non-comprehension of the language – the language that allows you to be a subject in that state with access to the knowledge that others have - is dehumanizing. We’ve been translating signs, relating the Greek Government and the European Union, into different languages so that people are aware of where they are positioned in relation to those structures. The projects are led in conjunction with the people we meet. It’s participatory in a fundamental sense, in that we start conversing with people and we proceed in a conversational way. And as far as we see it, dialogue, having human interactions, making friends, bridging between ourselves and others – that’s decolonizing. The people we built relationships with there are our friends - it is particular, there are a lot of people we didn’t communicate with. We think it’s important to be honest about the fact that no relationship is indiscriminate. Although we do work in Eleonas and meet people there, we make our main base outside the camp and are not affiliated with any institution or organization.
Face Me at Souzy Tros, Athens August 09 08 17
Face Me is bringing the beauty and texture of the face back to the fore through the enjoyment of sculpting in clay. ACTIVE BANK is an artist group working in Athens. The work with refugees came out of conversations ACTIVE BANK had with artists in Zarakes and people in Athens. The work is about continually exploring what subjectivity is and what kind of subjectivities exist for people in, say, a camp. It’s personally and politically motivated, in that it’s as much about personal development as social human beings, communicating with each other, as it is about the way people exist in the world as it is currently. In the eyes of post-colonial critic Gayatri Spivak, enforcing comprehension of a Western kind of subject is colonial. But, when people are coming to seek help in a foreign country, the non-comprehension of the language – the language that allows you to be a subject in that state with access to the knowledge that others have - is dehumanizing. We’ve been translating signs, relating the Greek Government and the European Union, into different languages so that people are aware of where they are positioned in relation to those structures. The projects are led in conjunction with the people we meet. It’s participatory in a fundamental sense, in that we start conversing with people and we proceed in a conversational way. And as far as we see it, dialogue, having human interactions, making friends, bridging between ourselves and others – that’s decolonizing. The people we built relationships with there are our friends - it is particular, there are a lot of people we didn’t communicate with. We think it’s important to be honest about the fact that no relationship is indiscriminate. Although we do work in Eleonas and meet people there, we make our main base outside the camp and are not affiliated with any institution or organization.
radioactive transmission 06 / ΓΑΥΔΟΣ Tradition identifies the island with mythical Ogygia, Calypso's isle.The nymph lived in a large cave, which you may visit, although it has lost something of its original size and beauty over the years. Calypso welcomed the handsome Achaean and kept him with her for many years. She offered him immortality to persuade him to stay with her. His great yearning to see his homeland and family again would not allow him become immortal. With great sorrow Calypso allowed him to depart. First she helped him to make a raft of wood from the sacred grove, and taught to steer and to navigate by the sun, moon and stars. This is the transcript of a damaged cassette mixtape dedicated to Marie Curie. Marie Curie, who won a Nobel prize for pioneering the theory of radioactivity would ultimately die from radiation poisoning because she got in the habit of carrying tubes of radioactive material on her.

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Paleochora, Crete July 2017Â
Larissa March 2017
Larissa March 2017
Asthenia No. 04 Private Opening
Hope, Panos Papadopoulos, PhotoHarrie, Alexios Papazacharias, Sofia Stevi, Petros Touloudis, Amalia Vekri
Fokidos, Athens November 2016
Asthenia No. 04 Private Opening
Hope, Panos Papadopoulos, PhotoHarrie, Alexios Papazacharias, Sofia Stevi, Petros Touloudis, Amalia Vekri
Fokidos, Athens November 2016

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athens october 2016
Anafi Sep 2016