𝐇𝐀𝐌𝐀𝐑𝐓𝐀𝐍𝐎 (v.) to fail —- or perhaps, more than that, to have tried and tried and tried. and isn't that the tragic part? he tried, he tried, he tried, and that was not enough.
ꜱɪᴍᴏɴ, ᴛʜᴇ ᴅɪᴠᴇʀɢᴇɴᴛ ꜱᴛᴀʀ, ꜱᴡᴏʀᴅ ᴏꜰ ʟᴜᴍɪᴇʀᴇ. by percival.
affiliated with —- @isolaradiale.
app. stats. threads. meta analysis. rules under readmore.
ranked ❲ . . . ❳ dwarf ⎛ 2/22/26 ⎠
housed ❲ . . . ❳ dessendre manor ⎛ verso dessendre's personal housing ⎠ , the echo
brought to you by the same dude who is writing sad tulpa that a goddess made of her dead son (verso) comes another sad tulpa painted by the same goddess (but he's not her son), then PAINTED OVER by another goddess!
simon's doomed by the narrative. i mean, everyone in e33 is doomed by the narrative but simon has a category all to himself.
anyway, hi, i'm percival! i'm 32 and not ready for gommage i write other muses in isola! you may know me best from writing balduran. i love plotting threads and rolling dice (d20 style babey) and drawing things. eventually, i will do art for this blog.
fun fact the first e33 character i drew was actually simon and not verso and honestly. i surprised myself with that one.
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the last time simon had been in this specific lecture hall, he was often called on to recite poetry in front of his peers. gentle and soulful, he remembered thinking that maybe he should take a chance and try out for one of the school's plays. he hadn't- but it was a nice thought. he had a different professor, an older gentleman with a similarly gentle demeanor.
the professor sitting at the front of the lecture hall ⎛ perhaps waiting for students to arrive, or perhaps lost in thoughts ⎠ was younger. a fresh face, perhaps even younger than simon. it wouldn't be out of the question, would it, as he'd heard many former students had taken positions as faculty.
a part of him wants to ask if he would be able to sit in, even though he's pretty sure that wouldn't fly. a part of him wants to just relive the quiet days where he was a student- nostalgia was not so uncommon. ❝ i don't think we've met before, ❞ he begins with, nervously shifting his stance- ❝ there was a different professor who taught in this hall when i was a student. ❞ simon had graduated when he was twenty five, finishing a master's degree right after earning a bachelor's. two years after, he had enlisted in the armed forces, and now? at thirty seven- he shouldn't have been so surprised to see new faculty.
❝ my name is simon. i ... haven't interrupted you too much, i hope- ❞
it was interesting, being back on campus. simon had aspired to be a writer- a creative mind as a student, but ultimately it seemed he had a different path. always the hero, of course he went to serve and protect- and he would never regret it. still, it was a nice change of pace to be somewhere familiar; full of happier memories. of a time where he wasn't always looking over his shoulder.
he had come to visit verso. the younger artist had spent hours complaining about his demanding mother, but ultimately had been just as happy to see simon. and then, simon had decided to wander while verso went back to finishing a painting.
not much had changed about the campus aside from new students. the one who came over to him was certainly a new face. of course, since he'd been away for a fair number of years. from the looks of it, she was likely a journalist. approaching with a pad of paper and a pen and a smile.
❝ here to interview people on campus? ❞ he offers a small smile, fondly remembering seeing other students do projects just like this. he'd taken a journalism course once, too- ❝ i'm a visiting alumni, but there might be something i can offer. assuming that is what you are here for. ❞
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simon is a graduate of ofiuco university. he majored in creative writing, but after graduation, decided to join the military. now, he's back to visit a friend- he's got ties to the dessendre family, after all, and verso is still studying!
a calm and patient individual, he's the classic gentle giant. he's glad to be back on campus even if it's only for a short while. a welcome respite! of course, hearing from verso about what's been happening is rather concerning. things have changed a lot from when he was enrolled... and not all of it is good.
notes
so i know there are like. painter simon aus but what about Writer simon aus but a little to the left? that's what this is.
it's literally like he's here to be less stressed, but this is going to stress him out. also he's staying with verso in verso's dorm because they're friends ⎛ simon may or may not be dating verso's older sister, clea. it's complicated ⎠
yeah he's missing an arm. he has a cool prosthetic, but he doesn't always wear it.
He says it stupidly, like the wind and all intelligent thought dropped out of him at the same moment. It had: Reuben still isn't used to some the sizes on people in this place. He's considered tall enough himself, but good lords below, this man certainly has him beat.
"Sorry! I'm so sorry. I was just...impressed, by your stature..."
He's going red as a beet faster than a hummingbird can flap, making a face like he wants the ground to pop right open and eat him up and never let him back out. Probably startled the poor man as much as he'd been startled himself.
this is not the first time simon's height has been the first thing someone has noticed about him. among the people of lumiere, he stood out as an anomaly. where the fashionable ideal was to be lithe and elegant, simon had been large and awkward, and no one believed that he had such ties to the wealthy dessendre family. certainly they didn't believe that he was close with the eldest daughter, clea.
short hair was the usual style for the men of lumiere, and many of them sported mustaches and beards, well kept. simon kept clean shaven and had once kept his long hair tied back or braided. rough faced, he was far from what anyone would have called handsome- at least not fashionably so, but before any of this was noted, it was always his height.
the young man facing him has the fair face of someone who belonged to a wealthy family, but there's something about him that tells simon that even if he came from wealthy origins, it was not quite how he lived now. he's pale, almost in a sickly sort of way ⎛ anemia, perhaps ⎠ , but that pallor made the spreading color across his face even more obvious. ❝ ... you are not the first to mention it, ❞ he's equally as awkward, tense, because he certainly wasn't expecting this sort of abrupt interaction ⎛ but it wasn't the young man's fault. simon was no longer trapped in the abyss. he did not need to always look over his shoulder for danger. he needed to remind himself often that this ... this place was not a battlefield. ⎠
❝ i am used to it now, no need to apologize. there are many other things that you could've said that would be more alarming. ❞
trapped in a place just as lonely as the abyss, simon wanders with nothing but the ghosts of his past to keep him company- and an ache in his chest that lets him know that something is missing. but is it a part of him, or is it something that was painted over him? he wonders if someone is still painting now. there's an emptiness in the shape of the person he could have been- or maybe he once was. the missing piece is a part of him, but he thinks that he could fill that void with memories of clea, and the oath that he promised not to break. maybe this time, no matter what it takes.
notes
simon is havng a bad time to no one's surprise- the piece that broke away is the person he was before he was painted over. the noble guardian of the dessendre family. a man who hoped to find answers with expedition zero. but due to the warden being Like That, he's also ready to throw hands with literally anyone.
aren't you glad he doesn't actually have the giant sword and every other broken ability he could have? but he can punch really hard.
it's going to be a bad time all around, i don't know what else to say about the whole ordeal but uHHHH!
the simon of the past thinks he's doing all of this for clea, because of course he does. honestly, the simon of the present might also think that. we can never be sure.
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scars: how many scars does my muse have? where are they located on my muse’s body? how did they get them? what do they look like?
sleep: how many hours a night does my muse sleep? do they take naps? how restful is their sleep? do they experience nightmare? if so, how often?
meals: how many meals does my muse eat a day? what do they generally consist of?
routine: does my muse have a consistent routine in their lives? do they find it difficult to stick to a routine?
chronic: does my muse have any chronic health conditions / illnesses? how do these affect them from day-to-day?
doctor: how often does my muse visit the doctor? do they tend to go routinely, or only when something is wrong?
relaxation: what does my muse do to relax? do they find it easy to carve out time to relax?
aches: does my muse have any frequent aches? ie, muscle aches, joint aches? how do these affect them from day-to-day?
stress: does my muse handle stress well? what is a surefire sign for others to tell that they’ve become stressed? how does stress affect them mentally / physically?
mind: does my muse have any mental conditions that affect their lives? what are they? how do they handle them? what coping methods do they use most?
This event is a sequel to KNOW YOURSELF! We recommend reading the event post and the conclusion if you were not in the group at the time.
It’s the sound of the keyboard clacking and the sound of a bag of chips sneakily being consumed, repeated. Orion is locked in. She has a mission, and the mission is to help the people at the Inn! There’s a goal in mind. The goal? Make the inn a more welcoming, peaceful, and ideal place! “Aaaaaaaaaand there--oops.” It’s a definite oops as she deadpans, looking at the mistake she’s made. A simple wrong button pushed, and now things are a complete mess.
“I need help.” With a sense of urgency in her body (not so much her face), she rushes over to two people she feels may be able to help. “Andromeda. I need help. I made a mistake.” Andromeda is snacking on some delicious snacks. Ah, she wants some, but refrains from asking.
It usually took a lot to get Andromeda’s reaction– not even Orion’s desperate calls for help could take the starlet’s attention off of their delicious prawn crackers… but curiosity did allow their eyes to flicker upward, staring at the screen without much of a reaction.
But if Orion looked close enough, she’d see the slight twitch to their temple. Perhaps even the slight quiver rippling across their mouth. Oh, boy.
“That’s putting it lightly,” they responded dryly, sighing before tossing another cracker into their mouth. “Seriously, was this the intended outcome for your project? Can’t you see I’m busy here?” Munchmunchmunch.
“.. kidding. I guess I’ll help, but you’re gonna have to wait until I’m done here. Have fun telling that to the residents.”
Anyway, she’s moving quickly to head over to Alkaphrah. Knowing him, he’s probably busy reading something and doing something else, BUT desperate times call for desperate measures, and that means interrupting him, too!
“Can you help me? I did an oopsie, and I think the residents are in big trouble. I mean…like big, big. Uhm, you know the Inn Keeper? The ghost at the Inn? Uh….well….”
Alkaphrah took pride in his studies of both the soul and the mind - akin to a wizard, he dedicated much of his time to reading and watching - and this had not gone unnoticed. Orion’s presence is expected, her request for help? That too is expected.
“The people of the city have proven themselves to be resilient and adaptive. You wish for them to heal and so you created a place of respite.” Something had gone wrong, still. Alkaphrah looks up from his old tomes to study Orion’s face. “Grief is a natural part of closure. The people must learn to navigate that cycle-”
“But, not like this. Grant me time to finish my own little project, and then I will help you sort out yours.” After all, he was rather inclined to enjoy a project that explored the psyche - even if it was going far from right.
Cut to Orion showing them the screens. Looks like the Inn Keeper has taken hold of the residence of the rooms. The Isolans are trapped, and with them their past selves. “I wanted to make it a little bit more comfortable for them to relax in while they waited for themselves to be ready, buuuuuut….yeah. What should I do? The Inn Keeper’s made it so that they can’t escape. Their past selves are also aggressive. Like the Inn Keeper is controlling them or something.”
========
Beep
“Okay… Is this on? I just talk, right? They’ll hear me or even see me? Okay… Uhm...” Orion clears her throat and begins.
“Good evening! I’m sure most, if not all of you, are aware of what’s going on. You may have noticed a friend of yours vanished or something… Well, to keep things short: your friends are in trouble and need your help. They are all trapped in the Inn with nowhere to escape on their own. Please help them, and you will be rewarded.” Orion’s turned to a different screen, a message to those trapped in the Inn.
“I’m sure this is a little familiar for you guys. These are the parts of you that you left behind. They are now in the hands of the Inn Keeper. They will pursue you, hunt you down, and try to kill you. Uhm, try to survive? Try to win them over! I’m sure that will quell their anger! GOOD Luck!”
WHAT'S GOING ON?
Orion was messing around with something to help the inn to become more peaceful and friendly, as it is said to be a dangerous place to stay in, even for just a night. Who’d want to visit an inn with rumors about people going missing or losing their minds? That, and wouldn't it be nice for the ones staying indefinitely to be comfortable in their stay?
Unfortunately, with all the tweaking and messing around she does, Orion accidentally messes up the software, causing the Inn Keeper (The ghost of the Inn) to become strong enough to trap muses inside the inn from all across the wards/branches. The Muses trapped in the Inn with their Data counterparts from the last event require some help! Orion has sent out a mass message for those who are available and can assist!
It is now up to the muses to find their escape. Though it seems the only escape is to go up against their data, but how? They do not listen to reason!
The data trapped in the inn are now under the Inn Keeper’s influence. They are now the hauntings. Data selves who were once kind and gentle will be filled with rage and aggression. Those who were already bad are probably worse off. One thing is for certain: they seek to kill or take over the bodies of their counterparts.
The only escape is to win against the Datas by accepting them, understanding, and quelling resentment and anger, as well as fear. This is a great way to weaken the Inn Keeper as well. Which gives them a fighting chance!
The ‘rescue team’ (muses who didn’t find themselves trapped by the Inn Keeper) must be the guiding light for the muses to help them find their way and achieve peace. Their reconciled selves will show up to assist trapped muses, while the reconciled muses have to find a way to face the Inn Keeper. Will they, together, be able to break not only themselves free, but the data of their past selves free from their shackles?
The Inn Keeper will be in pursuit of the rescue team, using any method it can to trap them as well. It is up to the mun to have them trapped or not. The Inn Keeper will be capable of touching on the muse's sensitive and vulnerable past, entrapping them in their grief and making that pain stronger. The stronger the pain, the easier it will become for the Inn Keeper to trap the muse.
There are three potential outcomes:
URMs (unreconciled muses) can see eye to eye with their past selves, and the muses can release all that pain in a good way. This is the right ending to how things should be between the muses.
With the help of the RMs'(reconciled muses') past selves, the URMs' past selves are immobilized and are defeated (past selves will no longer be trapped in the Inn, but they have technically been killed off. Damn.)
There’s a key that pops up when things get too heated, and both URMs and the past selves of RMs can’t handle the data. This key is to help them escape the inn and arrive back in the last place that they were before being whisked into the Inn. By leaving, though, you leave your past selves trapped in the Inn under the Inn Keeper’s grasp.
WHAT DOES THIS MEAN?
The trapped muses will team up with the reconciled muses’ data selves. The muses that reconciled with their data selves will have their own new challenges to face against the Inn Keeper.
The goal for this event is for those who did not reconcile to pretty much go through the stages of hardship, grief, mourning, etc and come to terms with their past. Aim for acceptance, peace with the other selves, understanding, and new resolve, etc.
As stated above, there are 3 endings. The 1st one is the good/canon so to speak, ending.
The 2nd is probably the bad ending in a way, considering it means in a WAY, your data dies.
The 3rd ending is the middle ground.
Do you really want your past self to disappear or remain trapped in the Inn Keeper's grasp? Perhaps it'd be in your best interest to reconcile! Get strong and beat the Inn Keeper so you and everyone else can escape!
FREQUENTLY ASKED QUESTIONS
What about the respawn system?
It's nonexistent. If your double succeeds and you die, then that’s it. Somehow, the respawn system shut down, and even reawakening at the Abyss is impossible. You die, and you find yourself merged into one with your data (the one that succeeded in killing you). You’ll be aware of the things the data is doing with your body. You’ll probably have to deal with all that pain and so much more while you have no control over your own body.
You will really have to owe it to the other data that was helping you, because now they have to go up against you!
Can the RMs' past selves help trapped muses defeat their data?
The answer is Yes.
Are the datas of the past selves aggressive only to their former selves or are they aggressive toward everyone?
The URMs’ data selves are aggressive toward everyone, but are more aggressive toward their former selves!
Can the URMs get out of the inn?
The answer is no, unless they have a key.
How can one obtain the key?
One obtains the key by pure chance. When the Opponent is too strong, and there seems to be no way through the data, and you have no other means, the key may pop up (it's up to the mun if they want the key to show up or not, obviously).
What are the RMs doing while their past selves are helping the URMs?
The RMs are fighting their own battle against the Inn Keeper and its hauntings.
What about the muses that weren't present for the first event?
The ones that didn't get the chance to meet their past selves and reconcile or whatever? Now is the perfect chance to do so, while they too are trapped with their past selves!
What do the RMS get out of this?
A "GOOD JOB FOR BEING A GREAT PERSON" sticker and a plush chibi version of their past selves that gives them love and support and all the things they need when the muse is at their lowest! Isn't that cute?
When does the event end?
It ends officially at 11:59:59PM on Friday, February 13th!
I know we're all fiending for Clea and Writers DLC but if im honest? Give me a Simon DLC.
Let me play as a single-man army cleaving through Nevrons desperately looking for my girl. Let me walk myself into the arms of the Paintress wearing her face. Let me be manipulated, repainted, repurposed. Let me fight and defeat the Hauler. Let me find Aline, only to be told the truth. Let me descend into the Abyss with the existential horror of my existence and the truth that my Clea is gone (she wasn't even real, I'M not real, none of this is real), and so my only purpose left is to destroy the ones responsible or die trying. Let me play as (one of) the most powerful creations in this Canvas, only for my story end in defeat, despair, and madness, with nothing but echoes of her voice (it's not her, not her, not my Clea) as distant, decadent memory.
to do list: metas, because god knows i'm that type. maybe less lazy graphics? ART, because i played e33 on my partner's ps5 and didnt take screencaps on photo mode where the lighting is BETTER.
in other news the night i repurposed this blog, i also beat divergent simon on ng+ with perfect parrying and that felt real good.
it is bright here, under the shining lights of a place named 'golden'- and it is unfamiliar. the streets are full of life, of people laughing without a care in the world. there is the ocean-front and there is nothing but the endless seas beyond it. there is no monolith, no weeping goddess with her ichor-ink spilled as a doomsday clock. it is peaceful, and simon has long forgotten what that feels like.
it is one thing of many that has been lost. time had been meaningless in the abyss; lonely darkness had become his closest friend, and between his fever-dreams of his red-haired, immaculate clea, he dreamed of freedom and death. he had forgotten what it was like to live. tragedy held to him like a second skin- second life ⎛ a messily painted thing ⎠and as he stands and watches the waves and the fading eclipse, he feels like he's drowning.
he has never felt like this before. he knows what it feels like to break, to despair. he knows what it feels like to die and to be unmade and then made again, but never once has he felt like drowning.
what sort of person felt like this in the face of the sunset? ⎛ one who has forgotten how to live. a warrior who has known only the battlefield for so long- and the endless, inky void- ⎠
the more he thinks of it, the more he realizes that it is not so much the feeling of drowning, but the feeling of being painted over. and that, that is something that he was hoping to forget. he has nothing but the clothes on his back ⎛ the old expeditioner uniform, the golden cloth wrapped around the stump of his missing arm with the stylized 00- expedition zero, the search and rescue that found no one and lost everyone- ⎠ - his greatsword is nowhere to be found, and he feels ... drained. but not of life.
of life, he is rather full.
there's a young woman approaching him, a warm smile on her face, as if she had come to welcome him. that's likely what she was coming to do, and yet ... he's tense. he is living, and that in itself is too good to be true. he runs through thousands of scenarios in his head ⎛ a skilled warrior was prepared for every possibility- and hadn't he been? ready for all but one. the one that happened ⎠- he has spent so long looking over his shoulder, never resting due to the dangers of the continent and his single-minded goal. really, he half expects her to transform into a nevron. the wooden sword he was given was truly a poor substitute, but ...
he breathes. he watches her approach. she does not turn into a nevron. she is simply a person, it seems, and that? that is the one scenario he's so painfully unprepared for.
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oh the e33 brainrot is real, here's a starter call, uncapped for now, and i can't say castmates exempt because i AM my only castmate as of right now ...