shout out to those who stick with me through the ups and downs, the good and the bad, and most importantly, when i make your dashboard completely unusable.

祝日 / Permanent Vacation

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"I'm Dorothy Gale from Kansas"
DEAR READER

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Three Goblin Art
Lint Roller? I Barely Know Her
almost home
YOU ARE THE REASON
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art blog(derogatory)
Sweet Seals For You, Always
macklin celebrini has autism
One Nice Bug Per Day
he wasn't even looking at me and he found me

Product Placement

titsay
$LAYYYTER
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@ha-youwish
shout out to those who stick with me through the ups and downs, the good and the bad, and most importantly, when i make your dashboard completely unusable.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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LEARN HOW TO DRAW BLACK PEOPLE OR DIE
LEARN HOW TO DRAW BLACK PEOPLE OR DIE
LEARN HOW TO DRAW BLACK PEOPLE OR DIE
Obsessed with how some people get so attached to their own headcanons that they get mad when they see a character presented as they are in canon
via @ourlordapollo

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LEARN HOW TO DRAW BLACK PEOPLE OR DIE
Hip hop and rap for the genre reccomendations
Sick this is the genre I know the most about. If I don't control myself I will write like a 3 page long recommendation list so I'll just condense it down to some of what I think are the key songs that I feel like anyone who is into rap or wants to get into rap needs to listen to:
Rock Box - Run-D.M.C. (1983; New York*)
Paid in Full - Eric B. & Rakim (1987; New York)
Straight Outta Compton - NWA (1989; California)
Brenda's Got a Baby - 2Pac (1991; California)
Mind Playin' Tricks on Me - Geto Boys (1991; Texas)
187 He Wrote - Spice-1 (1993; California)
It Ain't Hard to Tell - Nas (1994; New York)
Mass Appeal - Gang Starr (1994; New York)
Now I'm Hi Pt. 3 - Three 6 Mafia (1994; Tennessee)
Regulate - Warren G ft Nate Dogg (1994; California)
Shook Ones Pt. II - Mobb Deep (1995; New York)
Geto Highlites - Coolio (1995; California)
Fu-Gee-La - The Fugees (1996; New York)
Black Nostaljack AKA Come On - Camp Lo (1997; New York)
Kaap van storms - Brasse Vannie Kaap (1997; South Africa)
Ha - Juvenile (1998; Louisiana)
13th Floor/Growing Old - Outkast (Georgia)
Nobody But Me - 8Ball & MJG (1999; Tennessee)
Le cul entre 2 chaises - Bisso na Bisso (1999; France)
Propaganda - Dead Prez (2000; New York)
Soulja Life Mentality - Soulja Slim (2001; Louisiana)
A Crumb 2 A Brick - La Chat (2001; Tennessee)
Rapp Snitch Knishes - MF DOOM ft Mr. Fantastik (2004; New York)
So Much - Z-Ro (2004; Texas)
Hoes - Lil Wayne (2004; Louisiana)
GO! - Common (2005; Illinois)
Jozi City Lights - Morafe (2005; South Africa)
Void in My Life - Chamillionaire (2005; Texas)
Stay Fly - Three 6 Mafia ft. 8ball & MJG, Young Buck (2005; Tennessee)
Pride and Prejudice - Madcon ft Sofian (2007; Norway)
XR2 - M.I.A.
Thank You Note - HHP (2009; South Africa)
Who Really Cares - Lowkey (2009; UK)
m.A.A.d City - Kendrick Lamar (2012; California)
Slide - Doechii (2025; California)
GYAG (Get Yourself A Gun) - Bob Vylan (2025; UK)
I'm gonna quit before this list gets too long but there's a tonne of songs that I'd love to recommend but aren't on here.
*Because of how regional differences actually play such a big role in the sound of hip-hop and how American focussed this list is I am putting states in
im realizing very fast that people do not in fact know that sometimes things in stories suck on purpose and it sucking is the point
"this story is misogynistic!!"
>looks inside
>about the pressures of societal misogyny and how its bad
"ingredients you can pronounce" i can pronounce anything
i just don’t get it. where are all the women. where are all the women in your fanfictions. are they all out of town? did they all go on vacation together? do they all have a dentist appointment at the same time?

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Architecture of return, escape (The British Museum) 2022 Pigment and acrylic on deer hide, 36 x 55 in. (91.4 x 139.7 cm) Nicholas Galanin Born 1979, Tlingit/Unangax̂
"Galanin’s work engages themes of persistence, power, and survival in the face of settler colonialism and its legacies of institutional racism and collective amnesia. Here, the floor plan of the British Museum is painted over a blue field. Pictograms of baskets, masks, woven hats, weapons, tools, and textiles reference the contested objects held in the museum’s collection, while a red line maps an escape route for these examples of Indigenous cultural production. In many Native cultures, hide paintings relay histories across generations and objects embody lineages; in referencing both, Galanin is proposing a getaway plan for his ancestors."
my syrups are soon
"In my workshops, I often ask people of color, "how often have you given white people feedback on our unaware yet inevitable racism? How often has that gone well for you?" Eye-rolling, head-shaking, and outright laughter follow, along with the consensus of rarely, if ever.
I then ask, "what would it be like if you could simply give us feedback, have us graciously receive it, reflect, and work to change the behavior?" Recently, a man of color sighed and said "it would be revolutionary."
I ask my fellow whites to consider the profundity of that response. It would be revolutionary if we could receive, reflect and work to change the behavior. On the one hand, the man's response points to how difficult and fragile we are. But on the other hand, it indicates how simple it can be to take responsibility for our racism."
Chapter 8, White Fragility- Robin diAngelo

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Follow to see the same photo of Skyward Sword Link every day.
too many people have the idea that racism is a nothingburger thing. like. people die from that. it’s not “cancel culture” to call out racism. and if you’re white and you say anything close to that you have some serious self-reflecting to do. idc if you’re a content creator. idc if “it could happen to you.” having a platform on the internet and saying stupid bullshit doesn’t make you more oppressed than the marginalized groups you’re criticizing for being upset