BOYCOTT MICROSOFT GAMES (incl. games by blizzard, bethesda, mojang, and obsidian)
lok ming ć¨ć, 25, it/its, tme. aka @eastgaysian. this is my gamer's den for primarily dragon age and rogue trader, which is to say i post all kinds of bullshit and never maintag anything
doodle tag + 'polished' art + writing. i think lyrium causes impotence and thedosian women are subject to the andraste-witch dichotomy.
don't make me tap the sign (read the wretched of middle earth by charles w. mills)
carrd oc directory here (eternal wip); tag links below âŹď¸
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cc doesn't Want To Die exactly she just can't comprehend any other way that she could stop having to be responsible for everything and truly feel at peace. she is if anything abjectly terrified of death except for that one time she did in fact die, and in the moments before that when she had to accept that she was about to die she briefly felt serene in a way she never has before or since. which is fine and she's great and normal mentally
the thing about thane and cc is that she views recruiting an assassin as a Necessary Evil much like working with cerberus, which she is openly extremely unhappy about. and at no point does she buy into thane's justifications for him not being morally culpable for murder. cc feels responsible for everything all the time and she doesn't know how not to be. if she's not responsible for something that means it's out of her control which means it Will Go Wrong, without anyone to answer for it. she would rather be the one at fault than be helpless.
but she also doesn't buy into thane's justifications for why it's okay that from childhood he was trained to kill without a will of his own. and at the end of the day he's a dying man trying to tie up the loose ends of his life before he goes, and she was unwillingly resurrected and doesn't fucking know what to do with the mess of a life forced back upon her. if she couldn't have her peaceful death, she'd still like to be able to believe that it's possible, and that she can help someone else achieve that. he's also one of the significantly calmer personalities in a team full of insane people, so she ends up viewing him as, relatively, one of the most reliable/competent/trustworthy. if they disagree they can both be polite about it and anyway she's not going to beef with a terminally ill man, wtf
at the time i don't think she understood exactly how much it meant to him to have someone to confide in, when she's come to view checking in and managing mental stress as, ultimately, another part of the job, while thane has had No Fucking Friends Ever. but some of those last conversations with him and ultimately his death hit her unexpectedly hard. she would've liked to have known him for longer, to feel like she deserved and reciprocated the amount of regard he seemed to have for her. but there's nothing accomplished by dwelling on what can't be changed. Maybe the best you can hope for under these circumstances is a violent death that serves a good cause and she's definitely not existentially terrified by that
rainier: i believe you have what it takes to be a warden, but it's not an easy life. even if the joining doesn't kill you, wardens don't tend to go out peacefully. you have to be able to accept that.
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Are you from the same country as your profile picture
Yes, we're from the same country
No, they're from a different country
My pfp is not a sentient being
No, because my pfp is from a completely made up place with no basis in real life
Remaining time: 2 days 8 hours
If it's a fictional place based on real life then you can still consider them from the same country / a different country and not a completely made up place based on your own criteria
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ik i have said caden trevelyan could be fixable in roz inquisitor worldstate but also like maybe he does just die badly as a red templar. maybe it is too late for him and has been since he was 10 years old and owain introduced him to great-uncle havard âşď¸
one of my favorite things to do in limited perspective is write sentences about the things someone doesn't do. he doesn't open his eyes. he doesn't reach out. i LOVE sentences like that. if it's describing the narrator, it's a reflection of their desires, something they're holding themselves back from. there's a tension between urge and action. it makes you ask why they wanted or felt compelled to do that, and also why they ultimately didn't. and if it's describing someone else, it tells you about the narrator's expectations. how they perceive that other person or their relationship. what they thought the other person was going to do, or thought the other person should have done, but failed to. negative action sentences are everything.
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Reading about cilice chains and losing my mind a bit.
Its use dates back centuries, where devout individuals chose to physically experience discomfort to atone for their sins or draw closer to divinity.
[...]The chain is simply a strip, more or less wide, stitched, not made of fabric, but of metal. It is made of small wire links whose ends are cleverly curved to form pins. (X)
O K A Y. Huh. I shouldn't have been given this information. I fear that I am not looking at it through the lens of spiritual devotion and penitence. At all.
wgatever. wip wednesday look at this before i open up mass effect again
You donât know whose hand pulls you back. Come to think of it, you donât know the name of the boy on the ground, either. Maybe itâd come to you if you could see his face beneath the hand clutched over it, no distinct features to pick out other than the blood seeping out between his fingers. In another second you could have it. But in that second youâre dragged to your feet by too many hands to identify or to shake off, your vision blurring from sweat stinging your eyes.
Something drips from your mouth onto your muddied shirt. Someone calls you the Knight-Commanderâs boy, and someone else swears, close enough to your ear that you canât help flinching. On the far side of the training yard you can make out the silhouette of one of the sisters running in, her robes billowing out in a burst of fire and gold.
The pulling hands start to push. You strain to keep your eyes on the boy as they move you, sure that youâll be able to remember his name if you can get one good look.
A clout to the back of the head sets you straight almost immediately. âWhatâre you looking at? Did you leave a tooth in him? Maker have mercy.â
All your teeth are still there. Or at least the only thing bleeding in your mouth is your bottom lip and the inside of your cheek. Your throat spasms when you try to swallow blood that isnât yours, and the rest of your body convulses with it, jerking forward against the hands on your arms as you retch into the dirt.Â
The motion around you comes to a sudden halt. âShould we take him to the infirmary?â
âThatâs not his blood, itâs Lawrenceâs,â comes the scathing reply from your other side. âProbably a chunk of his nose too. The healers will have enough on their hands trying to patch that up. This one can cool his head until the Knight-Commander can come deal with him.â
Thatâs the Knight-Lieutenantâs voice, you realize belatedly. Ser Havard made a point of introducing you. Youâre to listen to Ser Arnold. To conduct yourself properly while under his direction, as a Trevelyan should.
Ser Arnold wasnât looking when Lawrence prodded you with the blunted tip of his training sword, like you were some common livestock being sized up at the market. Ser Arnold didnât hear him mocking your form, your frame. Sneering as he said you fought like a girl. At some point between you kicking Lawrenceâs feet out from under him and sinking your teeth into the soft flesh of his face, someone mustâve called for the Knight-Lieutenant, and Maker knows what they said. Lawrence may not be well loved by the other initiates, but youâ
âAnd what, exactly, should I tell your dear old uncle about the debacle that just unfolded in the training grounds?â asks Ser Arnold. He turns you towards him with a tug on your arm, his grip as solid as any shackle. âHave any suggestions for me, lad?â
You duck your head, keeping your eyes fixed on the ground. Even if your tongue wasnât a leaden weight in your mouth, what could you say? After Lawrence fell, there was no stopping until someone emerged the victor. He was right about some things: youâre smaller than him, slighter than him, lacking years of training in your swordsmanship. So you did what you had to do to prove him wrong.
The Knight-Lieutenant wonât care about any of that. Neither will Ser Havard. Thereâs no words that can cover the wound on Lawrenceâs face. Â
Every second of silence drags on for what feels like hours, burning under Ser Arnoldâs unrelenting stare. Finally, with numb lips, you mumble, âNo, ser.â
âSpeak up, Trevelyan.â
You can barely breathe, but you have to answer. âNo, ser, I⌠I donâtâThe Knight-CommanderââÂ
For a moment the only words in your mind are donât, please, idiotic and childish, but youâd fall to your knees and beg if you thought he would listen. If you thought one manâs mercy might do anything, when all the other initiates saw you wrestling in the dirt, when a messengerâs already been sent. Ser Havard will know. Every shallow breath you take is thick with metal.
âI donâtâI donât know. Ser.â Your voice shakes, but you keep your eyes open wide. You donât cry.
Ser Arnold sighs, pulling you back into motion. âNo, I didnât think you would.â