Obsessed with all things Good Omens | I strongly identify with Crowley
I have been over 18 for a very long time. I grew up with she/her pronouns, although any are fine. (I am frequently addressed as "Sir" by store clerks, and then when they look again, they are all apologies to correct themselves. I find this amusing. I am tall, prefer masculine clothing, have a low-pitched voice, and apparently stand/walk in a way that can be perceived as masculine. But have feminine body curves. I look both like my Dad and my Mom.)
I am attracted to other people mostly by their personalities, rather than body type, although I have more commonly been attracted to people with male bodies. I am married, and have one child. (Just in case anyone was curious.)
...wait a minute, where did the last 10 (20, 30...) years go? How did I get here?
As if you fell asleep and when you wake up it's not the next day, but years and years have somehow gone by, but you feel almost the same, inside your head. But everything outside is different. It sometimes feels very surreal, like everything around you isn't really there, just some kind of mask or overlay on top of whatever reality is, like you are inside the Matrix, but have become aware of it, for just a moment.
And then, all of the "normal" things that you have to do just to survive and get through every day kind of drag you back down, into the "pretend" that is the normal everyday reality that everyone else is living in, and that weird sense of hyperawareness goes away, and you're back in "reality" again. Lately it feels more and more like this reality is a "pretend", even though I know that it is supposed to be the REAL reality, and that my imagination is supposed to be the "pretend" reality.
For whatever reason I am having these flashes of "hyperawareness" (not sure what else to call it, really) more and more often. I'm not sure what that means. I have never been "normal" (just ask any relative, teacher, or acquaintance), always read too much, asked too many questions, had too many opinions that weren't agreeable with everyone else's. Not sure if I have some sort of mental illness, physical illness, have become over-aware of and possibly obsessed with my own mortality, or what...
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just watched a star trek episode about a planet that relied so heavily on it's computer system that they all forgot the basics of their own knowledge. and that allowed them to miss the fact that they were being posioned with radiation and nearly ending their civilization. because they couldn't use their own knowledge to figure things out. i bring this up for no reason in particular
Reblog if you’d rather give yourself papercuts between each of your fingers and then rub hand sanitizer all over your hands than use generative AI to write or draw anything ever
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for the lovely lovely deafies out there who want to get involved in direct action you absolutely 100% cannot ever bring a hearing aid or cochlear implant with bluetooth to any direct action. bluetooth devices all carry a unique signal that can be used to identify you if it's picked up at a direct action. go with a [more] hearing buddy and communicate in sign language. if you don't mutually know a sign language then come up with gestures. do not risk your freedom because you want to have your hearing aid/cochlear implant at the action. it's not worth it.
flock cameras are also now tracking bluetooth device signatures when you pass them. if you drive past a flock camera with your bluetooth-enabled hearing aid or cochlear implant, the flock camera knows you passed through
I want to preface this by saying that despite everything and even though I didn't like the finale ending personally, I did love everything else about it and I love good omens 3 in general. All these are fics that purely read as a season 3 that I absolutely adore and take comfort in. They're all complete and horrendously long I'd say, and of course a guaranteed happy ending. Story and character focused recommendations.
Factory Settings by Anonymous (103k) - absolutely the fucking holy grail. i mean who hasn't read this masterpiece? amazing story, perfect characterisation of both aziraphale and crowley as well as an angelic version of crowley. it has banter, its well paced and my darling aziraphale. if you haven't read this, GO GO GO! [T rated]
The Ineffability of Gray by kitfornow (100k) - this one doesn't lose Aziraphale's determination and sense of responsibility he feels to do the right thing. Slow burn, angsty but the ending is gorgeous. [Not rated but no smut]
Three Is Not Enough by haleinedelail (93k) - this one is my absolute FAVOURITE. author basically wrote a season 3 complete with splitting the story into 'episodes' and including flashbacks. the characterisation is perfect and dare I say, the story is a lot more compelling than the actual finale (mostly because its 93k and not rushed 90min lmao). it has it all, hurt crowley, amnesiac aziraphale, cute muriel and the climax is very satisfying. [T rated]
Perennial Care and Keeping by cyankelpie (11k) @the-written-wyrm - I see this one more as an epilogue to season 3 exploring how their relationship is affected by years or pushing eachother away now that they finally have forever. [G rated]
The Angel You Were by cyankelpie (47k) @the-written-wyrm - what can I say I really love this author. this is less s3 plot focused and more focused on aziraphale and crowley's dynamic. it has amnesia, angel crowley, angst but its so so satisfying to read because it kind of puts our husbands at the backseat plotwise which is very reminiscent of s1. I just love this author and how they write aziracrow so I honestly recommend you read all their work but since this is s3 focused I'll put this here. [T rated]
Flaws by indigo (indigo_angels) (218k) - angst lovers this is for you. depressed and hurt crowley, aziraphale trying his best (i do think crowley is extremely hurt and it blames aziraphale a bit too much it makes sense purely on the context of the fic and I love angst shutup). BUT it has amazing writing and I've read this about 6 times already. despite the angst the ending is so sweet and sappy and well earned. [E rated]
Good Omens - Corner Office with a View (Broke My Wings so You Could Fly) by Noli_Timere031754 (84k) @nolitimere54 - genuinely the most pathetic wet cat crowley you'll ever read. love the characterisation of both the husbands and their interactions are phenomenal. also great for BAMF aziraphale. [M rated]
Synchronized With You by ayellowbentley (legends_saga) (38k) - part one with a part 2 epilogue with amazing ace aziraphale and crowley, miscommunication and reconciliation. [T rated]
scherzo in f-sharp minor, for orchestra by astrhae (23k) @astrhae - i know I've recommended some beasts but this is a shorter story which I think characterises aziraphale and crowley very well and resolves the conflict perfectly. slow burn but worth it. [M rated]
On the Side of the World by profdanglais (58k) @wistfulcynic - oh i absolutely love this one with aziracrow scheming and trying to save humanity together despite their differences plus I really liked the way they saved everything. [M rated]
I'll follow you down 'til the sound of my voice will haunt you by midnightdragons (66k) - angst lovers this is for you. complete with tortured crowley, bamf aziraphale and focus on the angst followed by softness and ofc we have our happy ending. [T rated]
We Can't Keep Meeting Like This by Ginger_Cat (65k) @gingiekittycat - this is porn with reluctant plot because surprisingly none of the fics here any of that BUT if you like pining while fucking, this is amazing. [E rated]
hurry back, please bring it back home to me by Percyjacksonfan3 (103k) - very angsty and somehow silly. cute jesus and love their mutual pining and slow burn in this one. [T rated]
Now that that's out of the way, just know I have hundreds more I could recommend but this list is already too long. If any of the authors would like to be tagged, do let me know!
Reblogging this list again because all of these fics are great and deserve all the kudos. Factory Settings is still my favorite alternate version of s3. I had the good luck to find it while it was originally being posted to ao3. At the time, many of the readers were speculating about who the anonymous author might be. It was generally agreed that whoever they were, that they must have known how s2 was going to end before it was officially released. Almost all of the loose threads from s1 and s2 are addressed and tied off neatly in Factory Settings.
After the finale was released on May 13 of this year, I decided to reread Factory Settings and I discovered that a number of plot points and turns of phrase were hitting a bit differently with my newly acquired knowledge of Good Omens 3. We still don't know who the anonymous writer is, but just how many people had some idea of how s3 was planned to turn out BEFORE s2 was released? Of course NG knew, since he was writing it and most likely had most of the plot worked out for both s2 and s3, since they were (at least initially) supposed to work together as a complete story. Probably Michael and David knew at least a skeleton outline and possibly the ending, since NG had said multiple times while writing s3 that the ending was already written. Douglas McKinnon, who was the director of s1 and s2 and who was originally supposed to also direct s3 may have known. Possibly John Finnemore, who is credited with writing "A Companion to Owls" but who also may have written other parts of s2 as well. I'm not sure who else would have either needed to know at least some of the plot for s3, or who might have at some point had access to it (overheard conversation or some such).
WARNING!!! Spoilers for Factory Settings below:
Or, why I have begun to suspect that the anonymous writer of Factory Settings not only knew the ending of s2, but may have (probably) knew the ending of s3 as well:
Near the end of Factory Settings, the angel Michael becomes a major antagonist. Their actions are a catalyst for what happens afterwards in the story.
In order to "fix" things, the universe is "reset" to before the beginning, which at least initially looks a lot like the universe being destroyed.
When you get to Chapter 36, read the first paragraph and then see if you can convince me that the writer (whoever they are) did NOT know how s3 (the canon version released by Amazon) was going to end OR if that particular choice of figure of speech was just amazingly serendipitous. I'm now suspicious, because whoever the writer is, they definitely have a really good understanding of foreshadowing, and are very picky about details and choice of words elsewhere in the story. I don't remember who was quoted as saying "everything is meant" with regards to the the show version of Good Omens, but the quote could equally apply to Factory Settings as well.
======================
I will forever wish that Factory Settings could have been the version of s3 that was filmed and released on 13 May 2026. It is consistent with the original Good Omens themes as presented in the book and s1, and is very much written in the style of the original book (that is, it reads as if it had been written by Terry Pratchett, including his wry sense of humor and turns of phrase). When I was first reading it (right after s2 was released in 2023) the dialogue for all of the characters, but especially Aziraphale and Crowley, was so in-character that I could easily imagine hearing Michael and David (as well as the other actors) reading the lines. It is written by someone who has a great understanding of pacing: when to insert cliffhangers, where to place flashbacks, when a dramatic scene needs a touch of humor to keep it from bogging down. Most of the scenes are very visual. It is incredibly easy to visualize what is happening, where the characters are physically located relative to each other as well as their location in the scene. In other words, it is written by someone who understands how to write a scene for a visual medium (ie. a script or a screenplay).
If Factory Settings was written by one of the people whose names I mentioned above, then it is likely that they will never be able to reveal that they are the actual author. Copyright laws and NDAs would probably result in them being sued (by Amazon, and possibly NG or even the Pratchett Estate) if they did reveal themselves. I do wish that they had written it using some pseudonym, rather than as Anonymous, so that we could follow any other fics that they might post. I'm still sad that they decided to take down the fic that they had started writing after they finished Factory Settings. It was a reverse au of Good Omens titled "Our Side" and it was sooooo good! They had only posted 11 chapters before they took it down. 😢
...just in case anyone is interested in reading those 11 chapters of "Our Side" that were posted to AO3, I have a pdf copy that I downloaded and saved. I can email you a copy if you can provide me wth a valid email address either in a reply to this post or via dm. ☺
Several years ago, I was emotionally shattered (positive?) by the episode of The Magicians "A Life in the Day." The crux of the episode was two characters solving a mosaic puzzle that took them the entirety of their natural lives. They needed to solve the puzzle to find a key that would help them save the world. You watched their relationship grow and change and evolve every day as they grew older. They fell in and out of love, with each other and with other people, they argued and laughed and got angry and were comforted.
They grew old. One of them died. The puzzle was solved, and the surviving man gave away the key to somebody else who needed it. The key that it had taken an entire human life to acquire.
I think about this episode sometimes. Today, I am thinking about it because I think the last scene in the bookshop could have been like this. Aziraphale and Crowley with their shelves and shelves of empty books. Sitting together and rewriting the universe. As they write, they argue. They share jokes. They finally have those confusing, messy conversations that they desperately need to have. They write and they find their way towards reconciliation. They touch hands while reaching for a new blank book. One of them needs some space, and they write on opposite ends of the bookshop. They drift back together. They make tea. They sit shoulder to shoulder. The write the world together every single day.
And maybe when they finish, they hand the world off to the humans they made it for.
I want to ask what they were thinking using a team of allocishet white men who specialize in dark fantasy and horror to write a queer comedy in 2026, but I suspect the reason is no one respectable would touch Neil Gaiman's work after we found out about his rapist history.
And it'd be nice if they gave a fuck, but they don't even care enough to watch it.
And now we know what was wrong with Good Omens 3, and I am so sorry for all of us it let down. Both the fans and creative team who loved it and did their best.
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I've seen it cited that this was the ending Terry Pratchett had planned, the one that they had brainstormed when considering a sequel to the original book. And whether that meant Crowley and Aziraphale specifically being the ones to sacrifice themselves, I don't know, but I would believe that the end was indeed intended to be a complete reboot of the universe, to be without God, angels, or demons "messing it about," as Adam would say.
Because the thing is, while Crowley and Aziraphale may be why we love Good Omens, their romance was never supposed to be the point, and free will in the Good Omens universe is not as free as you think.
Adam, you may say, already saved the world, thereby preserving free will. A reboot was unnecessary.
But did he? Wasn't it?
The thing about Adam, is that crucially, it's not that he saved the world, it's that he didn't destroy it. Now, he talked about how Heaven and Hell should stop messing with people, but he didn't actually do anything about it. He refused the call. Refused to destroy the world, and refused to make any rules about it either. All the problems with the world were still there.
So, free will:
For the most part, sure, humans in Good Omens have free will. They are free to make whatever choices in their life they wish, for good or bad.
But... only while they're alive. Once a human dies, they're shipped off to Heaven or Hell, then subject to the whims of whatever occult being is assigned to determine their fate. We mostly don't know what that looks like, but we do know they could for instance get turned into a fly, being eaten and digested by a spider, over and over again for the rest of eternity.
Does that really sound like free will to you?
And before you think about saying yes: no actually, they don't always have free will while alive. There are all these angels and demons messing around with them!
Remember Hastur and Ligur bragging about the impure thoughts they put into people's heads? Even Crowley and Aziraphale, retired from official duties and who should really know better, mess with people and the world around them all the time. And I'm not even talking about Maggie and Nina.
They do it casually ('have a change of heart Misty, go see your dad'), without thinking ('move, I want to sit there'), and sometimes without even meaning to.
Look at Whickber Street. When Aziraphale is the primary occult being in residence, the atmosphere of the entire block is absurdly cheery and quaint, a bubble out of time. Then when the area is left to the unconscious influence of a depressed demon sleeping in the alley, everything falls into cartoonish ruin. Every human around them is subject to their moods, whether they realize it or not.
These may be fairly small or subtle things, but it's still a violation.
So yeah, hard disagree on the free will front. True free will could not exist for humans while gods, angels, and demons were still around. To be honest, a reboot of the universe removing these powers was the only real solution.
But what about angels and demons?
Aren't they beings with free will? Why don't they deserve to exist in the new universe?
And here's where it gets really messy.
Because the Good Omens we see in the television show is really quite different from the original book in some subtle, but significant ways.
In the book, Crowley and Aziraphale have a bit less free will than we tend to assume. They each have ingrained impulses to good or evil that they have to consciously resist acting upon.
It's less obvious in Aziraphale's case:
"Aziraphale couldn't resist an opportunity to do good." As a turn of phrase it's easy to gloss by, but it's meant literally.
See a few pages later:
When Crowley starts drowning a duck toward the beginning of the book, he says he was forgetting himself. That is, he was forgetting to resist his demonic impulses.
Angels and demons are not human. That was kind of the book's whole point.
And the book is what the envisioned sequel was based on.
The problem:
Before we got a sequel to the book, Sir Terry Pratchett passed away, and then we got the television series in 2019.
And it was great! It adapted the story faithfully while bringing new depth, development, and brilliant performances to enrich fan favorite characters Crowley and Aziraphale.
And that, of course, is the problem.
(Now, this isn't to say that they weren't great characters with a great dynamic before then. People have seen and shipped the Ineffable Husbands for decades. But you can't deny how the fandom exploded with the TV show, and how much more emotional investment was instilled into them.)
The show humanized them, and shifted the focus of the story away from pure religious satire in order to highlight their relationship.
And this is why it sucks.
What we ended up with was an ending conceived for a setting where the humor and philosophy of it was more important than the characters, where angels and demons were mere game pieces, and freedom for humans from God's meddling was what really mattered.
But that's not the setting the TV series gave us.
And why it especially sucks for fans.
We are here because we love Crowley and Aziraphale. They were the ultimate comfort characters. Immortal beings who had always, and would always love each other. It was accepted as canon that they would get their happily ever after.
So to see their future dissolve into dust... it was devastating.
I don't believe in soulmates (or souls for that matter). The very concept is counter to the premise of a universe free of divine meddling. Asa and Anthony... it's just not the same.
(I have more to say about Crowley and Aziraphale in human AUs, but this is so long already. I will leave that for another post.)
How to look at it now:
As an adaptation created after the death of one its writers, the Good Omens TV show was always a step removed from the work's original intent, and season 2 took even more steps away.
Doubtless, it would have been better if season 3 had been given more time and budget to work with, but it would ultimately have been just as removed from the source. Just as much of a mess, as it attempted to tie a half-formed conclusion onto a work it wasn't meant for.
The sequel to Good Omens was never written.
Anything in the TV show is only as canon as you want it to be.
I was going back to the book for something else, and happened to land on a page talking about free will.
So, to add, more about how angels and demons in the book do not have free will like humans do:
Aziraphale says "the whole point was that when a human was good or bad it was because they wanted to be. Whereas people like Crowley and, of course, himself, were set in their ways right from the start."
ETA: Also found the bit where Crowley says Aziraphale will not only be watching The Sound of Music for eternity, but he'll enjoy it, because he won't have a choice.
They really did a number on us, making these characters more human in the TV show.
All this bullshit surrounding the Book of Life is so terrible and ruins all discussions of character motivation and development simply because we see so many inconsistencies.
In s2, while it's a theoretical threat, everything is fine. One simple rule: you're erased—your entire existence disappears from reality, along with all memory of you. In s3, after Metatron and Sandalphon are erased, everyone talks about them as if nothing happened, as if they were killed or disappeared, and they still remember them. But then at the Eternal Flame (what the fuck is that anyway), we meet Michael who claims to be the only one who remembers the erased ones and any possible timelines. After azicrow's return to the bookshop, they remember the existence of humans (how did they even survive, simply being in a location with an intact page?), but the humans themselves are gone, just as the books they wrote are gone, while all the handicrafts that were also created by humans exist. Why do Azikrow remember humans and want everything for them if humanity has been erased? If they remember the Book of Life, why didn't they at least start by deactivating it? Who is Satan in it, and why wasn't he deleted along with Heaven and Hell? This all makes absolutely NO sense, just a bunch of contradictory plot twists, and that's one of the reasons I can't accept the ending as plausible.
On the plus side, if you didn't like the Good Omens finale, it being a rushed low-budget affair written by men who didn't really care about doing it justice makes it that much easier to dismiss as canon.
Rewatching season 1 and rereading passages from the book makes me laugh because it's so obvious that this is a completely different world with completely different characters. The tone shift is insane.
On a related note, now that I've had time to sit on it, there's an absurd part of me that's kind of glad the ending was so wacky and out of left field.
The story was never meant to continue past season 1, everything else was bonus. Season 2 and 3 were entirely without Terry's involvement. I know that apparently the ending was something he came up with or wanted according to his estate, but he wasn't here to execute it, and the person who came up with the ideas with him also couldn't be involved (for very different reasons). And even the people entrusted with it were forced to strip it of its meat and give us the bare bones. What we've gotten is a cliff notes version of a game of telephone where each listener was slightly deaf.
And I can't exactly complain about that, because without the series, we wouldn't have some of the most funny and beautiful moments. We wouldn't have the historical flashbacks from S1E3 cold open or season 2, which frankly form the foundation of their relationship. We wouldn't have the bandstand or Crowley drunk in the pub or Bildad the Shuite and "I'm a demon I lied" or "you said trust me" or "Our car" or the bookshop dance or the wall slam or Muriel or Crowley refusing to sell books or Jesus or whickber street or Aziraphale doing the crossword or "why make me complete only to take it away" or "Do something or I'll never talk to you again" or "You can stay at my place if you like" or even the freaking body swap!
There is genuinely so much to love about the series, and I'll always be grateful for what it was, but at the end of the day, it's all fanfiction. No part of the show is any more or less canon because from the very beginning it was a fanfiction of itself. At the end of the day, all 3 seasons are a patchwork of ideas put together 30+ years after the fact and missing half of the brains behind the original content. Beautiful gorgeous ideas they were, but just a few people's ideas of what the story should be.
I'll sum up my thoughts by egregiously plagiarizing a post from tinaalsgirl.bsky.social:
"The book is the sacred timeline
Season 1 was a branch
Season 2 was a branch, the final 15 was another branch
Season 3 was another branch, and the final final 15 was another another branch"
I'm just a fan who goes along with canon as far as I can. It's up to everyone to determine for themselves how far they can go. Seeing how silly and absurd this last installment was reminded me of this. Had it been done better, I might have had a harder time remembering that each path the show runners took was simply a path. If they're "alive in every universe" as so many are eager to say, then they're alive in *their* universe, the one that really mattered.
I can respect the people involved for trying to tell a story, fall in love with their ideas, and also know in my heart that there was a better story to tell.
Like others on here have said, it's ours now. They had their time, they had their chance to tell their version. But it's ours now, it's always been ours.
to be absolutely clear, this doesn't change anything
the way i see it, when canon contradicts itself it's up to the viewer to decide what parts to keep. i'd say we're almost forced to make that choice, seeing the state of things
continuity was broken long before s3 came out. s2 did contradict s1, s3 contradicts both
and let's not forget s1 is also its own show, finished, self-contained. its ending was meant to be final, conclusive. it's okay to take whatever parts in s2 and s3 do still work and accept that other parts just can't fit
so to all those grieving: i won't go anywhere. many of us won't go anywhere. crowley and aziraphale haven't gone anywhere. it takes more than that. it takes better writing than that. IT TAKES MORE THAN THAT.
it's okay, and makes sense, to only consider season 1 canon. it's okay, and makes sense, to only embrace the elements of s2 and s3 that are true to the story and its themes and its characters
let this ending not make sense. let yourselves find the one that does.
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All this bullshit surrounding the Book of Life is so terrible and ruins all discussions of character motivation and development simply because we see so many inconsistencies.
In s2, while it's a theoretical threat, everything is fine. One simple rule: you're erased—your entire existence disappears from reality, along with all memory of you. In s3, after Metatron and Sandalphon are erased, everyone talks about them as if nothing happened, as if they were killed or disappeared, and they still remember them. But then at the Eternal Flame (what the fuck is that anyway), we meet Michael who claims to be the only one who remembers the erased ones and any possible timelines. After azicrow's return to the bookshop, they remember the existence of humans (how did they even survive, simply being in a location with an intact page?), but the humans themselves are gone, just as the books they wrote are gone, while all the handicrafts that were also created by humans exist. Why do Azikrow remember humans and want everything for them if humanity has been erased? If they remember the Book of Life, why didn't they at least start by deactivating it? Who is Satan in it, and why wasn't he deleted along with Heaven and Hell? This all makes absolutely NO sense, just a bunch of contradictory plot twists, and that's one of the reasons I can't accept the ending as plausible.
Listen, we all laugh at how much mileage Aziraphale is gonna get out of his kinky ‘captive princess’ fantasies once he and Crowley get it together, and we are completely right and correct to do so. But we’ve all been sleeping on the other half of that equation. Because Aziraphale’s the one who’s been setting up these, “Oh no, I am dramatically imperiled (and/or mildly inconvenienced); where oh where is the dashing and devilishly handsome knight who will save me?” scenarios for centuries - but Crowley’s the one who’s been turning up unfailingly, again and again and again.
Because Crowley? Crowley wants to be the hero. Crowley wants to be James Bond. He wants it so badly it hurts, bullet-hole windscreen transfers and all. Crowley’s deep, dark fantasy is that he can be good - but also a little bit bad. The rogue agent, the wild card, the one who doesn’t follow the rules, and doesn’t much truck with listening to his superiors. Crowley’s deep, dark fantasy is one in which he gets it right; in which he does the right thing at the right time, and has the right witty comeback in the right situation, and instead of being punished, he saves the day and wins the heart of the genderless celestial being of his choice. Crowley’s deep, dark fantasy is one in which he is never not in control of his situation; one in which he bounces back easily and stylishly from all manner of fights and challenges and adversity; where he faces nothing he cannot overcome with the right combination of wit, ballsiness, and a little Hollywood luck. Crowley’s deep, dark fantasy, the one he can never, ever admit out loud, is one where the world is simple and uncomplicated in the way nothing in real life is simple and uncomplicated; a world in which the good end happily, the bad unhappily, the baddies are dispatched in PG-13 fashion, and none of it needs to be questioned or second-guessed at all.
Crowley’s deep, dark fantasy is one in which there is nothing so dastardly, nothing so terrible or fearsome, that it cannot be solved by a guy in a flash suit arriving in the nick of time with a fancy car, and a complicated watch, and a pen that can write underwater.