Guess I'm starting to make enough stuff I should probably make a little directory sort of thing, huh? Here we go:
Writing tag: my writing
Fanvid tag: oops my hand slipped
Writing:
Complete Chaptered/Series:
Worth Knowing - MargeBuckies, E, 144k, Bucky!POV (mostly) || Post-war AU where Gale and John didn't meet until after they'd returned Stateside [Tumblr tag: 'Fic: Worth Knowing']
Natural - Follow-up oneshot to Worth Knowing! Marge/John, E, 10.2k, Marge!POV || Marge pegging John with some extra dysphoria goodies thrown in [Tumblr tag: 'Fic: Natural']
Breaker-Breaker, You There? - Clegan, E, 42k, Gale POV (mostly) || 1970's long-haul trucker AU, 5+1 fic (5 times they hook up on the road and 1 time they don't) [Tumblr tag: 'Fic: Breaker-Breaker You There?']
Keep Me Company - Follow-up to Breaker-Breaker! Clegan, E, 7.9k, Gale and John POV || The Buckies playing with exhibitionism on a drive-in date to a porno movie [Tumblr tag: 'Fic: Keep Me Company']
Return With Me, Forever - Clegan, T, 13.2k, Gale and John POV || The Twilight Zone AU, Time Loop, Clegan never make it home and instead find themselves back in 1943, at the start of it all [Tumblr tag: 'Fic: Return With Me Forever']
WIP Chaptered/Series:
Tomorrow At Sunset, I Promise - Clegan, WIP, M, ~16.7k so far, Gale POV (mostly) || Charlie St. Cloud AU, Major Character Death, Gale has to learn to deal with ghosts and grief [Tumblr tag: 'Fic: Tomorrow At Sunset I Promise']
Suicide Pass - Clegan & Gale/Marge & John/OCs, WIP, E, ~7.3k (as of now), Gale and John POV || Modern Era University AU, Hockey player!John, infidelity, clegan are fuck buddies/friends with benefits who get obsessed with each other [Tumblr tag: 'Fic: Suicide Pass']
Intimates - Clegan and Margebuckies, WIP, E, ~14.3k (as of now), Multiple POVs || a.k.a. the gender shit/cross dressing/horny clegan-in-drag fic. Pre-England Buckies (and Marge) playing with gender and cross dressing as kink but with some emotional complications [Tumblr tag: 'Fic: Intimates']
Oneshots:
It Doesn't Count If-- - Clegan, E, 2.7k, Gale!POV || Porn without plot, Gale's first night in England [Tumblr link: 'Fic: It Doesn't Count If-']
Need a Ride, Sunshine? - Margebuckies, T, 7.3k, Marge POV || The Bikeriders AU, scene rewrite for the beginning of the movie [Tumblr tag: 'Fic: Need a Ride Sunshine?']
The Mad Wind's Night-Work - Clegan, T, 1.3k, Gale POV || Hypothermia, 'Lie to me' whumpfest prompt, Major Character Death, hurt no comfort, unhappy ending [Tumblr tag: 'Fic: The Mad Wind's Night-Work']
What Goes Up - Gen, Complete (one-shot), T, 4.5k, Benny DeMarco POV || 'Crash' whumpfest prompt, missing scene, Gale & crew crashing over Bremen [Tumblr tag: 'Fic: What Goes Up']
Betting Men - Clegan, T, 5.3k, Gale POV || Gale character study from childhood to falling in love with Bucky [Tumblr tag: 'Fic: Betting Men']
Fanvids:
Clegan - 'Chapstick' by COIN || REMAKE
Clegan - 'I Need Never Get Old' by Nathaniel Rateliff & The Night Sweats || REMAKE
Clegan - 'Talk Too Much' by COIN
Clegan - 'Everything I Had' by Sub-Radio
Rosie - 'A Well Respected Man' by The Kinks
Gale (not-quite-clegan-yet) - âCowpokeâ by Colter Wall (for prevalent-mastersâ fic âOh, Wild Heartâ)
Clegan - 'A Thing Called Love' by Johnny Cash
Clegan - âIf We Were Vampiresâ by Jason Isbell and the 400 Unit
Clegan - âThese Foolish Things Remind Me Of Youâ by Benny Goodman and Helen Ward
Clegan - 'Fare Well' by Hozier
Bucky - 'Sound the Bugle' by Bryan Adams (for the horse clegan AU going around thanks to johnbottoms)
Clegan & Ensemble - 'Weâll Meet Again' by Vera Lynn (for the whumpfest 2025 day 2 song prompt)
Clegan - 'If I Go, I'm Goin'' by Gregory Alan Isakov (short)
Clegan - âDonât Talkâ by 10,000 Maniacs (for weimarweekly)
Clegan - âStare at Meâ by JANE HANDCOCK and Anderson .Paak
Gale - âBubblegum Bitchâ by Marina and The Diamonds
Bucky - 'Oh No!' by Marina and The Diamonds
Clegan - âOpening (Brokeback Mountain)â by Gustavo Santaolalla (accompanied by a ficlet)
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callumâs eye acting really is underrated, you can always see the EXACT second john egan decides to be the most annoying man on earth and i find that beautiful
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
Free to watch ⢠No registration required ⢠HD streaming
A 'Worth Knowing' fic - Marge and Gale's POV of John's dissociative episode from Chapter 8: 'Wednesday, Mid-July'
Rated M, 11k words, complete
--//--
Even in hindsight, Marge will still be unable to figure out what warning signs she missed.
She leaves John in the chair by the window, and from the safety of the thick night shadows at the foot of the stairs she sneaks one last look at him sitting there framed in the watery reflection of the moon and street lights, still naked and, she hopes, well satisfied.
Sheâs full of the evidence of at least his physical satisfaction anyway, feels it dripping already and so she leaves him there alone to hurry upstairs into the main bedroom and through to the bathroom. She shuts the door silently behind her despite the hurry and only then does she hunch over the sink, one elbow braced on cold hard porcelain as she shoves the other hand down between her spread thighs to dig two fingers into the tender, well-used ache of her cunt, doesnât even bother turning on the light first.
She scoops Johnâs seed out with crooked fingers, washes it down the sink with a flush of cold water, shocking and bracing and entirely too good at clearing her head for her liking. She flicks excess water off her fingertips and reaches down again, her slip smooth and body-warm against the inside of her wrist as she works her way inside again, a soft breathless, âah-â escaping past her parted lips with a wince. âOh god,â she whispers, trembling, as she rubs her fingers against her walls, a pale imitation of Johnâs cock or even Galeâs fingers inside her, but still. She moans softly, whimpers an exhale against her fist resting on the side of the sink, rinses her fingers again under cool water. She digs in again with a soft, pleased, âMm,â from deep in her chest and fishes out more of Johnâs come.
It takes a few goes, her fingers cool and slim inside herself where John had been so hot and hard and thick. She cleans up down there as best as she can with a bit of tissue when sheâs done, tosses it in the toilet bowl but doesnât flush for fear of the noise. She nearly heads straight back to bed, but she only makes it one step over the threshold and spots the familiar shape of Gale sleeping neatly tucked up under a single thin sheet before she stops again, guilty and strangely pleased at the same time. She may have emptied herself of the worst of the evidence that sheâs strayed, but she still smells like sex. She can smell John on herself everywhere he mustâve touched her, pressed against her; once she realizes that she finds sheâs also sticky with the musky sweat from their combined exertion everywhere she could conceivably sweat andâŚwell, she certainly canât go back to Gale like this. She steps back into the bathroom, shuts the door again without even a click of the latch.
At the risk of waking Gale in spite of her best efforts, Marge strips and steps into the shower before the water can even warm up properly, shivering a little under the lukewarm spray as she hurries to scrub the most important bits. Armpits, between her legs, across her shoulders, the small of her back, the sides of her neck â anywhere sweat gathered, anywhere Johnâs mouth and hands had been, she scrubs brusquely with a rag and hopes itâll be good enough.
The handle squeaks and the pipes gurgle when she shuts the water back off some minute or two later, and in the dripping silence she waits, half hunched over and shivering, to hear if Galeâs woken up. The silence stays thick, the calm before the storm thatâll surely break come morning, so she dries off, slides back into her slip (with a spare thought to be grateful John took it off her before they got going), and returns to the flicked up blankets on her side of the bed to slip back between them with her breath held and her movements deliberately unhurried.
Gale, still asleep by some divine miracle, mumbles something unintelligible and pulls her in close the moment sheâs beside him, and though her mindâs racing with thoughts of how the hell sheâs supposed to tell Gale what sheâs done she still somehow manages to drift off again for a few hours without too much trouble, worn out by both the late hour and such a good orgasm.
Gale gets up with the watery gray dawn and gets ready for work, kisses her cheek lightly enough she barely stirs, waking just enough to lean into the sweet press of his mouth and hum a wordless acknowledgement of his usual, âHave a good day, sweetheart,â murmured so low it wouldnât wake her if she were sleeping deeply.
Gale leaves, and Marge settles in to sleep a little longer with the feathersoft patter of rain on the sash to soothe her. A creak in the hallway just a minute or two later drags her eyes open, though, just in time to see Gale stick his head back in the room, brows knitted.
âSorry to wake you, sweetheart, butâŚkeep an eye on Bucky today, wouldja? Seems a little off.â
ââCourse,â she mumbles, still half-asleep for now, though her heart stumbles a little in her chest, maybe even skips a beat or two. âHe âcross the hall?â
âDownstairs,â Gale shakes his head, âsittinâ by the window. Seems pretty stuck in his head about somethinâ.â
âOkay.â Marge is sure sheâs never in her life felt a spike of adrenaline from pure guilt but, well, there have been a lot of firsts since John came into their lives - whatâs one more? âIâll look after him. Go on to work, donât be late.â
Gale leaves again with an extra thanks Marge isnât sure she deserves; she waits to hear the kitchen door shut, for the car to start up, before she slips out of bed and into her favorite towel robe to creep downstairs, hiding a yawn behind her wrist.
âJohn?â she calls from the foot of the stairs. It looks like he hasnât even moved since she went upstairs last night, though he must have at some point considering heâs at least got his shorts and shirt back on. But heâs still staring out the front window, still rubbing his fingers back and forth and back and forth across his mouth, still curling his bare toes into the carpet over and over with a slow-motion restlessness. âBucky â honey? You alright?â
Marge waits and waits for some kind of reply, but eventually she has to step away from the stairs and into the living room, gets close enough to put a hand on Johnâs shoulder before he even seems to notice sheâs there. He jumps, shies away from the touch; Marge takes her hand back and just barely refrains from raising it in surrender to the wild glare he levels at her before he seems to remember himself and softens again, blank neutrality.
âYou okay, Bucky?â
âUh-huh. Fine.â Marge skitters back a step to get out of Johnâs way as he lurches to his feet, oddly unsteady. âThe boys already out?â
He doesnât wait for an answer, which is fine considering Marge only has more questions sheâs not sure heâs able to answer at the moment. He stumbles into the wall on his way out of the sitting room, Marge trailing along behind him like a lost duckling as he crosses the front entry to the den on the other side. She has to bite back the urge to tell him to be careful; Galeâs books are important to him, the sum total of everything heâs put his hands on and decided he wanted ever since he was a boy scrounging as many pennies as he could find to buy the cheapest novels available. John heads straight for them without a care and looks all set to yank one down off the shelf, but at the last moment he gentles, big hands cradling a slim volume he opens but doesnât seem to see.
âBucky?â
âWhaddya know,â John mumbles, chin to his chest. âDonât think I know this one yet.â
Marge bites her tongue against the urge to press him, to ask again whatâs wrong, if heâs alright. She has a feeling that she already knows what his answer would be - itâs John, heâs fine, always fine, no matter how obvious a lie it is. He stands there and Marge stands with him, little though he seems to realize sheâs hovering in the doorway watching. He stands there and he stares at that book and he doesnât turn any pages, doesnât seem to be reading it at all. His breathing is slow and even, almost conspicuously so, and some slow minutes drip by in a rain-drenched hush before Marge finally has to say something.
âJohn, Iâm gonna get started on breakfast, okay? Be ready real soon.â
John doesnât even twitch. Gale has gotten like this exactly once, drifted so far away from her that nothing could get through to him, but the experience is burned so bright in her mind she can recognize the pattern in John now. Unfortunately there was nothing she could do last time but wait for Gale to find his way back out on his own, if there was anything better she couldâve done neither of them had known what it could be. So, much though she hates to do it, she leaves John there to stare blankly at the book in his hands, big shoulders hunched in on himself and his head ducked so low itâs bound to put a crick in his neck if he stays like that too long.
She goes upstairs, dresses for the day, and forces herself to step into the bathroom to take care of her morning ablutions. She could, of course, avoid the mirror entirely if she chose, but that seems cowardly in the light of morning, and Marge Spencer is no coward. She steps up to the counter and takes a deep breath in, hand pressed flat to her diaphragm to feel her muscles move with it, and with her lips pursed around the exhale she raises her head to meet her own eyes in the mirror.
She looks for some evidence of last night, some fundamental difference that couldnât possibly be explained by anything other than Johnâs touch. She stares until her eyes burn with the need to blink, until her hand on her stomach is no longer shaking, until the next breath comes easier.Â
Thereâs nothing to see.Â
Logically it makes sense, the only change in Gale after heâd had John was in his demeanor, a weight off his shoulders and a light back in his eyes thatâs been missing for so long. Marge doesnât get to have the same sense of relief, in fact itâs the opposite, but she can bear that guilt invisibly. She will, at least until she finds the words to explain whatâs happened and why she wanted it to. She has to find the answers herself first anyway, thereâs no sense in bothering either Gale or John with her fears yet.
She fixes her hair with businesslike efficiency and returns downstairs to start on breakfast for two just in case John finds his way back soon enough to let her feed him. The silence is strange; a space with John in it should always feel just shy of too full, his presence too large to be entirely contained no matter how heâs feeling, but right now if Marge hadnât seen him with her own two eyes sheâd be utterly sure she was alone.
She gets breakfast plated up and goes to find John, standing exactly where sheâd left him with his chin on his chest and the same slim volume cradled in his hands. Heâs rubbing a thumb back and forth against the page, hypnotically regular. âJohn?â she calls gently without any hope of acknowledgement, and she gets exactly that â nothing.
She waits long enough to count a hundred and thirty-eight ticks of the clock in the kitchen, and when John still does nothing she steps out of the den as quietly as she can, practically tiptoes back down the hallway though she doesnât quite know why; thereâs a fragility to the silence, or maybe just her perception of it, and she isnât sure she wants to know whatâll happen if she breaks it.
She eats, wraps Johnâs plate up in foil with a wince for the sharp crinkling of it, metal on metal squealing as she closes the foil around the bottom to secure it. She slides the plate into the icebox as quietly as she can, holds her breath as she shuts the door, listens so hard for any movement down the hall she nearly jumps out of her skin when John speaks up from right behind her.
âWhat was that?â
Marge whirls around, heart in her throat, and flinches back a step until her back hits the icebox with a little clatter of its contents; Johnâs right there, and how he got there silently in the time it took her to put the plate away sheâs got no fucking idea.
âYour breakfast. Figured Iâd save it for later for you-â
âJust gonna spoil,â John frowns, looking not quite at her but at a spot over her shoulder, but further out than the icebox, some middle distance only he can see. âEat it, âm not hungry.â
âItâs not gonna be in there long enough to spoil, you sure you donât want-?â
âEat it,â he insists, eyes flashing to hers just long enough for him to glare. âDonât ever let me catch you wasting a single goddamn thing like that again, you hear me?â
âOkay, Bucky,â Marge soothes, one hand half raised towards him and the other pressed flat against the icebox door, cool under her trembling, sweaty palm. âOkay, Iâll eat it, alright? Itâs not gonna go to waste, I swear.â
John just grunts and turns his head to look out the window over the sink. The rain has picked up, a steady pattering downpour that turns the lines of his house across their side yards a little blurry and indistinct. Marge inches to the side, away from the sink and towards the hallway, and when John doesnât seem to notice she does it again, and again, one inch at a time until sheâs clear from his looming shadow, no longer cornered.
âYou wanna go sit down for a bit?â Marge tries; she reaches for him, presses a hand to the small of his back to find him absolutely drenched in sweat, his undershirt sticky and cold with it. âCâmon Major,â she tries and that, finally, is what swings his attention back to her properly, eyes focusing. âLetâs go sit down for a bit, okay? Why donât you read me what you found in the library?â
âWhat?â It crackles so rough in his throat Marge winces though he doesnât seem to even notice it himself.
âI said letâs sit down for a bit, you can read to me,â she coaxes. âYou got somewhere better to be?â
John stares through her for a long moment before he shakes himself a bit, pats his chest and then his hips like heâs looking for something in his pockets, though heâs still just dressed in his smalls without a pocket to be had.
âLookinâ for something, Major?â
âMy smokes,â he mumbles and frowns down at himself, plucks at his clammy t-shirt with pinched, trembling fingers. âWhatâmâI..?â
âLeft your clothes by your bed,â Marge tells him, and when she puts gentle pressure on the small of his back he takes a stumbling step in the right direction, following along docile as anything in his confusion. âIâll bet your cigarettes are in your trousers. Iâll go get them for you, okay? You just sit right here and wait for me.â
ââŚyeah. Alright,â John mutters and collapses, puppet strings cut, back into the armchair by the window when they reach it.
His clothes are laid neatly over the chair in the corner of the guest room and Marge lays them just as carefully over her forearm. She steps into the main bedroom to fetch a pair of Galeâs shorts and a stretched out old a-frame that hangs too loose on him even now and takes the whole bundle down to John, once again staring hard at the rain through the window with an expression so blank thereâs not a hope of knowing what heâs thinking behind it.
âAlright, here we are,â Marge says as if nothing were the matter; itâs always the best thing to do for Gale in these moods. Acting normal brings him out of it faster than the few times sheâs tried cosseting, maybe John needs the same. âWhy donât you get changed into something warm and dry, hm?â
John snorts at that, mutters a mutinous, âRight, sure,â before he turns his head and goes still, frowning. âWhereâd you get those?â
âTold you, Bucky, just left âem by your bed is all. Come on, up you get. Youâll feel better when youâre dressed.â
He hauls himself to his feet and only stumbles a little when he gets there, easily steadied with a hand slapped on top of the radio console. He stops there though, makes no move to continue, so Marge just drops her armload on the radio case too and reaches out to tug his shorts down his legs where they pool at his ankles. His expression cracks enough for raised eyebrows; Marge ignores the look in favor of helping him wrestle out of the damp cling of his t-shirt, and once heâs naked she regrets not thinking to snag a towel to scrub him dry with but heâll probably just keep sweating anyway, so oh well. She coaxes him a step forward with a hand on his hip so she can kick his shorts far enough away he wonât trip on them, and then sheâs snagging the fresh pair and dropping to her knees to hold them out for him.
John blinks down at her, uncomprehending, and then all once the light snaps back into his eyes and his expression turns stormy.
âIâm not a fucking invalid, I can put my own damn clothes on,â he barks, sharp with anger or embarrassment or both. Marge stands again, hands him the offending garment, and turns to leave him to it without a word, acting for all the world like sheâs got better things to do than see him dressed and made comfortable. She steps out into the hall but stops again just out of sight around the corner, so sheâs more than close enough to hear when he raises his voice to call after her, âAnd if youâre gonna run around playing Nellie Nursemaid why donât you go do something useful and check on Hollis, huh?â He snaps something straight, probably his trousers, and finishes under his breath, âJesus fucking Christ you get one concussion-â
Marge presses her fingers flat against her lips, takes a deep breath in through her nose, holds it, releases it, and heads back to the kitchen to get some space. Where before the house was eerily silent, as John gets dressed he all of a sudden becomes conspicuously loud. He thumps around in the living room, the den. He mutters under his breath and he raps his knuckles on a window somewhere, a staccato rat-tatatat loud enough to make her jump even several rooms away.
Marge tells herself to breathe, to calm down. This is John, itâs just Bucky, heâs just having a rough day but heâs not going to hurt her. Sheâs got nothing to be afraid of, and he needs her, needs someone to keep him grounded in the present when it seems heâs so lost in his past he canât figure out where or when he is, whatâs going on.
âGet a grip, Marge,â she whispers to her waterlogged reflection in the window over the sink. âItâs just Bucky. Relax.â
She breathes slowly with conscious effort until she feels steadier, ready to try again and figure out what John needs. She turns resolutely and stops in her tracks in the next instant, her heart bounding along faster again in spite of her efforts. Johnâs looming in the doorway and he takes up nearly the whole thing with his broad shoulders. Marge steps back until the edge of the sink digs into the small of her back and she rests a hand on the cool enamel to steady herself.
John doesnât even seem to realize sheâs there; heâs staring blankly across the kitchen, at the window on the back wall that looks out over the yard. He sways a little in place, steadies himself with a jerk upright and a hand braced against the door frame.
âJohn?â she tries, without much hope for success. Sure enough, he barely twitches, so she tries again. âJohn, honey, did you need something?â
He turns his head like a broken marionette, jerky and stiff, muscles refusing to cooperate but he does eventually tear his gaze away from the back window to bore into her instead. He gestures with the half-crushed pack of cigarettes that lives perpetually in his pocket.Â
ââM gonna go see that doc the Britsâve got, seeâfâI can get some meds for Hollis with this.â
Hollis again â has to be one of his men, but heâs never mentioned him before so sheâs not sure what happened with him. Heâs sick, or he was when John knew him, on whatever day John thinks theyâre living now. He doesnât seem to think her presence is odd so heâs not completely stuck in the past, but heâs clearly confused, doing his best to piece together what he thinks he ought to do. Marge doesnât know what breaking his illusions will do to him like this, if itâll be better or worse, so she says, âOkay. That sounds good. Hopefully theyâve got some to spare.â
It still might not be the right choice to help him stay in his delusion for all she knows, but John nods, his whole body moving with it like usual, like heâs drunk even though Marge is sure he hasnât had the opportunity to get there yet today, nor would he still be drunk this morning as sheâs pretty sure he didnât drink last night. He lingers a few beats too long, staring out the sink window this time at the chain link fence just barely visible through the curtain of rain.
âKeep âem off my back, wouldja? Just a friendly visit, nothinâ suspicious, but you know how the guards get about the damn fence.â
âYeah,â Marge lies through her teeth, her heart skipping a little faster again as she begins to think, maybe, this is something more than what happens to Gale sometimes. That this is something she has no idea how to fix. âOf course, Major.â
John keeps staring at the fence through the window long enough Marge is just about to ask if heâs sure he doesnât want to just sit down for a minute instead, ask if heâs alright. Before she can open her mouth he whips around and stalks back down the hall, yanks the door open with a bang off the wall and leaves it hanging open after him. Marge jumps and hurries after him, stops half-hidden behind the door jamb to keep out of the rain starting to fall sideways on the wind while she watches John stop halfway between their houses â the fence line â for a conversation with empty air.
Heâs gesturing with one hand, pack of cigarettes tucked into the big palm heâs hiding behind his back, subtle as a kid trying to hide a stolen candy bar. She canât hear him at first but he gets rapidly louder until heâs shouting loud enough to make the muscles in his neck stand out, â-ellinâ ya I just gotta get back a book I loaned!! Just there, that combine right there-â he points at his own house standing silent vigil over whatever this is, â-in and out âfore you can even get to the office to ask!â
He stops talking then, looks down at his feet as he kicks one toe against the concrete and ruffles his empty hand through his hair, gives his limp, damp curls a good yank as he nods along like someoneâs talking to him.
âYeah alright fine, Jesus Christ,â he snaps, âthatâs fine, donât wanna eat this slop anyway. Keep your fuckinâ rations, Iâll be back in five minutes.â
When he starts walking again Marge slips out onto the porch to keep watch from just those few inches closer, certain that the jerking shudder of him is going to tumble down to the ground any second now. He doesnât, he lurches up the steps to his porch and bangs his way inside his own house just as noisily as heâd left hers.
Gale has never been like this before. Gale goes quiet, and he shakes, and when he comes back to himself heâs a little dazed and itâll take him a bit to get back into the swing of their life, but heâs never talked to empty air before. Heâs never talked to her like sheâs one of his men, heâs never been soâŚso furious, with no clear target to point at. This is new. She doesnât want to even think it, hates herself for it the second the thought occurs, but if this isnât the first time Johnâs been like this, it might go some way towards explaining why everybody in town is so afraid of him.Â
Marge thinks she might be, just a little tiny bit. Or maybe just scared for him, yes thatâs it, thatâs all it is. Sheâs afraid of what this means for him, unsure what brought this on but knowing it must be confusing, and terrifying. It sounds like so far as heâs concerned heâs back in a prison camp, with all this talk of combines and rations and trading cigarettes for medicine some poor kid desperately needs, and if his experience was anything at all like Galeâs she knows at least enough to be sure it was bad enough to fuel all his nightmares for years.
Marge ducks inside just long enough to take off her slippers and put on her shoes. She marches resolutely down the stairs and the sidewalk with every intention of following John home to keep trying to talk to him and get him out of thisâŚepisode, but she stops short at the boundary line, Johnâs orders ringing in her ears. Distract the guards, keep him safe. There are no guards, of course, Johnâs in no danger, but he doesnât know that. He thinks he needs someone he trusts at his back, and god damn her if Marge isnât going to be that for him. So she stands at the fence, and she wraps her arms around her middle as the rain soaks her through, wind chilling her bare skin, and she longs for a wool sweater to wrap around herself but doesnât dare go back inside for one, not without John on her heels.
Sheâs watching Johnâs dark house for any sign of life so hard she jumps about a foot in the air for a flurry of barking close enough to hurt her ears. She whips around to hunt for the source and spots Lloyd Turnerâs rottweiler bounding down the street, running loose yet again and splashing through puddles like itâs the greatest day of her life. The dog barks again, leaps to bite at the fat raindrops as the wind chases them in a new direction. Marge hasnât yet decided if sheâs going to try to do the right thing and catch the stupid mutt before it can run further from home or stay right where she is for Bucky, idiot dogs and their bids for freedom be damned, when the choice is taken from her in a flash too fast to stop.
John comes barreling out his front door so fast heâs a blur, and in the same moment Marge registers the pistol clutched in his fist Johnâs raising it to aim at the dog running straight for her and firing.
â//â
âCleven!â
Gale looks up from his work and shucks his gloves when itâs clear heâs needed elsewhere. The foreman jerks his head for Gale to follow him and he does, out the door and across the yard outside the factory doors to the little set of administrative offices.
âSir.â
âGot a call from your wife,â the foreman tells him; Gale doesnât care much about the man one way or the other but at least heâs not the type to beat around the bush, heâs got as little interest in making small talk as Gale does and itâs a point in his favor. âSaid she slipped and fell in a muddy patch by your fence, needs you to bring the car and take her to the doctor.â
Gale absorbs the information and nods along, doing his best to look properly concerned. Marge isnât in the habit of lying, but thereâs not a single muddy patch to be seen in their yard, she tends it far too well for that, and Johnâs grass on the other side is tall enough to cover his knees. Johnâs got no muddy patches either.
âHow much you got left to finish today?â
âThree âtil quota.â
âGood man. Iâll have the others take it on, you get changed and head on home to look after your missus. Be back tomorrow morning.â
âThank you, sir.â
Rain plasters his hair flat to his head and turns his shirt translucent despite how close heâd parked to the locker rooms this morning. He peels out too fast onto the main road and squints through the dim windblown curtains of it trying to shove his hair back into place and plucking chill, drenched linen away from his chest. In between bouts of soggy discomfort that make him want to crawl out of his skin, he tries to figure out what the hell is going on at home.Â
Marge is hardly the type to call him home from work for something frivolous, he doubts she would call him home even if she did twist an ankle in the garden, so that had to have been a story to tell the foreman, something he would buy only because he doesnât know Marge at all, doesnât know sheâs tough as old boots when it matters. Besides, if she really needs a car John is right there with his and heâs hardly going to go anywhere in this mess if he doesnât have to, especially considering heâd hardly even seemed present this morning-
It strikes him suddenly, quick as lighting. Itâs John. Itâs not Marge, itâs John.
Gale pushes another five miles an hour past the speed limit and makes it home in record time, miraculously without hydroplaning or getting pulled over.
âMarge!â he shouts the second heâs out of the car, whipped haphazardly into the driveway in the name of expedience. Sheâs on Johnâs porch pounding on his front door with both fists and as he gets near with long, loping strides he can see sheâs as drenched as he is and pale, too, save two spots of color high on her cheeks.
Sheâs hoarse, shouting for John in between beating her fists against the door, and Gale doesnât know if itâs tears or rain running down her face to drip off her chin, but it hardly matters.
âMarge, stop-â Gale grabs her wrists in both hands and she goes limp instantly, panting hard. âJesus, sweetheart, what the hell is going on?â
Marge is just about as steady as a rock, maybe more so. He doesnât know what his life would look like without her and he doesnât want to know, heâs not sure he wouldâve survived half the things he did if he werenât so determined to get back to her, if she wasnât steady enough for the both of them even across the ocean and an entire world in chaos.
All that means right now is that heâs got a wintery cold pit of dread low in his gut, because whatever John has done has set her to practically hyperventilating, her eyes so wide the whites are visible all around, her entire body wracked with tremors too irregular and intense to just be from the chill. He shakes her â gently â to try to get her to focus and it works at least enough that she clutches at the front of his shirt, knuckles white as she huddles closer with an exhale that warms his neck where she buries her face.
âI canât get to him,â she confesses. âI canât- heâs gone somewhere I donât- Gale heâs not here, I donât know what to do!â
âOkay,â Gale soothes almost mindlessly. He pets the back of her head, huddles her closer, looks up at the blank face Johnâs house gives the world and quick as a single thought he has a plan.
âLetâs get you back inside, okay? Iâve got him, Iâll get to him, just go inside.â Marge, thankfully, follows when he steps back to coax her down to the sidewalk and back home, though she does it sniffling and looking back over her shoulder every couple of steps.
âCome upstairs, letâs get dried off and changed into something warm,â he says next, step two. She goes, tromping sodden upstairs with Gale just behind her. The loose floorboard at the threshold of their bedroom creaks softly once, twice. Gale has to help Marge out of her dress, drenched and clinging coldly to every inch of her. He helps her with her slip and underthings too, has to clench his teeth against the feeling of too-cold skin against his. She passes him a towel from the bathroom without comment and just as silently goes to take a shower, her hair wrapped up on top of her head but the rest of her tucked neatly under water hot enough to fog up the mirror in a few short moments.
Gale strips, towels himself off briskly enough the friction brings some heat back to his extremities. He leaves the towel flung over the bedpost and his wet things in a pile with Margeâs, redresses in dry trousers and a wool vest over his fresh shirt, in spite of it being July. The wool will at least keep him somewhat dry for long enough to do what needs doing.
Once assured of Margeâs comfort and dressed more comfortably himself, Gale stalks back downstairs to retrace his steps to Johnâs front porch for step three.
He does at least pound on the door some, though he refuses to stoop so low as to holler for John to come let him in. He pounds the door hard enough to rattle the hinges, and when thereâs still no sign of John Gale sighs, steps down from the porch, tromps through wet grass up to his shins and across Johnâs back porch to shoulder his way in through the kitchen door. It takes a few tries but Galeâs solid enough these days to manage it with only a little ache left behind for a souvenir.Â
Johnâs back door isnât quite so lucky, the wood around the deadbolt splintered and shredded, a crack spidering through one of the little window panes. Gale shuts it again behind himself and finds it still latches and decides thatâs fine for now, heâll fix it some other day when there are less pressing matters to attend to.
Johnâs house is dead silent and as much like a mausoleum as ever. Gale stalks through it quietly enough to be drowned out by the pattering rain with a prickle of unease crawling up his spine and his hands held in loose fists, ready to snap up a defense at the first sign of trouble. Itâs too familiar, walking on eggshells through a too-quiet house knowing thereâs something â someone â dangerous waiting to be found, waiting to be given the smallest excuse to lash out. Thereâs another cold pit in his belly that has nothing to do with the chill rain that managed to slip under his collar, a twitching in his fists that hasnât bothered him since he was much scrawnier and less assured of his ability to hold his own. The first stair creaks under his shoe and Gale backs off it to press his back flat to the opposite wall so fast even heâs not quite sure how he got there.Â
Thereâs no sound but the rain and Galeâs racing heart. He breathes until the sound of his thundering pulse fades and he starts up the stairs again, skipping over that first creaking step straight to the second. The rest of the stairs are sturdy and donât complain under his weight; Gale takes them slowly just in case, shoulder pressed to the wall and fists still at the ready. When he reaches the landing everythingâs shut up tight but the bedroom, the last door open just a crack to spill wan grey light onto the landing and, when Gale pauses to listen, a faint, weak keening like an injured animal.
The door swings open silently at a gentle nudge of Galeâs knuckles. John doesnât look up, if he even knows heâs not alone anymore. Heâs sitting on the edge of his bed curled over, hands in his drenched hair, his face hidden behind white knuckles. In between wordless keening heâs muttering something, too low and fast to hear, and when Gale steps closer to try to catch it he finds itâs useless; itâs just gibberish, half-slurred words that donât belong together the way he strings them one after another like theyâre individual instead of a sentence, inflectionless and trembling.
Under the heavy wet scent of rain seeping into everything even with the window closed tight, thereâs an acrid tang and when Gale looks for the source he finds a little puddle of bile between Johnâs feet, mercifully clear of anything but a bit of foam. The held-ready shiver of a fight seeps back out of Galeâs taut muscles, his hands uncurl. He steps closer and John still keeps muttering, doesnât seem to realize he has an audience. Gale has seen his fair share of men sink away somewhere unreachable, gets there himself sometimes too, and though he knows it means John could just as likely lash out as not at a threat only he can see, Gale canât drum up any fear of him. Like this heâs soâŚsmall, a child in a manâs body curled around all the things heâs seen thatâve left him afraid of something as gentle and common as rain. Heâs tapping his fingers to the drumming beat of it in his hair, darting fearful glances at it out of the corner of his eye without raising his head. John doesnât need to tell him outright for Gale to know thatâs whatâs done it.Â
The blanket and his trousers rustle softly when Gale rounds the bed to crawl onto his knees behind John. When heâs close, he leans in but doesnât touch, not yet. âEasy now,â he says like Johnâs a spooked horse, and he may as well be. John rocks back and forth just once, leans forward like heâs going to be sick again and then sinks his weight back into the curve of his spine pressing a ridge thatâs all-too-defined through his shirt.
Gale leans in a little closer to hear what Johnâs muttering, hunting for a clue. It takes a few words before he realizes itâs names spilling from him, a list like a mantra.
âTheyâre okay,â Gale tries; the names are American, or at least not German, so he goes out on a limb and assumes theyâre Johnâs men, the ones he couldnât keep safe, the ones he canât ever bring himself to talk about sober. âI already talked to âem.â Along with the lie, he risks a touch. Johnâs back is cold and clammy under his hand and Gale has no way of knowing how much of it is rain and how much is fear sweat, but this close he can at least smell the second on John so it has to at least be part of it. He rubs his palm flat up every single one of Johnâs vertebrae and back down, up and back down. John shudders and his mumbling gets a little stronger, if not any more intelligible.
Gale leans in close enough heâs an inch away from resting his chin on Johnâs shoulder and just keeps rubbing his back, a slower and steadier rhythm than the frantic tapping of Johnâs fingers or the rain on the sash. He canât tell if itâs helping but at least itâs not hurting, and he thinks maybe he needs the contact just as much as John does. He still canât tell what Johnâs saying but the timbre of it changes, dead inflection suddenly rising and falling as Johnâs hands tighten in his hair so much Gale worries heâs going to yank it straight out.
âYa gotta weather it, Johnny. Just gotta get through it,â Gale tells him, low and warm in his ear. John shivers, loosens his fingers, stops his keening. In between more incomprehensible muttering heâs just breathing, sawing ragged things but Gale will take it. He leans over again, presses his back more firmly up into Galeâs palm, but before Gale can try to figure out a way to ask him whatâs wrong and why heâs suddenly gasping thereâs a bang downstairs almost immediately drowned out by furious barking and a manâs voice shouting close at hand.
Galeâs up and out of the bedroom like a shot, muscles once again locked and raring for a fight as he stumbles off the bottom step and finds himself face to face with the neighborhood rottweiler and Lloyd Turner just visible out the back door storming across Johnâs back yard like he owns the place.
âGet this fucking dog back to your own yard, Turner!â Gale shouts loud enough it hurts his throat, scrapes it raw. He aims a kick at the thing lunging for him teeth first and clips it on the chest but it doesnât seem to care or even notice, straining to get past him.
âGot a right to let her run if I fuckinâ want to, Cleven!â Lloyd shouts back at him from Johnâs kitchen door knocked open again. Gale kicks the dog hard enough to make it pause long enough for him to reach down and haul it up by the collar and hold it in place, if not actually still. âYâthink I want this energy in my yard all damn day?! Tell Egan to get himself under control before he worries about my fucking dog, give me that-â
âJust GET OUT!â Gale barks and shoves the dog towards her owner.
Gale thinks very seriously, if briefly, about landing a right hook square on Lloydâs nose as he leans in close enough to get his own hand around his dogâs collar, but heâs got John upstairs to worry about and Marge next door who has to be worried sick. He lets the dog go and contents himself with shoving Lloyd and his wriggling barking gnashing dog back down the hall, across the kitchen, and out the door. He slams the door shut behind them and throws the deadbolt again, for all thatâll do before he can fix the jamb, and stands there just long enough to make sure Turner is actually hauling the dog back across Johnâs yard and the yard adjoining it to head back to his own place before he hurries back up to check on John.
Heâs got a hand hanging between his knees cupped like heâs thinking about holding something, index finger twitching like pulling a trigger. Gale gets behind him again, tells him the first thing that comes to mind, the first thing he thinks might help. âWasnât after any of yours, sâokay. Didnât hurt anybody.âÂ
John bends further down between his knees, hands locked against the back of his neck tight enough his fingertips are white between his equally pale knuckles. Gale slides his hand up to the middle of his back and holds him in the stretch and ignores the ache in his own chest as he waits for John to relax.
He does, slowly and in stuttering stages like stumbling drunk up the stairs to bed. His breathing slows and deepens, eventually stops hitching. His tapping fingers still, knuckles turning pink again with a flush of blood as he releases his death grip on himself. The rain outside is slowing and John is slowing with it; when it gentles to silent rivulets down the glass rather than frantic pounding, Gale reaches around Johnâs slumped shoulders to press a palm to his forehead. Heâs cold and by now Galeâs sure the damp under his hand is sweat. He shushes John gently and coaxes him into sitting up again and exhales slowly along with John when heâs able, finally, to tuck himself entirely up against Johnâs broad, clammy back.
âTake your time,â Gale murmurs in his ear around a roll of thunder rumbling somewhere off in the distance. âIâve got ya, Bucky.â
It takes a few more long moments but finally, blessedly, John manages to rasp, âBuck?â It sounds like it hurts, he sounds confused, but Gale just keeps holding onto him, hand on his forehead and arm curling slowly around his waist and his mouth still pressed close to his ear.
âHey sweetheart. You back with me?â
âJesus-â is all the warning gets before Johnâs lurching forward again to vomit. Gale holds his head steady and waits it out, listens to him choke and gasp and cough and sob in between each. Itâs horrible. Gale is grateful heâs here for it.
When itâs over, John is clearly exhausted. Gale takes his lax weight on his chest and holds him steady. He can wait. He presses his face to Johnâs hair and doesnât care one bit about the fearful sourness of him, just holds him, holds him, breathes and waits.
Finally after some length of time, John comes back to himself with the faintest stirring and a hitch of an inhale. Gale rubs his chest, slow motion circles to keep him warm, and he tilts his head to let John get at his neck when he turns his head to breathe him in deep.
âYou wanna get cleaned up?â Gale asks before he can think twice about it. John does, so Gale goes with him. He thinks, maybe strangely but he canât help it, of John showering alone after Kate Walllace had her way with him, of him taking care of himself as much as he can be bothered to every single day with no one to help him, no one to hold him close and tell him heâs alright, not even after an episode.
With that thought, Gale climbs right into the too-small tub with him and leaves no room for argument that this time, at least, heâll have anotherâs hands on him, that he wonât have to even hold his own head up, he can just lie there limp and let Gale tend to him.
John lets him without a fight. Galeâs gentle and slow, wary of startling him or dragging him out of the half-stupor heâs sinking back into. He could be perfunctory, he knows. He is when he bathes himself, doesnât see much point to lingering over it when his body has been a stranger to him for so long. But Johnâs body he knows, and like this he has a reason to touch every inch of it so he does, rag and soap a flimsy enough barrier he can still get a sense for every bump and ridge of his bones, the stretch and bunch of his muscles, every bit of skin and hair and living inch of him. John submits to it all with the loose joints of a marionette and Gale takes full advantage, leaves no inch of him unloved.
He empties the tub most of the way, refills it, not ready yet to leave. John still has nothing to say so they lay there in the dripping quiet, flushed with heat and so tangled in each other with body-warm water filling all their gaps that Gale doesnât know where their borders end â he doesnât want to know. He wants John inside him, wants to be in him, in ways that have nothing at all to do with sex. This is as close as they can get so Gale will sit in it until the cold thing in the pit of his stomach is finally chased away and John can do more than lay limply in the cage of all four of Galeâs limbs.
Only it has to end eventually, of course. The water cools again and instead of refilling the tub this time Gale hauls John out of it, dries him, dresses him, takes him downstairs and fixes him a drink. He fixes the radio John out his fist through weeks ago. John watches him through red-rimmed eyes over the edge of his whiskey glass, tired but awake and aware, which is more than heâs been probably all day, considering how out of it heâd already been when Gale left for work this morning. Gale talks to him about the stalag and the boys heâd been in with while he works, not to throw him back into whatever heâd been stuck in all day but to remind him Gale was there too, knows at least something of the place John still canât escape. Theyâre out of it now, together, and he wants John to remember that as he drowns his demons in his own living room, his tired bones half-swallowed by his couch and a thick sweater far too large on his wasted frame.
âI want you with me and Marge tonight, John. That gonna be okay?â Gale checks when heâs finished with the radio and his story both, standing there in Johnâs bare living room with the man himself staring up at him uncomprehending until the meaning finally dawns with an extra bit of shine to his eyes.
âYeah, okay.â
Gale nods, matter settled to his satisfaction.
âBuck.â
âUh-huh?â Gale prompts but John just shakes his head. Heâd said his name (or at least the one John insists on using) like a sentence, all there was to it. Gale waits him out; with John thereâs more, always more, he sometimes just needs to find his way around to it and decide itâs worth it to open his mouth and say what he wants. John leans forward over his knees again but not to get sick, just to curl up like he has to get small around whatever it is heâs trying to put words to.
âWant ya to tie my shoes,â he tells his knees, accent thicker with tears heâs not shedding. Gale goes to fetch them without a word, and realizes only on his return that he moved too quietly and Johnâs still hunched over waiting for an answer, shoulders up around his ears.
Gale gets on his knees and says, âSorry sweetheart. Iâm here.â John collapses blindly onto him, so trusting.
Gale ties his shoes. Of course he does.
The process of getting John up and shuffling next door is both too familiar and strange at the same time. Itâs hardly the first time in his life Gale has helped a drunk, staggering man through the front door, but doing so in the middle of the afternoon is novel. Gale registers the smell of whiskey on him only vaguely and without any of the nauseous hatred the same smell on his father used to leave roiling in his belly.Â
Gale crowds John into the house with his hands on him and a sort-of kiss pressed to the back of his neck, so unlike every time he hauled his father bodily up the sagging porch steps, dodging his flailing fist and rubbing at bruises around the back of his neck when he was finally able to duck out from under the crush of his arm looped tight enough to choke.
âGale?â
âItâs us, Margie.â
Marge hurries out of the kitchen to meet them as soon as he calls, and so unlike Loretta Clevenâs stern, flat-mouthed resignation every time Leslie staggered home, all there is to see on Margeâs much softer face is open concern, perhaps tinged with relief.
âOh, John,â she exhales and Gale delivers John easily into her hands with no fear that heâll turn senseless anger on her, which is perhaps the strangest change of all from when this scene played out ad nauseum in his boyhood. He was always too small to protect his mother when it was needed, and by the time he was finally strong enough his father had long since abandoned them to their dusty little cabin, and Gale was nothing more than a mouth Loretta wished she didnât have to feed rather than someone who could be of any use to her at all.
âJesus, yâ scared the shit out of me,â Marge adds but as much as she clearly means it, still all she does is pull him down even closer to press her forehead to his with a feathery sigh. Gale still has no idea what happened to upset them both so much but thereâll be time for that some other day. Thereâs clearly some comfort to be found for both of them in being close to each other so whatever happened must have been external and, therefore, not Galeâs problem at the moment.
John tells her heâs sorry, crackling and hardly audible but theyâre all huddled up close enough in the entry to hear him. Marge, when she pulls back, looks oddly guilty even before Gale adds, âRough day,â which even he can acknowledge is clearly an understatement. Marge hardly glances at him though, just fusses over John for another long moment, back of her palm kissing his clammy forehead, before she turns to go get him a glass of water and leaves Gale to the task of coaxing John upstairs and into their bed.
The moment Gale nudges him past the guest room John balks, of course he balks, but Gale just tells him again, âEasy. Youâre okay,â and tries to fill it to the brim with enough quiet surety to make John believe it. Itâs unclear how successful he is when John marches to the main bedroom like heâs suddenly got two wooden legs, but the important bit is that he lets Gale do it at all, and the second important bit is that he takes a deep breath and relaxes just a little as soon as they cross the threshold.
The springs creak a little when John lands heavy on the edge of the bed and Gale once again wrestles with the strange double-layering of past and present, unpleasant and even a little dizzying, but he presses on as the rain resumes outside, tapping softly at the window sash.
When Gale was a boy helping Loretta tumble his father into bed, the best they could typically manage together was to rid him of his dusty boots, soles worn so thin his socks beneath were wearing down in the same pattern â a bare patch and a peek of tough callus on the balls on his feet, a little towards the insides. He was always scuffing and stomping and dragging, large presence made even larger by the unselfconscious noise of his arrival in any room. But being drunk suddenly made small again, curled up in patched up clothes and snoring off the last burst of the eveningâs temper that carried him over the threshold and hardly any further.
Now, Galeâs a grown man, and he can do more. Wants to do more. He kneels down to untie Johnâs shoes and slip them back off him and, for reasons he canât fathom how to articulate, he finds himself touching so much more than necessary. Itâs novel, in a way â clean, undarned socks; Johnâs ankles surprisingly slender under the hems of his trousers when Gale wraps his hands around them and gives them a little squeeze. That, more than anything, seems to snag Johnâs wandering attention and he responds in kind, squeezing Galeâs shoulders between his knees.
Gale leans in, thoughtless, to press his mouth to the tender, bony curve of Johnâs knee hardly softened by his trousers.
John stirs again to look down at him and Gale, kneeling, looks up at him through his lashes and thinks how strange it is, to take thorough ownership of Johnâs body as he has in such servile ways â washing him, dressing him, on his knees on the floor for him â but John still has a sense of quiet devastation to him, no power to lord over Gale like this. All the tender feelings Gale never once felt for his father stumbling around confused and drunk seem to be rising all at once for John, and Gale finds heâs not entirely sure what to do with them as they land heavy like a shoulder rammed to his sternum, threatening to knock him flat on his back with their intensity.
âYou still with me, Bucky?â Gale asks with another squeeze to bone and sinew and warm skin a little rough with wiry hair.
âAlways.â Gale has to breathe around the new thing in his chest for how easily he answers, even now. He feels his mouth stretch faintly into a smile, watches John stare too hard at his mouth for it. âBuck?âÂ
âUh-huh?â
Gale drags Johnâs socks off slowly, one at a time, savoring it in a way he never has before and doesnât entirely understand why he wants to now, either. He waits for an answer but all John does is stare at him with a morose, wanting sort of twist to his mouth. Johnâs still only staring, silent and agonized for some reason, when Marge arrives, bringing with her a faint ghost of lavender and ozone.
As if immune to the tension of whatever it is John canât bring himself to say, she sighs to the room at large, âOkay, here we go,â and then, to him, she says, âGale, honey, Lloyd from up the street is lookinâ for you. Wonât tell me what for, just that he needs to talk to you.â
It seems obvious enough he shouldnât have to say it at all, but, âNowâs not a good time.â
He punctuates it with a pointed glance from her to John and the way heâs suddenly staring hard at the opposite wall decorated with their wedding photos, smiling and dropping it again in eerie turns, and Marge just nods and rolls her eyes, long-suffering. She knows, of course she knows.
âI know, I told him that.â She nudges the glass of water in her hand against Johnâs limp fingers until he rouses himself enough to take it. âSaid heâs not goinâ anywhere âtil he sees you, though.â
The next smile John tries is more a baring of teeth, eyes glassy, and Gale ignores the shiver it puts down his back. He canât figure out what the hell Johnâs doing but it doesnât matter, apparently heâs got a different battle to fight and he just has to leave this one to Marge.
âAlright. Stay here with Bucky, will ya? Iâll go see what he wants.â
John comes to life when Gale creaks to his feet, desperate but weak hands reaching for his trousers like a child afraid to be left alone. Gale steels himself against it and leaves anyway, a muscle jumping in his jaw from tamping down his frustration far enough it hopefully wonât show on his face too badly by the time he reaches the door. He should be tending to John and Marge, not soothing Lloyd fucking Turnerâs temper and bruised ego, but here he is.
âHave some water, baby,â Marge murmurs softly just before Gale steps out of range and that at least is reassuring; Johnâs in good hands, maybe even better ones than Galeâs right now. He reaches the front door and wrenches it wide open.
âThe hell do you want, Turner?â So much for hiding his frustration, but itâs clear just looking at him and his twisted up sneer that Lloydâs spoiling for a fight anyway, so what does it really matter?
âYou hiding that no good sonofabitch in there behind your wifeâs skirts, Cleven?â
âHey!â Gale barks, well and truly at the end of his tether, apparently. âYou watch your goddamn mouth - about both of them-â
âI got a right to call any of you what I damn well please! Your little woman even tell you what that cockeyed souse did this afternoon-?â
âYâgot five seconds to get off my property, Turner-â
âYour property?! Who gives a damn about your property when itâs mine thatâs been damaged! Shot at my damn dog, he did, the poor bitchâs been cowering under the porch all day since-â
âBuckyâs done the whole block a damn good favor then!â Gale bites, savage with both teeth and fists clenched hard to keep himself from swinging but he canât quite keep his voice from rising instead. âGo on home Turner, and from now on I donât give a damn what you do on your own property but you keep that mutt on it! Fences, a chain, a goddamn leash, just keep the thing inside, doesnât matter â I see that dog come down this far again, Iâm takinâ it straight to the pound!â
Lloyd gapes at him like a fish drowning in air, eyes bulging and mouth working around nothing at all. Gale doesnât know the finer details of course but heâll get them from Marge as soon as Johnâs out for the night, but it hardly matters anyway. That dog drives John up the wall, heâs always muttering about Germans and bullets and infected bite wounds when the muttâs on the loose, even on the days he doesnât get too bad, and Gale knows for a fact everybodyâs good and well sick of Lloyd letting the thing run wild. He wouldnât take it to the pound, probably, but then heâd never expected John to actually take a shot at the dog (if he really did like Lloydâs claiming), so who fucking knows. They both have an end to their respective ropes, and if Galeâs is feeling frayed he knows Johnâs has already snapped. Lloydâs just too stupid to get out of the way of the fallout.
âYouâre just as bad as he is, ainât you?â Lloyd finally huffs. âMy Bonnie, she says you and your little woman are good people, and I told her from the start sheâs too weak in the head to be making that kind of decision and now I see Iâm right! Like two peas in a damn pod you and that asshole of a swigger-
âGet the fuck outta my house. Just control your damn dog, Lloyd. Go on.â
Gale doesnât know what exactly convinces Lloyd to listen â the look in his eyes, the cold fury heâs sure is radiating off him, finally realizing that heâs not going to get what he wants out of this, whatever â but he goes, and Gale slams the door shut behind him for good measure hard enough he hears the dishes in the kitchen cupboards clatter with it.
The blank expanse of the front door is surprisingly soothing. Itâs a good, sturdy door, with a hefty lock on it he can thunk into place and a chain they rarely use but that rattles now as Gale slots it home, too. He locks the kitchen door they never usually bother with, locks every window and draws every curtain until the house feels like the inside of a coffin.
He closes them in every way he can, does what he can to shield them from everything beyond these four walls, and when he can breathe without it shaking in his chest he goes upstairs one slow, plodding step at a time. The only people in the entire world he wants to see are up there waiting for him, and heâs calm enough now to join them without scaring anybody (he thinks, he hopes).
Johnâs lying back on the bed, hands behind his head and eyes shut looking for all the world like heâs about to fall asleep if he hasnât already, but Gale only gets a glimpse of him before Marge is standing and ordering him back out into the hallway with a look and a jerk of her chin. Gale goes, of course, and watches, curious, Marge fidgeting in front of him in the strange shadows cast at this end of the hallway by the wan overhead light back behind him at the landing.
âMargie?â
âI think this might be partly my fault.â
Guilt, and something else that sets her teeth on edge and her gaze darting everywhere but somewhere she might catch his. He doesnât understand.
âHowâs that?â
Marge purses her lips. Sheâs white knuckling the near-empty glass of water in one hand, absently petting the bodice of her dress with the other like itâs a cat in her lap, a nervous habit he hasnât seen from her in a long time â years, before everything went to shit. A teenage habit he hadnât even noticed sheâd stopped until this very moment. It puts his teeth on edge, too.
ââŚMarge?â
In a guilty rush, Marge lifts her chin to meet his eyes and says too quick, âI just think maybe Iâm too hard on him to eat.â
Gale can only blink for a long moment; that hardly seems relevant, and certainly not any cause for what heâs identified now as shame in her restless gaze, but if thatâs what she wants to address then he can play along.
Marge continues, though, before he can reply. âMaybe I shouldnât be pushing him so much, I know itâs not easy. Wasnât for you, anyway, and it canât be for him either.â
âHm. Maybe go a little easy on him if you feel like that, but I donât think thatâs it, sweetheart.â Gale pulls a smile across his uncooperating mouth, sure that she wonât buy it but sheâs hardly looking at him again anyway so itâs not like it matters much. Sheâs still tense and after a moment she takes a sip of the water in her hand, swallows it with that same nervous twist to her mouth. Gale tries again to soothe her, âThink this is the kinda thing that we canât really point any fingers about. Think the only people to really blame for it are long gone or too far away to ever undo what they did, if it even could be undone at all.âÂ
Privately, Gale hopes that whoever is responsible for scrambling John up so bad died as painfully, as miserably, and as shamefully as so many of their prisoners and victims did. The likelihood isnât great, but deep down in the most tattered, ugliest parts of himself he tries not to show Marge he hopes that itâs true. John, he knows, would feel the same.
âWhat should we do?â
âJust gotta help him weather it, thatâs all.â
Marge nods; thereâs truly nothing else for it, and they both know it. Some things just have to be borne with as much dignity as one can muster.Â
Gale steps aside to let Marge down the stairs, and when he gets back to Johnâs side, finally, he finds him curled up on the bed entirely and seemingly asleep, face buried deep in the pillows and his back rising and falling easily, rhythmically. Gale crawls in beside him, lays down close to feel him warm and breathing steady, reassuring.
Heâll ask tomorrow, what happened. Marge will wake up with him when he gets up for work, heâll ask her then, over coffee and with early morning misty light softening everything until itâs easier to hear. Heâll ask if John really shot the Turnersâ dog, if he hurt anybody, if theyâll have to close ranks around him even more and keep the others from tearing him apart. Heâll ask himself if, should all of that be true, any of this is truly worth it.
He falls asleep entirely on accident before Marge rejoins them, but when he wakes to the first faint grey glow of dawn sheâs curled up against him too, sleeping soundly with a hand stretched across him to hold Johnâs fingers loosely between her own, and Gale knows without even asking that whatever happens it is going to be worth it; theyâll figure it out, somehow, and theyâll weather this together. Itâll be fine, because it has to be.
me, lying in my tent, trying to have a peaceful time camping: camp host bucky and van lifer gale who's staying for a couple of weeks and they fuck nasty in bucky's trailer
bucky driving around his fucking golf cart, bucky fucking gale in the camp showers, bucky lying out in his hammock and gale having to put his whole cock and balls into not ogling him, bucky fucking gale in his cramped van, going on a hike together and having a heart to heart abt how neither of them know how to operate in regular society and don't know what they're even looking for in life,
A 'Worth Knowing' fic - Marge and Gale's POV of John's dissociative episode from Chapter 8: 'Wednesday, Mid-July'
Rated M, 11k words, complete
--//--
Even in hindsight, Marge will still be unable to figure out what warning signs she missed.
She leaves John in the chair by the window, and from the safety of the thick night shadows at the foot of the stairs she sneaks one last look at him sitting there framed in the watery reflection of the moon and street lights, still naked and, she hopes, well satisfied.
Sheâs full of the evidence of at least his physical satisfaction anyway, feels it dripping already and so she leaves him there alone to hurry upstairs into the main bedroom and through to the bathroom. She shuts the door silently behind her despite the hurry and only then does she hunch over the sink, one elbow braced on cold hard porcelain as she shoves the other hand down between her spread thighs to dig two fingers into the tender, well-used ache of her cunt, doesnât even bother turning on the light first.
She scoops Johnâs seed out with crooked fingers, washes it down the sink with a flush of cold water, shocking and bracing and entirely too good at clearing her head for her liking. She flicks excess water off her fingertips and reaches down again, her slip smooth and body-warm against the inside of her wrist as she works her way inside again, a soft breathless, âah-â escaping past her parted lips with a wince. âOh god,â she whispers, trembling, as she rubs her fingers against her walls, a pale imitation of Johnâs cock or even Galeâs fingers inside her, but still. She moans softly, whimpers an exhale against her fist resting on the side of the sink, rinses her fingers again under cool water. She digs in again with a soft, pleased, âMm,â from deep in her chest and fishes out more of Johnâs come.
It takes a few goes, her fingers cool and slim inside herself where John had been so hot and hard and thick. She cleans up down there as best as she can with a bit of tissue when sheâs done, tosses it in the toilet bowl but doesnât flush for fear of the noise. She nearly heads straight back to bed, but she only makes it one step over the threshold and spots the familiar shape of Gale sleeping neatly tucked up under a single thin sheet before she stops again, guilty and strangely pleased at the same time. She may have emptied herself of the worst of the evidence that sheâs strayed, but she still smells like sex. She can smell John on herself everywhere he mustâve touched her, pressed against her; once she realizes that she finds sheâs also sticky with the musky sweat from their combined exertion everywhere she could conceivably sweat andâŚwell, she certainly canât go back to Gale like this. She steps back into the bathroom, shuts the door again without even a click of the latch.
At the risk of waking Gale in spite of her best efforts, Marge strips and steps into the shower before the water can even warm up properly, shivering a little under the lukewarm spray as she hurries to scrub the most important bits. Armpits, between her legs, across her shoulders, the small of her back, the sides of her neck â anywhere sweat gathered, anywhere Johnâs mouth and hands had been, she scrubs brusquely with a rag and hopes itâll be good enough.
The handle squeaks and the pipes gurgle when she shuts the water back off some minute or two later, and in the dripping silence she waits, half hunched over and shivering, to hear if Galeâs woken up. The silence stays thick, the calm before the storm thatâll surely break come morning, so she dries off, slides back into her slip (with a spare thought to be grateful John took it off her before they got going), and returns to the flicked up blankets on her side of the bed to slip back between them with her breath held and her movements deliberately unhurried.
Gale, still asleep by some divine miracle, mumbles something unintelligible and pulls her in close the moment sheâs beside him, and though her mindâs racing with thoughts of how the hell sheâs supposed to tell Gale what sheâs done she still somehow manages to drift off again for a few hours without too much trouble, worn out by both the late hour and such a good orgasm.
Gale gets up with the watery gray dawn and gets ready for work, kisses her cheek lightly enough she barely stirs, waking just enough to lean into the sweet press of his mouth and hum a wordless acknowledgement of his usual, âHave a good day, sweetheart,â murmured so low it wouldnât wake her if she were sleeping deeply.
Gale leaves, and Marge settles in to sleep a little longer with the feathersoft patter of rain on the sash to soothe her. A creak in the hallway just a minute or two later drags her eyes open, though, just in time to see Gale stick his head back in the room, brows knitted.
âSorry to wake you, sweetheart, butâŚkeep an eye on Bucky today, wouldja? Seems a little off.â
ââCourse,â she mumbles, still half-asleep for now, though her heart stumbles a little in her chest, maybe even skips a beat or two. âHe âcross the hall?â
âDownstairs,â Gale shakes his head, âsittinâ by the window. Seems pretty stuck in his head about somethinâ.â
âOkay.â Marge is sure sheâs never in her life felt a spike of adrenaline from pure guilt but, well, there have been a lot of firsts since John came into their lives - whatâs one more? âIâll look after him. Go on to work, donât be late.â
Gale leaves again with an extra thanks Marge isnât sure she deserves; she waits to hear the kitchen door shut, for the car to start up, before she slips out of bed and into her favorite towel robe to creep downstairs, hiding a yawn behind her wrist.
âJohn?â she calls from the foot of the stairs. It looks like he hasnât even moved since she went upstairs last night, though he must have at some point considering heâs at least got his shorts and shirt back on. But heâs still staring out the front window, still rubbing his fingers back and forth and back and forth across his mouth, still curling his bare toes into the carpet over and over with a slow-motion restlessness. âBucky â honey? You alright?â
Marge waits and waits for some kind of reply, but eventually she has to step away from the stairs and into the living room, gets close enough to put a hand on Johnâs shoulder before he even seems to notice sheâs there. He jumps, shies away from the touch; Marge takes her hand back and just barely refrains from raising it in surrender to the wild glare he levels at her before he seems to remember himself and softens again, blank neutrality.
âYou okay, Bucky?â
âUh-huh. Fine.â Marge skitters back a step to get out of Johnâs way as he lurches to his feet, oddly unsteady. âThe boys already out?â
He doesnât wait for an answer, which is fine considering Marge only has more questions sheâs not sure heâs able to answer at the moment. He stumbles into the wall on his way out of the sitting room, Marge trailing along behind him like a lost duckling as he crosses the front entry to the den on the other side. She has to bite back the urge to tell him to be careful; Galeâs books are important to him, the sum total of everything heâs put his hands on and decided he wanted ever since he was a boy scrounging as many pennies as he could find to buy the cheapest novels available. John heads straight for them without a care and looks all set to yank one down off the shelf, but at the last moment he gentles, big hands cradling a slim volume he opens but doesnât seem to see.
âBucky?â
âWhaddya know,â John mumbles, chin to his chest. âDonât think I know this one yet.â
Marge bites her tongue against the urge to press him, to ask again whatâs wrong, if heâs alright. She has a feeling that she already knows what his answer would be - itâs John, heâs fine, always fine, no matter how obvious a lie it is. He stands there and Marge stands with him, little though he seems to realize sheâs hovering in the doorway watching. He stands there and he stares at that book and he doesnât turn any pages, doesnât seem to be reading it at all. His breathing is slow and even, almost conspicuously so, and some slow minutes drip by in a rain-drenched hush before Marge finally has to say something.
âJohn, Iâm gonna get started on breakfast, okay? Be ready real soon.â
John doesnât even twitch. Gale has gotten like this exactly once, drifted so far away from her that nothing could get through to him, but the experience is burned so bright in her mind she can recognize the pattern in John now. Unfortunately there was nothing she could do last time but wait for Gale to find his way back out on his own, if there was anything better she couldâve done neither of them had known what it could be. So, much though she hates to do it, she leaves John there to stare blankly at the book in his hands, big shoulders hunched in on himself and his head ducked so low itâs bound to put a crick in his neck if he stays like that too long.
She goes upstairs, dresses for the day, and forces herself to step into the bathroom to take care of her morning ablutions. She could, of course, avoid the mirror entirely if she chose, but that seems cowardly in the light of morning, and Marge Spencer is no coward. She steps up to the counter and takes a deep breath in, hand pressed flat to her diaphragm to feel her muscles move with it, and with her lips pursed around the exhale she raises her head to meet her own eyes in the mirror.
She looks for some evidence of last night, some fundamental difference that couldnât possibly be explained by anything other than Johnâs touch. She stares until her eyes burn with the need to blink, until her hand on her stomach is no longer shaking, until the next breath comes easier.Â
Thereâs nothing to see.Â
Logically it makes sense, the only change in Gale after heâd had John was in his demeanor, a weight off his shoulders and a light back in his eyes thatâs been missing for so long. Marge doesnât get to have the same sense of relief, in fact itâs the opposite, but she can bear that guilt invisibly. She will, at least until she finds the words to explain whatâs happened and why she wanted it to. She has to find the answers herself first anyway, thereâs no sense in bothering either Gale or John with her fears yet.
She fixes her hair with businesslike efficiency and returns downstairs to start on breakfast for two just in case John finds his way back soon enough to let her feed him. The silence is strange; a space with John in it should always feel just shy of too full, his presence too large to be entirely contained no matter how heâs feeling, but right now if Marge hadnât seen him with her own two eyes sheâd be utterly sure she was alone.
She gets breakfast plated up and goes to find John, standing exactly where sheâd left him with his chin on his chest and the same slim volume cradled in his hands. Heâs rubbing a thumb back and forth against the page, hypnotically regular. âJohn?â she calls gently without any hope of acknowledgement, and she gets exactly that â nothing.
She waits long enough to count a hundred and thirty-eight ticks of the clock in the kitchen, and when John still does nothing she steps out of the den as quietly as she can, practically tiptoes back down the hallway though she doesnât quite know why; thereâs a fragility to the silence, or maybe just her perception of it, and she isnât sure she wants to know whatâll happen if she breaks it.
She eats, wraps Johnâs plate up in foil with a wince for the sharp crinkling of it, metal on metal squealing as she closes the foil around the bottom to secure it. She slides the plate into the icebox as quietly as she can, holds her breath as she shuts the door, listens so hard for any movement down the hall she nearly jumps out of her skin when John speaks up from right behind her.
âWhat was that?â
Marge whirls around, heart in her throat, and flinches back a step until her back hits the icebox with a little clatter of its contents; Johnâs right there, and how he got there silently in the time it took her to put the plate away sheâs got no fucking idea.
âYour breakfast. Figured Iâd save it for later for you-â
âJust gonna spoil,â John frowns, looking not quite at her but at a spot over her shoulder, but further out than the icebox, some middle distance only he can see. âEat it, âm not hungry.â
âItâs not gonna be in there long enough to spoil, you sure you donât want-?â
âEat it,â he insists, eyes flashing to hers just long enough for him to glare. âDonât ever let me catch you wasting a single goddamn thing like that again, you hear me?â
âOkay, Bucky,â Marge soothes, one hand half raised towards him and the other pressed flat against the icebox door, cool under her trembling, sweaty palm. âOkay, Iâll eat it, alright? Itâs not gonna go to waste, I swear.â
John just grunts and turns his head to look out the window over the sink. The rain has picked up, a steady pattering downpour that turns the lines of his house across their side yards a little blurry and indistinct. Marge inches to the side, away from the sink and towards the hallway, and when John doesnât seem to notice she does it again, and again, one inch at a time until sheâs clear from his looming shadow, no longer cornered.
âYou wanna go sit down for a bit?â Marge tries; she reaches for him, presses a hand to the small of his back to find him absolutely drenched in sweat, his undershirt sticky and cold with it. âCâmon Major,â she tries and that, finally, is what swings his attention back to her properly, eyes focusing. âLetâs go sit down for a bit, okay? Why donât you read me what you found in the library?â
âWhat?â It crackles so rough in his throat Marge winces though he doesnât seem to even notice it himself.
âI said letâs sit down for a bit, you can read to me,â she coaxes. âYou got somewhere better to be?â
John stares through her for a long moment before he shakes himself a bit, pats his chest and then his hips like heâs looking for something in his pockets, though heâs still just dressed in his smalls without a pocket to be had.
âLookinâ for something, Major?â
âMy smokes,â he mumbles and frowns down at himself, plucks at his clammy t-shirt with pinched, trembling fingers. âWhatâmâI..?â
âLeft your clothes by your bed,â Marge tells him, and when she puts gentle pressure on the small of his back he takes a stumbling step in the right direction, following along docile as anything in his confusion. âIâll bet your cigarettes are in your trousers. Iâll go get them for you, okay? You just sit right here and wait for me.â
ââŚyeah. Alright,â John mutters and collapses, puppet strings cut, back into the armchair by the window when they reach it.
His clothes are laid neatly over the chair in the corner of the guest room and Marge lays them just as carefully over her forearm. She steps into the main bedroom to fetch a pair of Galeâs shorts and a stretched out old a-frame that hangs too loose on him even now and takes the whole bundle down to John, once again staring hard at the rain through the window with an expression so blank thereâs not a hope of knowing what heâs thinking behind it.
âAlright, here we are,â Marge says as if nothing were the matter; itâs always the best thing to do for Gale in these moods. Acting normal brings him out of it faster than the few times sheâs tried cosseting, maybe John needs the same. âWhy donât you get changed into something warm and dry, hm?â
John snorts at that, mutters a mutinous, âRight, sure,â before he turns his head and goes still, frowning. âWhereâd you get those?â
âTold you, Bucky, just left âem by your bed is all. Come on, up you get. Youâll feel better when youâre dressed.â
He hauls himself to his feet and only stumbles a little when he gets there, easily steadied with a hand slapped on top of the radio console. He stops there though, makes no move to continue, so Marge just drops her armload on the radio case too and reaches out to tug his shorts down his legs where they pool at his ankles. His expression cracks enough for raised eyebrows; Marge ignores the look in favor of helping him wrestle out of the damp cling of his t-shirt, and once heâs naked she regrets not thinking to snag a towel to scrub him dry with but heâll probably just keep sweating anyway, so oh well. She coaxes him a step forward with a hand on his hip so she can kick his shorts far enough away he wonât trip on them, and then sheâs snagging the fresh pair and dropping to her knees to hold them out for him.
John blinks down at her, uncomprehending, and then all once the light snaps back into his eyes and his expression turns stormy.
âIâm not a fucking invalid, I can put my own damn clothes on,â he barks, sharp with anger or embarrassment or both. Marge stands again, hands him the offending garment, and turns to leave him to it without a word, acting for all the world like sheâs got better things to do than see him dressed and made comfortable. She steps out into the hall but stops again just out of sight around the corner, so sheâs more than close enough to hear when he raises his voice to call after her, âAnd if youâre gonna run around playing Nellie Nursemaid why donât you go do something useful and check on Hollis, huh?â He snaps something straight, probably his trousers, and finishes under his breath, âJesus fucking Christ you get one concussion-â
Marge presses her fingers flat against her lips, takes a deep breath in through her nose, holds it, releases it, and heads back to the kitchen to get some space. Where before the house was eerily silent, as John gets dressed he all of a sudden becomes conspicuously loud. He thumps around in the living room, the den. He mutters under his breath and he raps his knuckles on a window somewhere, a staccato rat-tatatat loud enough to make her jump even several rooms away.
Marge tells herself to breathe, to calm down. This is John, itâs just Bucky, heâs just having a rough day but heâs not going to hurt her. Sheâs got nothing to be afraid of, and he needs her, needs someone to keep him grounded in the present when it seems heâs so lost in his past he canât figure out where or when he is, whatâs going on.
âGet a grip, Marge,â she whispers to her waterlogged reflection in the window over the sink. âItâs just Bucky. Relax.â
She breathes slowly with conscious effort until she feels steadier, ready to try again and figure out what John needs. She turns resolutely and stops in her tracks in the next instant, her heart bounding along faster again in spite of her efforts. Johnâs looming in the doorway and he takes up nearly the whole thing with his broad shoulders. Marge steps back until the edge of the sink digs into the small of her back and she rests a hand on the cool enamel to steady herself.
John doesnât even seem to realize sheâs there; heâs staring blankly across the kitchen, at the window on the back wall that looks out over the yard. He sways a little in place, steadies himself with a jerk upright and a hand braced against the door frame.
âJohn?â she tries, without much hope for success. Sure enough, he barely twitches, so she tries again. âJohn, honey, did you need something?â
He turns his head like a broken marionette, jerky and stiff, muscles refusing to cooperate but he does eventually tear his gaze away from the back window to bore into her instead. He gestures with the half-crushed pack of cigarettes that lives perpetually in his pocket.Â
ââM gonna go see that doc the Britsâve got, seeâfâI can get some meds for Hollis with this.â
Hollis again â has to be one of his men, but heâs never mentioned him before so sheâs not sure what happened with him. Heâs sick, or he was when John knew him, on whatever day John thinks theyâre living now. He doesnât seem to think her presence is odd so heâs not completely stuck in the past, but heâs clearly confused, doing his best to piece together what he thinks he ought to do. Marge doesnât know what breaking his illusions will do to him like this, if itâll be better or worse, so she says, âOkay. That sounds good. Hopefully theyâve got some to spare.â
It still might not be the right choice to help him stay in his delusion for all she knows, but John nods, his whole body moving with it like usual, like heâs drunk even though Marge is sure he hasnât had the opportunity to get there yet today, nor would he still be drunk this morning as sheâs pretty sure he didnât drink last night. He lingers a few beats too long, staring out the sink window this time at the chain link fence just barely visible through the curtain of rain.
âKeep âem off my back, wouldja? Just a friendly visit, nothinâ suspicious, but you know how the guards get about the damn fence.â
âYeah,â Marge lies through her teeth, her heart skipping a little faster again as she begins to think, maybe, this is something more than what happens to Gale sometimes. That this is something she has no idea how to fix. âOf course, Major.â
John keeps staring at the fence through the window long enough Marge is just about to ask if heâs sure he doesnât want to just sit down for a minute instead, ask if heâs alright. Before she can open her mouth he whips around and stalks back down the hall, yanks the door open with a bang off the wall and leaves it hanging open after him. Marge jumps and hurries after him, stops half-hidden behind the door jamb to keep out of the rain starting to fall sideways on the wind while she watches John stop halfway between their houses â the fence line â for a conversation with empty air.
Heâs gesturing with one hand, pack of cigarettes tucked into the big palm heâs hiding behind his back, subtle as a kid trying to hide a stolen candy bar. She canât hear him at first but he gets rapidly louder until heâs shouting loud enough to make the muscles in his neck stand out, â-ellinâ ya I just gotta get back a book I loaned!! Just there, that combine right there-â he points at his own house standing silent vigil over whatever this is, â-in and out âfore you can even get to the office to ask!â
He stops talking then, looks down at his feet as he kicks one toe against the concrete and ruffles his empty hand through his hair, gives his limp, damp curls a good yank as he nods along like someoneâs talking to him.
âYeah alright fine, Jesus Christ,â he snaps, âthatâs fine, donât wanna eat this slop anyway. Keep your fuckinâ rations, Iâll be back in five minutes.â
When he starts walking again Marge slips out onto the porch to keep watch from just those few inches closer, certain that the jerking shudder of him is going to tumble down to the ground any second now. He doesnât, he lurches up the steps to his porch and bangs his way inside his own house just as noisily as heâd left hers.
Gale has never been like this before. Gale goes quiet, and he shakes, and when he comes back to himself heâs a little dazed and itâll take him a bit to get back into the swing of their life, but heâs never talked to empty air before. Heâs never talked to her like sheâs one of his men, heâs never been soâŚso furious, with no clear target to point at. This is new. She doesnât want to even think it, hates herself for it the second the thought occurs, but if this isnât the first time Johnâs been like this, it might go some way towards explaining why everybody in town is so afraid of him.Â
Marge thinks she might be, just a little tiny bit. Or maybe just scared for him, yes thatâs it, thatâs all it is. Sheâs afraid of what this means for him, unsure what brought this on but knowing it must be confusing, and terrifying. It sounds like so far as heâs concerned heâs back in a prison camp, with all this talk of combines and rations and trading cigarettes for medicine some poor kid desperately needs, and if his experience was anything at all like Galeâs she knows at least enough to be sure it was bad enough to fuel all his nightmares for years.
Marge ducks inside just long enough to take off her slippers and put on her shoes. She marches resolutely down the stairs and the sidewalk with every intention of following John home to keep trying to talk to him and get him out of thisâŚepisode, but she stops short at the boundary line, Johnâs orders ringing in her ears. Distract the guards, keep him safe. There are no guards, of course, Johnâs in no danger, but he doesnât know that. He thinks he needs someone he trusts at his back, and god damn her if Marge isnât going to be that for him. So she stands at the fence, and she wraps her arms around her middle as the rain soaks her through, wind chilling her bare skin, and she longs for a wool sweater to wrap around herself but doesnât dare go back inside for one, not without John on her heels.
Sheâs watching Johnâs dark house for any sign of life so hard she jumps about a foot in the air for a flurry of barking close enough to hurt her ears. She whips around to hunt for the source and spots Lloyd Turnerâs rottweiler bounding down the street, running loose yet again and splashing through puddles like itâs the greatest day of her life. The dog barks again, leaps to bite at the fat raindrops as the wind chases them in a new direction. Marge hasnât yet decided if sheâs going to try to do the right thing and catch the stupid mutt before it can run further from home or stay right where she is for Bucky, idiot dogs and their bids for freedom be damned, when the choice is taken from her in a flash too fast to stop.
John comes barreling out his front door so fast heâs a blur, and in the same moment Marge registers the pistol clutched in his fist Johnâs raising it to aim at the dog running straight for her and firing.
â//â
âCleven!â
Gale looks up from his work and shucks his gloves when itâs clear heâs needed elsewhere. The foreman jerks his head for Gale to follow him and he does, out the door and across the yard outside the factory doors to the little set of administrative offices.
âSir.â
âGot a call from your wife,â the foreman tells him; Gale doesnât care much about the man one way or the other but at least heâs not the type to beat around the bush, heâs got as little interest in making small talk as Gale does and itâs a point in his favor. âSaid she slipped and fell in a muddy patch by your fence, needs you to bring the car and take her to the doctor.â
Gale absorbs the information and nods along, doing his best to look properly concerned. Marge isnât in the habit of lying, but thereâs not a single muddy patch to be seen in their yard, she tends it far too well for that, and Johnâs grass on the other side is tall enough to cover his knees. Johnâs got no muddy patches either.
âHow much you got left to finish today?â
âThree âtil quota.â
âGood man. Iâll have the others take it on, you get changed and head on home to look after your missus. Be back tomorrow morning.â
âThank you, sir.â
Rain plasters his hair flat to his head and turns his shirt translucent despite how close heâd parked to the locker rooms this morning. He peels out too fast onto the main road and squints through the dim windblown curtains of it trying to shove his hair back into place and plucking chill, drenched linen away from his chest. In between bouts of soggy discomfort that make him want to crawl out of his skin, he tries to figure out what the hell is going on at home.Â
Marge is hardly the type to call him home from work for something frivolous, he doubts she would call him home even if she did twist an ankle in the garden, so that had to have been a story to tell the foreman, something he would buy only because he doesnât know Marge at all, doesnât know sheâs tough as old boots when it matters. Besides, if she really needs a car John is right there with his and heâs hardly going to go anywhere in this mess if he doesnât have to, especially considering heâd hardly even seemed present this morning-
It strikes him suddenly, quick as lighting. Itâs John. Itâs not Marge, itâs John.
Gale pushes another five miles an hour past the speed limit and makes it home in record time, miraculously without hydroplaning or getting pulled over.
âMarge!â he shouts the second heâs out of the car, whipped haphazardly into the driveway in the name of expedience. Sheâs on Johnâs porch pounding on his front door with both fists and as he gets near with long, loping strides he can see sheâs as drenched as he is and pale, too, save two spots of color high on her cheeks.
Sheâs hoarse, shouting for John in between beating her fists against the door, and Gale doesnât know if itâs tears or rain running down her face to drip off her chin, but it hardly matters.
âMarge, stop-â Gale grabs her wrists in both hands and she goes limp instantly, panting hard. âJesus, sweetheart, what the hell is going on?â
Marge is just about as steady as a rock, maybe more so. He doesnât know what his life would look like without her and he doesnât want to know, heâs not sure he wouldâve survived half the things he did if he werenât so determined to get back to her, if she wasnât steady enough for the both of them even across the ocean and an entire world in chaos.
All that means right now is that heâs got a wintery cold pit of dread low in his gut, because whatever John has done has set her to practically hyperventilating, her eyes so wide the whites are visible all around, her entire body wracked with tremors too irregular and intense to just be from the chill. He shakes her â gently â to try to get her to focus and it works at least enough that she clutches at the front of his shirt, knuckles white as she huddles closer with an exhale that warms his neck where she buries her face.
âI canât get to him,â she confesses. âI canât- heâs gone somewhere I donât- Gale heâs not here, I donât know what to do!â
âOkay,â Gale soothes almost mindlessly. He pets the back of her head, huddles her closer, looks up at the blank face Johnâs house gives the world and quick as a single thought he has a plan.
âLetâs get you back inside, okay? Iâve got him, Iâll get to him, just go inside.â Marge, thankfully, follows when he steps back to coax her down to the sidewalk and back home, though she does it sniffling and looking back over her shoulder every couple of steps.
âCome upstairs, letâs get dried off and changed into something warm,â he says next, step two. She goes, tromping sodden upstairs with Gale just behind her. The loose floorboard at the threshold of their bedroom creaks softly once, twice. Gale has to help Marge out of her dress, drenched and clinging coldly to every inch of her. He helps her with her slip and underthings too, has to clench his teeth against the feeling of too-cold skin against his. She passes him a towel from the bathroom without comment and just as silently goes to take a shower, her hair wrapped up on top of her head but the rest of her tucked neatly under water hot enough to fog up the mirror in a few short moments.
Gale strips, towels himself off briskly enough the friction brings some heat back to his extremities. He leaves the towel flung over the bedpost and his wet things in a pile with Margeâs, redresses in dry trousers and a wool vest over his fresh shirt, in spite of it being July. The wool will at least keep him somewhat dry for long enough to do what needs doing.
Once assured of Margeâs comfort and dressed more comfortably himself, Gale stalks back downstairs to retrace his steps to Johnâs front porch for step three.
He does at least pound on the door some, though he refuses to stoop so low as to holler for John to come let him in. He pounds the door hard enough to rattle the hinges, and when thereâs still no sign of John Gale sighs, steps down from the porch, tromps through wet grass up to his shins and across Johnâs back porch to shoulder his way in through the kitchen door. It takes a few tries but Galeâs solid enough these days to manage it with only a little ache left behind for a souvenir.Â
Johnâs back door isnât quite so lucky, the wood around the deadbolt splintered and shredded, a crack spidering through one of the little window panes. Gale shuts it again behind himself and finds it still latches and decides thatâs fine for now, heâll fix it some other day when there are less pressing matters to attend to.
Johnâs house is dead silent and as much like a mausoleum as ever. Gale stalks through it quietly enough to be drowned out by the pattering rain with a prickle of unease crawling up his spine and his hands held in loose fists, ready to snap up a defense at the first sign of trouble. Itâs too familiar, walking on eggshells through a too-quiet house knowing thereâs something â someone â dangerous waiting to be found, waiting to be given the smallest excuse to lash out. Thereâs another cold pit in his belly that has nothing to do with the chill rain that managed to slip under his collar, a twitching in his fists that hasnât bothered him since he was much scrawnier and less assured of his ability to hold his own. The first stair creaks under his shoe and Gale backs off it to press his back flat to the opposite wall so fast even heâs not quite sure how he got there.Â
Thereâs no sound but the rain and Galeâs racing heart. He breathes until the sound of his thundering pulse fades and he starts up the stairs again, skipping over that first creaking step straight to the second. The rest of the stairs are sturdy and donât complain under his weight; Gale takes them slowly just in case, shoulder pressed to the wall and fists still at the ready. When he reaches the landing everythingâs shut up tight but the bedroom, the last door open just a crack to spill wan grey light onto the landing and, when Gale pauses to listen, a faint, weak keening like an injured animal.
The door swings open silently at a gentle nudge of Galeâs knuckles. John doesnât look up, if he even knows heâs not alone anymore. Heâs sitting on the edge of his bed curled over, hands in his drenched hair, his face hidden behind white knuckles. In between wordless keening heâs muttering something, too low and fast to hear, and when Gale steps closer to try to catch it he finds itâs useless; itâs just gibberish, half-slurred words that donât belong together the way he strings them one after another like theyâre individual instead of a sentence, inflectionless and trembling.
Under the heavy wet scent of rain seeping into everything even with the window closed tight, thereâs an acrid tang and when Gale looks for the source he finds a little puddle of bile between Johnâs feet, mercifully clear of anything but a bit of foam. The held-ready shiver of a fight seeps back out of Galeâs taut muscles, his hands uncurl. He steps closer and John still keeps muttering, doesnât seem to realize he has an audience. Gale has seen his fair share of men sink away somewhere unreachable, gets there himself sometimes too, and though he knows it means John could just as likely lash out as not at a threat only he can see, Gale canât drum up any fear of him. Like this heâs soâŚsmall, a child in a manâs body curled around all the things heâs seen thatâve left him afraid of something as gentle and common as rain. Heâs tapping his fingers to the drumming beat of it in his hair, darting fearful glances at it out of the corner of his eye without raising his head. John doesnât need to tell him outright for Gale to know thatâs whatâs done it.Â
The blanket and his trousers rustle softly when Gale rounds the bed to crawl onto his knees behind John. When heâs close, he leans in but doesnât touch, not yet. âEasy now,â he says like Johnâs a spooked horse, and he may as well be. John rocks back and forth just once, leans forward like heâs going to be sick again and then sinks his weight back into the curve of his spine pressing a ridge thatâs all-too-defined through his shirt.
Gale leans in a little closer to hear what Johnâs muttering, hunting for a clue. It takes a few words before he realizes itâs names spilling from him, a list like a mantra.
âTheyâre okay,â Gale tries; the names are American, or at least not German, so he goes out on a limb and assumes theyâre Johnâs men, the ones he couldnât keep safe, the ones he canât ever bring himself to talk about sober. âI already talked to âem.â Along with the lie, he risks a touch. Johnâs back is cold and clammy under his hand and Gale has no way of knowing how much of it is rain and how much is fear sweat, but this close he can at least smell the second on John so it has to at least be part of it. He rubs his palm flat up every single one of Johnâs vertebrae and back down, up and back down. John shudders and his mumbling gets a little stronger, if not any more intelligible.
Gale leans in close enough heâs an inch away from resting his chin on Johnâs shoulder and just keeps rubbing his back, a slower and steadier rhythm than the frantic tapping of Johnâs fingers or the rain on the sash. He canât tell if itâs helping but at least itâs not hurting, and he thinks maybe he needs the contact just as much as John does. He still canât tell what Johnâs saying but the timbre of it changes, dead inflection suddenly rising and falling as Johnâs hands tighten in his hair so much Gale worries heâs going to yank it straight out.
âYa gotta weather it, Johnny. Just gotta get through it,â Gale tells him, low and warm in his ear. John shivers, loosens his fingers, stops his keening. In between more incomprehensible muttering heâs just breathing, sawing ragged things but Gale will take it. He leans over again, presses his back more firmly up into Galeâs palm, but before Gale can try to figure out a way to ask him whatâs wrong and why heâs suddenly gasping thereâs a bang downstairs almost immediately drowned out by furious barking and a manâs voice shouting close at hand.
Galeâs up and out of the bedroom like a shot, muscles once again locked and raring for a fight as he stumbles off the bottom step and finds himself face to face with the neighborhood rottweiler and Lloyd Turner just visible out the back door storming across Johnâs back yard like he owns the place.
âGet this fucking dog back to your own yard, Turner!â Gale shouts loud enough it hurts his throat, scrapes it raw. He aims a kick at the thing lunging for him teeth first and clips it on the chest but it doesnât seem to care or even notice, straining to get past him.
âGot a right to let her run if I fuckinâ want to, Cleven!â Lloyd shouts back at him from Johnâs kitchen door knocked open again. Gale kicks the dog hard enough to make it pause long enough for him to reach down and haul it up by the collar and hold it in place, if not actually still. âYâthink I want this energy in my yard all damn day?! Tell Egan to get himself under control before he worries about my fucking dog, give me that-â
âJust GET OUT!â Gale barks and shoves the dog towards her owner.
Gale thinks very seriously, if briefly, about landing a right hook square on Lloydâs nose as he leans in close enough to get his own hand around his dogâs collar, but heâs got John upstairs to worry about and Marge next door who has to be worried sick. He lets the dog go and contents himself with shoving Lloyd and his wriggling barking gnashing dog back down the hall, across the kitchen, and out the door. He slams the door shut behind them and throws the deadbolt again, for all thatâll do before he can fix the jamb, and stands there just long enough to make sure Turner is actually hauling the dog back across Johnâs yard and the yard adjoining it to head back to his own place before he hurries back up to check on John.
Heâs got a hand hanging between his knees cupped like heâs thinking about holding something, index finger twitching like pulling a trigger. Gale gets behind him again, tells him the first thing that comes to mind, the first thing he thinks might help. âWasnât after any of yours, sâokay. Didnât hurt anybody.âÂ
John bends further down between his knees, hands locked against the back of his neck tight enough his fingertips are white between his equally pale knuckles. Gale slides his hand up to the middle of his back and holds him in the stretch and ignores the ache in his own chest as he waits for John to relax.
He does, slowly and in stuttering stages like stumbling drunk up the stairs to bed. His breathing slows and deepens, eventually stops hitching. His tapping fingers still, knuckles turning pink again with a flush of blood as he releases his death grip on himself. The rain outside is slowing and John is slowing with it; when it gentles to silent rivulets down the glass rather than frantic pounding, Gale reaches around Johnâs slumped shoulders to press a palm to his forehead. Heâs cold and by now Galeâs sure the damp under his hand is sweat. He shushes John gently and coaxes him into sitting up again and exhales slowly along with John when heâs able, finally, to tuck himself entirely up against Johnâs broad, clammy back.
âTake your time,â Gale murmurs in his ear around a roll of thunder rumbling somewhere off in the distance. âIâve got ya, Bucky.â
It takes a few more long moments but finally, blessedly, John manages to rasp, âBuck?â It sounds like it hurts, he sounds confused, but Gale just keeps holding onto him, hand on his forehead and arm curling slowly around his waist and his mouth still pressed close to his ear.
âHey sweetheart. You back with me?â
âJesus-â is all the warning gets before Johnâs lurching forward again to vomit. Gale holds his head steady and waits it out, listens to him choke and gasp and cough and sob in between each. Itâs horrible. Gale is grateful heâs here for it.
When itâs over, John is clearly exhausted. Gale takes his lax weight on his chest and holds him steady. He can wait. He presses his face to Johnâs hair and doesnât care one bit about the fearful sourness of him, just holds him, holds him, breathes and waits.
Finally after some length of time, John comes back to himself with the faintest stirring and a hitch of an inhale. Gale rubs his chest, slow motion circles to keep him warm, and he tilts his head to let John get at his neck when he turns his head to breathe him in deep.
âYou wanna get cleaned up?â Gale asks before he can think twice about it. John does, so Gale goes with him. He thinks, maybe strangely but he canât help it, of John showering alone after Kate Walllace had her way with him, of him taking care of himself as much as he can be bothered to every single day with no one to help him, no one to hold him close and tell him heâs alright, not even after an episode.
With that thought, Gale climbs right into the too-small tub with him and leaves no room for argument that this time, at least, heâll have anotherâs hands on him, that he wonât have to even hold his own head up, he can just lie there limp and let Gale tend to him.
John lets him without a fight. Galeâs gentle and slow, wary of startling him or dragging him out of the half-stupor heâs sinking back into. He could be perfunctory, he knows. He is when he bathes himself, doesnât see much point to lingering over it when his body has been a stranger to him for so long. But Johnâs body he knows, and like this he has a reason to touch every inch of it so he does, rag and soap a flimsy enough barrier he can still get a sense for every bump and ridge of his bones, the stretch and bunch of his muscles, every bit of skin and hair and living inch of him. John submits to it all with the loose joints of a marionette and Gale takes full advantage, leaves no inch of him unloved.
He empties the tub most of the way, refills it, not ready yet to leave. John still has nothing to say so they lay there in the dripping quiet, flushed with heat and so tangled in each other with body-warm water filling all their gaps that Gale doesnât know where their borders end â he doesnât want to know. He wants John inside him, wants to be in him, in ways that have nothing at all to do with sex. This is as close as they can get so Gale will sit in it until the cold thing in the pit of his stomach is finally chased away and John can do more than lay limply in the cage of all four of Galeâs limbs.
Only it has to end eventually, of course. The water cools again and instead of refilling the tub this time Gale hauls John out of it, dries him, dresses him, takes him downstairs and fixes him a drink. He fixes the radio John out his fist through weeks ago. John watches him through red-rimmed eyes over the edge of his whiskey glass, tired but awake and aware, which is more than heâs been probably all day, considering how out of it heâd already been when Gale left for work this morning. Gale talks to him about the stalag and the boys heâd been in with while he works, not to throw him back into whatever heâd been stuck in all day but to remind him Gale was there too, knows at least something of the place John still canât escape. Theyâre out of it now, together, and he wants John to remember that as he drowns his demons in his own living room, his tired bones half-swallowed by his couch and a thick sweater far too large on his wasted frame.
âI want you with me and Marge tonight, John. That gonna be okay?â Gale checks when heâs finished with the radio and his story both, standing there in Johnâs bare living room with the man himself staring up at him uncomprehending until the meaning finally dawns with an extra bit of shine to his eyes.
âYeah, okay.â
Gale nods, matter settled to his satisfaction.
âBuck.â
âUh-huh?â Gale prompts but John just shakes his head. Heâd said his name (or at least the one John insists on using) like a sentence, all there was to it. Gale waits him out; with John thereâs more, always more, he sometimes just needs to find his way around to it and decide itâs worth it to open his mouth and say what he wants. John leans forward over his knees again but not to get sick, just to curl up like he has to get small around whatever it is heâs trying to put words to.
âWant ya to tie my shoes,â he tells his knees, accent thicker with tears heâs not shedding. Gale goes to fetch them without a word, and realizes only on his return that he moved too quietly and Johnâs still hunched over waiting for an answer, shoulders up around his ears.
Gale gets on his knees and says, âSorry sweetheart. Iâm here.â John collapses blindly onto him, so trusting.
Gale ties his shoes. Of course he does.
The process of getting John up and shuffling next door is both too familiar and strange at the same time. Itâs hardly the first time in his life Gale has helped a drunk, staggering man through the front door, but doing so in the middle of the afternoon is novel. Gale registers the smell of whiskey on him only vaguely and without any of the nauseous hatred the same smell on his father used to leave roiling in his belly.Â
Gale crowds John into the house with his hands on him and a sort-of kiss pressed to the back of his neck, so unlike every time he hauled his father bodily up the sagging porch steps, dodging his flailing fist and rubbing at bruises around the back of his neck when he was finally able to duck out from under the crush of his arm looped tight enough to choke.
âGale?â
âItâs us, Margie.â
Marge hurries out of the kitchen to meet them as soon as he calls, and so unlike Loretta Clevenâs stern, flat-mouthed resignation every time Leslie staggered home, all there is to see on Margeâs much softer face is open concern, perhaps tinged with relief.
âOh, John,â she exhales and Gale delivers John easily into her hands with no fear that heâll turn senseless anger on her, which is perhaps the strangest change of all from when this scene played out ad nauseum in his boyhood. He was always too small to protect his mother when it was needed, and by the time he was finally strong enough his father had long since abandoned them to their dusty little cabin, and Gale was nothing more than a mouth Loretta wished she didnât have to feed rather than someone who could be of any use to her at all.
âJesus, yâ scared the shit out of me,â Marge adds but as much as she clearly means it, still all she does is pull him down even closer to press her forehead to his with a feathery sigh. Gale still has no idea what happened to upset them both so much but thereâll be time for that some other day. Thereâs clearly some comfort to be found for both of them in being close to each other so whatever happened must have been external and, therefore, not Galeâs problem at the moment.
John tells her heâs sorry, crackling and hardly audible but theyâre all huddled up close enough in the entry to hear him. Marge, when she pulls back, looks oddly guilty even before Gale adds, âRough day,â which even he can acknowledge is clearly an understatement. Marge hardly glances at him though, just fusses over John for another long moment, back of her palm kissing his clammy forehead, before she turns to go get him a glass of water and leaves Gale to the task of coaxing John upstairs and into their bed.
The moment Gale nudges him past the guest room John balks, of course he balks, but Gale just tells him again, âEasy. Youâre okay,â and tries to fill it to the brim with enough quiet surety to make John believe it. Itâs unclear how successful he is when John marches to the main bedroom like heâs suddenly got two wooden legs, but the important bit is that he lets Gale do it at all, and the second important bit is that he takes a deep breath and relaxes just a little as soon as they cross the threshold.
The springs creak a little when John lands heavy on the edge of the bed and Gale once again wrestles with the strange double-layering of past and present, unpleasant and even a little dizzying, but he presses on as the rain resumes outside, tapping softly at the window sash.
When Gale was a boy helping Loretta tumble his father into bed, the best they could typically manage together was to rid him of his dusty boots, soles worn so thin his socks beneath were wearing down in the same pattern â a bare patch and a peek of tough callus on the balls on his feet, a little towards the insides. He was always scuffing and stomping and dragging, large presence made even larger by the unselfconscious noise of his arrival in any room. But being drunk suddenly made small again, curled up in patched up clothes and snoring off the last burst of the eveningâs temper that carried him over the threshold and hardly any further.
Now, Galeâs a grown man, and he can do more. Wants to do more. He kneels down to untie Johnâs shoes and slip them back off him and, for reasons he canât fathom how to articulate, he finds himself touching so much more than necessary. Itâs novel, in a way â clean, undarned socks; Johnâs ankles surprisingly slender under the hems of his trousers when Gale wraps his hands around them and gives them a little squeeze. That, more than anything, seems to snag Johnâs wandering attention and he responds in kind, squeezing Galeâs shoulders between his knees.
Gale leans in, thoughtless, to press his mouth to the tender, bony curve of Johnâs knee hardly softened by his trousers.
John stirs again to look down at him and Gale, kneeling, looks up at him through his lashes and thinks how strange it is, to take thorough ownership of Johnâs body as he has in such servile ways â washing him, dressing him, on his knees on the floor for him â but John still has a sense of quiet devastation to him, no power to lord over Gale like this. All the tender feelings Gale never once felt for his father stumbling around confused and drunk seem to be rising all at once for John, and Gale finds heâs not entirely sure what to do with them as they land heavy like a shoulder rammed to his sternum, threatening to knock him flat on his back with their intensity.
âYou still with me, Bucky?â Gale asks with another squeeze to bone and sinew and warm skin a little rough with wiry hair.
âAlways.â Gale has to breathe around the new thing in his chest for how easily he answers, even now. He feels his mouth stretch faintly into a smile, watches John stare too hard at his mouth for it. âBuck?âÂ
âUh-huh?â
Gale drags Johnâs socks off slowly, one at a time, savoring it in a way he never has before and doesnât entirely understand why he wants to now, either. He waits for an answer but all John does is stare at him with a morose, wanting sort of twist to his mouth. Johnâs still only staring, silent and agonized for some reason, when Marge arrives, bringing with her a faint ghost of lavender and ozone.
As if immune to the tension of whatever it is John canât bring himself to say, she sighs to the room at large, âOkay, here we go,â and then, to him, she says, âGale, honey, Lloyd from up the street is lookinâ for you. Wonât tell me what for, just that he needs to talk to you.â
It seems obvious enough he shouldnât have to say it at all, but, âNowâs not a good time.â
He punctuates it with a pointed glance from her to John and the way heâs suddenly staring hard at the opposite wall decorated with their wedding photos, smiling and dropping it again in eerie turns, and Marge just nods and rolls her eyes, long-suffering. She knows, of course she knows.
âI know, I told him that.â She nudges the glass of water in her hand against Johnâs limp fingers until he rouses himself enough to take it. âSaid heâs not goinâ anywhere âtil he sees you, though.â
The next smile John tries is more a baring of teeth, eyes glassy, and Gale ignores the shiver it puts down his back. He canât figure out what the hell Johnâs doing but it doesnât matter, apparently heâs got a different battle to fight and he just has to leave this one to Marge.
âAlright. Stay here with Bucky, will ya? Iâll go see what he wants.â
John comes to life when Gale creaks to his feet, desperate but weak hands reaching for his trousers like a child afraid to be left alone. Gale steels himself against it and leaves anyway, a muscle jumping in his jaw from tamping down his frustration far enough it hopefully wonât show on his face too badly by the time he reaches the door. He should be tending to John and Marge, not soothing Lloyd fucking Turnerâs temper and bruised ego, but here he is.
âHave some water, baby,â Marge murmurs softly just before Gale steps out of range and that at least is reassuring; Johnâs in good hands, maybe even better ones than Galeâs right now. He reaches the front door and wrenches it wide open.
âThe hell do you want, Turner?â So much for hiding his frustration, but itâs clear just looking at him and his twisted up sneer that Lloydâs spoiling for a fight anyway, so what does it really matter?
âYou hiding that no good sonofabitch in there behind your wifeâs skirts, Cleven?â
âHey!â Gale barks, well and truly at the end of his tether, apparently. âYou watch your goddamn mouth - about both of them-â
âI got a right to call any of you what I damn well please! Your little woman even tell you what that cockeyed souse did this afternoon-?â
âYâgot five seconds to get off my property, Turner-â
âYour property?! Who gives a damn about your property when itâs mine thatâs been damaged! Shot at my damn dog, he did, the poor bitchâs been cowering under the porch all day since-â
âBuckyâs done the whole block a damn good favor then!â Gale bites, savage with both teeth and fists clenched hard to keep himself from swinging but he canât quite keep his voice from rising instead. âGo on home Turner, and from now on I donât give a damn what you do on your own property but you keep that mutt on it! Fences, a chain, a goddamn leash, just keep the thing inside, doesnât matter â I see that dog come down this far again, Iâm takinâ it straight to the pound!â
Lloyd gapes at him like a fish drowning in air, eyes bulging and mouth working around nothing at all. Gale doesnât know the finer details of course but heâll get them from Marge as soon as Johnâs out for the night, but it hardly matters anyway. That dog drives John up the wall, heâs always muttering about Germans and bullets and infected bite wounds when the muttâs on the loose, even on the days he doesnât get too bad, and Gale knows for a fact everybodyâs good and well sick of Lloyd letting the thing run wild. He wouldnât take it to the pound, probably, but then heâd never expected John to actually take a shot at the dog (if he really did like Lloydâs claiming), so who fucking knows. They both have an end to their respective ropes, and if Galeâs is feeling frayed he knows Johnâs has already snapped. Lloydâs just too stupid to get out of the way of the fallout.
âYouâre just as bad as he is, ainât you?â Lloyd finally huffs. âMy Bonnie, she says you and your little woman are good people, and I told her from the start sheâs too weak in the head to be making that kind of decision and now I see Iâm right! Like two peas in a damn pod you and that asshole of a swigger-
âGet the fuck outta my house. Just control your damn dog, Lloyd. Go on.â
Gale doesnât know what exactly convinces Lloyd to listen â the look in his eyes, the cold fury heâs sure is radiating off him, finally realizing that heâs not going to get what he wants out of this, whatever â but he goes, and Gale slams the door shut behind him for good measure hard enough he hears the dishes in the kitchen cupboards clatter with it.
The blank expanse of the front door is surprisingly soothing. Itâs a good, sturdy door, with a hefty lock on it he can thunk into place and a chain they rarely use but that rattles now as Gale slots it home, too. He locks the kitchen door they never usually bother with, locks every window and draws every curtain until the house feels like the inside of a coffin.
He closes them in every way he can, does what he can to shield them from everything beyond these four walls, and when he can breathe without it shaking in his chest he goes upstairs one slow, plodding step at a time. The only people in the entire world he wants to see are up there waiting for him, and heâs calm enough now to join them without scaring anybody (he thinks, he hopes).
Johnâs lying back on the bed, hands behind his head and eyes shut looking for all the world like heâs about to fall asleep if he hasnât already, but Gale only gets a glimpse of him before Marge is standing and ordering him back out into the hallway with a look and a jerk of her chin. Gale goes, of course, and watches, curious, Marge fidgeting in front of him in the strange shadows cast at this end of the hallway by the wan overhead light back behind him at the landing.
âMargie?â
âI think this might be partly my fault.â
Guilt, and something else that sets her teeth on edge and her gaze darting everywhere but somewhere she might catch his. He doesnât understand.
âHowâs that?â
Marge purses her lips. Sheâs white knuckling the near-empty glass of water in one hand, absently petting the bodice of her dress with the other like itâs a cat in her lap, a nervous habit he hasnât seen from her in a long time â years, before everything went to shit. A teenage habit he hadnât even noticed sheâd stopped until this very moment. It puts his teeth on edge, too.
ââŚMarge?â
In a guilty rush, Marge lifts her chin to meet his eyes and says too quick, âI just think maybe Iâm too hard on him to eat.â
Gale can only blink for a long moment; that hardly seems relevant, and certainly not any cause for what heâs identified now as shame in her restless gaze, but if thatâs what she wants to address then he can play along.
Marge continues, though, before he can reply. âMaybe I shouldnât be pushing him so much, I know itâs not easy. Wasnât for you, anyway, and it canât be for him either.â
âHm. Maybe go a little easy on him if you feel like that, but I donât think thatâs it, sweetheart.â Gale pulls a smile across his uncooperating mouth, sure that she wonât buy it but sheâs hardly looking at him again anyway so itâs not like it matters much. Sheâs still tense and after a moment she takes a sip of the water in her hand, swallows it with that same nervous twist to her mouth. Gale tries again to soothe her, âThink this is the kinda thing that we canât really point any fingers about. Think the only people to really blame for it are long gone or too far away to ever undo what they did, if it even could be undone at all.âÂ
Privately, Gale hopes that whoever is responsible for scrambling John up so bad died as painfully, as miserably, and as shamefully as so many of their prisoners and victims did. The likelihood isnât great, but deep down in the most tattered, ugliest parts of himself he tries not to show Marge he hopes that itâs true. John, he knows, would feel the same.
âWhat should we do?â
âJust gotta help him weather it, thatâs all.â
Marge nods; thereâs truly nothing else for it, and they both know it. Some things just have to be borne with as much dignity as one can muster.Â
Gale steps aside to let Marge down the stairs, and when he gets back to Johnâs side, finally, he finds him curled up on the bed entirely and seemingly asleep, face buried deep in the pillows and his back rising and falling easily, rhythmically. Gale crawls in beside him, lays down close to feel him warm and breathing steady, reassuring.
Heâll ask tomorrow, what happened. Marge will wake up with him when he gets up for work, heâll ask her then, over coffee and with early morning misty light softening everything until itâs easier to hear. Heâll ask if John really shot the Turnersâ dog, if he hurt anybody, if theyâll have to close ranks around him even more and keep the others from tearing him apart. Heâll ask himself if, should all of that be true, any of this is truly worth it.
He falls asleep entirely on accident before Marge rejoins them, but when he wakes to the first faint grey glow of dawn sheâs curled up against him too, sleeping soundly with a hand stretched across him to hold Johnâs fingers loosely between her own, and Gale knows without even asking that whatever happens it is going to be worth it; theyâll figure it out, somehow, and theyâll weather this together. Itâll be fine, because it has to be.
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Gale is out shoveling the front walk, most likely trying to burn off the last of his unsettled energy from a fit he had last night that he seems to think she somehow slept through. The irregular scrape of the shovel and soft thuds of the snow heâs shifting are filtering in where Marge has cracked open the sitting room window when she hears footsteps crunching closer, and Gale stops shoveling mid-scrape.
âBucky.â
Marge abandons her pitiful attempts to coax a fire to life with wood that got soaked during last nightâs storm to hurry to the window, hands resting carefully on the sash to keep it from sliding shut.
âHey, Buck.â This is the John Egan she knows â tired and raw and miserable but trying hard to hide it behind a tight smile that looks more pained than anything â and it leaves an aching pit behind her ribs to think of the gulf of difference between Christmas and now. âI miss anything around here?â
âBeen pretty quiet.â Galeâs shoulders are tense under his coat; his back is turned but she can hear the careful distance in his voice, walls going up, and she bites back a thoroughly unladylike curse when it makes John take a step back. âYou alright?â
The smile John drags a little wider puts all the right creases in his unshaven cheeks but does nothing about the dark circles under his eyes, or the way the lightâs gone out of them either. âAlways good, Buck. Doinâ just fine.â
Marge tells herself that the catch in her chest and the sting in her eyes are just the work of the thin pale smoke drifting up from the wood she canât light.
âIâd better get on home,â John says when Gale says nothing else. âI gotta, uh..â he trails off, glances around at the swathes of icy white drifted up around them. The silence seems louder like this, sitting heavy around whatever excuse he canât bring himself to give. âBye, Buck.â He turns to go, heel scraping on shoveled pavement. âOh-â he tosses back over a hunched shoulder, â-happy new year, and to your missus, too. Itâs gonna be a lucky one, I can feel it.â
Galeâs shoulders twitch, spine stiffening even straighter. John doesnât look back again, and Gale just turns slowly on his heel to watch him trudge next door, watches him tromp through a week and a halfâs worth of snow drift to his front door, stays standing there still and silent even after Johnâs door snaps shut again, loud in the snowed-in hush.
Marge watches him until the cold air whistling past her fingertips has turned them numb, and he still hasnât moved. She raises the sash high enough to be able to duck down and stick her head out the window, pretends like she doesnât see him startle before he turns with a scrape of his boots to face her, eyes wide and hunted. âHoney, I canât get this fire to light no matter what I try. You mind cominâ in for a minute and giving it a shot for me?â
âWood get wet, then?â he asks, and Marge pretends that she canât hear the hollow chill in his voice from whatever it is he thinks he canât let anyone else see. She nods instead, and steals back inside with a shiver when Gale just nods back and sets his shovel aside to tromp up the walk.
âDoinâ okay out there?â she asks once heâs kicked the snow off his boots, hovering a little too close to him kneeling at the fireplace and fiddling with the ratty nest of half-charred tinder looking more than a little sad under the damp logs.
âUh-huh.â Gale holds a match to it until it kisses his fingertips, and he doesnât flinch as he drops the end into a piece of balled up newspaper. âJohnâs back.â
âThatâs good. How is he?â
Gale shrugs, coat rustling. âSaid heâs fine.â
Marge bites the side of her tongue hard enough she winces and feels it swell almost instantly just to keep from snipping at him. Heâs not fine, and Gale must know that. He must.
âHe say where heâs been?â
âNo. Didnât ask.â
âMaybe he went to see some family,â Marge posits. It seems thoroughly unlikely and she waits for Gale to push her on it, but instead he just shrugs, lights another match, mutters a distracted, âSure. Maybe.â
She sighs and sits on the arm of the armchair, crosses one leg over the other and props her chin in her hand, her elbow digging into the soft meat just above her knee. âOr maybe not family, maybe he went to see some of the fellas he flew with. âMember I told you heâd called one of them up last time I saw him?â
âUh-huh. Could be.â
âIs that something youâd ever want to do?â
âWell,â Gale hums. The match burns down to his fingers, and he lights another. This fireâs not getting lit, they both know it, but Gale sticks the fresh match into the ashes of the tinder and for a handful of moments they can lie to themselves and think that this time itâll flare to life.
âWell?â
âWhat?â
âA visit, honey. To anyone from your squadron?â
âOh,â Gale breathes, and his coat rustles with a shrug. âNot really in a position for a visit with any of them, sweetheart. And not during the holidays.â He twists to look at her over a shoulder, and thereâs some look in his eyes she doesnât know how to read. âGuess this seasonâs been quiet, huh? You want to go somewhere for a visit?â
âNo,â she hurries to reassure, âoh no, Gale, I justâŚwell, I suppose it doesnât matter much. John just seemed so happy that day before Christmas I saw him talking to his friend, thatâs all.â
âHm.â
Gale turns back to their useless wood and strikes another match.
âWhy donât we see if Johnâs got some firewood to spare? Just enough to get some of ours dry enough to light.â
âOkay.â
The match burns down, kisses Galeâs fingertips. He drops the spent stub with its fellows in the ash. He kneels in front of the cold hearth, and when Marge stands he doesnât even stir.
âIâll be right back,â she tells him, and at least he nods. Their front walk only gives her a little trouble, and Galeâs cleared their part of the sidewalk entirely, but the snow up to Johnâs porch is so deep itâs nearly level with it, the bottom two steps entirely buried. Marge sinks into it up to her calves and shivers under the coat sheâd thrown on over her warmest winter clothes for the short trek, but sheâs far too determined to turn back.
The drifts piled high on all sides seem to swallow the quiet rap of her knuckles on Johnâs front door, but just as sheâs raising her fist to try again she hears a faint shuffling and Johnâs exhaustion somehow still comes through even muffled by the door when he says, âIâm cominâ, hold on,â hardly louder than his usual volume.
âHey, Bucky,â Marge offers when the door creaks open, and the smile she tries falls back off her face within a moment. âYou feeling alright?â
âOh sure,â he smiles, stiff and without teeth. âJust a little hungover, guess I rang the new year in a little too hard. Everything alright with you?â
âOh yes, Iâm fine,â she hurries to reassure, smiling softly mostly because she canât help it when she thinks about the quiet she and Gale have enjoyed together. Heâs slept peacefully almost every night between Christmas and now (save for last night, of course), even with the cold driving him closer and closer to the hearth, further and further into his head. Not to mention that heâs been extra sweet on her while theyâve been holed up together in their home, a little bubble of the peace theyâve been chasing so long.
âThatâs good,â John nods, whole body moving with it like usual. His gaze slips aside a moment later, unfocused and glassy over her shoulder for a long moment before he blinks and focuses on her again with obvious effort. âSomethinâ I can do for you?â
âOh-â Marge starts a little, embarrassed to have already nearly forgotten her reason for coming over, âyes, well, Iâm sorry to bother you when youâre only just now home from your trip-â John twitches at the term but doesnât correct her, â-but our extra firewood got wet somehow even under a couple of wax tarps. Do you have any to spare?â
John doesnât even let her finish, doesnât wait for her to explain that theyâll pay him back in kind once they get some of their own stash dried out again. Instead, he opens the door wider so quickly he stumbles a little with it and gestures for her to come in. âJesus yeah, you must be freezing with no fire on, huh? And standing in the snow and all, Christ. Come in, quick. Sorry Marge, donât know where my headâs at-â
Marge steps over the threshold with every intention of keeping her attention fixed politely on the entryway and no further, sheâs not here to snoop. She glances around anyway, canât help it, and abruptly realizes it doesnât even matter â Johnâs house is entirely bare, thereâs nothing to see (or not) anyway.
âIâve got some nice dry stuff in the workshop, Iâll go get it,â he tells her, sitting on the bottom stair off to the side to yank his boots back on, âjust give me two minutes and Iâll have you and your mister all sorted, alright? Sit tight for me, Iâll get it. I got it.â
Heâs rambling, mumbling a little, and when he stands he braces himself with a hand planted firmly on the wall before he pushes himself off it to tramp through the house to his kitchen at the back. Marge trails after him much more slowly; she pokes her head into the sitting room to find the most utilitarian bare minimum filling the space - a couch, a coffee table, a radio on a side table just big enough for it; she runs her fingertips along the bare stretch of his hallway, and when she steps into the kitchen all there is of note is a crushed up pack of cigarettes and a few empty or mostly empty bottles of beer cluttering the Formica tabletop. She resists the urge to check his fridge for any food, doesnât let herself check his cupboards either. Heâs a grown man, a veteran and all. He doesnât need her poking her nose into his business like that, likely wouldnât welcome it and she wouldnât even be able to blame him.
Heâd returned the plate from the Thanksgiving leftovers late the next morning, the china scrubbed clean enough to gleam and his cheeks a little pink as heâd thanked Marge for sending Gale over with it. He hadnât been home for Christmas or New Yearâs Eve so Marge hadnât fixed him a plate for either dinner, but now, strangely, she wishes she had and at least stuck them in the icebox, just in case.
âOkay, here we go,â John grunts, shouldering his way back into the kitchen with his arms full to spilling over with a generous stack of neatly cut logs. Marge hurries to help him with the back door, the cold billowing in around his wide shoulders before she lets the door fall shut again behind him. He readjusts his hold to one hand and uses the other to sweep the bottles aside with a clatter, and when he drops the bundle of wood on the tabletop Marge has to dart forward to stop one bottle from teetering right off the edge of it and shattering on the floor. âHold on, Iâll get you some more,â he grunts, already on his way back out.
Marge steps in his path just enough to make him pause and raise his eyes from the floor to meet hers, questioning. âItâs alright Bucky, we just need enough to get the fire going so we can dry out our own. Gotta keep enough for yourself, donât you?â
For a long moment, John doesnât look like he understands. And maybe he doesnât â his house is freezing, as to be expected with nobody in it for over a week in the dead of winter, but sheâd noticed during her quick peek in at the sitting room that his fireplace is scrubbed perfectly clean too, like heâs only just moved in. He doesnât use it, and Marge wonders as he mutters, âDonât worry about it, hang on,â and ducks carefully around her to go outside again why she can hardly pull Gale more than a few inches away from their hearth these days while John seems to have entirely forgotten his own exists.
He comes back inside sniffling and stomping his boots on the linoleum, arms full of another round of perfectly split logs, and nods at the first pile on the table. âThink you can manage that, or you want me to make two trips with it?â
âOh Iâm sure I can-â
âMarge?â Gale barks it sharply enough that Marge jumps, but when she hurries to the open kitchen door she sees him standing in the snow on Johnâs porch with a wild, panicked look in his eye, rather than anger.
âThere we go, problem solved. Come in here Gale, Buckyâs got some firewood for us â two armfuls.â
The panic fades the second he locks eyes with her, replaced by tired relief. He steps inside without knocking his boots clean and though Marge winces neither he nor John seems to notice much, or care.
âSorry about the steps, Iâll get to âem in a bit,â John says as he carefully loads up Margeâs outstretched arms one log at a time with the second pile heâd brought in, a gentle stacking from his own arms into hers so as not to overburden her or knock anything off balance. âYou need a hand getting back to the sidewalk?â
âMight be good,â Marge nods. Gale drags the first round of logs off the table with a horrible scraping and Marge winces again, bites the other side of her tongue to keep from spouting off a reminder to be careful with Johnâs things, even as few and cheaply made as they are.
âAlright, letâs get you back over there so you can warm up,â John tuts once her arms are full and she could swear she can feel the ghost of his hand at her back, no pressure but the promise of it, held carefully at bay. They step outside again and Bucky goes first, kicking and shoving at the snow on his steps like he might be able to clear a path for her with no proper shovel, and heâs big enough that it even works, a little. She steps carefully where he did with his hand at her elbow to steady her, and he keeps it there gently guiding until she crosses abruptly to the bare concrete Gale has already scraped clean.
âThank you,â she turns to tell him, her chest aching at the sight of him standing there up to his shins in snow, shoulders hunched in his coat. âYou want to come by later, maybe, for dinner? Itâs New Years, and all.â
Johnâs eyes flick to their house over her shoulder and naked longing breaks through the hangdog misery clouding his eyes.
âIâll take a rain check on that if itâs alright, Mrs Cleven. I should, uhâŚâ he trails off, eyes flicking in every direction like it might help him find some excuse she couldnât instantly poke holes in, but in the end he doesnât even bother trying anything. âCome back if you need more wood, Iâve got plenty to spare,â he says by way of parting, and then heâs gone again, shoving his way through powdery drifts and stomping his boots on the porch and slipping inside, away, back into hiding.
Galeâs got the fire going pretty good already when she gets back inside. Marge stands a little closer to it than she normally would as Gale, kneeling at the hearth, takes the wood from her arms one log at a time, same way John put them there, to set them gently in their empty storage rack tucked away beside the hearth. Their own soaked logs are steaming already in the heat where Gale has laid them lengthwise along the hearth as close as he can get them without risking them catching as well as they dry. When Margeâs arms are empty again Gale gets to his feet with a hand on the mantle, knees creaking.
âIâm gonna go finish shoveling,â he tells her, eyes fixed on the flames, the steam.
âAlright. Thanks for gettinâ the fire lit, Iâll keep it going so itâll be nice and cozy in here when youâre done outside.â
âAlright.â
It takes a few more long moments before Gale seems to gather himself together and heads back out, and as the steady scrape-thump-scrape starts back up again Marge tidies up the sitting room, mostly to have something to do. When sheâs finished, she throws another log on the fire and goes to straighten Galeâs books in the den next, though naturally he keeps them more than neat enough already. Itâs early yet but dusk is already falling when she steps into the kitchen next to get started on supper, and as she whips up an easy something mostly made of last nightâs leftovers she keeps half an eye on the view of Johnâs kitchen across the way. Itâs not snooping; heâs got the lights on and the curtains open, doesnât seem much to know or care if she can see the lonesome tableau he makes sitting at his empty kitchen table in profile, his face turned towards his hallway and the front door beyond it.
Gale tromps back inside and heads upstairs when dinnerâs almost done and the daylightâs almost gone. Marge is stuck at the stove stirring a pan of gravy to make sure it doesnât burn so she canât check on him, but she hears the shower squeak on and the pipes groan with it. Sheâs still standing there a few scant minutes later, gravy finally thickening, when the water shuts off again, as quick a shower as Gale always takes. Some habits are hard to break, she supposes, and though sheâd like it if he spoiled himself a bit with some extra time under the hot water, there are more important discussions about his military and prison habits to have first before she bothers to broach something so minor as that one.
She sighs and clicks the burner off, steps to the side to check on the scrawny winter vegetables steaming on the next burner over.Â
âSmells good, sweetheart,â Gale murmurs from right behind her, prefaced and punctuated by soft kisses to the curve of her neck, where he buries the praise as well.
âThink I mightâve made too much,â she says as nonchalantly as she can, a little half-lie. âReckon I might take a plate next door, if thatâs alright with you?â
âSure,â Gale shrugs; heâs already leaving again, hand trailing along her waist, the small of her back. âGonna sit by the fire for a bit, just âtil supperâs ready.â
Marge finishes up, and as far as she can tell neither John nor Gale moves much at all while she does. Johnâs working his way through a pack of smokes and a bottle of something amber, occasionally thumbing at his nose and curling his shoulders a little more, his coat still wrapped around him. Gale, sheâs sure, is sitting in the armchair, feet nearly in the fire heâll be staring unseeing into the depths of unless and until she comes in to pull his attention away.Â
She makes the first plate for John, and when she steps out to carry it next door thereâs not a speck of snow to be seen on the stairs up to his porch.
âYâdidnt have to, Mrs Cleven,â John says when he opens the door. He says it in the very careful way of a man trying not to let on heâs been drinking all afternoon, and Marge will do him the courtesy of acting like she canât tell, like she doesnât know.
âI made too much,â she shrugs and pushes the plate a little closer to him, holds it steady while he fumbles to get a palm under it. âBefore it was just me and Gale, I used to cook for my whole family, and for all my college roommates, too. Hard habit to break, I guess.â
âWell,â John starts. He looks down at the heaped up plate of food and takes a deep breath in, deep enough it moves his shoulders as well as his chest, though if it reaches all the way to his belly his sweater and coat are too loose on him to tell. âThank you, Marge. Iâll bring the plate back when Iâm done.â
âTake your time, Bucky, we got plenty. Have a good night, okay?â
âYeah. You, too.â Marge offers him a smile before she turns smartly on her heel, but she hasnât made it any farther than his stretch of the sidewalk before he adds, âJesus, did Buck- I mean-the steps and-â
âSure looks like it,â she tosses back over her shoulder with another smile. âWeâre glad to see you back home, Bucky.â
Marge heads back inside to make up plates for her and Gale, and just before she steps away from the stove to go get him she canât help but notice Johnâs back at his kitchen table, shoulders hunched over his supper that heâs taking steady bites of.
Pairing: Gale "Buck" Clevan/John "Bucky" Egan
Rating: T
Summary: If Gale doesnât hang here in a sheepskinâClark Gable smooth, Gone With The Wind and frankly not giving a damn, darlingâheâs gonna hop the fence and buckle against John.
Tatty Web Weave for the @hbowartournament go vote/steal for Tatty today
MASH s1E17 Sometimes You Hear the Bullet//Leningrad Elegy-Anna Akhmatova//Sue Zhao//Susan Sontag, from As Consciousness Is Harnessed to Flesh- Journals and Notebooks 1964-1980//idiom//Susan Sontag
if you have a request or want to be tagged for any of my edits send me an ask. donât repost, reblogs appreciated. all of my edits can be found here
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Thanks so much for the tags @swifty-fox, @mountain-star, and @angelfruittree!!!! â¤
LAST SONG: Purple Rain by Prince & The Revolution! (but considering I keep my music on shuffle pretty much at all times when I'm chilling at home, some of the other songs I listened to while doing this were 'Coin Operated Boy' by The Dresden Dolls, 'Weathervane' by Miner, 'She Plays Up To You' by Clairy Browne & The Bangin' Rackettes, 'Seven Seas of Rhye' by Queen, and 'Under Attack' by ABBA)
CURRENTLY WATCHING: I'm keeping up with The Vampire Lestat as it airs but that's it!
CURRENTLY READING: 'Remarkably Bright Creatures' by Shelby Van Pelt (recommended to me by two different people who saw my giant octopus half sleeve tattoo), 'Apparently, Sir Cameron Needs To Die' by Greer Stothers (aka pangur-and-grim), and 'The Titan's Curse' by Rick Riordan is my bathroom book so I stop taking my phone in there and scrolling lol
CURRENT OBSESSION: Hmmmmm I don't think I have anything besides my MOTA fics! I think it's nearly time for a show rewatch too. I'm also working slowly on creating a gallery wall in my living room and fantasizing about what my next big purchases will be to continue furnishing my mostly-empty apartment once my raise from my new promotion (!!!) at my full time job kicks in, though I won't see that until the middle of next month at the earliest.
CURRENTLY WORKING ON: My Worth Knowing PTSD scene fic, Intimates, Set It Up Right (the Worth Knowing prequel fic), Enough Time To Get It Right, and of course I still have other wips that are on the back burner for now that'll get moved up the queue when I knock out some of these other fics that are nearly done!
CURRENTLY WEARING: my current preferred pajamas, which consists of a pair of floofy trousers I desperately need to repair the hole-y crotch of before I can hope to wear them in public again and a too-big t-shirt from Park City, Utah
LAST GOOGLE SEARCH: author of Remarkably Bright Creatures lol
FAVORITE FLOWER: Jasmine, my lifelong love, you smell so incredible and everyone who doesn't think so can kick rocks
I don't think I have 10 people to tag and I'm not sure who's already done this as it's making the rounds BUT no pressure tagging @girlswiththecurls, @pleasuretrade, @bcofl0ve, @gummysharksdoingcrimes, @magneticghouls, @gydima, @mazikeen, and @secretpersona8!
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