Guess I'm starting to make enough stuff I should probably make a little directory sort of thing, huh? Here we go:
Writing tag: my writing
Fanvid tag: oops my hand slipped
Writing:
Complete Chaptered/Series:
Worth Knowing - MargeBuckies, E, 144k, Bucky!POV (mostly) || Post-war AU where Gale and John didn't meet until after they'd returned Stateside [Tumblr tag: 'Fic: Worth Knowing']
Natural - Follow-up oneshot to Worth Knowing! Marge/John, E, 10.2k, Marge!POV || Marge pegging John with some extra dysphoria goodies thrown in [Tumblr tag: 'Fic: Natural']
Breaker-Breaker, You There? - Clegan, E, 42k, Gale POV (mostly) || 1970's long-haul trucker AU, 5+1 fic (5 times they hook up on the road and 1 time they don't) [Tumblr tag: 'Fic: Breaker-Breaker You There?']
Keep Me Company - Follow-up to Breaker-Breaker! Clegan, E, 7.9k, Gale and John POV || The Buckies playing with exhibitionism on a drive-in date to a porno movie [Tumblr tag: 'Fic: Keep Me Company']
Return With Me, Forever - Clegan, T, 13.2k, Gale and John POV || The Twilight Zone AU, Time Loop, Clegan never make it home and instead find themselves back in 1943, at the start of it all [Tumblr tag: 'Fic: Return With Me Forever']
WIP Chaptered/Series:
Tomorrow At Sunset, I Promise - Clegan, WIP, M, ~16.7k so far, Gale POV (mostly) || Charlie St. Cloud AU, Major Character Death, Gale has to learn to deal with ghosts and grief [Tumblr tag: 'Fic: Tomorrow At Sunset I Promise']
Suicide Pass - Clegan & Gale/Marge & John/OCs, WIP, E, ~7.3k (as of now), Gale and John POV || Modern Era University AU, Hockey player!John, infidelity, clegan are fuck buddies/friends with benefits who get obsessed with each other [Tumblr tag: 'Fic: Suicide Pass']
Intimates - Clegan and Margebuckies, WIP, E, ~14.3k (as of now), Multiple POVs || a.k.a. the gender shit/cross dressing/horny clegan-in-drag fic. Pre-England Buckies (and Marge) playing with gender and cross dressing as kink but with some emotional complications [Tumblr tag: 'Fic: Intimates']
Oneshots:
It Doesn't Count If-- - Clegan, E, 2.7k, Gale!POV || Porn without plot, Gale's first night in England [Tumblr link: 'Fic: It Doesn't Count If-']
Need a Ride, Sunshine? - Margebuckies, T, 7.3k, Marge POV || The Bikeriders AU, scene rewrite for the beginning of the movie [Tumblr tag: 'Fic: Need a Ride Sunshine?']
The Mad Wind's Night-Work - Clegan, T, 1.3k, Gale POV || Hypothermia, 'Lie to me' whumpfest prompt, Major Character Death, hurt no comfort, unhappy ending [Tumblr tag: 'Fic: The Mad Wind's Night-Work']
What Goes Up - Gen, Complete (one-shot), T, 4.5k, Benny DeMarco POV || 'Crash' whumpfest prompt, missing scene, Gale & crew crashing over Bremen [Tumblr tag: 'Fic: What Goes Up']
Betting Men - Clegan, T, 5.3k, Gale POV || Gale character study from childhood to falling in love with Bucky [Tumblr tag: 'Fic: Betting Men']
Fanvids:
Clegan - 'Chapstick' by COIN || REMAKE
Clegan - 'I Need Never Get Old' by Nathaniel Rateliff & The Night Sweats || REMAKE
Clegan - 'Talk Too Much' by COIN
Clegan - 'Everything I Had' by Sub-Radio
Rosie - 'A Well Respected Man' by The Kinks
Gale (not-quite-clegan-yet) - âCowpokeâ by Colter Wall (for prevalent-mastersâ fic âOh, Wild Heartâ)
Clegan - 'A Thing Called Love' by Johnny Cash
Clegan - âIf We Were Vampiresâ by Jason Isbell and the 400 Unit
Clegan - âThese Foolish Things Remind Me Of Youâ by Benny Goodman and Helen Ward
Clegan - 'Fare Well' by Hozier
Bucky - 'Sound the Bugle' by Bryan Adams (for the horse clegan AU going around thanks to johnbottoms)
Clegan & Ensemble - 'Weâll Meet Again' by Vera Lynn (for the whumpfest 2025 day 2 song prompt)
Clegan - 'If I Go, I'm Goin'' by Gregory Alan Isakov (short)
Clegan - âDonât Talkâ by 10,000 Maniacs (for weimarweekly)
Clegan - âStare at Meâ by JANE HANDCOCK and Anderson .Paak
Gale - âBubblegum Bitchâ by Marina and The Diamonds
Bucky - 'Oh No!' by Marina and The Diamonds
Clegan - âOpening (Brokeback Mountain)â by Gustavo Santaolalla (accompanied by a ficlet)
Clegan - âOh My Daysâ by Orville Peck
Clegan - âWhen Our Hearts Were Young And Gayâ by Jo Stafford
Clegan/Marge/Friend - âGirls Kissing Girlsâ by Ahli
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if he wore women's clothes they would not be cute and stylish they would be ill-fitting and they'd clash a bit and he wouldn't shave his legs and if he wore makeup it would be messy and he'd keep absentmindedly touching his face and smearing it around and he'd get lipstick on his teeth and if he tried to wear heels he'd be stumbling around and twisting his ankles
yeah ok i saw that pic of a lighthouse you reblogged and now i need gale to be a lighthouse keeper and sure i know nothing about that but i imagine it is just long, existential, slow and introspective lonely days until, until! a certain john egan crashes/sinks in a storm close by and lighthouse keeper gale saves him, maybe just! maybe its almost doom for him as well. but alas he saves egan, and carries his unconscious body? by some adrenaline fueled force up to his lighthouse and idk passes out of sheer exhaustion and comes to it sometime later when the storm has passed and nurses john back to health and they live in a lighthouse now and it's meager living probably but they dont need much and i cant stress enough how much they need to share one tiny lighthouse bed unfortunately and gale smokes pipe and is a bit depressed and maybe has issues that john can help with or, at least, point out to him and urge him to be less self destructive in all of his melancholy but, gale does have a passionate sex life now so thats a plus
This is so !! Let's all close our eyes and have fun picturing this.
I'm extremely drawn to the Unpeopled Boundaries of Experience;Â to Solitude as something both sought after & abhorred. It's often posited to be the condition without which a Higher Understanding (of oneself - of the World) cannot be reached, because by eliminating Witnesses, except for the natural world around The Hermit â which to me is also interesting, and says something about our not yet deconstructed Human Individuality. Why is the Natural world a neutral observer? Are we not part of the natural world? Is it not as self-absorbed to think of ourselves as a plague than it is to think of ourselves as a solution? â it supposedly allows for the Consciousness to reach a Supra-Natural dimension, through contemplation & silence & just overall an awful time.
I don't really subscribe to this philosophy of enlightened suffering, but I think Thoreau (obviously) has beautifully put one of the reasons why we're so drawn to this:
We need the tonic of wildnessâto wade sometimes in marshes where the bittern and the meadow-hen lurk, and hear the booming of the snipe; to smell the whispering sedge where only some wilder and more solitary fowl builds her nest, and the mink crawls with its belly close to the ground.
At the same time that we are earnest to explore and learn all things, we require that all things be mysterious and unexplorable, that land and sea be infinitely wild, unsurveyed and unfathomed by us because unfathomable. We can never have enough of nature. [...] We need to witness our own limits transgressed, and some life pasturing freely where we never wander.
I think lighthouses are on the Confines of Humanity, so they are a perfect match for #ourGale.
He does read as a taciturn-loner character, though to me he's also someone who values solitude not because he doesn't like other people â he's fun, entertaining, a bit of a show off, he deeply cares about his men, and he has a sense of Duty â but because he fundamentally doesn't like himself. Or at least certain parts of his Self (his vulnerability, speculatively his queerness, too).
The Army isn't a place where one can be Alone, but transporting him into a scenario in which he is a lighthouse keeper is a great way to explore these exacerbated traits of his!
I also like lighthouses as haunting places of service. You're alone & you're tasked with the life of other people; you're alone & the Sea is right there with you. It's not being In It & it's not being Next to It. You're being subsumed by your duty, you're a beacon and not a man & your house is your place of work, your residence and your cage.
They're also the ideal Location to be working on Radios, which is something about Gale's character that I find so endearing : ) & so fascinating as well: you're broadcasting signals into the atmosphere & the atmosphere carries them for you; I think he'd like radio-dramas, I think maybe he'd sit down with a cup of coffee & socks that need mending & HIS PIPE! (his oral fixation...) & he'd listen to his Mysteries and Comedies #smiling. There could be many Signs & Symbols about Hearing a Disembodied Voice from Far Away & said Voice keeping Gale company. I find it deeply romantic, and I believe Gale wouldn't mind being alone because he can entertain himself endlessly but the problem is that he's stagnating & shriveling, a tree trying to grow into its own roots.
Cue, of course, John Egan... I like the prospect of him coming not from the sea, but from the air â crash landing, maybe. John - well. He's a fun guy, he's a cuckoo clock, he's an indolent drunk with a liver the size of his head and a heart three times bigger. And Maybe the plane crashed willingly, but as he finds him the only thing Gale knows is that he's a heavy bastard who's almost bled through his mattress (Gale has spent the night in watchful silence sitting in his armchair).
Once John wakes up, at first there is the You tried to kill yourself but you failed shameful recognition, then John sees Gale, who's lost his battle to sleep. He sees his gaunt cheeks and his long eyelashes, his round mouth, the width of his shoulders; is this the sign he was searching for? Even if it isn't, he's going to grab it with both hands and not let go. Gale wakes up, too, and a lightning strikes outside. This is a story about the weather!
After dutiful presentations, they're left to their own devices. Gale knows how to take care of himself because he has to, but he's not a doctor. The recovery takes time. It's frankly a miracle John's survived â he's got broken ribs & Gale has to help him to and from the bathroom, which in any case would have been an undignified experience even if he were to be able to do it himself (the bathroom is outside). At one point, Gale offers his radio, to contact someone, anyone, but John refuses. He says there's no one who'd want to hear from him (he hasn't set it up right!!). Gale is secretly glad; he'd forgotten how beautiful an annoyance could be.
And it's not like John is idling away, though he really should be laying still. He knows how to knit (the middle brother of two sisters), he knows how to cook, he knows so many stories â fun, sad, stories about planes and love and the meeting place of Sky and Sea â, he provokes Gale, he makes fun of him, he mends all his socks and sweaters, he breaks one of his radios by accident and they argue and scream and Gale says I'm not going to hurt you because you can't do it yourself. John laughs, he gets closer and even beaten and broken he's all-encompassing. He says: You think you're better than me? You think I don't feel you at night, shivering next to me?
Because this is a story about the weather, a window shuts closed and a thunder makes the glass shudder, and they have terrible sex: the lighthouse offers lamp oil but John refuses to use it as lubrication, so they only get spit & prayers & John's ribs are still tender & he's probably got a broken leg, too, so Gale has to ride him. It hurts too much & he doesn't know how to make it good; John is hurting too because Gale keeps putting his weight on his ribcage & biting his collarbones to suffuse his groans. It's fast and they cum but only God knows why or how.
Gale doesn't say anything. He gets up, gets dressed, and leaves John in his bed (it's theirs, at this point), half-naked, breathing hard, crying a little bit at his own cruelty. He feels he forced Gale into a corner, like he's keeping a fish out of the water just to see how big their lungs are.
Outside, Gale is walking too close to the cliff's edge, trying to make sense of what's happening, what's been happening. John gets up, too, he hops and wobbles. Of course, as this is a story about the weather, it's raining. A gentle drizzle promising bigger waves, but it's enough to make the grass path over the cliff treacherous. John slips and falls down and Gale sees his slow descent & runs down to him, almost breaks his neck, he falls down too and skins his knees in the rush to reach him, to get him off the ground & to bring him back inside, where they each catalogue their tiny hurts and their huge wounds, this time careful and slow, this time kissing, whispering connections of lips and tongue.
In the end, they sit down at the small table of the kitchenette, over two mugs of coffee, hair still damp, and don't say anything. They understand that what they did cannot be erased from their memories, maybe they don't want to.
John tells Gale he's going to have to turn up the light soon (it's a story about weather!) & Gale says Don't tell me how to do my job, John. And shave your damned mustache, it gave me a rash. And it's ugly to boot.
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The funniest thing about this shot is that Harding is getting his first slap to the face of Bucky's singing, but you know Smokey and Stormy have heard it before and yet they still look like they want to die.
âI heard he spent the whole school holiday drinking poor David Greene dry â opened a tab at Christmas and he still hasnât paid it! Had to pour him out into the street more than a few times just so they could lock up.â
Marge uncrosses and recrosses her ankles, has to start counting her stitches again. The relief group isâŚfine. Itâs nice at least to get out of the house of an evening and feel productive for more than just their little household, itâs late enough that Galeâs home from work with the car so he can relax without having to think about dropping her off or picking her up, and she likes the chance to go somewhere thatâs not the grocery store or the post office. The meetings are held in town at the community center that pulls double duty as a bomb shelter, and it attracts more than just the mean spirited busybodies from her own neighborhood gatherings, which would otherwise be a nice change of pace. Itâs just her luck that this town is apparently full of more of the same, and for some reason John Egan is the primary target for plenty of them, even the ones from clear across town getting their information secondhand.
Sheâs learned a little more about what heâs done to earn their criticism at least, and excepting a few ill-advised forays into taking some of the local girls out for the night when perhaps he shouldnât have, the worst crime heâs committed is, so far as she can tell, coming home shell shocked and drunk and refusing to pretend like heâs not, even if that means acting out of turn when it gets too bad for him to handle quietly. He picks his own fights at least as often as fights get picked for him â she knows that firsthand from the night he came home bloodied and bruised and banging on their door thinking it was his own â and he apparently snaps too hard at the kids at school who goof around near the dangerous equipment heâs training them to use, and he drinks every day laborer and corn farmer propped up at David Greeneâs bar under the table until someone eventually forces him outside into the street to find his own way home. Heâs got no friends here, nobody to talk to about whatever happened to him to make him like this, nobody to lend him a shoulder as he stumbles his way home, no loving woman whoâs worried about him to curl up around when he gets there â nothing.
No one but her seems to find anything pitiable about such a lonely, hurting existence.
âChrist almighty, this again,â the woman next to her mutters. Marge hasnât seen her around much, only every now and again when she herself is so new to the group too, but Kate Wallace seems to be a fellow bastion of levelheadedness, and hasnât spread one bit of gossip in the small handful of times their attendance at the meetings has overlapped â in Margeâs eyes, that makes her the cream of this particular crop. âI donât even know the poor bastard theyâre squawking about but if heâs half as bad as they say he definitely wouldnât be walking around free and teaching kids, so itâs all gotta be a load of shit, doesnât it?â
Marge smiles down at the knitting in her lap and nods, relieved. âSure seems like it. I live next door to him, no complaints.â
âWell see, and there you go,â Miss Wallace shrugs like that settles it once and for all. Sheâs a quick knitter, needles clicking furiously even as she scans the assembled ladies with a little scowl Marge catches when she glances up at her. âNo better than kiddies afraid of the monster under their bed, are they?â she snorts and Marge coughs delicately to hide her own laugh.
(âOh, and remember this summer when he up and-!â)
âGood god!â Miss Wallace suddenly interrupts at top volume, sounding delighted, and the general clucking and fretting stops cold. âI just remembered I promised myself an ice cream sundae after this!â The rest of the group waits to see if anything more relevant is going to follow this pronouncement, but Miss Wallace just gets back to her knitting humming a jazzy sort of tune under her breath and Marge has to actually get up for a cup of water to keep from cracking up at the scandalized dismay on every other face in the room.
The interruption does, at least, turn the tide of conversation away from John to another piece of gossip that sounds a little less well-trod. Marge stays at the refreshments to stretch her legs and work out some stiffness in her fingers from clenching her needles a little too hard. Sheâs nibbling on a truly horrendous cookie (in name only) to kill some time when Miss Wallace joins her, picking over the offerings with a wrinkle in her nose and a disdainful sniff at a dubious looking gelatin concoction one of the wealthy ladies from the north side of town had produced with a flair that begged for a fuss to be made over her, no matter how little sheâd done to deserve it.
âIâm Kate, by the way. Donât think weâve actually been introduced.â
Marge smiles when Kate flicks a glance up at her, eyebrows raised. âMarge Cleven, and itâs nice to meet you.â
âWell Iâd hope so, compared to the competition,â Kate snickers with a jerk of her thumb back towards the circle of chairs set up in the middle of the floor. âI really am going to get a sundae after this, you want to join me?â
âItâs February,â Marge points out, on the verge of laughing again.
âOh donât worry, they make ice cream in February too. Might say itâs even easier to do it now, and youâve got your pick of flavors since nobody else in town wants it. Gotta be better than whatever all this rationed misery is, right?â
Marge does laugh at that, finally, just a small one but it feels like more with how much tension it takes out of her shoulders. Itâs been a while since she laughed, a long while, so when the meetingâs over, she goes.
âMy husband used to take me out for ice cream,â Marge tells Kate when theyâre settled in a booth at the end of the soda counter on main street, a couple of modest sundaes sitting in little glass bowls between them and already missing a few bites each.
âUsed to?â
âWell, we were just kids then,â Marge tempers, feeling protective for no good reason. âHeâd scrimp and save every penny he could find or make for ages, and as soon as he had just enough weâd go. He did it our whole lives, even before we started going steady.â
Kate hums, sucks her spoon clean of precious whipped cream and chocolate sauce thatâs not as sweet as it used to be and goes in for another big bite. âSounds like a sweet guy.â
âHe is.â
âSo why doesnât he take you out for ice cream anymore?â
Marge shrugs delicately in a way she feels encapsulates everything there is to say about most young men these days, men their age at least. Kate just sucks her spoon again and raises her brows, silent goading to go on.
âThings change, I guess,â Marge says. âLife happens.â
âSure does,â Kate shrugs, âbut there are still pretty girls to take on dates and ice cream sundaes to be eaten, so things donât change that much. Maybe itâs time you took him out for one instead, remind him of that.â
âMaybe so,â Marge smiles around another bite and decides she likes Kate Wallace a great deal.
â//â
âGale!â Marge gasps, her head falling back and her hands clutching tighter in his hair. Heâs trying, and trying hard, to please her with every trick in his book and itâs working, oh god is it working. Outside their bedroom window thereâs fresh snow coming down and a chill winter wind rattling the glass but Marge is sweating in their sheets, under the press of Galeâs increasingly-healthy weight on top of her, both of them stark naked and rubbing against each other from shoulder to ankles in a delicious luxuriant of skin on skin.
They havenât really been having sex much these days, even less than before winter set in. Between Gale being too far away and worn out by whatever demons winter brings him and Marge happy enough to wait him out without pressuring him, itâs been probably a couple months at least, maybe more. Itâs fine, just means sheâs more sensitive now. Gale has learned that firsthand and is now using that fact to reduce her to a whimpering, trembling puddle of pure pleasure, so as far as Marge is concerned everything is more than fine.
Heâs got two fingers working in her and his mouth latched greedily on her breast and his free hand tucked underneath her to dig his fingertips into the curve of her bottom with enough pressure to bruise, and Marge for her part can only hold onto him with every limb and let him know exactly how good heâs making her feel as she draws up tight around his fingers and gets even wetter with a strained moan sheâs helpless to stop, another orgasm washing through her strongly enough to curl her toes. Her whole body tenses with it as Gale works her through it, and as the last of it passes through her she falls limp and exhausted to the sweat damp sheets again. When she does, Gale gentles his touches without stopping them entirely, rubbing and kissing her through the smaller waves of pleasure that always follow after the biggest, and she moans gently low in her chest for the easy pleasure of it.
Heâs still soft where heâs pressed up against her thigh but Marge knows by now that itâs not her, itâs just the way his body is now, and that it bothers him a hell of a lot more than it does her these days. After all, she still gets all the benefits of sex and Gale gets nothing but guilt and frustration, though heâs sworn to her â once, haltingly and blushing crimson â that he likes making her feel like this enough to easily offset any irritation he works up to with himself. Sheâs decided to take him at his word, especially considering heâs always the one starting it whenever they do this.
âYâwant another one?â he asks, mouth smearing hot and wet against her nipple all puckered up and sensitive from the attention heâs already paid it.
Marge tries to catch her breath but sheâs still panting when she shakes her head a little, mussed hair rustling against the pillow, and says, âDunno if I can. Can I?â
âOne way to find out,â Gale shrugs and he gets back to it without any further discussion. By the time he wrings another orgasm out of her Marge is practically sobbing, her whole body flooded with sensation she canât parse through. Sheâs twisted up in an uncoordinated mix of clutching Gale close and hiding her face in the pillow underneath her while her hips work restlessly to match his thrusting fingers, and as she comes down from the trembling high of it she discovers sheâs got some aching muscles, particularly in her hips and her shoulders, to contend with after contorting herself so tightly with pleasure.
Gale tends to her carefully through that orgasm and its aftershocks, rubs her cunt with his slim, careful fingers and kisses her everywhere he can reach, just soft pecks of dry lips, until she drifts off to sleep right there just like that, legs still spread and everything. She used to try to stay awake after an orgasm, tried to figure out what Gale needed from her for her to be able to return the favor. Itâs hard for her for some reason, she needs to sleep the exertion off for at least a few minutes after pretty much every time, but that hardly seemed fair to Gale, no matter that his cock never works like it should when she touches it, not even when he does. Eventually, of course, Gale told her to just forget about him and do what she needs, promised that heâd rather see her resting knowing heâs done right by her, and though Marge still feels a bit guilty she canât deny itâs working better for them so far than any amount of careful fumbling with his limp, unresponsive cock ever did.
So Marge drifts a little, stays aware enough to feel Gale curling up tight with her and touching her gently but canât muster up any real coherent thoughts about it, lets anything that does cross her mind slip gently away the moment itâs done. Gale kisses her parted lips, the tip of her nose, both of her closed eyes, tucks his mouth up tight against her forehead. Marge soaks up his attention like a garden sips a gentle spring rain â passive and quiet, adding the fresh bounty to the store of things to sustain it through the ups and downs of the growing season. Thereâs still plenty of growing she and Gale need to do, things they need to learn to settle into, but thereâs never a doubt there that he loves her more than his own life.
Marge wakes again with that thought drifting somewhere nearly coherent â Gale loves her, and he may struggle to say it in so many words but sheâs never once doubted it, not even for a minute.
âGood?â he murmurs against the warm apple of her cheek.
âPerfect,â she whispers back, smiling, and he tugs her favorite quilt over the both of them with a contented sigh.
They spend the whole day tangled up, and most of the evening too. Gale sleeps well that night after only a bit of reading to her to wind down, and come morning the whole world is buried yet again under shapeless humped up drifts of pure white snow.
Marge wakes to a regular thumping coming from somewhere beyond the window; the wind has stopped, the snow too, and even with the muffling of the fresh blanket on everything the air is still and thin enough for sound to travel perfectly fine. Marge turns over to find Gale already gone, of course. She can smell coffee and she lays in bed enjoying the warmth under their covers for another lazy few minutes before she crawls out of bed in search of her husband and the fresh cup of coffee heâs no doubt made for her.
The thumping is louder downstairs, closer. Marge shuffles into the kitchen with a shiver for the chill on her legs to find Gale standing at the back window with a mug in one hand, already properly dressed despite it being Sunday morning with nowhere to be and his free hand tucked in his trouser pocket with a forced sort of casualness.
âWhatâs going on out there, hon?â Marge yawns.
âJohnâs putting up a fence.â
For a moment Marge is sure she heard wrong. Sheâs not properly awake yet and Galeâs very handsome there silhouetted against the white and gray landscape beyond the window, surely sheâs just distracted. But no-
âHeâs what?â she asks and Gale shrugs, sips at his coffee all unhurried and lazy.Â
âPuttinâ up a fence.â
âItâs February.â
âMhmm.â Galeâs hum reveals nothing of his thoughts. Marge pours herself a cup of coffee, thoroughly bemused, and joins her husband at the window to watch John stomp through the snow at the back of his yard, one arm tucked over and around several wood posts and the other stuck out a little from his side for balance. When he gets where heâs going he drops the posts in the churned up snow and bends to pick up a shovel, which he stabs into the frozen dirt with a savage heave that, for all its strength, doesnât seem to make much of a dent, if any.
They watch him hack away at frozen, unyielding earth until heâs red in the face and he shrugs out of his coat, and when he turns to throw the coat over the chainlink already up between their yards Margeâs heart squeezes in her chest for the look on his face.
âGale,â she murmurs and he sighs, long and slow.
âMhmm.â He buries the end of the hum in the dregs of his coffee, passes her the empty mug and dusts his hands off on each other, shakes them once like heâs got something on them only he can see. âOkay.â
Marge shivers in the gust of cold that races to fill the kitchen when Gale slips out the back door. Despite the chill and how little her nightgown and robe can do against it, she nudges the window open just a hair to eavesdrop, sips at her coffee while Gale crunches through fresh snow, his tracks perfect and deep.
âMorninâ, John.â In the snowed-in hush Galeâs voice carries through the window easily enough despite how low he keeps it.
âBuck,â John grunts between one heave of his shovel and the next.
âNeed a hand?â
John is clearly as surprised as Marge is by the offer. He turns on his heel and doesnât seem to care that it means Gale will see what they already saw from the window â tear tracks glinting in frosty trails down his cheeks like he didnât notice them in time to wipe them away, and gaunt circles under his eyes the grey-purple of a day-old bruise.
âGroundâs frozen solid.â
âUh-huh.â
John just looks at Gale for some long moments, but he must see what Marge already knows â Gale wouldnât have said it if he didnât mean it, and heâs not going to budge until he gets an answer. John sniffs hard, runs his wrist under the end of his nose, gestures at their garage with a nod. âYou got a decent shovel in there?â
âUh-huh.â
âWell fish it out and come help if you want, I guess.â
Gale nods and does, tromping back and forth across the yard to the garage and back. When he reaches the fence he just drops the shovel over and vaults it with a rattle of the chainlink, loud in the hush. John doesnât say a word, just gets back to hacking and stabbing and scraping ineffectually at the ground. They work in silence; Marge gets breakfast going with the occasional glance to check on them working away at a foolâs errand.
When sheâs got it all fixed, Marge leans out the back door to tell Gale as much with her robe pulled tight around her waist to ward off the worst of the chill. âBreakfastâs on the table, come inside and warm up a bit.â Gale raises a hand to show heâs heard. âBucky?â John starts a little and stops his digging to look back over his shoulder. âYou want some breakfast?â
For a long moment it seems heâs not going to answer, or maybe that he hadnât even heard her properly. But then, halting and a little ragged around the edges, he calls back, âThatâs alright, Mrs Cleven, already had some. But thank you.â
Privately, Marge finds that hard to believe, but what is there to do about it? Galeâs vaulting the fence to come back in and Johnâs gone back to his impossible task, so she slips back inside with Gale and as they eat they both pretend like theyâre not sitting there listening to John work hard to accomplish nothing much at all.
âYou goinâ back out there?â Marge asks from the sink when theyâre finished eating. Sheâs up to her elbows in hot soapy water watching John tromp over to his little stack of fresh-cut fence posts, the back of his shirt damp with sweat despite the cold.
âYep.â
âThereâs no point to it, Gale, groundâs frozen solid.â
âThink thatâs the point, sweetheart.â Gale gives her a quick kiss to the top of her head, which isnât at all the explanation she wants but she keeps her mouth shut. She sighs to herself in the empty kitchen and listens to the faint crunch of Galeâs retreat, the rattling chainlink when he vaults it.
âChristâs sake, Buck,â John huffs â Marge reads his lips as much as she hears him through the back window. âYâgot a warm house and a wife inside, what the hell are you out here for?â
âYour house ainât warm?â
No, Marge thinks, itâs probably not. Sheâs watched for it since that day with the wood, but no matter when she looks thereâs never once been smoke coming out of Johnâs chimney.
John turns his back again, hefts a fence post in his arms. âGo back inside, Buck. Donât want Mrs Cleven to think Iâm stealing you away from her.â Gale, of course, doesnât budge an inch. When John turns around again he scoffs and heads back to one of the spots heâs churned up, turned the snow grey and dirty. âFine, suit your damn self. Be cold, see if I fucking care.â
John lines the post up and starts hammering away at it, regular thuds that carry along the snow without quite echoing back. Gale doesnât help this time, just watches with his hands in his pockets, shoulders held tense like heâs trying not to shiver. For all that hammering, the post doesnât seem to be going anywhere fast, but John keeps at it with dogged determination.
Marge finishes the dishes, returns to the back window to watch. Galeâs gotten even stiffer, his shivering no longer held in check, but he holds his peace for another few minutes Marge spends wringing her hands before he speaks up, and when he does itâs gently.
âCâmon John, thatâs enough.â
John pounds the top of the post twice more and stops; he takes his hands away and the post stands for a long moment before it falls in slow motion with a soft thump into the churned snow.
âGotta get this fence up, Buck.â
âWhy?â
John sniffles hard, scrubs the back of his wrist under his nose, and he doesnât answer.
âMarge tells me you flew with the 100th.â
John sniffs again and nods.
âTough break. Worst luck in the whole damn force.â
John barks a laugh but thereâs no joy or real amusement in it, only bitterness and black humor.
âDidnât call us Bloody for nothing.â
âUh-huh. Whereâd you end up â in Germany, I mean?â
Oh.
Marge stares a little harder like she might see fresh evidence of Johnâs time as a prisoner, but then she supposes the evidence has been there and plain to see since day one, and itâs on her for not having put the pieces together.
âLuft three.â John squints a little at Gale, looks him up and down in a slow drag. âYou?â
âOne. Went down firing on a train carrying munitions.â
John whistles long and slow. âBlaze of glory, huh?â
âSomething like that. You want to come in for a bit, John? Margeâll make you coffee, get you warmed up.â
Marge steps back from the window the moment before John looks over; he probably wouldnât mind but for some reason she doesnât want to get caught eavesdropping. It feels fragile, whatâs happening out there, and she doesnât want to spoil it.
âNo, you go on,â John huffs, âIâm fine.â
âAlright,â Gale agrees easy enough but he doesnât move.
âWhat?â
âGo inside, John. Iâm not going home until you do.â
âWhat kind of idiot logic is that?â John snaps. âGo back inside, Buck-â
âNameâs Gale, John.â
âWell mineâs Bucky and I donât hear you bothering to use it! Go back inside Gale, quit lookinâ at me like that-â
âAlright. Thatâs enough, Bucky.â
John stops short. He looks upset, still, but he just presses his mouth into a tight line and glares at Gale standing there shivering, shin-deep in show. âJesus Christ,â he mutters and gathers up his discarded coat from the fence to take with him. âGo home, Buck!â he shouts from his porch once heâs stomped up it. The slam of his kitchen door is loud and sharp in the hush.
Gale finally turns to come back home and he must be even colder than he looks because he doesnât complain once about Margeâs fussing when he gets in. She sits him down in the living room and builds up the fire for him, strips off his stiff leather shoes and cold, wet socks to hold his feet â pale blocks of ice â in her lap to chafe her hands against them for extra friction. It works well enough but she can do better; she leaves him there in front of the fire to put the kettle on the stove though she doesnât wait for it to boil. At the first hint of steam she empties every drop into the biggest mixing bowl theyâve got and takes it back to Gale, still quiet and uncomplaining despite her fussing. He dunks his feet obediently and waits until she comes back with the blanket from the back of the couch to hold his arm out so she can perch on the armrest of his chair and throw the blanket around both of them.
âWhat was that all about?â Marge finally asks. Gale leans into her fingers combing through his hair with a long sigh pulled from deep in his chest and deliberates on his answer, humming once to reassure her that the answer will be coming, just might take a while in transit.
ââŚWe had some guys,â he starts, rasping, some long minutes later with his wet trousers steaming dry and his feet turning a healthy pink in the hot water, âcouldnât much take it, come winter. Came up with ways to keep moving, keep themselves busy.â Gale clears his throat and continues a little clearer, âHarder to do nothing but sit and shiver than to come up with something stupid to do, if only to do it.â
Marge thinks on that as she tucks the blanket a little more firmly around Galeâs shoulders, still faintly trembling.
âBut he doesnât have to sit around shivering anymore,â she canât help but point out.
âDoesnât change that he does. Yâever smell smoke from his house, or see it?â
âNo.â So itâs not just her, and Galeâs been keeping an eye out, too. Itâs a small comfort.
They donât talk much the rest of the morning, Gale lost in thought and Marge preoccupied with getting him properly warm and comfortable. After lunch, Gale heads next door to check on John. Within the first hour of his being over there Marge smells fresh smoke and when she glances outside she spots it too, rising steadily from Johnâs chimney. Gale stays gone all afternoon and through sunset, and when he comes home for dinner heâs smiling, just a little.
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10 (sunburnt cheeks) + 53 (empty lighter) for Clegan please?
@rosiecheekswindswepthair
John flicks his lighter, once, twice, to nothing but sad sparks that fall off into the night air with little fanfare. Petering off into nothing before they even had a chance.
âFuck, come on would ya,â he mutters around the cigarette in his mouth, the tobacco smell taunting him just below his nostrils as he tries again with no luck. Stupid thing.
âNeed some help with that, Major?â
With a lift of his brow, John grins, the cigarette hanging on by the dry chap of his lips, âAh, Buck to the rescue.â
Gale smiles the way he does when John teases him, a special quirk to those full lips that John knew was only for him. Strands of his blonde hair fall from their hold, framing his face in the low light that keeps them boxed in to the space out here, under the stars and the moon. He fishes out a lighter from his pocket and holds it out towards John, flame blazing, âS'pose someoneâs gotta keep you in line.â
John hums thoughtfully, a curious thing deep in the back of his throat as he leans in close to the flame held between Galeâs hands. Gale cups one side to protect it from the wind until the end of Johnâs cigarette swells orange.Â
The glow lingers between them, dusky shades of flickering fire basking on Galeâs sunburnt cheeks, red and swollen from flying in the sun. The dance of the flameâs reflection waves to John in the pool of Gale's blue eyes, the shadows of the evening turning them deep and dark as the water in the English channel.Â
Gale flicks the lighter shut.
John breathes out a puff of smoke that fills the space between them, âWhere would I be without you?â
âI heard he spent the whole school holiday drinking poor David Greene dry â opened a tab at Christmas and he still hasnât paid it! Had to pour him out into the street more than a few times just so they could lock up.â
Marge uncrosses and recrosses her ankles, has to start counting her stitches again. The relief group isâŚfine. Itâs nice at least to get out of the house of an evening and feel productive for more than just their little household, itâs late enough that Galeâs home from work with the car so he can relax without having to think about dropping her off or picking her up, and she likes the chance to go somewhere thatâs not the grocery store or the post office. The meetings are held in town at the community center that pulls double duty as a bomb shelter, and it attracts more than just the mean spirited busybodies from her own neighborhood gatherings, which would otherwise be a nice change of pace. Itâs just her luck that this town is apparently full of more of the same, and for some reason John Egan is the primary target for plenty of them, even the ones from clear across town getting their information secondhand.
Sheâs learned a little more about what heâs done to earn their criticism at least, and excepting a few ill-advised forays into taking some of the local girls out for the night when perhaps he shouldnât have, the worst crime heâs committed is, so far as she can tell, coming home shell shocked and drunk and refusing to pretend like heâs not, even if that means acting out of turn when it gets too bad for him to handle quietly. He picks his own fights at least as often as fights get picked for him â she knows that firsthand from the night he came home bloodied and bruised and banging on their door thinking it was his own â and he apparently snaps too hard at the kids at school who goof around near the dangerous equipment heâs training them to use, and he drinks every day laborer and corn farmer propped up at David Greeneâs bar under the table until someone eventually forces him outside into the street to find his own way home. Heâs got no friends here, nobody to talk to about whatever happened to him to make him like this, nobody to lend him a shoulder as he stumbles his way home, no loving woman whoâs worried about him to curl up around when he gets there â nothing.
No one but her seems to find anything pitiable about such a lonely, hurting existence.
âChrist almighty, this again,â the woman next to her mutters. Marge hasnât seen her around much, only every now and again when she herself is so new to the group too, but Kate Wallace seems to be a fellow bastion of levelheadedness, and hasnât spread one bit of gossip in the small handful of times their attendance at the meetings has overlapped â in Margeâs eyes, that makes her the cream of this particular crop. âI donât even know the poor bastard theyâre squawking about but if heâs half as bad as they say he definitely wouldnât be walking around free and teaching kids, so itâs all gotta be a load of shit, doesnât it?â
Marge smiles down at the knitting in her lap and nods, relieved. âSure seems like it. I live next door to him, no complaints.â
âWell see, and there you go,â Miss Wallace shrugs like that settles it once and for all. Sheâs a quick knitter, needles clicking furiously even as she scans the assembled ladies with a little scowl Marge catches when she glances up at her. âNo better than kiddies afraid of the monster under their bed, are they?â she snorts and Marge coughs delicately to hide her own laugh.
(âOh, and remember this summer when he up and-!â)
âGood god!â Miss Wallace suddenly interrupts at top volume, sounding delighted, and the general clucking and fretting stops cold. âI just remembered I promised myself an ice cream sundae after this!â The rest of the group waits to see if anything more relevant is going to follow this pronouncement, but Miss Wallace just gets back to her knitting humming a jazzy sort of tune under her breath and Marge has to actually get up for a cup of water to keep from cracking up at the scandalized dismay on every other face in the room.
The interruption does, at least, turn the tide of conversation away from John to another piece of gossip that sounds a little less well-trod. Marge stays at the refreshments to stretch her legs and work out some stiffness in her fingers from clenching her needles a little too hard. Sheâs nibbling on a truly horrendous cookie (in name only) to kill some time when Miss Wallace joins her, picking over the offerings with a wrinkle in her nose and a disdainful sniff at a dubious looking gelatin concoction one of the wealthy ladies from the north side of town had produced with a flair that begged for a fuss to be made over her, no matter how little sheâd done to deserve it.
âIâm Kate, by the way. Donât think weâve actually been introduced.â
Marge smiles when Kate flicks a glance up at her, eyebrows raised. âMarge Cleven, and itâs nice to meet you.â
âWell Iâd hope so, compared to the competition,â Kate snickers with a jerk of her thumb back towards the circle of chairs set up in the middle of the floor. âI really am going to get a sundae after this, you want to join me?â
âItâs February,â Marge points out, on the verge of laughing again.
âOh donât worry, they make ice cream in February too. Might say itâs even easier to do it now, and youâve got your pick of flavors since nobody else in town wants it. Gotta be better than whatever all this rationed misery is, right?â
Marge does laugh at that, finally, just a small one but it feels like more with how much tension it takes out of her shoulders. Itâs been a while since she laughed, a long while, so when the meetingâs over, she goes.
âMy husband used to take me out for ice cream,â Marge tells Kate when theyâre settled in a booth at the end of the soda counter on main street, a couple of modest sundaes sitting in little glass bowls between them and already missing a few bites each.
âUsed to?â
âWell, we were just kids then,â Marge tempers, feeling protective for no good reason. âHeâd scrimp and save every penny he could find or make for ages, and as soon as he had just enough weâd go. He did it our whole lives, even before we started going steady.â
Kate hums, sucks her spoon clean of precious whipped cream and chocolate sauce thatâs not as sweet as it used to be and goes in for another big bite. âSounds like a sweet guy.â
âHe is.â
âSo why doesnât he take you out for ice cream anymore?â
Marge shrugs delicately in a way she feels encapsulates everything there is to say about most young men these days, men their age at least. Kate just sucks her spoon again and raises her brows, silent goading to go on.
âThings change, I guess,â Marge says. âLife happens.â
âSure does,â Kate shrugs, âbut there are still pretty girls to take on dates and ice cream sundaes to be eaten, so things donât change that much. Maybe itâs time you took him out for one instead, remind him of that.â
âMaybe so,â Marge smiles around another bite and decides she likes Kate Wallace a great deal.
â//â
âGale!â Marge gasps, her head falling back and her hands clutching tighter in his hair. Heâs trying, and trying hard, to please her with every trick in his book and itâs working, oh god is it working. Outside their bedroom window thereâs fresh snow coming down and a chill winter wind rattling the glass but Marge is sweating in their sheets, under the press of Galeâs increasingly-healthy weight on top of her, both of them stark naked and rubbing against each other from shoulder to ankles in a delicious luxuriant of skin on skin.
They havenât really been having sex much these days, even less than before winter set in. Between Gale being too far away and worn out by whatever demons winter brings him and Marge happy enough to wait him out without pressuring him, itâs been probably a couple months at least, maybe more. Itâs fine, just means sheâs more sensitive now. Gale has learned that firsthand and is now using that fact to reduce her to a whimpering, trembling puddle of pure pleasure, so as far as Marge is concerned everything is more than fine.
Heâs got two fingers working in her and his mouth latched greedily on her breast and his free hand tucked underneath her to dig his fingertips into the curve of her bottom with enough pressure to bruise, and Marge for her part can only hold onto him with every limb and let him know exactly how good heâs making her feel as she draws up tight around his fingers and gets even wetter with a strained moan sheâs helpless to stop, another orgasm washing through her strongly enough to curl her toes. Her whole body tenses with it as Gale works her through it, and as the last of it passes through her she falls limp and exhausted to the sweat damp sheets again. When she does, Gale gentles his touches without stopping them entirely, rubbing and kissing her through the smaller waves of pleasure that always follow after the biggest, and she moans gently low in her chest for the easy pleasure of it.
Heâs still soft where heâs pressed up against her thigh but Marge knows by now that itâs not her, itâs just the way his body is now, and that it bothers him a hell of a lot more than it does her these days. After all, she still gets all the benefits of sex and Gale gets nothing but guilt and frustration, though heâs sworn to her â once, haltingly and blushing crimson â that he likes making her feel like this enough to easily offset any irritation he works up to with himself. Sheâs decided to take him at his word, especially considering heâs always the one starting it whenever they do this.
âYâwant another one?â he asks, mouth smearing hot and wet against her nipple all puckered up and sensitive from the attention heâs already paid it.
Marge tries to catch her breath but sheâs still panting when she shakes her head a little, mussed hair rustling against the pillow, and says, âDunno if I can. Can I?â
âOne way to find out,â Gale shrugs and he gets back to it without any further discussion. By the time he wrings another orgasm out of her Marge is practically sobbing, her whole body flooded with sensation she canât parse through. Sheâs twisted up in an uncoordinated mix of clutching Gale close and hiding her face in the pillow underneath her while her hips work restlessly to match his thrusting fingers, and as she comes down from the trembling high of it she discovers sheâs got some aching muscles, particularly in her hips and her shoulders, to contend with after contorting herself so tightly with pleasure.
Gale tends to her carefully through that orgasm and its aftershocks, rubs her cunt with his slim, careful fingers and kisses her everywhere he can reach, just soft pecks of dry lips, until she drifts off to sleep right there just like that, legs still spread and everything. She used to try to stay awake after an orgasm, tried to figure out what Gale needed from her for her to be able to return the favor. Itâs hard for her for some reason, she needs to sleep the exertion off for at least a few minutes after pretty much every time, but that hardly seemed fair to Gale, no matter that his cock never works like it should when she touches it, not even when he does. Eventually, of course, Gale told her to just forget about him and do what she needs, promised that heâd rather see her resting knowing heâs done right by her, and though Marge still feels a bit guilty she canât deny itâs working better for them so far than any amount of careful fumbling with his limp, unresponsive cock ever did.
So Marge drifts a little, stays aware enough to feel Gale curling up tight with her and touching her gently but canât muster up any real coherent thoughts about it, lets anything that does cross her mind slip gently away the moment itâs done. Gale kisses her parted lips, the tip of her nose, both of her closed eyes, tucks his mouth up tight against her forehead. Marge soaks up his attention like a garden sips a gentle spring rain â passive and quiet, adding the fresh bounty to the store of things to sustain it through the ups and downs of the growing season. Thereâs still plenty of growing she and Gale need to do, things they need to learn to settle into, but thereâs never a doubt there that he loves her more than his own life.
Marge wakes again with that thought drifting somewhere nearly coherent â Gale loves her, and he may struggle to say it in so many words but sheâs never once doubted it, not even for a minute.
âGood?â he murmurs against the warm apple of her cheek.
âPerfect,â she whispers back, smiling, and he tugs her favorite quilt over the both of them with a contented sigh.
They spend the whole day tangled up, and most of the evening too. Gale sleeps well that night after only a bit of reading to her to wind down, and come morning the whole world is buried yet again under shapeless humped up drifts of pure white snow.
Marge wakes to a regular thumping coming from somewhere beyond the window; the wind has stopped, the snow too, and even with the muffling of the fresh blanket on everything the air is still and thin enough for sound to travel perfectly fine. Marge turns over to find Gale already gone, of course. She can smell coffee and she lays in bed enjoying the warmth under their covers for another lazy few minutes before she crawls out of bed in search of her husband and the fresh cup of coffee heâs no doubt made for her.
The thumping is louder downstairs, closer. Marge shuffles into the kitchen with a shiver for the chill on her legs to find Gale standing at the back window with a mug in one hand, already properly dressed despite it being Sunday morning with nowhere to be and his free hand tucked in his trouser pocket with a forced sort of casualness.
âWhatâs going on out there, hon?â Marge yawns.
âJohnâs putting up a fence.â
For a moment Marge is sure she heard wrong. Sheâs not properly awake yet and Galeâs very handsome there silhouetted against the white and gray landscape beyond the window, surely sheâs just distracted. But no-
âHeâs what?â she asks and Gale shrugs, sips at his coffee all unhurried and lazy.Â
âPuttinâ up a fence.â
âItâs February.â
âMhmm.â Galeâs hum reveals nothing of his thoughts. Marge pours herself a cup of coffee, thoroughly bemused, and joins her husband at the window to watch John stomp through the snow at the back of his yard, one arm tucked over and around several wood posts and the other stuck out a little from his side for balance. When he gets where heâs going he drops the posts in the churned up snow and bends to pick up a shovel, which he stabs into the frozen dirt with a savage heave that, for all its strength, doesnât seem to make much of a dent, if any.
They watch him hack away at frozen, unyielding earth until heâs red in the face and he shrugs out of his coat, and when he turns to throw the coat over the chainlink already up between their yards Margeâs heart squeezes in her chest for the look on his face.
âGale,â she murmurs and he sighs, long and slow.
âMhmm.â He buries the end of the hum in the dregs of his coffee, passes her the empty mug and dusts his hands off on each other, shakes them once like heâs got something on them only he can see. âOkay.â
Marge shivers in the gust of cold that races to fill the kitchen when Gale slips out the back door. Despite the chill and how little her nightgown and robe can do against it, she nudges the window open just a hair to eavesdrop, sips at her coffee while Gale crunches through fresh snow, his tracks perfect and deep.
âMorninâ, John.â In the snowed-in hush Galeâs voice carries through the window easily enough despite how low he keeps it.
âBuck,â John grunts between one heave of his shovel and the next.
âNeed a hand?â
John is clearly as surprised as Marge is by the offer. He turns on his heel and doesnât seem to care that it means Gale will see what they already saw from the window â tear tracks glinting in frosty trails down his cheeks like he didnât notice them in time to wipe them away, and gaunt circles under his eyes the grey-purple of a day-old bruise.
âGroundâs frozen solid.â
âUh-huh.â
John just looks at Gale for some long moments, but he must see what Marge already knows â Gale wouldnât have said it if he didnât mean it, and heâs not going to budge until he gets an answer. John sniffs hard, runs his wrist under the end of his nose, gestures at their garage with a nod. âYou got a decent shovel in there?â
âUh-huh.â
âWell fish it out and come help if you want, I guess.â
Gale nods and does, tromping back and forth across the yard to the garage and back. When he reaches the fence he just drops the shovel over and vaults it with a rattle of the chainlink, loud in the hush. John doesnât say a word, just gets back to hacking and stabbing and scraping ineffectually at the ground. They work in silence; Marge gets breakfast going with the occasional glance to check on them working away at a foolâs errand.
When sheâs got it all fixed, Marge leans out the back door to tell Gale as much with her robe pulled tight around her waist to ward off the worst of the chill. âBreakfastâs on the table, come inside and warm up a bit.â Gale raises a hand to show heâs heard. âBucky?â John starts a little and stops his digging to look back over his shoulder. âYou want some breakfast?â
For a long moment it seems heâs not going to answer, or maybe that he hadnât even heard her properly. But then, halting and a little ragged around the edges, he calls back, âThatâs alright, Mrs Cleven, already had some. But thank you.â
Privately, Marge finds that hard to believe, but what is there to do about it? Galeâs vaulting the fence to come back in and Johnâs gone back to his impossible task, so she slips back inside with Gale and as they eat they both pretend like theyâre not sitting there listening to John work hard to accomplish nothing much at all.
âYou goinâ back out there?â Marge asks from the sink when theyâre finished eating. Sheâs up to her elbows in hot soapy water watching John tromp over to his little stack of fresh-cut fence posts, the back of his shirt damp with sweat despite the cold.
âYep.â
âThereâs no point to it, Gale, groundâs frozen solid.â
âThink thatâs the point, sweetheart.â Gale gives her a quick kiss to the top of her head, which isnât at all the explanation she wants but she keeps her mouth shut. She sighs to herself in the empty kitchen and listens to the faint crunch of Galeâs retreat, the rattling chainlink when he vaults it.
âChristâs sake, Buck,â John huffs â Marge reads his lips as much as she hears him through the back window. âYâgot a warm house and a wife inside, what the hell are you out here for?â
âYour house ainât warm?â
No, Marge thinks, itâs probably not. Sheâs watched for it since that day with the wood, but no matter when she looks thereâs never once been smoke coming out of Johnâs chimney.
John turns his back again, hefts a fence post in his arms. âGo back inside, Buck. Donât want Mrs Cleven to think Iâm stealing you away from her.â Gale, of course, doesnât budge an inch. When John turns around again he scoffs and heads back to one of the spots heâs churned up, turned the snow grey and dirty. âFine, suit your damn self. Be cold, see if I fucking care.â
John lines the post up and starts hammering away at it, regular thuds that carry along the snow without quite echoing back. Gale doesnât help this time, just watches with his hands in his pockets, shoulders held tense like heâs trying not to shiver. For all that hammering, the post doesnât seem to be going anywhere fast, but John keeps at it with dogged determination.
Marge finishes the dishes, returns to the back window to watch. Galeâs gotten even stiffer, his shivering no longer held in check, but he holds his peace for another few minutes Marge spends wringing her hands before he speaks up, and when he does itâs gently.
âCâmon John, thatâs enough.â
John pounds the top of the post twice more and stops; he takes his hands away and the post stands for a long moment before it falls in slow motion with a soft thump into the churned snow.
âGotta get this fence up, Buck.â
âWhy?â
John sniffles hard, scrubs the back of his wrist under his nose, and he doesnât answer.
âMarge tells me you flew with the 100th.â
John sniffs again and nods.
âTough break. Worst luck in the whole damn force.â
John barks a laugh but thereâs no joy or real amusement in it, only bitterness and black humor.
âDidnât call us Bloody for nothing.â
âUh-huh. Whereâd you end up â in Germany, I mean?â
Oh.
Marge stares a little harder like she might see fresh evidence of Johnâs time as a prisoner, but then she supposes the evidence has been there and plain to see since day one, and itâs on her for not having put the pieces together.
âLuft three.â John squints a little at Gale, looks him up and down in a slow drag. âYou?â
âOne. Went down firing on a train carrying munitions.â
John whistles long and slow. âBlaze of glory, huh?â
âSomething like that. You want to come in for a bit, John? Margeâll make you coffee, get you warmed up.â
Marge steps back from the window the moment before John looks over; he probably wouldnât mind but for some reason she doesnât want to get caught eavesdropping. It feels fragile, whatâs happening out there, and she doesnât want to spoil it.
âNo, you go on,â John huffs, âIâm fine.â
âAlright,â Gale agrees easy enough but he doesnât move.
âWhat?â
âGo inside, John. Iâm not going home until you do.â
âWhat kind of idiot logic is that?â John snaps. âGo back inside, Buck-â
âNameâs Gale, John.â
âWell mineâs Bucky and I donât hear you bothering to use it! Go back inside Gale, quit lookinâ at me like that-â
âAlright. Thatâs enough, Bucky.â
John stops short. He looks upset, still, but he just presses his mouth into a tight line and glares at Gale standing there shivering, shin-deep in show. âJesus Christ,â he mutters and gathers up his discarded coat from the fence to take with him. âGo home, Buck!â he shouts from his porch once heâs stomped up it. The slam of his kitchen door is loud and sharp in the hush.
Gale finally turns to come back home and he must be even colder than he looks because he doesnât complain once about Margeâs fussing when he gets in. She sits him down in the living room and builds up the fire for him, strips off his stiff leather shoes and cold, wet socks to hold his feet â pale blocks of ice â in her lap to chafe her hands against them for extra friction. It works well enough but she can do better; she leaves him there in front of the fire to put the kettle on the stove though she doesnât wait for it to boil. At the first hint of steam she empties every drop into the biggest mixing bowl theyâve got and takes it back to Gale, still quiet and uncomplaining despite her fussing. He dunks his feet obediently and waits until she comes back with the blanket from the back of the couch to hold his arm out so she can perch on the armrest of his chair and throw the blanket around both of them.
âWhat was that all about?â Marge finally asks. Gale leans into her fingers combing through his hair with a long sigh pulled from deep in his chest and deliberates on his answer, humming once to reassure her that the answer will be coming, just might take a while in transit.
ââŚWe had some guys,â he starts, rasping, some long minutes later with his wet trousers steaming dry and his feet turning a healthy pink in the hot water, âcouldnât much take it, come winter. Came up with ways to keep moving, keep themselves busy.â Gale clears his throat and continues a little clearer, âHarder to do nothing but sit and shiver than to come up with something stupid to do, if only to do it.â
Marge thinks on that as she tucks the blanket a little more firmly around Galeâs shoulders, still faintly trembling.
âBut he doesnât have to sit around shivering anymore,â she canât help but point out.
âDoesnât change that he does. Yâever smell smoke from his house, or see it?â
âNo.â So itâs not just her, and Galeâs been keeping an eye out, too. Itâs a small comfort.
They donât talk much the rest of the morning, Gale lost in thought and Marge preoccupied with getting him properly warm and comfortable. After lunch, Gale heads next door to check on John. Within the first hour of his being over there Marge smells fresh smoke and when she glances outside she spots it too, rising steadily from Johnâs chimney. Gale stays gone all afternoon and through sunset, and when he comes home for dinner heâs smiling, just a little.
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