Guess I'm starting to make enough stuff I should probably make a little directory sort of thing, huh? Here we go:
Writing tag: my writing
Fanvid tag: oops my hand slipped
Writing:
Complete Chaptered/Series:
Worth Knowing - MargeBuckies, E, 144k, Bucky!POV (mostly) || Post-war AU where Gale and John didn't meet until after they'd returned Stateside [Tumblr tag: 'Fic: Worth Knowing']
Natural - Follow-up oneshot to Worth Knowing! Marge/John, E, 10.2k, Marge!POV || Marge pegging John with some extra dysphoria goodies thrown in [Tumblr tag: 'Fic: Natural']
Breaker-Breaker, You There? - Clegan, E, 42k, Gale POV (mostly) || 1970's long-haul trucker AU, 5+1 fic (5 times they hook up on the road and 1 time they don't) [Tumblr tag: 'Fic: Breaker-Breaker You There?']
Keep Me Company - Follow-up to Breaker-Breaker! Clegan, E, 7.9k, Gale and John POV || The Buckies playing with exhibitionism on a drive-in date to a porno movie [Tumblr tag: 'Fic: Keep Me Company']
Return With Me, Forever - Clegan, T, 13.2k, Gale and John POV || The Twilight Zone AU, Time Loop, Clegan never make it home and instead find themselves back in 1943, at the start of it all [Tumblr tag: 'Fic: Return With Me Forever']
WIP Chaptered/Series:
Tomorrow At Sunset, I Promise - Clegan, WIP, M, ~16.7k so far, Gale POV (mostly) || Charlie St. Cloud AU, Major Character Death, Gale has to learn to deal with ghosts and grief [Tumblr tag: 'Fic: Tomorrow At Sunset I Promise']
Suicide Pass - Clegan & Gale/Marge & John/OCs, WIP, E, ~7.3k (as of now), Gale and John POV || Modern Era University AU, Hockey player!John, infidelity, clegan are fuck buddies/friends with benefits who get obsessed with each other [Tumblr tag: 'Fic: Suicide Pass']
Intimates - Clegan and Margebuckies, WIP, E, ~14.3k (as of now), Multiple POVs || a.k.a. the gender shit/cross dressing/horny clegan-in-drag fic. Pre-England Buckies (and Marge) playing with gender and cross dressing as kink but with some emotional complications [Tumblr tag: 'Fic: Intimates']
Oneshots:
It Doesn't Count If-- - Clegan, E, 2.7k, Gale!POV || Porn without plot, Gale's first night in England [Tumblr link: 'Fic: It Doesn't Count If-']
Need a Ride, Sunshine? - Margebuckies, T, 7.3k, Marge POV || The Bikeriders AU, scene rewrite for the beginning of the movie [Tumblr tag: 'Fic: Need a Ride Sunshine?']
The Mad Wind's Night-Work - Clegan, T, 1.3k, Gale POV || Hypothermia, 'Lie to me' whumpfest prompt, Major Character Death, hurt no comfort, unhappy ending [Tumblr tag: 'Fic: The Mad Wind's Night-Work']
What Goes Up - Gen, Complete (one-shot), T, 4.5k, Benny DeMarco POV || 'Crash' whumpfest prompt, missing scene, Gale & crew crashing over Bremen [Tumblr tag: 'Fic: What Goes Up']
Betting Men - Clegan, T, 5.3k, Gale POV || Gale character study from childhood to falling in love with Bucky [Tumblr tag: 'Fic: Betting Men']
Fanvids:
Clegan - 'Chapstick' by COIN || REMAKE
Clegan - 'I Need Never Get Old' by Nathaniel Rateliff & The Night Sweats || REMAKE
Clegan - 'Talk Too Much' by COIN
Clegan - 'Everything I Had' by Sub-Radio
Rosie - 'A Well Respected Man' by The Kinks
Gale (not-quite-clegan-yet) - ‘Cowpoke’ by Colter Wall (for prevalent-masters’ fic ‘Oh, Wild Heart’)
Clegan - 'A Thing Called Love' by Johnny Cash
Clegan - ‘If We Were Vampires’ by Jason Isbell and the 400 Unit
Clegan - ‘These Foolish Things Remind Me Of You’ by Benny Goodman and Helen Ward
Clegan - 'Fare Well' by Hozier
Bucky - 'Sound the Bugle' by Bryan Adams (for the horse clegan AU going around thanks to johnbottoms)
Clegan & Ensemble - 'We’ll Meet Again' by Vera Lynn (for the whumpfest 2025 day 2 song prompt)
Clegan - 'If I Go, I'm Goin'' by Gregory Alan Isakov (short)
Clegan - ‘Don’t Talk’ by 10,000 Maniacs (for weimarweekly)
Clegan - ‘Stare at Me’ by JANE HANDCOCK and Anderson .Paak
Gale - ‘Bubblegum Bitch’ by Marina and The Diamonds
Bucky - 'Oh No!' by Marina and The Diamonds
Clegan - ‘Opening (Brokeback Mountain)’ by Gustavo Santaolalla (accompanied by a ficlet)
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In typical me fashion, I was so busy getting out the end of Salt Drops i forgot to post these beautiful art pieces I commissioned @moontashpena for a few weeks back....
Song: 'Sound the Bugle' by Bryan Adams (from the 2002 soundtrack for Spirit: Stallion of the Cimarron)
Y'all can thank @magneticghouls for talking me into playing horsies with y'all, except I can't draw so may I offer you an angsty edit to the saddest song on the soundtrack in this trying time?
And if you haven't seen it yet: @johnbottoms' og art that seems to have woken up every horse girl (gender neutral) sleeper agent in this fandom for a one-hit K.O.
They settle in nicely, Marge thinks. Between her own efforts during the week and with Gale’s help on the weekends they get everything unpacked and arranged just so, their house filling up quickly with all the things they’ve been collecting to make their home with since they were just kids with a dream of getting out on their own.
November blusters in seemingly all at once, and by the time it does they’ve found their rhythm. Gale’s started to smile just a little more, brings home empty lunch pails some days a week and eats a little more at supper most nights. He still has his nightmares, spends a lot of time sitting up reading instead of sleeping, but there’s not anything Marge can do about those despite her best efforts, so she focuses instead on doing what she can, and it’s helping. They’re good, and every day, even the rough ones, she thinks they’re going to be just fine.
On one of Gale’s bad nights, the third one this week, he’s sitting up in bed reading some slim volume of poetry to her while she dozes at his side, her face buried in his hip and her arm slung across his lap, when they both jump about a foot in the air and Marge’s heart leaps up into her throat at a deafening bang from downstairs. Gale’s out of bed in an instant and Marge scrambles out after him, yanking a cotton robe on over her slip and stopping halfway down the stairs as Gale hits the ground floor at a clip and follows another bang to its source at the front door.
He throws it open wide, and Marge puts a hand over her racing heart.
“Whoa,” John drawls, long and slow. “Whooooaaa that’s an angry mug.”
“The hell are you doing, John?” Gale bites. Marge doesn’t think she’s ever heard him so cold.
“Hey! ‘S Bucky, t’you. Bucky, Buck.”
“I ain’t goin’ by Buck. What are you doing here, John? Fuck are you doin’, beating down the door in the middle of the goddamn night?”
Marge creeps down another few steps silently, just enough to peek around the corner. Gale’s blocking most of her view but he’s clicked on the front light and when she gets a glance over his shoulder she has to press her fingers to her mouth to keep from saying something, anything, that would draw attention.
“Jus’ tryin’ to get to bed, that’s all,” John slurs. “Don’ want any trouble, honest.” He raises his hands to his shoulders, swaying surrender.
“This ain’t your house.”
“What?” John squints through bruised lids already swelling almost shut, and when he tilts his head back to look up at the house he nearly goes sprawling on his back before he rights himself.
“Oh Jesus. Fuck. Sorry, Buck, ‘m sorry,” he sighs. His bottom lip is swollen around an ugly split, dried blood streaking down his chin. “‘M goin’, didn’t mean to keep y’up. Sorry. Christ.”
Marge takes the last couple of steps necessary to slip up behind Gale, her hand on his back, to stand with him as they watch John stumble back to the sidewalk and over to his own front door, muttering to himself the whole way. He fumbles his keys, metal jingling at his feet. Gale stalks past her, back into the house. Marge stands there in the doorway, heart slowing and her arms around her waist to hold her robe shut, and watches John squat down to pick up the keys only to just tip back, back, and fall the last few inches to thud down on his bottom right there on the porch, slumped like a puppet with its strings cut. He kicks at his door, just once, and then looks for all the world like he doesn’t plan to move again.
She doesn’t know why she doesn’t just shut the door against the cold chilling her bare legs, go back to bed now that they know there’s nothing to be afraid of. They haven’t seen much of John lately, not even enough for the occasional hello, certainly not enough to be able to call each other friends, but she still can’t help but notice that he doesn’t seem to really…do anything. He doesn’t go anywhere on the weekends, he doesn’t see anyone during the week. He goes to work, he comes home, and no one even stops by to say hello. No one checks in, and with no little guilt she realizes that’s including her.
Marge steps out and crosses the pavement on bare feet, climbs the couple of steps up to John’s porch to step carefully over one leg splayed out wide.
“Oh. Hey. Mrs Cleven,” John slurs, trying to sit up. “Hey, sorry, don’t be scared of me Marge, ‘kay? Please. Didn’t mean to, just..y’know? Don’t be scared.”
“I’m not scared,” she promises, reaching down to pluck his keys from his lax grip. His knuckles are split, already bruising by what she can see from the light off their porch next door. The house key is easy to pick out from amongst the others; she unlocks the front door and feels along the wall for a switch, wincing a little in guilty sympathy when John swears at the sudden flood of light, bloodied and bruised hands flying up to shield his eyes.
“Hey, you got in!” he crows, abruptly grinning, pain apparently forgotten. He lunges to his feet and Marge has to duck aside to keep from being bowled over as he barrels inside, catching himself with a little oof of displaced air on the post at the base of the stairs. “Jesus, real angel you are Marge, coulda just slept on the porch you know,” he tells her, big hands gesturing as he rambles. “Here, lemme have the keys, go on back home to your fella, don’t let him go to sleep alone okay? You take care of him, doncha? He takes care of you? ‘S the way should be, they promised.”
Marge passes John his keys, holding them out until his wide swings finally end with his palm wrapped hot and tight around them. “You okay, Bucky?” she can’t help but ask. This close he smells so much like a distillery she wants to sneeze just to clear her nose, and she can just barely make out a broken vessel in one of his swollen eyes, crimson bleeding across the white.
“I’m good, Marge, always good! Come on now, get goin’, your fella’s all alone over there, come on.”
Marge doesn’t have much of a choice but to let John chivvy her back out onto the porch, though she can’t help but notice that even drunk off his ass he doesn’t touch her to do it, just crowds close and gestures in the direction he thinks she should go. She goes, and he closes the door behind her with exaggerated care, as if being gentle with his own door should make up for nearly kicking theirs down.
Gale’s waiting for her in the front hallway when she steps back inside, her bare feet cold enough now to make her whole body shiver.
“You get him inside okay?”
“Yeah,” she breathes, rubbing her hands briskly over her arms. “Just didn’t want him sleepin’ outside in this weather, looked like he was planning to.”
Gale nods, reaches out for her to pull her into a hug that squeezes the breath out of her. Marge goes easily, happily, and stands there with him until she’s warmed back up and Gale’s yawning against her hair, finally ready to try sleeping. They go to bed. Gale holds her close, and Marge nods off again thinking of John falling asleep alone.
--//--
Gale relaxes in increments so slow she only sees them because she’s looking for them, but slow progress is still progress. He keeps filling out as he eats good meals, three times a day under her watchful eye. He goes to the doctor and gets a clean bill, and with that comes Marge’s promise that she won’t make him go again unless they’re both sure he’s dying. He gets along well at work, makes a few friends that Marge meets as well when they’re out in town together running errands of a weekend, or when they’re invited around a couple of houses for Friday evening dinners; Gale doesn’t care for the first dinner and doesn’t seem likely to change his mind after the second so they quickly quit accepting the invitations, but a few of the folks they meet at them are nice enough to keep in casual touch with Marge even after Gale makes them scarce. They’re surface-level acquaintances and are unlikely to ever become more, but Marge knows beggars can’t be choosers and she’ll choose fluff without substance over anything deeper she might develop with their catty neighbors any day.
The weather turns truly bitter towards the middle of the month and Gale starts spending practically all of his free time sitting so close to the fireplace Marge is worried a single stray spark will set him alight, but knowing what little she does of his time in the prison camps she doesn’t have the heart to ask him to move further back. He spends a lot of time reading and the rest of his time staring at (or maybe through) his pictures she’d insisted be put up on the mantle with the bits of his uniform they’d had framed, but he’s always quick to turn away and answer her when she comes in to talk, or to kiss, and these days every fresh greeting between them comes with a ghost of the smiles he used to give her when they were courting, before everything. Even those wan smiles are better than when he’d come home and couldn’t seem to smile for anything at all except on special occasions, and she loves him for every single one of them.
“Saw you out talkin’ to John this morning,” she tells him, perched on the arm of his chair in front of the fire, her elbow resting on the back cushion so she can play with his hair and he can hold her steady, his arm sturdy around her hips.
“Mhm.”
“He on break from school for the holiday?”
“Mhm. ‘Til Monday.”
Marge hums, plays with Gale’s hair some more. He relaxes into her, head tilting to rest on her ribs as he stretches his feet closer to the fire.
“Momma called, said her and daddy are gonna be here tomorrow afternoon, wanna beat the weather. Oughta check the guest linens are still fresh,” she muses. Gale hums, nuzzles her ribs, the side of her breast.
“Packed ‘em in lavender like always, didn’t you?”
“Uh-huh.”
“Then I’m sure they’re fine.”
Marge sighs and takes the roundabout admonishment to relax without argument. She leans heavier against the back of the chair and curls up smaller, with her feet in Gale’s lap to get comfortable. He keeps nuzzling into her and Marge smiles, strokes her fingers through his hair he still keeps cropped as close as the day he’d shipped out.
It’s not hard to guess where his mind’s going when he starts getting affectionate like this but she lets him get there in his own time, lets him savor her as much as he could ever want. He’s so careful with her, gentle stroking hands leaving heat trailing under her skin in their wake, steady breathing, deliberate kisses he seems to place just so, right where she likes them best. She knows better than to ask if they should go upstairs for this, knows better than to expect them to make love the normal way — the way all her girlfriends back in Florida and Wyoming told her she should. For that matter, she knows better even than to expect it to be like that one time she’d managed to talk him into making love to her before he’d shipped out. Things are different, Gale’s different, but then so is Marge, and she’s also pretty sure they’re happier together than a lot of those girls were with their fellas who pawed and groped and put their girls on their backs just to take their own pleasure hard and fast and give nothing back at the end. Doing things different seems pretty good from where Marge is sitting, all things considered.
When they finally get where he’s going, she winds up straddling Gale’s lap sitting on his hand, big and warm and moving just right in between her thighs to take her apart at the seams, and all thoughts of linens and rationed holiday menus and everything else that isn’t her husband’s touch flies right out of her head.
Gale spends the entire evening taking her apart until she’s begging him to let her breathe, let her recover. She laughs when she tries to stand only to find her knees have completely given up on her, and Gale smiles when he carries her upstairs to bed. He helps her clean up enough to sleep, tucks her under the covers, and goes back downstairs to bank the fire, turn off the lights. She’s nearly asleep when he comes back, and tonight’s apparently a good night because he lays down under the covers with her and falls asleep almost instantly once he’s got her in his arms the way he likes.
It makes it all the more heartbreaking when her parents arrive the next afternoon and he goes silent, and cold, and the look in his eyes is like he’s just stepped off that train again, fresh off his tour. Her mother needles them at every opportunity for any hint of children coming now that she doesn’t have to content herself with doing it in writing only to find those parts of the letters going ignored. Her father barely even looks at Gale except once to ask him about his work down at the plant, then again, though it’s more like half a glance from the corner of his eye, to tell him he needs to do better keeping up with raking up the leaves in the yard.
By the end of dinner Marge is so worn out trying to keep her parents’ attention off Gale so he can keep to himself that her knees and hands tremble with wrung out exhaustion of an entirely different kind to the night before, and if it were possible to sink right into bed in the next moment she would do it without a moment’s hesitation. Gale helps her wash up despite her father grumbling that that’s woman’s work, and she’s glad for the chance to lean against him just for a minute where they stand shoulder-to-shoulder at the sink.
It startles her when he clears his throat and speaks up, voice a little rusty with how little he’s been using it all day. “Think I oughta check on things next door for a minute.”
Marge blinks out of her thoughts and glances up at him, but his gaze is fixed on the window behind the sink. It takes a bit of squinting to find what he’s looking at, the kitchen lights at her back only making it harder to pick out whatever he’s spotted in the dim lamplight outside, but when she finally sees what he does her heart sinks right down to her nicest shoes pinching her toes too tight and rubbing little tender spots on the backs of her ankles.
“Hang on, I’ll fix him up a plate,” she says, already toweling off her soap-chapped hands to take the plate Gale’s drying and start loading it up with anything and everything left over from their dinner that’ll fit; that’s easier to deal with than the sight of John bundled up in a long duster coat sitting on his back porch, glowing cigarette in one hand and a bottle of liquor in the other, and every single light in the house behind him switched off.
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Y'all. I wrote something. I don't think it's going anywhere, but it was a thing that felt good to do.
Looking for Eight interlude, party eleventy-twelve:
The morning sun is tilting toward midday, rising up over the flat side of Calgary that seems more like Casper or Cheyenne. There’s hours yet before brightness slides overhead and and spends its eternity slipping down behind the Rockies in the west, but Gale has to get on the road long before then. His dad isn’t here, but Gale can hear Lee well enough in his head. Impatience and the need to control processes and outcomes through regimented follow-through on schedules and chore charts and handwritten timetables compared to maps. Gale won’t call what his dad does nagging, but it might as well be. And Gale knows enough now that he’s close to grown that controlling and nagging keep Lee sober or close enough to it that Gale just lets it go. It’s just part of the noise of being back at home for the summer that’s almost over, but the respite from Lee’s domineering has been been a gift on Gale’s first trip alone up to Calgary with Prissy and Cadillac. Sure, Gale has checked in at scheduled times, listened to Lee’s pointed questions and opinions about what Gale might be doing right or wrong even though Lee isn’t here to see it. Giving scores is enough, and not having to listen to Lee at all is letting Gale relax into winning and accepting the peace of being alone with the horses, instead of doing a thing and winning at it to keep from having to hear his dad. For the fist time, Gale is his own man instead of Lee’s shadow. Staying alone in the trailer quarters, reading late into the night, riding for the pleasure of it instead of to achieve something. If there was enough time left over from that, Gale would spend some of it away from the precision of reining and cutting cattle, over at the wildness at the part of the Stampede that everybody comes for, but there aren’t enough hours in the day. Or with the expectation to be back in Cheyenne by dark tomorrow to meet Lee. At least there isn’t the pressure of time for stopping off at home and riding together. But in thinking of watching rough stock, Gale hears Lee’s voice the loudest, preaching about know-nothing drugstore cowboys with no discipline who are just there to make money. Trouble is that rough stock riders come from the same kinds of horsemanship and livestock legacies that Gale does through his mother’s line. It was Lee who was new to it. And it was Lee who rode saddle bronc when he was as young as Gale. It seems to Gale that it’s exactly the same kind of knowledge and discipline to staying stuck on rough stock as there is to moving with a reining horse and that there’s a lot more money to be made in NRHA and Futurity than there is in holding on for eight seconds. But there’s not enough time for anything anymore, since horsemanship finished yesterday and Stampede winds up tonight. This morning has been all about shaking hands and saying goodbye and collecting well wishes for Lee. And for Gale’s mom now that she’s started over in Jackson wanting no more of horses.
Cowboy church done for the morning, Gale is in the middle of moving against the tide of people meandering toward the main action, heading back toward trailer hookups and stables when there’s a sudden pull of attention. The kind he stays aware of when there’s always someone around looking for Lee, or mistaking Gale for Lee forty years ago like no one ever gets any older. There’s a kid Gale’s own age or thereabouts coming toward him in a weird kind of trot and hobble like he’s hurt. Bull or bareback rider by the look of him, big and lanky, too tall to be chasing the sport he’s chasing but evidently doing it anyway, not toting a saddle, but managing a full gear bag and hat case and an open can of Coke like it’s no thing except for the bum knee or hip or whatever it is. He’s wearing sneakers and a Coors Rodeo shirt with his faded jeans and a friendly grin as wide as his sunburned jug ears lights his face. Gale can’t help but smile too and it feels a little weird and wild, with a thump in his chest when he notices freckles and peeling sunburn and bruises, telling him he’s supposed to know this kid the way he knew he was going to marry Marge Spencer someday when they met at the spelling bee when they were eight.
Gale shakes the sweaty hand thrust toward him, meeting bright, expectant eyes that are bluer than his own, even under the shade offered by the bill of the kid’s cap.
“Hi, I’m John Egan. My friends and family call me Bucky but I’ll take either. Somebody said you were headed out to Cheyenne this morning. I was hoping I could get a ride. A hundred bucks is all I got, but I’m good at talking.”
“Gale Cleven,” Gale answers.
Gale finds himself nodding, still firmly holding onto the handshake. He lets go to immediate coolness as sweat evaporates, his palm evidently as hot and wet as John’s. His eyes catch John’s hand, banged up, calloused, John’s forearm thick and muscled but stripped hairless from tape, and Gale’s own hand smooth and clean against monogrammed white shirt cuff, new undergraduate class ring gleaming. John has the goofy energy of a farm dog that wants desperately to please while no one has ever taught him the business of being a dog, upright and good looking without being particularly well-behaved or cared-for. The kind of kid Lee would tell Gale to stay away from. Despite feeling like there’s not much choice in the matter, or saying no to fourteen hours of road-time now that the question has been asked, Gale likes John immediately.
“You ain’t riding today?” Gale asks, the construction he’s trying not to use slipping out naturally. It doesn’t make much sense to be leaving when the action is just starting for the last time.
“I’m out of the average and down to a hundred bucks. Figured I could still make Cheyenne. I’m good for a tank of gas and a motel room.”
“How’d you get here?” Gale asked. Gale has been driving since he was fifteen and flush with a so-called hardship permit afforded by a farm exemption that Lee somehow finagled. The logistics of being alone without a vehicle in high plains and Rockies rodeo country compound against the risk of riding rough stock, offering a sense of John’s desperation or a death wish lurking behind the easy good nature on display.
“Bummed a ride up from California with a buddy who’s headed back to Cœur d’Alene. Figured if I can make Cheyenne I’ll either win enough for new wheels or call my mom to get me a bus ticket. Bet you the hundred dollars I got that I get a new pickup out of this. What do you say, Gale?” John asks, grin growing impossibly wider, radiating joy and anticipation.
Gale’s chest thumps again and he takes a half step back to cool off from the warmth of John’s regard. “I’m not a betting man.”
“No, I don’t believe you would be,” John answers gently, his eyes tracking to the worn Bible in Gale’s left hand.
Picked a movie somewhat at random to watch tonight and got happily blindsided by both a Nate Mann appearance and Orville Peck for one part of the soundtrack. And it was a good movie!
The fact that Rosie, one of the coolest dudes to ever be cool, is introduced as a character by doing the dorkiest dance I’ve ever seen is just 🤌🏻 exquisite
And IMMEDIATELY AFTER talks about flying in his underwear and then visibly regrets his entire life
Gale "not gay" Cleven: Gale isn't gay. He always wears women's clothes when John fucks him, okay? After they get married, John often refers to Gale as his pretty wife. See? Gale isn't gay—he's John's pretty wife.
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Marge squints against the early autumn sun until she twists enough to put it at her back and finds a man standing on the front porch, such as it is, of the house next door. He’s white as a sheet and staring right past her, and when she twists again to follow his gaze she reaches out to tug gently on the back of Gale’s shirt, still far looser on him than she’d like.
“Gale, honey, I think he’s talkin’ to you.”
Gale turns, frowning, to look down at her and then, at a gesture with her chin, past her to the man next door.
“Can I help you?” Gale asks, wary but still polite, as he always is until someone gives him a reason not to be.
The guy stares hard for a few seconds in silence, petrified, before he visibly shakes himself and pastes on the biggest, fakest smile Marge has ever seen on anyone not trying to sell her something.
“Maybe, maybe not. Don’t happen to be from Wisconsin, do ya? Around Manitowoc?”
Gale glances down at her but Marge just shrugs; she doesn’t know this guy or why he’s asking any better than Gale does, and they’ve got a lot they need to move into the house before it gets too dark out to work.
“No. Casper. Wyoming.”
“Oh. Wyoming, huh? Used to know a fella from Colorado, and another from Montana. Hear it’s beautiful out that way.”
“Yeah.”
Gale leaves it at that, short and quiet like he’s always been (shorter and quieter now, but that’s fine), and turns back to lugging a box of his books up into his arms to carry on into the house without a glance back to see the way the guy’s face falls even as he stares after Gale until he disappears inside.
The next closest box is one neatly labelled ‘Kitchen’ in Gale’s steady block print. When Marge picks it up it rattles softly with pantry goods, and she’s pretty sure as she heads inside with it that the guy doesn’t even notice when he’s left alone there on his front stoop.
By the time she and Gale re-emerge for the next round of boxes, he’s gone.
—//—
“Name’s John Egan,” the guy introduces himself a week later when they’ve finished hauling everything in and they can finally settle enough to meet the neighbors properly, “but everybody calls me Bucky, and I like it better that way.”
“Gale Cleven, my wife Marjorie.”
“Just Marge though,” she smiles, sweet balance to Gale’s newly stern, unsmiling affect. “I like it better that way.”
John smiles at her then, so much more real than whatever he’d done last time, and when he shakes her hand his own is big and warm and calloused kind of like Gale’s are, a hand used to hard work.
“Pleasure to meet you properly, Marge. Gale.”
John shakes Gale’s hand too and seems about to say something else but Gale’s already pulling away to take the couple of steps down to the pavement so they can continue on their little meet-and-greet tour around the block. John offers a nod full of understanding to her apologetic little grimace, and he just watches with his hands in his pockets and one shoulder leaned up against the side of the doorframe his shoulders nearly fill as Marge joins Gale down on the sidewalk to tuck her hand into his elbow, and on they go.
—//—
“Oh lord no, I wouldn’t go anywhere near that man if we weren’t neighbors, and even at that I don’t talk to ‘im unless I’ve got Artie with me.”
Marge hides the urge to frown in the motion of crossing one ankle behind the other and taking a careful sip of her too-bitter coffee.
“Sad but true,” another of the ladies sighs, and maybe Marge is being unfair but she thinks the pout that goes with the sentiment looks more than a little put-on. “Just somethin’ off ‘bout him! You know, Cal and I think he’s gotta have someone he’s threatened or something up at the school what got him the job - don’t know how he’d get it otherwise, man’s not right in the head.”
“Ain’t that the truth. What’s he teaching again, Bonnie?”
Mousy little Bonnie Turner, sitting beside Marge, clears her throat and holds a hand in front of her mouth to finish chewing the minuscule bite of a ginger snap she’d just taken. “Woodshop, I think,” she says when her mouth’s clear. “Somethin’ handy, anyway.”
“They gave him sharp tools to brandish around those kids?“ Henrietta Smith scoffs from her throne at the top of the room. “First sign of trouble I’m going to write to principal Perry myself and let him know what’s what. They oughta know what they’re dealin’ with, hiring a man like that to teach. How’s he been to you and your fella so far, Marjorie?”
“Nothin’ but nice,” she says, and it’s the pure truth but it still earns her a couple of scoffs that put her back up. “I mean it! He’s been fine. Maybe a little quiet, but everything seems alright.”
“You’re still new,” Henrietta tuts, and the rest of the ladies she’s holding court with titter as well (except for Bonnie next to her, who just looks like she wishes they’d change the subject). “Just wait ‘til he gets it in his head that someone’s done him wrong, or ‘til he’s got nothing better to do but make trouble for everyone else, like he did this summer. A man always reveals his nature eventually, and Major John Egan’s nature is mean.”
Marge leaves not too long after that, excusing herself with the reason that she needs to get home and start dinner for Gale. She’d hoped for nicer neighbors here than the ones they’d left behind, but it seems folks are the same no matter where you go — nosy busybodies who sit around and do nothing but judge their neighbors and gossip, all mean-spirited and nasty. She shudders and has half a mind to do something silly like take a shower to see if she can scrub off the grimy feeling that little ‘afternoon tea’ left her with down in her soul. She pauses on the sidewalk outside John’s house with half a mind to march right up there and talk to him for a bit just to show those clucking hens what for; it’s quiet though, he must still be up at the school, so Marge goes on into her own home, still only half-unpacked.
Some hours later, dinner’s in the oven and she’s sitting at the table working on unwrapping all their photos from their cushions of newspaper scraps when a car passes by, turns into the driveway next door. She hardly feels better than one of those busybodies as she does it, but she stands up to creep over to the window, staying just out of sight with her stomach pressed to the edge of the sink.
John steps out of his car so he can haul up the door to his garage, gets back into the car, she presumes to drive it inside. He sits there, hands on the wheel and his chin on his chest, for a few long minutes marked only by Marge’s breathing and the clock she’d put above the kitchen door ticking away. She has half a mind to go check on him and make sure he’s alright, but before she can decide one way or the other John suddenly jerks upright and her heart lurches when his car does, a few inches forward in a harsh jerk. He slams the brakes, stalls it, starts it again with too harsh motions like he’s angry with it, but then he gets it into the garage without incident anyway.
He hauls the garage shut again behind himself but he doesn’t go in his house. He’s just standing there outside the garage with his hands on his hips, two fingers curved over his belt and the rest of them curled up entirely, tucked into his palms, breathing deep and looking down at his yard, at the grass getting a little long. When he finally gets moving he still doesn’t go inside, and Marge hurries to take a step or two back as he comes towards her — or, it turns out, just towards his side yard and then up and around to the front of his house for a stop at the mailbox. Marge leans forward again, cranes her neck until her forehead is nearly pressed to the glass to keep her eyes on him as he stands there on the sidewalk between their houses, flicking through a few envelopes. One of them he folds in half and tucks into his shirt pocket, but the other two he keeps hold of — and then he’s definitely walking towards her house.
Alice’s warning rings in Marge’s head the same moment a knock on the door cuts through the ticking silence and Marge tells herself she’s being ridiculous. She might need her husband Arthur around to feel safe, but Marge can hold her own just fine – and John hasn’t given her a reason to be afraid of him anyway! She marches to the door, opens it to find John standing on her stoop with two envelopes held carefully between his big hands. He’s got a light scatter of wood shavings in his hair and a layer of sawdust paling his sleeves, and the stern lines of his face soften ever so slightly when she smiles at him.
“Hi Bucky,” she greets, and he softens even further, gently surprised pleasure. “What can I do for ya?”
“Marge,” he replies and touches the front of his hair like he’s used to having a cap there to tip. Gale does it too sometimes and Marge finds it as charming on one as the other. “Seems the postman was in a rush, left me a couple’a letters that aren’t mine.”
John holds out the envelopes between them and Marge hurries to take them. A glance at the first proves it to be from her mother, and the second something more official-looking from-
“Oh!” she chirps, smiling wide.
“Good news?”
“Hope so! We’ve been having an awful time tryin’ to get my name changed since Gale and I tied the knot,” she explains, already ripping into the second envelope with one red lacquered nail, thin paper giving way easily. “Third time’s the charm though, right?”
The documents slide free and she catches the letter that’s come with them, unfolding it eagerly to skim through the apology it contains and then, yes, there it is:
Marjorie Ruth Cleven.
“Well?” John prompts, and when she looks up she finds him smiling, hands in his pockets and eyebrows raised. “Good news?”
“Good news,” she confirms, nodding.
“Well then congratulations, Mrs Cleven.”
And oh that’s lovely. Marge thanks him, cheeks aching with how wide she’s grinning, and John’s smile widens a little more like he doesn’t even notice it. He nods, takes a couple of steps back out of the shade of the porch and into the sunshine.
“I’d better get,” he says. He nods to the letters in her hands, “I’ll let you know if that happens again, might be some confusion down at the post office since you’ve just moved in.”
“Y’ don’t have to do that, John, it’s alright. You can just put anything that’s ours right in the mailbox, no need to trouble yourself.”
John’s smile fades just a little, creasing at the corners as he digs his hands deeper into his pockets.
“Ah yeah, of course. I’ll do that. Have a good evening, Mrs Cleven.”
He’s turned and gone again quicker than Marge can figure out what else to say, though she doesn’t step back inside until he’s unlocked his own front door and gone in.
Gale gets home around six, and the moment he’s kissed her hello Marge shows him the letter just to see one of his rare smiles creep slow as molasses across his face. It makes his hollow cheeks look a little rounder, puts a bit of his old light back in his eyes, sets her heart to aching in the best way just the same as ever.
“Well,” he drawls, tucking an arm around her waist to reel her in tight so he can kiss her forehead, “how ‘bout that. Mrs Marge Cleven.”
Her heart trips over itself trying to land in Gale’s hands, also same as ever. He catches her easily with arms around her waist and a sweet kiss the second she tilts her head back for it, and that matters a hell of a lot more than her mother’s letter full of thinly-veiled questions about when they’re going to be announcing their next big piece of news.
Years before Gale understands what arousal is, he watches two men grapple in an alley.
It’s something to watch. Something to keep the sleep at bay for a few more minutes as their clothes rumple and their heels kick up dust. Mostly in shadow, Gale can only see because he’s been sitting in the dark for hours. Anyone walking by would likely think it’s no more than two alley cats sciffling. At first he thinks they’re drunk, settling a score started over a card table. Bodies pushing together then apart, soft panting noises like weeping. A crowd at their hips, hands in the mix grasping and pulling.
Gale watches, breath a shallow ache in his chest and understands, through some sort of childish instinct, that this was something that should be kept a secret between him and the stars.
Marge squints against the early autumn sun until she twists enough to put it at her back and finds a man standing on the front porch, such as it is, of the house next door. He’s white as a sheet and staring right past her, and when she twists again to follow his gaze she reaches out to tug gently on the back of Gale’s shirt, still far looser on him than she’d like.
“Gale, honey, I think he’s talkin’ to you.”
Gale turns, frowning, to look down at her and then, at a gesture with her chin, past her to the man next door.
“Can I help you?” Gale asks, wary but still polite, as he always is until someone gives him a reason not to be.
The guy stares hard for a few seconds in silence, petrified, before he visibly shakes himself and pastes on the biggest, fakest smile Marge has ever seen on anyone not trying to sell her something.
“Maybe, maybe not. Don’t happen to be from Wisconsin, do ya? Around Manitowoc?”
Gale glances down at her but Marge just shrugs; she doesn’t know this guy or why he’s asking any better than Gale does, and they’ve got a lot they need to move into the house before it gets too dark out to work.
“No. Casper. Wyoming.”
“Oh. Wyoming, huh? Used to know a fella from Colorado, and another from Montana. Hear it’s beautiful out that way.”
“Yeah.”
Gale leaves it at that, short and quiet like he’s always been (shorter and quieter now, but that’s fine), and turns back to lugging a box of his books up into his arms to carry on into the house without a glance back to see the way the guy’s face falls even as he stares after Gale until he disappears inside.
The next closest box is one neatly labelled ‘Kitchen’ in Gale’s steady block print. When Marge picks it up it rattles softly with pantry goods, and she’s pretty sure as she heads inside with it that the guy doesn’t even notice when he’s left alone there on his front stoop.
By the time she and Gale re-emerge for the next round of boxes, he’s gone.
—//—
“Name’s John Egan,” the guy introduces himself a week later when they’ve finished hauling everything in and they can finally settle enough to meet the neighbors properly, “but everybody calls me Bucky, and I like it better that way.”
“Gale Cleven, my wife Marjorie.”
“Just Marge though,” she smiles, sweet balance to Gale’s newly stern, unsmiling affect. “I like it better that way.”
John smiles at her then, so much more real than whatever he’d done last time, and when he shakes her hand his own is big and warm and calloused kind of like Gale’s are, a hand used to hard work.
“Pleasure to meet you properly, Marge. Gale.”
John shakes Gale’s hand too and seems about to say something else but Gale’s already pulling away to take the couple of steps down to the pavement so they can continue on their little meet-and-greet tour around the block. John offers a nod full of understanding to her apologetic little grimace, and he just watches with his hands in his pockets and one shoulder leaned up against the side of the doorframe his shoulders nearly fill as Marge joins Gale down on the sidewalk to tuck her hand into his elbow, and on they go.
—//—
“Oh lord no, I wouldn’t go anywhere near that man if we weren’t neighbors, and even at that I don’t talk to ‘im unless I’ve got Artie with me.”
Marge hides the urge to frown in the motion of crossing one ankle behind the other and taking a careful sip of her too-bitter coffee.
“Sad but true,” another of the ladies sighs, and maybe Marge is being unfair but she thinks the pout that goes with the sentiment looks more than a little put-on. “Just somethin’ off ‘bout him! You know, Cal and I think he’s gotta have someone he’s threatened or something up at the school what got him the job - don’t know how he’d get it otherwise, man’s not right in the head.”
“Ain’t that the truth. What’s he teaching again, Bonnie?”
Mousy little Bonnie Turner, sitting beside Marge, clears her throat and holds a hand in front of her mouth to finish chewing the minuscule bite of a ginger snap she’d just taken. “Woodshop, I think,” she says when her mouth’s clear. “Somethin’ handy, anyway.”
“They gave him sharp tools to brandish around those kids?“ Henrietta Smith scoffs from her throne at the top of the room. “First sign of trouble I’m going to write to principal Perry myself and let him know what’s what. They oughta know what they’re dealin’ with, hiring a man like that to teach. How’s he been to you and your fella so far, Marjorie?”
“Nothin’ but nice,” she says, and it’s the pure truth but it still earns her a couple of scoffs that put her back up. “I mean it! He’s been fine. Maybe a little quiet, but everything seems alright.”
“You’re still new,” Henrietta tuts, and the rest of the ladies she’s holding court with titter as well (except for Bonnie next to her, who just looks like she wishes they’d change the subject). “Just wait ‘til he gets it in his head that someone’s done him wrong, or ‘til he’s got nothing better to do but make trouble for everyone else, like he did this summer. A man always reveals his nature eventually, and Major John Egan’s nature is mean.”
Marge leaves not too long after that, excusing herself with the reason that she needs to get home and start dinner for Gale. She’d hoped for nicer neighbors here than the ones they’d left behind, but it seems folks are the same no matter where you go — nosy busybodies who sit around and do nothing but judge their neighbors and gossip, all mean-spirited and nasty. She shudders and has half a mind to do something silly like take a shower to see if she can scrub off the grimy feeling that little ‘afternoon tea’ left her with down in her soul. She pauses on the sidewalk outside John’s house with half a mind to march right up there and talk to him for a bit just to show those clucking hens what for; it’s quiet though, he must still be up at the school, so Marge goes on into her own home, still only half-unpacked.
Some hours later, dinner’s in the oven and she’s sitting at the table working on unwrapping all their photos from their cushions of newspaper scraps when a car passes by, turns into the driveway next door. She hardly feels better than one of those busybodies as she does it, but she stands up to creep over to the window, staying just out of sight with her stomach pressed to the edge of the sink.
John steps out of his car so he can haul up the door to his garage, gets back into the car, she presumes to drive it inside. He sits there, hands on the wheel and his chin on his chest, for a few long minutes marked only by Marge’s breathing and the clock she’d put above the kitchen door ticking away. She has half a mind to go check on him and make sure he’s alright, but before she can decide one way or the other John suddenly jerks upright and her heart lurches when his car does, a few inches forward in a harsh jerk. He slams the brakes, stalls it, starts it again with too harsh motions like he’s angry with it, but then he gets it into the garage without incident anyway.
He hauls the garage shut again behind himself but he doesn’t go in his house. He’s just standing there outside the garage with his hands on his hips, two fingers curved over his belt and the rest of them curled up entirely, tucked into his palms, breathing deep and looking down at his yard, at the grass getting a little long. When he finally gets moving he still doesn’t go inside, and Marge hurries to take a step or two back as he comes towards her — or, it turns out, just towards his side yard and then up and around to the front of his house for a stop at the mailbox. Marge leans forward again, cranes her neck until her forehead is nearly pressed to the glass to keep her eyes on him as he stands there on the sidewalk between their houses, flicking through a few envelopes. One of them he folds in half and tucks into his shirt pocket, but the other two he keeps hold of — and then he’s definitely walking towards her house.
Alice’s warning rings in Marge’s head the same moment a knock on the door cuts through the ticking silence and Marge tells herself she’s being ridiculous. She might need her husband Arthur around to feel safe, but Marge can hold her own just fine – and John hasn’t given her a reason to be afraid of him anyway! She marches to the door, opens it to find John standing on her stoop with two envelopes held carefully between his big hands. He’s got a light scatter of wood shavings in his hair and a layer of sawdust paling his sleeves, and the stern lines of his face soften ever so slightly when she smiles at him.
“Hi Bucky,” she greets, and he softens even further, gently surprised pleasure. “What can I do for ya?”
“Marge,” he replies and touches the front of his hair like he’s used to having a cap there to tip. Gale does it too sometimes and Marge finds it as charming on one as the other. “Seems the postman was in a rush, left me a couple’a letters that aren’t mine.”
John holds out the envelopes between them and Marge hurries to take them. A glance at the first proves it to be from her mother, and the second something more official-looking from-
“Oh!” she chirps, smiling wide.
“Good news?”
“Hope so! We’ve been having an awful time tryin’ to get my name changed since Gale and I tied the knot,” she explains, already ripping into the second envelope with one red lacquered nail, thin paper giving way easily. “Third time’s the charm though, right?”
The documents slide free and she catches the letter that’s come with them, unfolding it eagerly to skim through the apology it contains and then, yes, there it is:
Marjorie Ruth Cleven.
“Well?” John prompts, and when she looks up she finds him smiling, hands in his pockets and eyebrows raised. “Good news?”
“Good news,” she confirms, nodding.
“Well then congratulations, Mrs Cleven.”
And oh that’s lovely. Marge thanks him, cheeks aching with how wide she’s grinning, and John’s smile widens a little more like he doesn’t even notice it. He nods, takes a couple of steps back out of the shade of the porch and into the sunshine.
“I’d better get,” he says. He nods to the letters in her hands, “I’ll let you know if that happens again, might be some confusion down at the post office since you’ve just moved in.”
“Y’ don’t have to do that, John, it’s alright. You can just put anything that’s ours right in the mailbox, no need to trouble yourself.”
John’s smile fades just a little, creasing at the corners as he digs his hands deeper into his pockets.
“Ah yeah, of course. I’ll do that. Have a good evening, Mrs Cleven.”
He’s turned and gone again quicker than Marge can figure out what else to say, though she doesn’t step back inside until he’s unlocked his own front door and gone in.
Gale gets home around six, and the moment he’s kissed her hello Marge shows him the letter just to see one of his rare smiles creep slow as molasses across his face. It makes his hollow cheeks look a little rounder, puts a bit of his old light back in his eyes, sets her heart to aching in the best way just the same as ever.
“Well,” he drawls, tucking an arm around her waist to reel her in tight so he can kiss her forehead, “how ‘bout that. Mrs Marge Cleven.”
Her heart trips over itself trying to land in Gale’s hands, also same as ever. He catches her easily with arms around her waist and a sweet kiss the second she tilts her head back for it, and that matters a hell of a lot more than her mother’s letter full of thinly-veiled questions about when they’re going to be announcing their next big piece of news.
So the prequel for Worth Knowing is split into 8 parts of varying lengths - would y’all rather see it posted as 8 separate chapters and know that some will be significantly longer than others, 2 chapters of 4 parts each, or else just wait for me to post it all at once when it’s completely finished?
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So the prequel for Worth Knowing is split into 8 parts of varying lengths - would y’all rather see it posted as 8 separate chapters and know that some will be significantly longer than others, 2 chapters of 4 parts each, or else just wait for me to post it all at once when it’s completely finished?
He drags his hands over John’s chest, feeling the shift of skin, sinew, bone, the glitter of gray hair amongst the darker strands. He digs his nails in, weighing the shape of the man on top of him against the memories of a boy pressed flush behind him. He closes his eyes, hearing the sound of the storm outside. Like the crash of waves against a porthole window. Remembers with perfect clarity the overwhelming feeling of John against his back, skin to frozen skin, breath hot, the way he smelled of sweat and salt. How the crease of his elbow had tasted under Gale’s lips, parted just enough that he could hide the kiss in the middle of all the intense feeling.
“Can you–” He catches himself, flushing hot with shyness.
The words are spoken right up against John’s lips, garbled for how there’s hardly any room. They barely come out legible, but John hums curiously anyways. Gale swallows, audible and hating it as his chest clenches tight. He clears his throat slightly and tries again. “Can we–”
John’s thumb traces over his cheek, from the corner of his eye down to the curve of his jaw, a soft, encouraging touch. Gale’s so hard he aches. He’s grateful for whatever ability John seems to have to read him, lids lowering with understanding.
“Like last time,” he finally says to the soft room.
Thank you to @the-ghost-of-jason-todd for the edits!