Blllllaaaake sheeeeelton

Director: *Frustrated and regretting the mechanics of a car sex scene*

And this series of events has led to my favorite interactive art piece ever.

Handprints.

Little tiny handprints at the bottom. Big teenager and adult sized handprints at the top. Handprints upon handprints upon handprints, a modern day continuation of an ancient tradition.

Most of the people who contributed were probably doing so because they thought it would be fun, not for any deep philosophical reason. Heck, you can tell based on the height of the larger handprints that their owners were having a jumping competition. They didn’t think about the fact that they were creating art in the exact same way the earliest humans created art. They didn’t think about the fact that humans have always been and will always be humans, and the ways we interact with each other and the world have always stayed the same in the most important ways.

"Tired" feels way too much like "depressed," leads to insomnia and chronic fatigue. Needs tweaking so these two signals are more distinct for players with sensory processing disorder.

Similarly, "hungry" feels too much like "enraged," please adjust so bystanders don't wind up getting shouted at.

"Thirsty" is straight-up too weak and not obvious enough. I'd recommend reworking this one from the ground up. Thirst is a critical mechanic, even more than hunger, and it NEEDS to be obvious at all times or the player will be constantly debuffed without knowing why.

Background volume of the world is simply too loud, leading to confusion (unable to distinguish important foreground sounds from background ambience) and ear pain. Ideally you should have built it from the ground up with the levels in mind, but even just having separate volume sliders for different types of sound would go a long way to alleviating this.