cabeswater.

* EDWARD HOPPER’S SUMMER EVENING, 1947. OIL ON CANVAS !

so ultimately, i’ve reached a certain amount of followers that i’d like to recognize a number of them for their conviction in writing, character development, and simply just being magnificent ! which is splendid, and yeah.. i don’t know what else to say other than making this another big thank you, really. alrighty, let’s move on. i’m particularly close to these people, whom i enjoy their company both in character and definitely out of. i feel that we’ve enclosed on a pretty neat bond that i wish to keep, let alone writing together for as long as we canー so i also admire your writing, your characters.. all that ! nonetheless, i think of these people as my friends, despite my late responses whether on aim or even for our on-dash thread.. yeah.. haha.. [nervous laughter] love y'all..

simulapia. cryptogenia. mizukos. grimistic. aurvre. autotelics. madeintokyo. vartouhix. xinanlide.

next, the following list of blogs are writers that i’ve spoken to, perhaps briefly or not, and have admired their work. i wish to also write with you in the near future if we haven’t, let alone talking to you more and getting to know you out of character !

candiidus. dishly. griefdreamer. iso2108. alleiore. jonvgrey. kaicide. krisanthemvm. rosardes.

last but not least, i’d like to acknowledge these people for simply making my dash worthwhile and even making me want to interact with your muse ! unfortunately, i work at a slow pace and can only take up a certain amount of threads, but i really do hope that we’ll be able to write together in the near future (in which i have yet to respond to some of your plotting messages). thank you !

blaucs. confictvra. congelesfleur. consilian. cyberseis. cheonjaen. dreamgodkai. espiritnoir. exitivm. grywrns. heejaez. ipsxity. lnthrixkv. kyokih. nosequels. olimpxs. reverieo. rigorxmyn. sodeling. takeshies. vanghould. yubdot. xithymia. yoruv.

 oc.au  scientist researcher and assistant to hire. read the about and rules before interacting

         ‘           THERE ARE LINES I WOULD NOT CROSS.