Untitled 2, Manshen Lo
cherry valley forever
Keni
Show & Tell
Monterey Bay Aquarium
occasionally subtle
Acquired Stardust
PUT YOUR BEARD IN MY MOUTH

Andulka
Peter Solarz

Stranger Things
"I'm Dorothy Gale from Kansas"
Claire Keane
TVSTRANGERTHINGS
AnasAbdin
taylor price
trying on a metaphor

Janaina Medeiros

shark vs the universe
hello vonnie
seen from Germany

seen from Ireland

seen from Germany
seen from Brazil

seen from Malaysia
seen from Germany

seen from Italy

seen from United States
seen from Sweden
seen from United States
seen from Philippines

seen from Malaysia

seen from United States

seen from Germany
seen from India
seen from Italy

seen from T1

seen from Latvia

seen from Brazil
seen from Malaysia
@grumble-grumble
Untitled 2, Manshen Lo

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Flying Figure in Landscape, 1968. Albert York
“Monument,” Fall 2017
"Monument," Fall 2017. Adam Montoya
aamontoya.com
1. A photo of Jupiter. Took by Voyager with VGISS on July 02, 1979 at 13:14:23. Detail page on OPUS database 2. George Shiras “In the heart of the dark night’’
December — Before the towering high-rises of Château de Vincennes, a wild boar hunt reaches its climax, in this entry for the last month of the year in the “Labors of the Months” section of the Très Riches Heures, one of the most important illuminated manuscript of the 15th century. More here: http://buff.ly/2gbpPdn

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Black Mesa Landscape, New Mexico - Out Back Of Mary`s II, Georgia O’Keefe. 1930
From a new body of work, Apophenia. Untitled (detail) as of yet. 2016, Adam Antonio Montoya
Secret Life IV (1928)
Rene Magritte
Sakyamuni and Maitreya, Bankei Yotaju. 17th C.

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Ruins of Cliff Dwelling, 1897
James Mooney
Photographs of American Indians and Other Subjects 1840s-1960s
National Anthropological Archives
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Northern Lights, Pedar Balke. 1870
Forest in the Mountains, Edgar Degas. ~1890
Countryside of Wood with Saint George Fighting the Dragon, Albrecht Altdorfer. 1510
Saint Jerome in a Rocky Landscape, Joachim Patinir. ~1480-1524

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Expectation, Richard Oelze. 1935-36
Real Estate, Mati Klarwein. 1978
"This is the only photorealist painting I did because I projected a slide of a mountainside near the village of Pollensa on the canvas and traced all the details down to the last shrub. Every rock and bush in this painting exists in reality and belong to somebody. But the circle of sunlight that was moving across the mountain at the speed of the moving clouds, like a silent saucer planet zonk, belongs to me." -Mati Klarwein