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@griefsung-archived
uhhh mags is now back on my multi @saovaene

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HE IS NO STRANGER TO THIS when had he first felt the burn of flames licking across his skin? at his grandfather's knee, watching the steel be tempered, watching the blade be formed, the metal red hot and seeming so soft beneath the hammer blows, bending, but still, never breaking. he can still hear it, the sizzle of the quench, the spit of the oil when the sword falls in. his hand, small as a fig, just as soft, having not yet grown the callouses of a sword hand, how he'd reached for the blade and felt the heat send shivers like a heartbeat across his skin.
hands, trembling and perfect pressed to heated skin, stuttering along burns emblazoned into flesh, how their song falls over him like silk against skin. aching to return that tenderness, the first lick of flame across him and it had felt, for the barest moment like a homecoming, easy as answering the call of your name. for all that he's left bits and pieces of himself strewn along dirt roads and in village gutters this he holds onto, when he's long since left his identity drifting along in some stream - lost. philanthropist of self, his mud caked titles and names, his patchwork living, little by little he's unraveled himself with his own hands, and here, these dying bits of personhood respond with an old longing. kindness, like new sprouts pushing through soil.
tell me, like an overburdened leaf, wet with morning dew, bowing to the weight of a new day, have you learned like i have, that you must bend before you break? does the dew dry all at once?
their song and it feels like the burbling of a brook, quiet and self contained, as if any jubilance that was once felt must be harvested. sat here, soothed, and what kind of beast is he, that music affects him this way? and what kind of beast is he, here and dreaming of blood? wondering if he'll leave the space rust stained. bloody. if it will just be wyll asking, how much blood is too much? a pint in the stomach will make you sick he knows, he's experienced it, but a few drops here, there, will that ruin the softness? will that stain the cotton? how many people, good, bad, how many people rest their heads on bloody pillows and sleep well?
his hand, unshaking, catching the threads of shadow and moonlight spilled around him like ink, or the first edges of an oil spilled night. the strands are fine and soft against his skin, and he's careful, so careful not to pull, not to tug, already, always, feeling something of a bumbling fool in his eyes. as maglor so carefully wove a healing into song, wyll threads their hair back, tucking it into the heavy plait it's fallen from.
ā thank you, ā his voice hushed, all subdued adoration. as if heād had to wrestle it back to its place, as if itās a creature that must be tamed. meeting their stare and smiling, if slightly rueful, self-deprecation twisted round like the roots of some young tree. ā i'm no stranger to scars, but, i hope my luck holds. a scar is only as wanted as it's story is entertaining. and i think, this story hasn't nearly enough magma mephits or elementals to be worth the time. ā
THERE IS AN ACHE TO TENDERNESS. as if he were splitting flesh, reopening scars, baring that fresh, day-old skin that burns at every touch, if only to draw from somewhere long forgotten what it means to be gentle. it bursts forth naturally, yet comes from so deep within, so buried, it has to carve its way through a whole age written unto his body. the music is easy. even the dressing of a wound, albeit less so, when trying to guard his senses, his inner eye. trying not to think of the blinding pain, sea-salt lapping at his melted hands. to be cleansed does hurt so very much.
but it is the touch that has them halt. barely a brush, not even touching their skin. the smallest shift in the weight of their hair as a piece of it is returned to its place. they look up and for a moment it isn't wyll before them but little atarinkƫ. laurƫ, he demands, laurƫ, hold still. the voice is so clear in their head, their breath gets caught in their throat, and though it fades quickly as it came, it takes a moment for maglor to recover, to hear what the other had said.
ā every story is worth its time. ā the objection comes in equal quiet. the elf looks over their finished work, then up to wyll's eyes, which albeit of a similar hue, seem so much brighter than their own. younger, yet knowing. ā and some scars with great stories become only a mark of regret. ā they smile faintly. ā but let us hope. and this one will pass and be forgotten. ā
the night seems heavier for the absence of song, and the elf has reached his soothing's end. after all, that is all he knows: to draw music and blood. he retreats, kneels to rinse his hands in a small basin and tries to understand what tenderness is again. he looks at wyll and sees no beast but something valiant and almost familiar, uncertain what a friend is but knowing he might've once liked to be his.
ā stay, if you like, til morning. i shall guard your rest. ā a laughable thought perhaps, to some, from one marked by age, whose garments are little in the way of protective. whose long, slender sword seems glued to its sheath with time. he offers with an open chest, tender still from moments of kindness.
Kinslayer
on a whole, i'm not a fan of sprinkling random quenya / sindarin into reply dialogue, since in my head the whole conversation is usually held in that language anyway. i will do it if the conversation is explicitly held in another language, and i want to emphasise the quenya use of a word, for example.
but i can't resist a good old atya/amya. it's just too good

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i won't abandon you again. / this one also. fƫanor again <3
HIS KNEES ACHE, the cold of the stone below seeping into his flesh, claiming him whole, until he does not even feel the chill any longer, does not know himself shivering, a leaf in the winds. after decades in a golden cage under ereinion's watchful eye, the cold is a small price to pay for the wind on his face. an hour has passed since sunset, and by now night's veil has fallen over ost-in-edhil, crowned in the many flickering lights of the city below. the horizon is calm, obscured by hill and forest, with even the elven eye halted at the great shores beyond. there is naught to observe, naught more than the ascent of the moon, pale and slim in the sky. still the noldo's eyes are trained west, and were it not for his tremble, in the dark some might think him a statue, staring relentlessly at nothing at all.
suddenly, something steals the moonlight. something, no, someone has stepped in front of him. someone calls his name. not in sindarin, not his name in these hither lands, nor even the quenya cadence of the settlers. no, the old name, spoken with the touch of one who himself crafted its cadence. kanafinwƫ heeds the call and knows even before he lifts his eyes who stands before him.
he whispers, ā my ... ā the word does not come. king? the crown is long gone. its sister sits upon ereinion's brow, yet its true self was lost with his uncle. lord? they are but shadows, without people nor possession, no land or home. almost involuntarily, kanafinwĆ« bends low, their hair, once lush and dark as night now mattened and threaded with white, falling at the sides of their face, shielding them. ā atya, ā is the only word they can find, older than the city beneath them, than the moon in the skies. because there stands their father whose flame still burns. their father who is myth, beacon, rock, horror, god. their father who is the only one left.
makalaurĆ« knows he ought to rise. he must, he must, lest he prove himself no different than the despairing wreck upon the shores, a century ago. how does one ghost honour another? ( part of him dares not look up, dares not see whatever awaits in his father's eyes. where fury would wound, pain might cleave his heart in two. ) it takes a long moment until they gather enough strength to push themself to their feet, only to fall, without any remnant of grace, into their father's arms. ā i thought i would never see you again. ā suddenly, they become very small. for a moment they are an elfling again in a vision so lifelike they smell the bloom of laurelin-- it falls as quickly as it came.
i won't abandon you again, father says, a promise like a soothing balm over their heart worn raw, a shielding hand. if they know only one truth, it is that curufinwƫ fƫanƔro is a man of his word.
ā ai, ā they choke against his chest, fingers thick with scars digging deep into fabric and flesh, ā what is to become of us? i feel i've become a wraith; how weary i am. forgive me, forgive me, forgive me ... ā the shiver returns violently, yet he does not weep. clinging still to fĆ«anĆ”ro's robes, his voice becomes naught more than a mournful whisper. ā i want to go home. to amya. ā
MONSTRILIO
happy sunday.
k.Ɣno isn't very sexual in exile (too busy losing his mind + justifying endless slaughter to himself somehow), but was more free about it in aman, but mostly so post-transition, still demisexual though. they're the submissive type, very gentle and giving, lots of worship, but certainly a playful streak (will be a brat). no particular preference as to which person does the penetration if there is any. elven endurance and very skilled fingers & tongue, need i say more.
daily tasks are: wake up haunted, get sick, wallow, memory loss, grief, get sick, do the dishes
without context, he may be killing orcs or extended family, you never know
He pictures himself with their soft-spoken offer. Those long, fiery locks that KƔno's small fingers used to comb through in the days of bliss, babbling about something or other in delight, insisting that he could tie up Maimo's hair "good and proper" to keep it out of his way whilst he was with their father in the forge. He smiles at the thought, his gaze absent and empty as the small quirk of amusement pulls the corner of his lips up.
He has a wound on his face, he remembers, that hasn't healed quite right, so the smile hurts. He drops it.
He imagines himself looking like a Man, those who take so little pleasure in pleating and braiding it out of the way instead of shearing it off at the first sign of filth and damage. It is humbling, in a way; never did he think himself invincible but it would almost have been a mercy to die chained to that rock, to grow old and feeble and let his corpse feed the vultures. Men have that privilege of passing on that he and his kind do not.
I can shave it, Kanafinwƫ offers, and even though that's for the best he feels something twist in his gut. It isn't even vanity or pride that makes him hesitate, it is the idea of losing yet more parts of himself.
"Shave it," he asks softly, feeling some comfort at the idea that it is Makalaurƫ doing this and not the others. He wouldn't dream of demanding this of the twins, or even Turcafinwƫ or Morifinwƫ or Curufinwƫ. There are things they should not be exposed to.
Even so, it pains him to demand this of Kanafinwƫ. It is almost as if he is pleading with them to relieve him of the other hand.
"I can't stand how it touches my neck and my ears," he confesses with a degree of frustration, tinged with both grief and revulsion as it leaves his sore throat. He considers asking them to leave some length up top, but that feels too raw, as well. "It disgusts me. Take it off," he asks, and adds another; "Please," as if it would make it easier.
"I want to be able to look at myself again."
IN THE MIRROR'S ABSENCE, and standing behind him to swipe cuttings of hair from his brother's shoulder, he misses the smile and its disappearance alike. had he witnessed it, makalaurƫ might not have known what to make of it. he who once thought to know his dearest brother well now feels far removed from understanding him.
there are many things in nelyafinwƫ's voice then, revealing perhaps more than ever he has about his fƫa's state since his return. what before they only ever read in his eyes, in the asking itself, now clearly lines the decisive demand. it melts away all hesitancy, any concern over how more ghostly, hollowed, he would appear with his hair shorn so short one could see the skin of his scalp. it is all suddenly left by the wayside, if only to relieve maimo of this ache. in so many things he stands helplessly by; this at the very least he can do for him.
kanafinwĆ« obliges not his king, but his brother, whose hunched position almost makes him look even smaller. ā then let us be rid of it all. ā they trade their scissors for a smaller, sharper pair of shears. the silence grows oppressive even to makalaurĆ« then, though they take care to work as quickly as possible without nicking his skin. a thinner, final layer of croppings settles around them. when they step around to look at him from the front, something shifts in the dark of their eyes.
ā it's all gone now, nelyo, ā he tells him softly, glad to finally disturb the silence again, though he cannot quite keep the faintly fatigued smile from colouring his voice a slightly higher hue. ā you may look, if you wish. ā as if to give him privacy, kĆ”no averts his eyes, sets down the shears and wipes over his hands, his garment, sending a quiet scatter of hair like snowfall to the ground.
ā what should be done with it? ā they seek maitimo's eyes then, uncertain of what the answer will be. yet they must ask, if only to give him some semblance of agency.

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Maedhros answered: āBut how shall our voices reach to IlĆŗvatar beyond the Circles of the World? And by IlĆŗvatar we swore in our madness, and called the Everlasting Darkness upon us, if we kept not our word. Who shall release us?ā āIf none can release us,ā said Maglor, āthen indeed the Everlasting Darkness shall be our lot, whether we keep our oath or break it; but less evil shall we do in the breaking.ā Yet he yielded at last to the will of Maedhros, and they took counsel together how they should lay hands on the Silmarils. [...] But the jewel burned the hand of Maedhros in pain unbearable; and he perceived that it was as EƶnwĆ« had said, and that his right thereto had become void, and that the oath was vain. And being in anguish and despair he cast himself into a gaping chasm filled with fire, and so ended; and the Silmaril that he bore was taken into the bosom of the Earth. And it is told of Maglor that he could not endure the pain with which the Silmaril tormented him; and he cast it at last into the Sea, and thereafter he wandered ever upon the shores, singing in pain and regret beside the waves.
ā THE SILMARILLION, CH. 24: OF THE VOYAGE OF EĆRENDIL AND THE WAR OF WRATH (insp. by middle-earth-mythopoeia)
The reflection which stares back at him in the small, smudged mirror is a strange, dead man. This man's eyes are hollow and lifeless, and he has to look at the consistency of the blinks to remind himself that they are his. He squints a little, turning his head to and fro and tilting it like some perplexed, maimed animal. This cannot be the same Nelyafinwƫ known for his prowess and beauty, can it? This thing looking back at him looks like a specter.
He reaches up to feel his own face, streaked with scars and drained of its blush, only to be met with an absence of touch before he remembers that his right hand is gone. Ah, he thinks, I will have to get used to that.
His brother remains by his side like always and aids him in any way he knows how. Makalaurƫ says nothing so as to not speak to soon, or too harshly, or to hurt his feelings; he is diligent and careful as a good brother would be. Nelyafinwƫ finds the silence oppressive and nauseating, the repetitive snip snip snip of the scissors even more so. He half wants to shear his scalp clean, half wants to ask them to stop cutting the matted, filthy mess of hair so that he can at least pretends to look somewhat like his old self.
He puts the mirror down abruptly, viciously sickened by the sight of himself... Amya wouldn't even recognize him like this. He remains hunched over as he sits before them, his breaths even and quiet and almost mimicking the same rhythm as Makalaurƫ's lungs in a desperate attempt to not vomit up the small amount of food he managed to keep down.
"Cut it shorter," he demands of them, his voice gentle yet heavy. He wishes he could comfort him, he sees how hard this is on him ā the subtle pitying looks, though better than the expressions of horror and grief on the others, are still not lost on NelyafinwĆ«.
He pauses a moment, his tone growing quieter even than the crackle of the hearth. "Please," he adds in a whisper.
CONTINUED. / @griefsung
KEEN EYES CATCH THEIR BROTHER considering his reflection as though it were someone else's portrait. whatever goes on in his mind then, kƔno can hardly hope to glean, and perhaps they had best not be privy to it. selfishly, makalaurƫ mourns the maitimo that was. were their places switched, maitimo surely would not waver, would know what to do. selfishly, he wants to embrace him and weep. but he wept enough when the elder slept. the time for tears has passed and he cannot lay down whatever too-large mantle of strength he assumed in the eldest's absence. the king is returned in name only, their brother returned only in part.
yet when nelyafinwĆ« commands shorter, there is almost an echo of the old him, passing by the window as a shadow of night. though gentle a demand as it was, it startles kanafinwĆ«, yet he says nothing. obediently, the younger returns to work, unraveling his vision to bring it closer to whatever agony chokes his brother's voice to a whisper. larger chunks fall again as they begin at the base of the neck, working upward, cropping closer, until their fingers no longer fully disappear in the shocks of dull crimson. ā like so? ā he asks then with an equally gentle quietude, holding out a hand to offer to hold the mirror, so that maitimo might feel with his remaining hand the length of it at the back.
for a while already kanafinwƫ has known that the old maitimo will never return. but it is only now, that he stands in the piles of his hair at his feet, its snippets littering his hands, arms, garment, until later he will scrub it from his skin with a quiet sob, that he truly understands this.
ā i can shave it, if you wish it shorter still. ā he cannot quite contain the hesitancy with which the offer is made. the thought of maitimo wholly shorn is sickening, if only for how much more hollow he'd appear. yet were it asked he would oblige, and guide the blade with an ever steady hand.
81 + reverse (from maatimo <3)
THE SILENCE IS MOURNFUL as it lays over them like fog thick in the morning marshes. makalaurƫ works at a careful pace to not prolong the moment, but to take care not to cut too much, to leave dignity in the result. the snip of the scissors and the crackle of the dying fire are the only sounds attempting to fill the void all around them. he cannot even sing as he used to, not the merry rhymes he would hum for the twins when in their youth he cut their hair. when for a moment he remembers, crimson hair blurring between his fingers, he pales even more.
yet he can catch a glimpse of himself in the mirror @maatimo's remaining hand holds and knows he must be calm. as calm as he tried to be, when the elder asked his aid and after a moment's silence he had agreed.
what remains of the brilliant flame of nelyafinwƫ's hair, dulled to nothing but embers and ash, falls piece by piece to their feet. the beginning was the most difficult; though they'd seen in his slumber the state of it, cutting away the matted clumps of hair and grime cost some composure. for maitimo's sake they kept their face steady, their hands without pause. by now, most of it has fallen and their fingers run cleanly through the remaining strands, though they feel dry and not at all as silken as once they did. once, when they were little laurƫ's hands, awefully atttempting to tame their brother's hair. their brother, who was once a god to them, mighty and untouchable, not at all like the frail shadow of him that returned from thangorodrim.
ā do you feel lighter now? ā he asks, and though he keeps his voice low, it ripples through the silence. careful not to touch maitimo's scalp or neck too much, he runs his fingers through his hair once more, shedding remnants of the cut, and holding a few strands to trim as if to put the finishing touches to a painting. when he steps back to take in his handiwork, makalaurĆ«'s lips carry a fickle, mournful smile. it will grow again, they want to say, yet it seems childish consolation. perhaps maitimo will hear it in their thoughts regardless.
100 NONVERBAL PROMPTS: HELPING STYLE THEIR HAIR
ššš šµš¶šµš½š¬š¹š©šØš³ š·š¹š¶š“š·š»šŗ . Ā Ā ( Ā a Ā collection Ā of Ā 100 Ā nonverbalĀ actionĀ prompts .Ā Ā matureĀ andĀ potentiallyĀ triggeringĀ themes Ā are Ā present . Ā add Ā ā + reverse ā Ā to Ā swap Ā assigned Ā roles .)
ā o1ļ¹Ā senderĀ tucksĀ hairĀ outĀ ofĀ receiverāsĀ face . ā o2ļ¹ sender Ā offers Ā receiver Ā a Ā bite Ā from Ā their Ā fork . ā o3ļ¹ senderĀ placesĀ theirĀ feet / legsĀ inĀ receiver'sĀ lap . ā o4ļ¹ senderĀ offersĀ receiverĀ anĀ earbudĀ toĀ shareĀ theirĀ music . ā o5ļ¹ senderĀ comfortsĀ receiverĀ inĀ theĀ aftermathĀ ofĀ aĀ nightmare . ā o6ļ¹ senderĀ givesĀ receiverĀ companyĀ inĀ theĀ hospital . ā o7ļ¹Ā sender Ā wraps Ā their Ā arms Ā around Ā a Ā hysterical Ā receiver Ā to Ā calm Ā them . ā o8ļ¹ senderĀ showsĀ upĀ atĀ receiverāsĀ homeĀ lateĀ atĀ night . ā o9ļ¹ senderĀ fallsĀ asleepĀ leaningĀ againstĀ receiver . ā 1oļ¹ senderĀ wieldsĀ aĀ [ gun / knife ]Ā atĀ receiver . ā 11ļ¹Ā senderĀ runsĀ theirĀ fingersĀ throughĀ receiverāsĀ hair . ā 12ļ¹ senderĀ invitesĀ receiverĀ toĀ dance . ā 13ļ¹ senderĀ takesĀ aĀ [ picture / video ]Ā ofĀ receiver . ā 14ļ¹ senderĀ placesĀ theirĀ headĀ inĀ receiverāsĀ lap . ā 15ļ¹ senderĀ andĀ receiverĀ makeĀ eyeĀ contactĀ acrossĀ aĀ busyĀ room . ā 16ļ¹ senderĀ pushesĀ receiverĀ againstĀ aĀ wallĀ toĀ kissĀ them . ā 17ļ¹Ā senderĀ andĀ receiverĀ cookĀ together . ā 18ļ¹ senderĀ comesĀ toĀ receiverĀ afterĀ beingĀ injured . ā 19ļ¹ senderĀ sitsĀ inĀ receiverāsĀ lap . ā 2oļ¹ senderĀ liftsĀ receiver'sĀ chin ,Ā invokingĀ eyeĀ contact . ā 21ļ¹ senderĀ overtakesĀ receiverĀ inĀ combat . ā 22ļ¹ senderĀ findsĀ receiverĀ [ injured / bloodied ] . ā 23ļ¹ senderĀ straightensĀ anĀ articleĀ ofĀ receiverāsĀ clothes . ā 24ļ¹ senderĀ crawlsĀ intoĀ bedĀ withĀ receiver . ā 25ļ¹ senderĀ rollsĀ theirĀ eyesĀ atĀ receiver . ā 26ļ¹ senderĀ lightsĀ receiverāsĀ [ cigarette / joint ] . ā 27ļ¹ senderĀ isĀ caughtĀ wearingĀ receiver'sĀ clothes . ā 28ļ¹ senderĀ strikesĀ receiverĀ withĀ aĀ pillow . ā 29ļ¹ senderĀ writesĀ aĀ noteĀ onĀ receiverāsĀ skin :Ā [ note ] . ā 3oļ¹Ā senderĀ wrapsĀ aĀ blanketĀ aroundĀ receiverāsĀ shoulders . ā 31ļ¹Ā senderĀ runsĀ andĀ jumpsĀ intoĀ receiverāsĀ arms . ā 32ļ¹ senderĀ shovesĀ receiverĀ outĀ ofĀ anger . ā 33ļ¹ sender Ā hovers Ā over Ā receiverās Ā shoulder Ā as Ā they Ā complete Ā a Ā task . ā 34ļ¹ senderĀ isĀ foundĀ byĀ receiverĀ somewhereĀ theyĀ shouldnātĀ be . ā 35ļ¹ senderĀ curlsĀ upĀ againstĀ receiverĀ inĀ theirĀ sleep . ā 36ļ¹ senderĀ isĀ foundĀ drunkĀ byĀ receiver . ā 37ļ¹ senderĀ throwsĀ anĀ itemĀ ofĀ sentimentĀ bitterlyĀ atĀ receiver . ā 38ļ¹ senderĀ joinsĀ receiverĀ inĀ theĀ shower . ā 39ļ¹ senderĀ isĀ caughtĀ followingĀ receiver . ā 4oļ¹Ā senderĀ tracesĀ oneĀ ofĀ receiverāsĀ [ scars / bruises ] . ā 41ļ¹ senderĀ twinesĀ theirĀ fingersĀ withĀ receiverās . ā 42ļ¹ senderĀ bargesĀ intoĀ receiverāsĀ homeĀ unannounced . ā 43ļ¹ senderĀ kicksĀ receiverāsĀ shinĀ beneathĀ aĀ table . ā 44ļ¹ senderĀ aggressivelyĀ shovesĀ pastĀ receiver . ā 45ļ¹ senderĀ kissesĀ receiverāsĀ [ forehead / cheek ] . ā 46ļ¹ senderĀ pullsĀ receiverĀ outĀ ofĀ harmāsĀ way . ā 47ļ¹ senderĀ isĀ foundĀ sobbingĀ byĀ receiver . ā 48ļ¹ senderĀ locksĀ receiverĀ outĀ ofĀ theirĀ room . ā 49ļ¹ senderĀ bringsĀ receiverĀ [ coffee / tea ]Ā inĀ theĀ morning . ā 5oļ¹ senderĀ restsĀ theirĀ foreheadĀ againstĀ receiverās . ā 51ļ¹ senderĀ playsĀ aĀ songĀ forĀ receiverĀ thatĀ remindsĀ themĀ ofĀ them :Ā [ song ] . ā 52ļ¹ senderĀ takesĀ aĀ [ punch / stab / bullet ]Ā meantĀ forĀ receiver . ā 53ļ¹ senderĀ buysĀ receiverĀ aĀ drinkĀ atĀ aĀ bar . ā 54ļ¹ senderĀ needsĀ receiverāsĀ helpĀ gettingĀ inĀ theĀ bath . ā 55ļ¹ senderĀ andĀ receiverĀ crossĀ pathsĀ inĀ theĀ kitchenĀ lateĀ atĀ night . ā 56ļ¹ senderĀ twistsĀ receiverāsĀ armĀ behindĀ theirĀ back . ā 57ļ¹ senderĀ winksĀ atĀ receiver . ā 58ļ¹ senderĀ isĀ foundĀ collapsedĀ byĀ receiver . ā 59ļ¹ senderĀ preventsĀ anĀ injuredĀ receiverĀ fromĀ gettingĀ up . ā 6oļ¹ senderĀ clapsĀ aĀ handĀ overĀ receiverāsĀ mouthĀ toĀ silenceĀ them . ā 61ļ¹ senderĀ cagesĀ receiverĀ againstĀ aĀ [ wall / the floor ]Ā withĀ theirĀ arms . ā 62ļ¹ senderĀ stormsĀ awayĀ fromĀ receiverĀ duringĀ anĀ argument . ā 63ļ¹ senderĀ isĀ foundĀ byĀ receiverĀ sleepingĀ inĀ receiverāsĀ bed . ā 64ļ¹ senderĀ [ applies / touches up ]Ā receiverāsĀ makeup . ā 65ļ¹ senderĀ throwsĀ receiverĀ intoĀ aĀ wallĀ duringĀ combat . ā 66ļ¹ senderĀ dancesĀ sensuallyĀ withĀ receiver . ā 67ļ¹ sender Ā strikes Ā receiver Ā across Ā the Ā face . ā 68ļ¹ senderĀ placesĀ theirĀ handĀ onĀ receiverāsĀ legĀ whileĀ driving . ā 69ļ¹ senderĀ pullsĀ aĀ chairĀ outĀ fromĀ underĀ receiver . ā 7oļ¹ senderĀ catchesĀ receiverāsĀ wristĀ whenĀ theyĀ turnĀ toĀ leave . ā 71ļ¹ senderĀ leavesĀ anĀ intimateĀ markĀ onĀ receiver . ā 72ļ¹ senderĀ beatsĀ receiverĀ inĀ aĀ videoĀ game . ā 73ļ¹ senderĀ andĀ receiverĀ standĀ inĀ stunnedĀ silenceĀ afterĀ aĀ fight . ā 74ļ¹ senderĀ caresĀ forĀ receiverĀ whileĀ theyāreĀ sick . ā 75ļ¹ sender Ā andĀ receiverĀ goĀ onĀ aĀ hike . ā 76ļ¹ senderĀ isĀ caughtĀ snoopingĀ inĀ receiverāsĀ things . ā 77ļ¹ sender Ā andĀ receiverĀ cuddleĀ whileĀ watchingĀ television . ā 78ļ¹ senderĀ throwsĀ somethingĀ aggressivelyĀ atĀ receiver . ā 79ļ¹ senderĀ creepsĀ upĀ behindĀ receiverĀ toĀ scareĀ them . ā 8oļ¹ senderĀ andĀ receiverĀ goĀ shoppingĀ together . ā 81ļ¹ senderĀ helpsĀ receiverĀ [ dye / style ]Ā theirĀ hair . ā 82ļ¹ senderĀ drawsĀ receiverĀ intoĀ aĀ kissĀ byĀ theĀ backĀ ofĀ theirĀ neck . ā 83ļ¹ senderĀ isĀ discoveredĀ havingĀ aĀ panicĀ attackĀ byĀ receiver . ā 84ļ¹Ā senderĀ accidentallyĀ injuresĀ receiverĀ duringĀ sparring . ā 85ļ¹Ā senderĀ grabsĀ receiverĀ roughlyĀ byĀ theĀ hair . ā 86ļ¹ senderĀ bringsĀ receiverĀ toĀ theirĀ kneesĀ duringĀ combat . ā 87ļ¹ senderĀ showsĀ receiverĀ evidenceĀ ofĀ aĀ lieĀ theyĀ told . ā 88ļ¹ sender Ā winksĀ [ seductively / mockingly ]Ā atĀ receiver . ā 89ļ¹ senderĀ yellsĀ atĀ receiverĀ toĀ putĀ theirĀ handsĀ inĀ theĀ air . ā 9oļ¹ senderĀ helpsĀ receiverĀ patchĀ upĀ aĀ wound . ā 91ļ¹ senderĀ holdsĀ receiverĀ asĀ theyĀ cry . ā 92ļ¹ senderĀ silentlyĀ andĀ angrilyĀ pointsĀ receiverĀ towardsĀ theĀ door . ā 93ļ¹ sender Ā gesturesĀ forĀ receiverĀ toĀ sitĀ down . ā 94ļ¹ sender Ā pullsĀ receiverĀ intoĀ theirĀ lap . ā 95ļ¹ senderĀ cradlesĀ receiverāsĀ face . ā 96ļ¹ senderĀ tacklesĀ receiverĀ outĀ ofĀ theĀ wayĀ ofĀ danger . ā 97ļ¹ senderĀ hasĀ hiddenĀ anĀ injuryĀ fromĀ receiver ,Ā andĀ receiverĀ findsĀ out . ā 98ļ¹ senderĀ confrontsĀ receiverĀ aboutĀ theirĀ unhealthyĀ behavior . ā 99ļ¹ senderĀ proposesĀ toĀ receiver . ā 1ooļ¹ sender Ā has Ā just Ā died , Ā receiver Ā finds Ā out .
TELL ME, FATHER, WHICH TO ASK FORGIVENESS FOR: WHAT I AM OR WHAT I AM NOT? TELL ME, MOTHER, WHICH SHOULD I REGRET: WHAT I BECAME OR WHAT I DIDN'T?
last stop - george seferis, the lost road and other writings - j.r.r. tolkien, the unabridged journals - sylvia plath, blood makes the blade holy - evan knoll, 'thinking tangling shadows' twenty love poems and a song of despair - pablo neruda, thoughts of a stray iii - m.a.w.
do not reblog unless i follow you or i will personally commit a fourth kinslaying

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still rewriting the proper bio (later) but i made the "kƔno for beginners" page, with a summary of the silm, a small name guide, and a small summary of mags' role in the story. i hope that's useful! it's more text than i'd planned, but still better than a wiki i hope
i haven't done much with romance on here, based largely on the fact that really, there isn't much space for romance in this elf's life, and also it's a pretty terrible fate... doesn't mean i don't think about it though, and how he would have once been desirable, if not coveted, likely courted by other houses. prestigious blood as the crown prince's child aside, he was charming without ulterior motive, undeniably beautiful, a skilled dancer, and an even more skilled poet and musician, with passion but also a gentler disposition. half of any courting attention would have gone over their head unnoticed, the other half surely noticed, and some of its flattery appreciated, nay welcomed. i wouldn't put them down as a flirt necessarily, although denying that entirely would also be false. he'd enjoy the attention, but seek a genuine love. before the oath darkens everything and they kill innocence with their own hands.
and while much of them changes, so much of their self left behind piece by piece, burnt and cut and thrown in the sea... the essence of it was always there and always remains. love, romantic or platonic both, as devotion, as sacrifice of the self for the other. love as giving with the faint hope of someday receiving, offering rivers of blood for that hypothetical. oath or not, kƔno was always made that way.
what remains aside from the inherent proclivity toward utter devotion, though, by the end of the line, isn't really outwardly desirable at all. marred, half-mad, grief-riddled, and without purpose or identity, not even his silver tongue could be what once it was, even his music now never the same. he doesn't think of love ever again, doesn't even consider it an option, even after he finally accepts that going into the water won't work, that he will be bound to live until some greater force decides to finally release and bring him to judgment. he doesn't see a life anymore, only an endless stretch of road where he is what he always feared: alone.