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I wish to follow in the footsteps of these great artists, dissectors of life, and that’s why I made this drawing study of a simplified skull.

Gesture drawing practice day 9

Gesture drawing practice day 8

Gesture Practice Day 7

In Sulfur, the idea is born, exploding like a lightning bolt of life, symbolizing the basic three-dimensional forms that make up the entire universe through the artist's eyes. Then, the Salt, the stability of the middle of the process, where the volumes become more defined and the planes more distinct—a transition between the literal and the abstract. Finally, Mercury, the element of transformation, where the figure is on the verge of coming to life. In three levels of constructing volumes and planes, the anatomy of the children of Eve attains its beauty.

5 is Their Number | WEBTOON

Everything is more complicated when seen from a distance. Proximity, intimacy—love, in other words—is necessary to see things up close and understand them as they truly are. The human face, with all its billions of variations, is a poem composed of letters that artists call planes, two-dimensional surfaces that, when positioned and connected in a three-dimensional form, transcend universes to manifest the geometric essence of the human face.

In Sulfur, the idea is born, exploding like a lightning bolt of life, symbolizing the basic three-dimensional forms that make up the entire universe through the artist's eyes. Then, the Salt, the stability of the middle of the process, where the volumes become more defined and the planes more distinct—a transition between the literal and the abstract. Finally, Mercury, the element of transformation, where the figure is on the verge of coming to life. In three levels of constructing volumes and planes, the anatomy of the children of Eve attains its beauty.

In Sulfur, the idea is born, exploding like a lightning bolt of life, symbolizing the basic three-dimensional forms that make up the entire universe through the artist's eyes. Then, the Salt, the stability of the middle of the process, where the volumes become more defined and the planes more distinct—a transition between the literal and the abstract. Finally, Mercury, the element of transformation, where the figure is on the verge of coming to life. In three levels of constructing volumes and planes, the anatomy of the children of Eve attains its beauty.

In Sulfur, the idea is born, exploding like a lightning bolt of life, symbolizing the basic three-dimensional forms that make up the entire universe through the artist's eyes. Then, the Salt, the stability of the middle of the process, where the volumes become more defined and the planes more distinct—a transition between the literal and the abstract. Finally, Mercury, the element of transformation, where the figure is on the verge of coming to life. In three levels of constructing volumes and planes, the anatomy of the children of Eve attains its beauty.

In Sulfur, the idea is born, exploding like a lightning bolt of life, symbolizing the basic three-dimensional forms that make up the entire universe through the artist's eyes. Then, the Salt, the stability of the middle of the process, where the volumes become more defined and the planes more distinct—a transition between the literal and the abstract. Finally, Mercury, the element of transformation, where the figure is on the verge of coming to life. In three levels of constructing volumes and planes, the anatomy of the children of Eve attains its beauty.

In Sulfur, the idea is born, exploding like a lightning bolt of life, symbolizing the basic three-dimensional forms that make up the entire universe through the artist's eyes. Then, the Salt, the stability of the middle of the process, where the volumes become more defined and the planes more distinct—a transition between the literal and the abstract. Finally, Mercury, the element of transformation, where the figure is on the verge of coming to life. In three levels of constructing volumes and planes, the anatomy of the children of Eve attains its beauty.

In Sulfur, the idea is born, exploding like a lightning bolt of life, symbolizing the basic three-dimensional forms that make up the entire universe through the artist's eyes. Then, the Salt, the stability of the middle of the process, where the volumes become more defined and the planes more distinct—a transition between the literal and the abstract. Finally, Mercury, the element of transformation, where the figure is on the verge of coming to life. In three levels of constructing volumes and planes, the anatomy of the children of Eve attains its beauty.

In Sulfur, the idea is born, exploding like a lightning bolt of life, symbolizing the basic three-dimensional forms that make up the entire universe through the artist's eyes. Then, the Salt, the stability of the middle of the process, where the volumes become more defined and the planes more distinct—a transition between the literal and the abstract. Finally, Mercury, the element of transformation, where the figure is on the verge of coming to life. In three levels of constructing volumes and planes, the anatomy of the children of Eve attains its beauty.

In Sulfur, the idea is born, exploding like a lightning bolt of life, symbolizing the basic three-dimensional forms that make up the entire universe through the artist's eyes. Then, the Salt, the stability of the middle of the process, where the volumes become more defined and the planes more distinct—a transition between the literal and the abstract. Finally, Mercury, the element of transformation, where the figure is on the verge of coming to life. In three levels of constructing volumes and planes, the anatomy of the children of Eve attains its beauty.

In Sulfur, the idea is born, exploding like a lightning bolt of life, symbolizing the basic three-dimensional forms that make up the entire universe through the artist's eyes. Then, the Salt, the stability of the middle of the process, where the volumes become more defined and the planes more distinct—a transition between the literal and the abstract. Finally, Mercury, the element of transformation, where the figure is on the verge of coming to life. In three levels of constructing volumes and planes, the anatomy of the children of Eve attains its beauty.

In Sulfur, the idea is born, exploding like a lightning bolt of life, symbolizing the basic three-dimensional forms that make up the entire universe through the artist's eyes. Then, the Salt, the stability of the middle of the process, where the volumes become more defined and the planes more distinct—a transition between the literal and the abstract. Finally, Mercury, the element of transformation, where the figure is on the verge of coming to life. In three levels of constructing volumes and planes, the anatomy of the children of Eve attains its beauty.