Ksenya Istomina.
Ksenya Istomina (Russian), Nightfall, 2023, Oil on canvas

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Ksenya Istomina.
Ksenya Istomina (Russian), Nightfall, 2023, Oil on canvas

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Circling the Sun, Clare Woods
DRYP - an app that keeps your plants alive and happy
Hi Tumblr!
I know Iâve been gone for a while.
In part itâs because Iâve been working on an app!
I keep a lot of plants. I think everyone should!
- They clean your air - They give you something to name - They give you something to take care of - They teach you about care, needs, and resources - They make you look like youâre good at decorating
Here are some of mine:
But some people, because theyâre overwhelmed or simply canât figure out how to start, think that plants are out of their reach.
DRYP is for newcomers and experts.
It reminds you when to water
And it helps you fix whatâs broken
If you think the world would be better with this app in it, please consider contributing to the Kickstarter!
Iâve tried to make it worth your while:
Again hereâs the link to contribute:
DRYP - an app that keeps your plants alive and happy
And if you like me / if you like my idea, please signal boost!
@drypforplants on Twitter and instagram
Vincent van Gogh
Evening Landscape 1885 Oil on canvas mounted on cardboard. 35 x 43 cm Museo Nacional Thyssen-Bornemisza, Madrid
Where is my mind, Tracy J Lee (because)

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Bruno van den Elshout.
Misty dawn | âThe essential is invisible to the eyes.â by Giovanni Magli
Igor Savchenko
The Forgotten Dialect of the Heart
by Jack Gilbert
How astonishing it is that language can almost mean, and frightening that it does not quite. Love, we say, God, we say, Rome and Michiko, we write, and the words get it all wrong. We say bread and it means according to which nation. French has no word for home, and we have no word for strict pleasure. A people in northern India is dying out because their ancient tongue has no words for endearment. I dream of lost vocabularies that might express some of what we no longer can. Maybe the Etruscan texts would finally explain why the couples on their tombs are smiling. And maybe not. When the thousands of mysterious Sumerian tablets were translated, they seemed to be business records. But what if they are poems or psalms? My joy is the same as twelve Ethiopian goats standing silent in the morning light. O Lord, thou art slabs of salt and ingots of copper, as grand as ripe barley lithe under the windâs labor. Her breasts are six white oxen loaded with bolts of long-fibered Egyptian cotton. My love is a hundred pitchers of honey. Shiploads of thuya are what my body wants to say to your body. Giraffes are this desire in the dark. Perhaps the spiral Minoan script is not language but a map. What we feel most has no name but amber, archers, cinnamon, horses, and birds.

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Lost Lake
Architecture Photographed in FallÂ
September 22nd marked the start of fall in the Northern Hemisphere. This season of the year is excellent for architectural photography due to the effects of nature, which delights us with wonderful red and orange foliage. To mark the beginning of this season, we have created a selection of 10 works captured in fall by prominent photographers such as Francisco Nogueira, Jorge LĂłpez Conde, and Steve Montpetit.
Lost ,at Sea Jefferson Hayman
The debate over pity constructs, in effect, two visions of political community, and of the good citizen and judge within it. One sees the human being as both aspiring and vulnerable, both worthy and insecure; the other focuses on dignity alone, seeing in reason a boundless and indestructible worth. One sees the central task of community as the provision of support for basic needs; it brings human beings together through the thought of their common weakness and risk. The other sees a community as a kingdom of free responsible beings, held together by the awe they feel for the worth of reason in one another. Each vision, in its own, way, pursues both equality and freedom. The former aims at equal support for basic needs, and hopes through this to promote equal opportunities for free choice and self-realization; the other starts from the fact of internal freedom -- a fact that no misfortunes can remove -- and finds in this fact a source of political equality. One sees freedom of choice as something that needs to be built up for people through worldly arrangements that make them capable of functioning in a fully human way, independent of all material arrangements; the other takes freedom to be an inalienable given, independent of all material arrangements. One attempts to achieve benevolence through softheartedness; the other holds, with Kant, that this softheartedness 'should not occur at all among human beings.' The debate between the friends and enemies of pity is not a debate between partisans of reason and partisans of some mindless noncognitive force. It is a substantive debate about ethical value. Both sides agree that pity is judgment; they differ about whether the judgments are true.
Martha Nussbaum, âCompassion: The Basic Social Emotion,â Social Philosophy and Policy 13.1 (1996)
CHORUS. How is a Greek chorus like a lawyer Theyâre both in the business of searching for a precedent Finding an analogy Locating a prior example So as to be able to say This terrible thing weâre witnessing now is Not unique you know it happened before Or something much like it Weâre not at a loss how to think about this Weâre not without guidance There is a pattern We can find an historically parallel case And file it away under ANTIGONE BURIED ALIVE FRIDAY AFTERNOON Compare case histories 7, 17, and 49 Now I could dig up those case histories Tell you about Danaos and Lykourgos and the sons of Phineas People locked up in a room or a cave or their own dark mind It wouldnât help you It didnât help me Itâs Friday afternoon There goes Antigone to be buried alive Is there Any way We can say This is normal Rational Forgivable Or even in the widest definition just No not really
Anne Carson, Antigonick

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And race matters for reasons that really are only skin deep, that cannot be discussed in any other way, and that cannot be wished away. Race matters to a young man's view of society when he spends his teenage years watching others tense up as he passes, no matter the neighborhood where he grew up. Race matters to a young woman's sense of self when she states her hometown, and then is pressed, 'No, where are you REALLY from?', regardless of how many generations her family has been in the country. Race matters to a young person addressed by a stranger in a foreign language, which he does not understand because only English was spoken at home. Race matters because of the slights, the snickers, the silent judgments that reinforce the most crippling of thoughts: 'I do not belong here.' In my colleagues' view, examining the racial impact of legislation only perpetuates racial discrimination. This refusal to accept the stark reality that race matters is regrettable. The way to stop discrimination on the basis of race is to speak openly and candidly on the subject of race, and to apply the Constitution with eyes open to the unfortunate effects of centuries of racial discrimination. As members of the judiciary tasked with intervening to carry out the guarantees of equal protection, we ought not to sit back and wish away, rather than confront, the racial inequality that exists in our society. It is this view that works harm, by perpetuating the facile notion that what makes race matter is acknowledging the simple truth that race DOES matter.
Justice Sonia Sotomayor, dissenting opinion, Schuette v. Coalition to Defend Affirmative Action (2014)
Punchbowl Falls, Columbia River Gorge, Oregon by thor_mark