pigeon pit ā nights like these

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@gracebutitsasecret
pigeon pit ā nights like these

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pigeon pit ā black metal
pigeon pit ā thread the needle
pigeon pit ā last night on planet earth
pigeon pit ā cherry

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When a black person states that something you did was racist, chill the fuck out. Its annoying dealing with you panicking trying to dissociate yourself from racism. If you're not black, black people already assume youve said nigga or its variant at least once in your life. If they're interacting with you and bringing something up, its because they want you to stop doing that so they can still interact with you(if ur already friends)
You WILL be racist. You WILL do racist things. You have ALREADY done both. Learn and move on. There's no ideological purity you can hold on to, i promise. Proving you can take the criticism without making it a big deal and practice what you preach is better than any clean slate.
Be the kind of person black people don't have to gamble on. Shut up and lock in
everyone be quiet. marsha with her snoopy.
i know weāre both just messing around pretending to be whole but look at me. if the train was coming would you move. if the ground was falling from under your feet would you even notice or would it just be another tuesday for you. if somebody stabbed you could it hurt worse than you already do. what iām saying is that i love you but i think we both drive over the speed limit when itās raining. what iām saying is that i want to hold your hand and i understand about how you sometimes have to sit down in the shower. what iām saying is that iām here for you and if the train comes please move.
i wrote this 7 years ago, somehow. every day someone else finds it and whispers to me - oh, i understand this. something always turns in the wash of my stomach: i am so, so glad you feel seen. i wish you had no idea what this post was about.
i wrote this while working in a program for new writers. on wednesdays, two of the teachers would be contractually obligated to read our writing aloud to the group of 300+ teens. i had never read my work in public before. i had something like 6k poems and was panicking about it. none of them are good enough. sometimes the train is howling. it is hard, actually, sometimes, even as an adult.
and then i thought - what is one thing i wish i could tell all of them. each of these 300 kids. what did i need to hear, at 16?
i wanted to tell them about the day you wake up, and the sun feels warm finally. i wanted to tell them about carving a life out of soapstone, your hands turning bloody. i wanted to tell them that sometimes yes - it actually does feel easy. i wanted to tell them about weddings and cookie dough and long road trips. about albums of new music and old friends laughing and the sound of snow falling.
you will learn the pattern of the train. you will learn to close your eyes when you hear the engine rumbling. you will learn to let yourself have the grey days in their lily-soft numbness. sometimes it will feel like life is wet paint, and god has smeared your canvas across a sewer grate. sometimes it will be so boring it isnāt even pronounceable - the tenacious, soundless blankness. survival isnāt just ugly nights and wild mornings. it is also the steady, unimportant moments. it is just driving with your seatbelt on. it is calling a friend on the way home. it is burying your face into the fur of your dog.
when i had finished reading this poem aloud, the auditorium was silent for a solid minute. someone stood up to take a picture of where it had been projected onto a screen, and then three more people followed the action, and then - like a bad internet story, people remembered they were supposed to be clapping. kids came up to me after it - thank you for writing that. i think i hear a train coming.
i would write this differently now, i think, but it has been 7 years. i still live by the tracks. i also havenāt picked up a blade in over 10 years. the scars are still there, but these days i only pick up scissors to cut my hair. i know why you canāt tell your mom about it. i know how the numbness slips over everything, a restless horrible cotton. i know how when you dropped the dish, you werenāt crying about the broken glass. i know about feeling like all the roads have closed their exits, that you arenāt supposed to still-be-here - and yet.
i am still here, and still yours, and i havenāt forgotten. what iām saying is if any hope is calling to you - i know itās hard, but you have to listen. iām saying keep driving, but slow down the car. sit down in the shower, iām not judging you. we can stay in the dark with the good hot water and do nothing but stare. notice the stab wound. make it through another tuesday.
i know what it is like to miss yourself. do what you need to. come home to me. i am writing to you, my past self, from the future. iāll be waiting for you.
and when the train is coming - please move.
Wriggle and Writhe!
there is no death with honour
there is only giving up!

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she is so unbelievably real
The 26 year old sad wet "dude" at the gig who hesitates when asked his pronouns: "yeah I guess the real problem is that I just don't like myself"
Me about to break the egg prime directive: "Hey have you ever heard of estrogen? Do you want some?"
as it gets warmer let's all remember the two most beautiful accessories a girl can have this summer are hairy legs and a bunch of bruises from bangin around
using violence to liberate people from sweatshops, unsafe mines, and grinding poverty isn't the same as using violence to impose those things on people. the idea that violence is morally repugnant regardless of context is a belief that every oppressor throughout history would love for the oppressed to hold
how to crawl into her lap in a cool way that maintains my feline dignity and mystique

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By Gerda Wegener, 1925