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“Well, that’s the first time I ever had a bad dream with my eyes open.” I WAKE UP SCREAMING (1941) dir. H. Bruce Humberstone

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三船敏郎 // MIFUNE TOSHIRO 東京の恋人 // Tokyo Sweetheart (1952)
And you feel as light as air. The same as anybody out for the first time without their overcoat, and you haven’t had a drink - but you feel as if you have. And you never knew there was such a secret part inside of you. That’s why you come back this afternoon, wasn’t it? Wasn’t it?
Robert Montgomery and Rosalind Russell in Night Must Fall (1937)
It is a drama of steadily mounting tension and complication, shot through with intimations of repressed instincts and thwarted desires that keep a wild kind of terror barely held in leash hovering over the most ordinary comings and goings in that lonely house. It is much more than a melodrama, because everything that happens grows out of the inner natures of the people involved—the boy with his wiles and smiles and dimly glimpsed flashes of mania, the lonely old lady with her greed and selfishness and childless dependence, the girl with her surface hardness and inner sensitiveness, her unblossoming youth and her curiosity—half romantic, half cynical. – National Board of Review Magazine, June 1937
Night Must Fall (1937) dir. Richard Thorpe
Неотправленное письмо / Letter Never Sent (1960) Soy Cuba / Я — Куба / I am Cuba (1964) — Directed by Mikhail Kalatozov

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三船敏郎 // MIFUNE TOSHIRO 東京の恋人 // Tokyo Sweetheart (1952)
The Pleasure Garden (1925)
When you go, your footprints will fill with grass. Moss shall cover your tombstone, and as the sun rises, green shall spread over all, in all its shades and hues. This verdigris will overtake your swords and your coins and your battlements and, try as you might, all you hold dear will succumb to it. Your skin, your bones. Your virtue - The Green Knight 2021
Portrait of Dev Patel in his role as Gawain in The Green Knight. Acrylic paint and embroidery floss on Cotton. 17 inches diameter.
I’m a witch. A witch? I knew it all the time! You did? Of course. I’ve been under your spell since the moment I met you. I Married a Witch (1942) dir. René Clair
Gold Diggers of 1933 (1933) - dir. Mervyn Leroy

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– Well now, if we’re really starting from the beginning—excuse me. – Where are you going? – To get you a pack of cigarettes.
NO TIME FOR COMEDY (1940) dir. William Keighley, starring James Stewart and Rosalind Russell, based on the play by S. N. Behrman
"There is no love, there is only desire."
Rudolf Klein-Rogge and Gertrude Welcker DR. MABUSE, DER SPIELER 1922 | dir. Fritz Lang
坂本龍一 B-2 unit poster ryuichi SAKAMOTO
AD:井上嗣也 tsuguya INOUE 1980
[How to keep warm in Winter during Edo-era], illustration by Sayuri Sasai. Japanese homes were (and still are…) badly insulated, so people had to find ways to keep warm. Common solutions (beside putting on layers and layers of clothing) were to use:
褞袍 Dotera (kimono like vest padded with fibers like cotton, silk, wool, etc).You can still find nowadays a remnant of those items in 半纏 hanten (padded haori). It’s worth noting that during most of Edo-era, haori (=short coats) were considered men wear items only.
囲炉裏 Irori (sunken hearth), used for cooking and keep warm. Poor country folks with small houses would lay their beds around it to keep warm during the night.
行火 Anka (foot/bed warmer), clay heaters using coals which appeared during Muromachi period. Shapes greatly varied over time. Another name for those during Edo was 辻番 tsujiban (”watchers”, from the watch patrolling in streets, especially to prevent tsujigiri murders but also on the look out for fires which were a major hazard in Edo). Anka were used under 炬燵 kotatsu (table covered by a futon called kotatsugake) or when sleeping under a 夜着 yogi (padded quilt shaped like a kimono).
火鉢 Hibachi (portable hearth) were the period portable heaters. Many existed, materials and decors depending on the household wealth. Shaped included bowl like 丸火鉢/maruhibashi, or 長火鉢/nagahibashi (wooden box ones, drawn here). Hibachi were the primary heating system for folks living in nagaya (tiny rowhouses typical of Edo cities) and a major fire source! (see fire hazard above)
Run and don't look back. I'll find you no matter what. Kim Doo Sik & Lee Mi Hyun in MOVING 무빙 (2023)

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" He should not have come back. He was in grave danger. He said he didn't get to meet a lot of people. And because of that,he wasn't good at joking or socializing,but it was all from his heart. Everything he said was from his heart. No, that's not exactly right. It was actually because he loved me."
HAN HYO JOO & JO IN SUNG as LEE MI HYUN & KIM DOO SHIK in MOVING / 무빙 (2023) dir. park in jae