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@godshood-saved

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‹ 𝗮𝗿𝗰𝗵𝗶𝘃𝗲𝗱 — ✣ ➝ mccncrane . ›
sneakily, she always saves a handful of cookies for them to eat together later. leftovers, she’ll call them, as if they weren’t carefully wrapped in a clean cloth, still warm, and tucked onto a corner of the kitchen, saved. she doesn’t know why. a combination of enjoying roma’s company and wanting to remedy the second-hand guilt of having her as a prisoner of the faction. funnily enough, her voice carries no guilt when she tells the last couple people in the line sorry, we’re out of cookies for today.
i hate them, roma says just as lily is unwrapping the treats, and her face falls. she believes it, on a split moment of uncertainty. self-doubt has always been her forte. she’s already thinking of all the ways she can fix this when she looks up, and catches sight of the teasing glint on the other’s eyes. her own lips split into a grin as she scoffs, laughing mostly at herself. “oh, shut up. i know you like them.”
she hands one of the cookies along, while she takes one for herself. she’ll purposely nibble on this same one for the entire duration of their talk, and pass all the others to roma, pretending this is an even split. “nothing too interesting. i don’t even… i don’t know what they’re up to. i see them fussing about, though. preparing for something, i think. but nothing fun on my end. you?”
thinks the sun might rise and set with her smile / porcelain that brings the world to its knees and she is something that gifts glory , ichor . when she looks to the other’s eyes , reminded of virtue , of benevolence —- tastes it across her tongue . glutinous to a fault : wants only to devour and ravage all that she gives and she thinks for a second of a wolf gnawing on cracked and hollow bones . and if she consumes her , what then ? if she is something carnivorous and insatiable , and if she cannot be tamed ? lily , with her satin skin and holy light —- home somewhere in elysian fields and roma as sin that can only decay and devour . doesn’t deserve the plague that she brings , can only promise a ruining unbecoming of lily . belly swelling with something aching and she can only swallow the hurt .
laugh escaping parted velvet and it tastes foreign in her mouth . ❝ oh you know how it is , same old madness in here . . . ❞ ivories clenched tight , jaw pulled taut : rage swallowed and pacified with a smile . how long has it been since she’s made a lover out of captivity ? how many days spent rotting ? ❝ preparing for something you said ? please tell me it’s nothing too dangerous lily —- ❞ palm reaching from between steel bars to rest on delicate knuckles . eyes brimming with worry , fear ( and though she would never admit it : love and reverence or something like it ) as she squeezes her hand in her own . ❝ please stay safe . ❞
𝙩𝙧𝙖𝙣𝙨𝙢𝙞𝙨𝙨𝙞𝙤𝙣 𝙛𝙤𝙧 𝙣𝙜𝙤 , 𝙨𝙪𝙖 @cordiiceps
old bones that welcome him in passing / which of his lives is he living ? carries with him the sins of all and maybe that is why a spent body collapses and palms claw into the grass ( who will mourn this damaged earth ? ) and lungs expel a heavy sigh . on his knees again like in prayer and maybe there was something holy about it . . . when he looks to the sky for divine intervention , notices only the glass-eyed stare of a raven too high in the half frozen pines . who are you , it asks , and what will you become ? wishes he knew —- wishes he had an answer to shout and scream and curse until his throat is raw but when lips part it is only to expel a ragged breath that is too heavy in bruised ribs . single tear brims and spills and he does nothing but let it fall to the bloodied earth .
when he rises it is with an unfeeling placidity : taut sinew , flesh broken and violet patched , eyes that look towards a thick and slow nothingness . dichotomy between body and mind the way limbs carry movements but he is elsewhere , tucked away and enveloped in a foggy haze . he thinks of his mother then and of delicate stems brushing hair from his forehead as he lay still and dreamed . oh , how he missed those dreams . . . cadaver lays still at his feet and he parts raven locks from the eyes to see who had tasted his bullet . jack , he thinks his name is , with still blue eyes that see only his callous murderer in the peripheral .
he loves , is the thing . he loves like a religion , like every sacred rite and ritual belongs only to her eyes and oh god he would do it again . oh god , he would watch the life leave a thousand eyes and wash his hands of unending innocent blood to worship and pray and sing to mathilda . supposes every creed demands sacrifice and he would pay his in flesh and bone . it’s then that he sees the silhouette of another to witness his piety and his gun is raised before he recognizes the eyes that watch him . ❝ sua i —- ❞ pistol thrown to the ground somewhere he doesn’t care to see and he falls with it , digits tangled in unkempt locks . ❝ i swear i didn’t mean to he was just —- ❞ just what , exactly ? doing his job and fighting the enemy ? knows he is unjustified and gratuitous and still he awaits the remorse that has not yet come . whispered , buoyant where it falls into april wind . ❝ please don’t tell anybody . . . ❞

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SEBASTIAN STAN AND SHAILENE WOODLEY Endings, Beginnings (2019) dir. Drake Doremus
NFWBMB by Hozier but from an abandoned church in the woods
‹ 𝗮𝗿𝗰𝗵𝗶𝘃𝗲𝗱 — ✣ ➝ oldimmunity . ›
she hates her fucking life — her miserable, agonizing life. sometimes mathilda thinks she was born to be punished, like it had been some sick will of god but years of hyper religious trauma would do that to a person. it had been filled with nothing but searing pain; and even now she is acutely aware that none of this made sense for her. ending up with a pack of hunters in wyoming, it had been nothing more than refuge for the life that had once tormented her but she mourned more than anything under the sun.
one second her mind is fogged, two strong hands around her throat pressing down hard — she’s too young to be romanticizing the end but it feels like she’s on death’s door. her vision grows spotty and she’s kicking a person, not an infected, in the knees to no avail until it all halts. a gunshot rings in her ears and hot, warm blood splatters across her face. it takes her a moment to realize she is not dead, not yet — and it is not her blood. shoving the body off her own mathilda loudly gasps for air, letting the oxygen fill her longs again and attempts to let her blurry vision focus on her savior. not another hunter — no, but the last thing she expects. “….leo? “ mathilda chokes out, mind flooding with thoughts that are running far too fast to process him. maybe she is dead or this is another sick twist of god’s wrath to man.
boy half destroyed , fists swollen and smelling of spent gun powder . he thinks he has known peace once : was it somewhere in the trees with cardinal birdsong to drown out screams and begging ? he was ten then and an old testament god had promised fury upon a few . he would return that day to see the scaffold still bloody and something foul , something copper and rancid , hanging heavy in the air . when did the birds stop singing and the trees rot into the ground ? when did his skin begin to bleed and bleed and his stare become cold ? when did his soul become incorrigible ? palms once clasped in prayer that know only of ruin and atrophy —- welcomes the ravage and the sin .
knows he is a corpse decaying / virtues and personhood deteriorating into something wild , unrecognizable . is this what it feels like to slip ? thinks for a moment how comforting a grave would be : i hope they bury me in the mountains , leave me to collapse among the rock and dirt . when he sees her face , knows sanity has left him godforsaken . still . . . rationale be damned and he’s pulling out his gun to shoot the hunter atop her body . doesn’t blink , doesn’t miss when the bullet goes through his skull and she is painted in crimson . sweet , honey voiced , if this is a dream please let it last . . . thumbs tracing the visage of a ghost , lips trembling and mumbling . ❝ mathilda . . . are you here ? am i slipping away ? please tell me you’ll stay ... ❞
MARY OLIVER
Thirst (2006);
original photos and edit

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Just follow me. Follow my voice.
𝙩𝙧𝙖𝙣𝙨𝙢𝙞𝙨𝙨𝙞𝙤𝙣 𝙛𝙤𝙧 𝙧𝙪𝙨𝙨𝙤 , 𝙡𝙞𝙡𝙞𝙩𝙝 @mccncrane
soft chuckles painting the picture of somebody not tinted in malice / knows she’s something vicious but in her wake she is reborn and reborn again , tribulations be damned . heart heavy and light at the same time : is this laughter deserving ? to whom does this benevolence belong ? digits tug at the cotton around her shoulders tighter , lips faltering . colloquial is teasing when the other approaches . ❝ another one of these cookies ? oh , you know i hate them . ❞ lie falls easily off an adapted tongue —- won’t admit that the sweets she brings her make veins warm with something she doesn’t recognize or that she counts the days before she’s eating them again but isn’t that how it’s always been ? the lying and the sin come too easily and she is made to devour it all . ❝ so what’s going on out there ? any fights worth mentioning ? ❞
The Devil All the Time (2020) dir. Antonio Campos
Les deux amis (2015) dir. Louis Garrel
case file : javadi , roma evil is unspectacular and always human . it shares our bed and eats at our own table

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Euripides, from Medea; tr. by Oliver Taplin
﹙ Text ID: CHORUS LEADER: You would become the wretchedest of women. MEDEA: Then let it be. ﹚
Golshifteh Farahani in I’ll Kill You If You Die by Huner Saleem