Kazumi Sakata - Museum As It Is “Cabinet”
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Kazumi Sakata - Museum As It Is “Cabinet”

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Courrèges, fall 2021
Katayone Adeli Fall/Winter 2000
Conjugate deterritorialized flows. Follow the plants; you start by delimiting a first line consisting of circles of convergence around successive singularities; then you see whether inside that line new circles of convergence establish themselves, with new points located outside the limits and in other directions. Write, form a rhizome, increase your territory by deterritorialization, extend the line of flight to the point where it becomes an abstract machine covering the entire plane of consistency.
Deleuze and Guattari, “Introduction: Rhizome,” A Thousand Plateaus: Capitalism & Schizophrenia (via heteroglossia)
-Emily Dickinson

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helsine/cruelfruit/ulmin/nu1l here
Doorn, 2017
“Conjugate deterritorialized flows. Follow the plants; you start by delimiting a first line consisting of circles of convergence around successive singularities; then you see whether inside that line new circles of convergence establish themselves, with new points located outside the limits and in other directions. Write, form a rhizome, increase your territory by deterritorialization, extend the line of flight to the point where it becomes an abstract machine covering the entire plane of consistency.”
— Deleuze and Guattari, “Introduction: Rhizome,” A Thousand Plateaus: Capitalism & Schizophrenia (via heteroglossia)

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“We lap up some empty and last thing.”
— Paul Celan, in an excerpt from The Years From You to Me, featured in Poems (via minima–moralia)
mariacarla boscono by jamie hawkesworth for vogue uk march ‘18
Photographed by Pyotr Vedenisov, 1910s
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