luxury gleitzeit art gif

And with advance to REALITY COPY there’s certainly no way of changing this perception only enforcing it, nothing in reality is good enough for “REALITY COPY” that is just another paradox that is not futuristic.

 We might be still skeptical about the arrival of REALITY COPY, but its only before its sold at the supermarkets.

What would happen after “Reality Copy” when the progress of all possible levels of true “reality copy” (in technical sense, not psychologically-philosophical) are achieved. The reality hence is copied and sealed.

Technology won’t stop there… one wonders. What is next.

In political sense when reality in representation is something embraced by concervative social power than with “reality copy” the concervative power is the dominating from the social point of view having new level of reality and it’s copy to be controlled.

So far the techno advance puts the artistic, literary and philosophical field out of business. As when people get the toys (gadgets) and the playground (the podium of internet) the art is irrelevant and completely disconnected from the social phenomenon of self-representation. Art is not interested to question something with no philosophical substance to it.

  The commercial art is willing to supply more stuff for consumerism. If its reality-copy than someone empowered by financial wealth (born rich) would come up with more decorative solutions that could serve REALITY COPY in needed fashion, add more details to the “reality set” to those who can afford it.

Same way it is now when people with means live with more things.

MANIFESTO GLEITZEIT 2015

PROLOGUE Paul Jaisini was like a messiah, as you wish, who saw/understood the impending end and complete degeneration of Fine art or Art become and investment nothing more than that. He predicted the bubble pops art when everybody would  eventually become an artist, including dogs cats and horses, because they as kids followed the main rule: express yourself without skills or knowledge or any aesthetic concerns. J. Pollack started pouring paints onto canvases; Julian Schnabel, former cab driver from NY, suddenly decided he could do better than what he saw displayed in galleries, so he started gluing dishes on canvases; A.Warhol, an industrial artist who made commercial silk-screen for the factories he worked in, started to exhibit “Campbell’s soup” used for commercial adds… and later the thing that made him an “American Idol”: by copying and pasting Hollywood celebrities (same type of posters he made before for movie theaters). When Paul Jaisini stood out against the Me culture in the US by burning all of his own 120 brilliant paintings (according to the then-new director of Fort Worth MoMa Museum, who offered hin an exhibition of his art in 1992, and later the Metropolitan Museum curator, Phillippe de Montebello, in 1994).Paul probably assumed all fellow true fine artists would join him or stand by him against corruption of the art world. And after 20 years of his stand-off…the time has finally come today. Many artists and humanitarians around the world took a place beside him. His invisible Paintings became a synonym for the future reincarnation of fine art and long lost harmony. The establishment is in panic! The “moneybags” (as Paul Jaisini named them) are in panic, because they invested BILLIONS of dollars in real crap made by craftsmen. Now they realize that the reputation of American legends of expressionism was nothing but a copy of Russian avant-garde” Kazimir Malevich, Vasiliy Kandinsky and tens of others from France and Germany.. US tycoon investors were spending billions on “Me more original, than you”. “Artist Shit” is a 1061 artwork by the Italian artist Piero Manzoni. The work consists of 90 tin cans, filled with feces. A tin can was sold for £124,000, 180,000 at Sothebys, 2007. EPILOGUE Before I resume promoting and admiring a very important art persona on today’s international art arena, I’d like to clear up some BIG questions; people ask continuously and subconsciously, directly & indirectly: “Why does the name Paul Jaisini, flood the Internet in such “obnoxious” quantities that it’s started suppressing some other activities that my friends might share with the rest of the Internet’s Ego Me only Me www society? I can’t just answer this… so I’ll try to explain why I’m writing this: Jaisini’s followers keep posting art and info about, He IMHO the only hope in quickly decomposing visual fine art. “Paul Jaisini realized many years ago, in 1994, when he declared (at that time to himself only) the start of a New era, a New vision, that he is trying to redirect from the rat race, started by an establishment in post-war New York, long before the Internet culture. Sub related information: Adolf Gottlieb, Mart Rothko, etc (after visiting Paris France in 1933): “We must forget analytical art, we must express ourselves, as a 5 year old child would, without a developed consciousness. Forget about results - do what you feel, EXPRESS yourself with your own unique style” With this statement Mark Rothko starts to teach his students, degeneration of fine art begins, and the generation of war of styles took a start signal of the material race, greatly rewarded by establishment “individual” - eccentric craftsmen - show business clowns. Sub related Information: In the summer of 1936, Adolf Gottlieb painted more than 800 paintings, which was 20X more than he created in his whole art career as a painter, starting from the time of Gottlieb becomes a founding member of “The Ten” group in NYC “Group of Ten” was a very peculiar, enigmatic group… Based on a religious point of view;(where a human figure was prohibited from being created) GLOSSARY IN 1997, Paul Jaisini’s best friend Ellen Y.K.Gottlieb started a cyber campaign by promoting on a very young Internet, back then, Paul Jaisini’s burned paintings as Invisible Paintings, visible only through poetic essays. She and a handful of people saw his originals and were devastated that nobody could ever see them again. “We, his fans, believe that someday Paul will recreate his 120 burned paintings if he has any decency and moral obligation to his fans, who have dedicated decades to make it happen, for their Phoenix to rise from the ashes and the whole world will witness that all these years we spent to get him back to re-paint the Visuals again were not in vain,” - said E.Y.K.Gottlieb in 2014 during the 20th anniversary celebration of Invisible Paintings to GIGroup in NYCity. So now, hopefully, this clears up why I and others do what we do - our “cyber terrorism” of good art, dedicated to Paul Jaisini’s return, which is & and was our mission & our goal. We post good art to fight “troll art” which is worthless pics, after being passed through 1-click filters of free web apps. We are, in fact, against this www pops pollution, done with “bubble art” by the out of control masses with 5 billon pics a day: Pics of cats, memes, quotes,national geographic sunsets and waterfalls, not counting their own daily “selfies: and whatever self-indulging Me-ego-Me affairs, sponsored happily by photo gadget companies like Canon, Nikon, Sony…who churn out higher quality madness tools at lower cost. This way Government taking away attention from the real world crisis of lowest morality & economical devastation. The masses are too easily re-engineered/manipulated by the Establishment PopsStyle delivered to them by pop music and Hollywood “super” stars. In 1992 Paul Jaisini’s Gleitzeit theory predict such a massive, pops self-entertain madness, following technological explosion, but not in illusive scales. Uber Aless @2015 NYC USA NOTE Date’s numbers and events can be slightly inaccurate. #gleitzeit #paul-jaisini #invisible #painting #art #futurism #art-news,