David Young Cameron, The Wingless Chimera, 1911
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David Young Cameron, The Wingless Chimera, 1911

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Library Table
Maker: Herter Brothers (German, active New York, 1864–1906) Date:1879–82 Geography: Made in New York, New York, United States
Wall Mirror, c. 1720, France
Devastating! Art museum gift shop doesn’t sell prints of specific and unpopular painting that struck a cord with you!
Frederic Millet, Study of a Plaster Cast, 1806

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Acanthus wallpaper design by William Morris, c. 1879-1881
John Everett Millais, Three Swordhilts, 1839
John Singer Sargent, Sketch of Cellini's "Perseus", c. 1909-1910
in this dark age of censorship, remember that if ovid managed to stay a pervert during the moralising tyranny of the augustan age, you can do the same now. don't worry about what happened to him next
John Singer Sargent, Apollo and Daphne, c. 1916-1919

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Bühnenbild, Festspielhaus Bayreuth: Leda mit dem Schwan (Tannhäuser)
[Stage Design, Bayreuth Festival Theatre: Leda and the Swan (Tannhäuser).]
lisa peterson and denis o’hare, an iliad
Adriaen Coorte, Still Life with Wild Strawberries, 1705
Sigrid Lehrbäck, The Sculpture Gallery in the Ateneum, 1900

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[Frontal and dorsal view of the human skeleton] by Jan Wandelaar
Who is the real subject of most love poems? Not the beloved. It is the hole. When I desire you, a part of me is gone: my want of you partakes of me. So reasons the lover at the edge of eros. The presence of want awakens in him nostalgia for wholeness. His thoughts turn toward questions of personal identity: he must recover and reincorporate what is gone if he is to be a complete person. […] Most people find something disturbingly lucid and true in Aristophanes’ image of lovers as people cut in half. All desire is for a part of oneself gone missing, or so it feels to the person in love.
Anne Carson, Eros the Bittersweet: An Essay.