girl ᥫ᭡

Big Jane’s gaze is such a problem because he looks at you like his will to live is hidden in your eyes… but also like he’s about to eat you alive.

Do we think Big Jane is supernatural, or is he just a regular human with the right connections and capabilities? Because I’m genuinely torn at this point.

I remember seeing him with wings in the pilot trailer, and in all of Little Jane’s depictions of him through his art, he always has black wings. Is that just a coincidence, or is it subtle foreshadowing?

Then there’s the fact that Big Jane doesn’t seem to have any limits on who he can do a favour for. He was literally coming on to Jet, so why pursue Little Jane so specifically? What makes him different?

I’m usually the type to predict an entire plot within a few episodes, but I’ve got absolutely nothing right now—which is exactly why I love this show even more.

I’m currently watching Voicemails for Isabelle, and yes, at first it seems innocent enough. Wes starts receiving voicemails from a random woman who thinks she’s leaving messages for her sister. He initially intends to let her know the number no longer belongs to Isabelle. Sure.

(I’ll even ignore the fact that if his goal was truly just to stop the voicemails, he could’ve simply texted her on day one.)

My issue starts when he realizes he has information about this woman that she never chose to give him. He knows about her dating life, her grief, her routines, the way she thinks. And instead of correcting the situation, he uses that information to insert himself into her life.

That is where it stops being cute.

Maybe he just wanted to put a face to the voice at first but now they’re dating. They’re bonding over loss—his mother, her sister. They’re building trust. They’re on the verge of becoming physically intimate.

Meanwhile, Jill has absolutely no idea that the very foundation of this relationship was engineered through information she never knowingly shared with him.

That’s what unsettles me.

You don’t have to be a serial killer before I think, “Hold on… something isn’t right here.” Sometimes it’s someone withholding critical information because they know that if they revealed it too early, the other person might never have agreed to the relationship in the first place.

I don’t even care how the rest of the movie ends because, at this point, I’ve already seen everything I needed to see.

Maybe I’m still reeling from Obsession, which I also just finished, but I don’t find this romantic. I find it manipulative (because it is).